Ebmin7 Dm7 Cmaj F#7 Bm7b5 G6

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1 Eb m # mb G Major hords Minor by Key I IIm IIIm IV V VIm VII O E G dim < Im II O <III IVm Vm <VI <VII G dim < hord iagrams for Guitar & dom Piano ind the SI HOS you need to know according to key Melodic Minor Harmonic Minor Im II O <III IV V VI O VII O G m() by Tom Michero < < dom dom dim < dim < Im IIm <III IVm V <VI VII O G m() < < < PEGGIOS UNTIONS INTEVLS dom dim dim opyright Tom Michero 011

2 Look Up hords by Key If you have ever wanted to look up the chords of a song you normally have to look up each chord separately. However, this book groups chords by key so you can see on one page the most common chords you will encounter. Key oot Key Signature Intervals hord unction hord Organization hords are known by their type and function. There a three basic types of chords, or, or, and doant. There are seven categories of chord functions. The simplest chord, called a triad, is made up of three notes. dditional notes can be added to a triad to produce sixth, seventh, and ninth chords. This book organizes chords in rows depending on the how many notes are in the chord. rranged in columns across the top are the names of chord functions. Scale egree oant hord hord Notes () t the bottom of each column is the chord type with its root, as applied to the whole column. lso shown are the notes of the chord s basic triad. The exception is the doant column where four notes of the doant chords are shown. hord Structure hord Type th hords Seventh chords come in three varieties or, or, and doant. ll three types are included on the th row of the page. opyright Tom Michero 011

3 res c key signatures of the iatonic on the staff indicates the tonal y which will also include the octe. th th th th E G E G Tonic Super Tonic E G b 10 Eb 10 b 10 E G I IIm IIIm IV V VIm VII O E G dom dim b oant E G E G G E opyright Tom Michero 011 > < < < < < < < E G < < < > < < < G E E < < < < E < < < < < < > < < < < < > < < < G < E G 10 oant G E G < < < < <

4 th th th th db b Tonic Super Tonic oant oant G E im im w/h Gb 11 < E E G G < < E G E Minb Locrian G < < < < < E G > > < < < < E G < < < < E G < < < I IIm IIIm IV V VIm VII O dom dim < G opyright Tom Michero 011

5 th th th th G E G E G d bg E im im w/h < Tonic Super Tonic oant oant E Minb Locrian < < < E G Eb G E E G G < # b G E < E G I IIm IIIm IV V VIm VII O E G dom dim E G G E G E G > < E G < b Gb 11 < < E G > < < < < < < < E G < < < < < opyright Tom Michero 011

6 th th th eb G G b b Eb Gb G < < E < E G G E Minb Locrian E G Minor orian G Tonic Super Tonic oant oant 11 < < < < G E G orian < > < < < < E <G < < < E G < > < E G E E G im im w/h < < < < E G < < th I IIm IIIm IV V VIm VII O G dom dim G G E G opyright Tom Michero 011

7 e Tonic Super Tonic oant oant E E < E < th < E E < th E E < th < th I IIm IIIm IV V VIm VII O E dom dim E E E opyright Tom Michero 011

8 f Tonic Super Tonic oant oant G E E G < E G th < G E G < E G th G E G 1 0 * 1 0 * < < th * 0 * < th 1 * 1 * These chords indicate chords that rely on open strings. Notes at 0 are at the nut. I IIm IIIm IV V VIm VII O G E dom dim G E E G E G opyright Tom Michero 011

9 f# Tonic Super Tonic oant oant < < th < th 1 1 < < th 1 1 < th I IIm IIIm IV V VIm VII O (E>>) dom dim opyright Tom Michero 011

10 g Tonic Super Tonic oant oant G E < E G E G < th E G < E th G E E G E < < th < th I IIm IIIm IV V VIm VII O G E dom dim G E E G E G opyright Tom Michero 011

11 ab Tonic Super Tonic oant oant G G < G th G G < G th G < < th < th I IIm IIIm IV V VIm VII O G dom dim G G G opyright Tom Michero 011

12 a Tonic Super Tonic oant oant E < E E < th E E G < th E G E < < th < th I IIm IIIm IV V VIm VII O E dom dim E E E opyright Tom Michero 011

13 b Tonic Super Tonic oant oant G G G < th G < G th G G G G < < th < th I IIm IIIm IV V VIm VII O G dom dim G G G opyright Tom Michero 011

14 Tonic Super Tonic oant oant < E E < E th E G < E th E E E < < th < th I IIm IIIm IV V VIm VII O E dom dim E E E E opyright Tom Michero 011