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2 East German Cinema
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4 East German Cinema DEFA and Film History Sebastian Heiduschke
5 EAST GERMAN CINEMA Copyright Sebastian Heiduschke, All rights reserved. First published in 2013 by PALGRAVE MACMILLAN in the United States a division of St. Martin s Press LLC, 175 Fifth Avenue, New York, NY Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number , of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave and Macmillan are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: (hc) ISBN: (pbk) Library of Congress Cataloging-in-Publication Data Heiduschke, Sebastian, 1974 East German cinema : DEFA and film history / Sebastian Heiduschke. pages cm Includes bibliographical references. ISBN (alk. paper) ISBN (alk. paper) 1. DEFA History. 2. Motion picture industry Germany (East) History. 3. Motion pictures Germany (East) History. I. Title. PN1999.D4H dc A catalogue record of the book is available from the British Library. Design by Newgen Knowledge Works (P) Ltd., Chennai, India. First edition: October
6 Contents List of Figures Acknowledgments Introduction 1 Part I East German Cinema 7 1 East German Cinema as State Institution 9 2 Reciprocities and Tensions: DEFA and the East German Entertainment Industry 19 3 A Cultural Legacy: DEFA s Afterlife 31 Part II Freezes and Thaws: Canonizing DEFA 41 4 The Rubble Film, Wolfgang Staudte, and Postwar German Cinema: Die Mörder sind unter uns (The Murderers Are among Us, Wolfgang Staudte, 1946) 45 5 Fairy Tales and Children s Films as Eternal Blockbusters: Die Geschichte vom Kleinen Muck (The Story of Little Mook, Wolfgang Staudte, 1953) 53 6 The Gegenwartsfilm, West Berlin as Hostile Other, and East Germany as Homeland: The Rebel Film Berlin Ecke Schönhauser (Berlin Schönhauser Corner, Gerhard Klein, 1957) 61 7 The Birth of DEFA Genre Cinema, East German Sci-fi Films, New Technologies, and Coproduction with Eastern Europe: Der schweigende Stern (Silent Star, Kurt Maetzig, 1960) 69 8 Film Censorship, the East German Nouvelle Vague, and the Rabbit Films : Das Kaninchen bin ich (The Rabbit Is Me, Kurt Maetzig, 1965) 77 9 Renegade Films, DEFA Musicals, and the Genre Cinema: Heißer Sommer (Hot Summer, Joachim Hasler, 1968) 85 vii ix
7 vi Contents 10 More Genre Cinema, the Red Western, and Stardom in East Germany: Apachen (Apaches, Gottfried Kolditz, 1973) Gender, Class, and Sexuality: Ending Taboos in Die Legende von Paul und Paula (The Legend of Paul and Paula, Heiner Carow, 1973) DEFA and the Holocaust, the Antifascist Legacy, and International Acclaim: Jakob der Lügner (Jacob the Liar, Frank Beyer, 1974) The Women s Film, Konrad Wolf, and DEFA after the Biermann Affair : Solo Sunny (Konrad Wolf, 1980) Passed by History: Dystopia, Parable, and Bookend: Die Architekten (The Architects, Peter Kahane, 1990) The Wendeflicks, Jörg Foth, and DEFA after Censorship: Letztes aus der Da-Da-eR (Latest from the Da-Da-eR, Jörg Foth, 1990) 131 Appendix 139 Notes 141 Bibliography 165 Filmography 185 Index 191
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