Standards for Digital Screen

Save this PDF as:
 WORD  PNG  TXT  JPG

Size: px
Start display at page:

Download "Standards for Digital Screen"

Transcription

1 SAWA Standards and Recomme ons for Screen Adver sing Standards for Screen 3.1 SAWA RECOMMENDED STANDARDS Section of this document illustd SAWA s two minimum quality thresholds: the SAWA Recommended Standards and the SAWA Minimum Standards. Table 2 is shown again (as Table 3) to recapitulate where the SAWA Recommended Standards lie within the various categories of digital cinema (D-Cinema) and electronic cinema (E-Cinema) currently deployed. This Section specifies the SAWA Recommended Standards. Categories Descri on Standards Typical Equipment E-Cinema SD < 720 SD (Standard Defin on) and HD (High De on); the number refers to the number of horizontal lines HD 720 that make up the Numerous op ons available with li le assurance of interoperability and not generally considered to be able to fulfil exp ons of cinema quality D-Cinema Recommended HD 1080P Minimum 2K 4K High Defini on with 1080 lines each with 1920 pixels where each comprises all lines progressively, not using interlacing 2K describes s that can achieve a maximum resolu on of 2048 x K describes s that can achieve a maximum resolu on of 4096 x 2160 In line with current HD broadcast standards typically through ITU-R As specified by key Hollywood movie studios (DCI) and as standardised by SMPTE and ISO High brightness and high resolu on large-venue projectors DCI-compliant projectors and playback servers or media blocks with precisely-defined light-level and colouraccuracy performance including compa bility with 3D Cinema in selected theatres Table 3: Categories of and Electronic Cinema Systems Copyright Screen Adve sing World A 2009

2 Category Subcategory Standard Reference Distribution Master (Postproduction) Package Presentation file count modulation, sample, bit depth, and delivery medium sync relationship (number of audio samples per ) max bit modulation, sample, bit depth, and file type pre/post roll packaging audio aspect brightness contrast playout 1998 x 1080 (2K) or 3996 x 2160 Section and SMPTE428 1, (4K) 24 fps Section 3.3.2, , and SMPTE428 1 TIFF Section 3.3.2, and SMPTE channel Section and SMPTE428 2, 428 3, approved mix for cinema Members section of replay as per SAWA Sound Manual International Standard ISO (British Standard BS ) Pulse Code Modulation (PCM); 48,000 samples per second; 24 bits; Broadcast WAVE (.wav) For 24 fps: samples per Section and Glossary of this publication under PCM, WAVE Glossary of this publication under sync relationship JPEG2000 SMPTE429 4 and Glossary of this publication under JPEG2000 Max 250 Mbps Section of this publication and Glossary for max bit definition 1998 x 1080 (2K) or Section and SMPTE428 1, 3996 x 2160 (4K) SMPTE fps Section 3.3.2, and SMPTE428 5, SMPTE International Standard ISO 21727; (British Standard BS ) PCM, 48,000 Hz, 24 bit, DCP audio track file Section , SMPTE429 3, and Glossary of this publication under PCM Pre roll: 6 s; post roll: 6 See section and Glossary of this s publication under pre/post roll DCP SMPTE429 2 through stream in sync with stream 2K or 4K DCI See section SMPTE431 1 and RP fps publication under 1.85:1 Section fl (2D) 4.5 fl (3D) Section , Section , SMPTE :1 sequential contrast Section , SMPTE431 1 and RP channel to International Standard ISO 2969 and ISO (Society of Motion Picture Television Engineers standard SMPTE 202M and recommended practice SMPTE RP200) Section and search keywords: 2969 and (

3 Reporting audio playback Audit trail (proof of play) to be delayed by total picture projection and decode latency LESS audio decode latency to maintain sync Higher levels of reporting such as: time and date; position in reel; cinema location; screen number Section and Glossary of this publication under audio playback Section and Glossary of this publication under Audit trail Table 4: SAWA Recommended Standards for Screen 3.2 SAWA MINIMUM STANDARDS Minimum Standards lie within the various categories of digital cinema (D-Cinema) and electronic cinema (E-Cinema) currently deployed. Section of this document illustd SAWA s two minimum quality thresholds: the SAWA This Section specifies the SAWA Minimum Standards. Recommended Standards and the SAWA Minimum Standards. Table 2 is shown again (as Table 5) to recapitulate where the SAWA Categories Description Standards Typical Equipment E Cinema SD < 720 HD 720 SD (Standard Definition) and HD (High Definition); the number refers to the number of horizontal lines that make up the Numerous options available with little assurance of interoperability and not generally considered to be able to fulfil expectations of cinema quality D Cinema Recommended HD 1080P Minimum 2K 4K High Definition with 1080 lines each with 1920 pixels where each comprises all lines progressively, not using interlacing 2K describes s that can achieve a maximum of 2048 x K describes s that can achieve a maximum of 4096 x 2160 In line with current HD broadcast standards typically through ITU R As specified by key Hollywood movie studios (DCI) and as standardised by SMPTE and ISO High brightness and high large venue projectors DCI compliant projectors and playback servers or media blocks with precisely defined light level and colour accuracy performance including compatibility with 3D Cinema in selected theatres Table 5: Categories of and Electronic Cinema Systems

4 Category Subcategory Standard Reference Distribution Master (Postproduction) As per International Telecommunication Union Radiocommunication, Rec. ITU R BT.709 (HD1080P) Package Presentation count modulation, sample, bit depth, and delivery medium sync relationship (number of audio samples per ) max bit coding coding bit coding sample coding embedded TC pre/post roll packaging audio The Screen Contractor chooses one of the following s and sets this as their delivery requirement: either your territory s broadcast standard (PAL/SECAM = 25 fps; NTSC = fps) OR the cinema standard of 24 fps R/, REC BT.709/en publication under 6 channel Section and section approved mix for cinema replay as per SAWA Sound Manual International Standard ISO (British Standard BS ) Pulse Code Modulation (PCM); 48,000 samples per second; 16 or 24 bits; DTRS tape, Broadcast WAVE (.wav) or Interchange File Format (.aif) For 24 fps: samples per For 25 fps: samples per For fps: samples per MPEG2 Members section of Glossary of this publication under PCM, DTRS, WAVE, and Interchange File Format Glossary of this publication under sync relationship Glossary of this publication under MPEG2 & Min 19.7 Mbps Max 80 Mbps Section of this publication and Glossary for max bit definition 1920 x 1080 Section To match of the Screen Contractor s Distribution Master and requirement (as above) International Standard ISO 21727; (British Standard BS ) AC3 as per Rec. ITU R BS.1688 publication under R/, REC BS.1688/en 448 kbps See section and Glossary of this publication under coding bit 48 khz See section and Glossary of this publication under coding sample No See section and Glossary of this publication under coding embedded TC Pre roll: 6 s; post roll: 6 See section and Glossary of this s publication under pre/post roll MPEG2 Transport Stream See section and Glossary of this publication under Transport Stream Coded audio stream in sync with See section and Glossary of this stream; do not publication under Coded audio stream insync compensate for audio decoding latencies Minimum 1280 x 720 (WXGA) Glossary of this publication under WXGA

5 Reporting aspect Projector brightness (at 1x screen gain) contrast playout metadata dialnorm -audio playback Audit trail (proof of play) To match of the contractor s Distribution Master requirement (above) 16:9 [unless is higher] 6 m wide screen : Minimum 4000 Lumens 9 m wide screen: Lumens 12 m wide screen: Minimum 8000 Lumens Minimum 900:1 sequential contrast 6 channel to International Standard ISO 2969 and ISO (Society of Motion Picture Television Engineers standard SMPTE 202M and recommended practice SMPTE RP200) Disabled to be delayed by total picture projection and decode latency LESS audio decode latency to maintain sync Higher levels of reporting such as: time and date; position in reel; cinema location; screen number publication under - search keywords: 2969 and ( Glossary of this publication Section and Glossary of this publication under -audio playback Section and Glossary of this publication under Audit trail Table 6: SAWA Minimum Standards for Screen

4K - UHDTV TECHNOLOGY

4K - UHDTV TECHNOLOGY NBC Sports Group Golf Channel 4K - UHDTV TECHNOLOGY Ken Botelho Senior Director of Engineering NBC Sports Group Golf Channel HDTV & Beyond FRAME RATE 4K Cinema RESOLUTION UHDTV 3.8K / 7.6K Dynamic-RANGE

More information

TV 2 AS HD DELIVERY FOR TV 2 AS

TV 2 AS HD DELIVERY FOR TV 2 AS TV 2 AS HD DELIVERY FOR TV 2 AS Version 1.0 Contents 1. Delivery Format... 4 2. Standard Definition... 4 2.1. Standard definition... 4 3. Video Standards... 4 4. Action and Caption safe areas... 5 5. Audio...

More information

Digital Cinema Specifications 69 Festival del film Locarno

Digital Cinema Specifications 69 Festival del film Locarno Digital Cinema Specifications 69 Festival del film Locarno 1. DCP Specifications 2. Source Material for Digital Cinema Encoding into JPEG2000 Image & Sound Specifications 69 Festival del film Locarno page

More information

The EDCINE Project Enhanced Digital Cinema

The EDCINE Project Enhanced Digital Cinema The EDCINE Project for Archives: A System Architecture for Digital Film Archives using JPEG 2000 and MXF Fraunhofer Institute for Integrated Circuits IIS Dr. Siegfried Foessel, Arne Nowak 1 The EDCINE

More information

5.1 audio. How to get on-air with. Broadcasting in stereo. the Dolby "5.1 Cookbook" for broadcasters. Tony Spath Dolby Laboratories, Inc.

5.1 audio. How to get on-air with. Broadcasting in stereo. the Dolby 5.1 Cookbook for broadcasters. Tony Spath Dolby Laboratories, Inc. 5.1 audio How to get on-air with the Dolby "5.1 Cookbook" for broadcasters Tony Spath Dolby Laboratories, Inc. This article is aimed at television broadcasters who want to go on-air with multichannel audio

More information

ISA - Interoperability and Security Architecture

ISA - Interoperability and Security Architecture ISA Interoperability and Security Architecture A presentation by Julien Seligmann, COO, SmartJog SA HPA Technology Retreat 2006 International Developments in Digital Cinema ISA - Interoperability and Security

More information

Enthusiast's Guide to Digital Cinema

Enthusiast's Guide to Digital Cinema Enthusiast's Guide to Digital Cinema A viewer s guide to digital cinema in the home Jennifer Davis, Vice President of Marketing, Runco Jeremy Sternhagen, Technical Sales, Runco 1 Table of Contents Introduction

More information

RECOMMENDATION ITU-R BR.1384-1*, ** Parameters for international exchange of multi-channel sound recordings with or without accompanying picture ***

RECOMMENDATION ITU-R BR.1384-1*, ** Parameters for international exchange of multi-channel sound recordings with or without accompanying picture *** Rec. ITU-R BR.1384-1 1 RECOMMENDATION ITU-R BR.1384-1*, ** Parameters for international exchange of multi-channel sound recordings with or without accompanying picture *** (Question ITU-R 58/6) (1998-2005)

More information

TECHNICAL STANDARDS SUPPLEMENT FOR DELIVERY OF UHD PROGRAMMES TO BROADCASTER LOGO. Version 1.0

TECHNICAL STANDARDS SUPPLEMENT FOR DELIVERY OF UHD PROGRAMMES TO BROADCASTER LOGO. Version 1.0 TECHNICAL STANDARDS SUPPLEMENT FOR DELIVERY OF UHD PROGRAMMES TO BROADCASTER LOGO Version 1.0 This document is a guide to the common technical standard for the delivery of UHD Programmes to BBC, ITV, Channel

More information

MediaEncoding Version 3.5. Guideline

MediaEncoding Version 3.5. Guideline MediaEncoding Version 3.5 Guideline Table of Contents 1. Realtime Media Playback & Control...2 2. MediaEncoder...3 2.1. SD - PAL/NTSC Encoding...4 2.2. HD - PAL/NTSC Encoding...9 3. Defining Content resolution...11

More information

Implications of HDTV Technology on Circuit and System Design

Implications of HDTV Technology on Circuit and System Design Implications of HDTV Technology on Circuit and System Design John Lopinto President Communications Specialties, Inc. Today s Topics HDTV Standards for Broadcast Applications HDTV Implications on Broadcast

More information

DCM Cinema Production Requirements 2D Digital Cinema Exhibition

DCM Cinema Production Requirements 2D Digital Cinema Exhibition Page 1 of 2 DCM Cinema Production Requirements 2D Digital Cinema Exhibition Here are the items we require for cinema production of 2D commercials running across digital cinema screens. We handle the video

More information

4K End-to-End. Hugo GAGGIONI. Yasuhiko MIKAMI. Senior Manager Product Planning B2B Solution Business Group

4K End-to-End. Hugo GAGGIONI. Yasuhiko MIKAMI. Senior Manager Product Planning B2B Solution Business Group 4K End-to-End HPA Technology Retreat 2010 Yasuhiko MIKAMI Hugo GAGGIONI Senior Manager Product Planning B2B Solution Business Group Sony Corporation CTO Broadcast & Professional Division Sony Electronics

More information

RECOMMENDATION ITU-R BR.1375-3 * High-definition television (HDTV) digital recording formats

RECOMMENDATION ITU-R BR.1375-3 * High-definition television (HDTV) digital recording formats Rec. ITU-R BR.1375-3 1 RECOMMENDATION ITU-R BR.1375-3 * High-definition television (HDTV) digital recording formats (Question ITU-R78/6) (1998-2001-2002-2007) Scope This Recommendation is intended to provide

More information

3Gb/s SDI for Transport of 1080p50/60, 3D, UHDTV1 / 4k and Beyond Part 1 - Standards 2013 SMPTE

3Gb/s SDI for Transport of 1080p50/60, 3D, UHDTV1 / 4k and Beyond Part 1 - Standards 2013 SMPTE 3Gb/s SDI for Transport of 1080p50/60, 3D, UHDTV1 / 4k and Beyond Part 1 - Standards Your Host Joel E. Welch Director of Professional Development SMPTE 2 2013 SMPTE PDA All Rights Reserved www.smpte.org

More information

A pragmatic look at higher frame rates in Digital Cinema

A pragmatic look at higher frame rates in Digital Cinema Barco A pragmatic look at higher frame rates in Digital Cinema Author Tom Bert Product Marketing Manager Barco Page 1 of 8 INTRODUCTION The digitization of cinema projection started around the year 2000.

More information

High Definition (HD) Image Formats for Television Production

High Definition (HD) Image Formats for Television Production EBU TECH 3299 High Definition (HD) Image Formats for Television Production Status: Specification Geneva January 2010 1 Page intentionally left blank. This document is paginated for two sided printing Tech

More information

Mini Converters. The most advanced 3 Gb/s SDI mini converters for SD and HD!

Mini Converters. The most advanced 3 Gb/s SDI mini converters for SD and HD! Mini s The most advanced 3 Gb/s SDI mini converters for SD and HD! Mini s Build your SDI studio with the world s most advanced and easy to use converters! Cable tie point to lock down the power connection

More information

UHD DEVELOPMENTS IN EUROPE

UHD DEVELOPMENTS IN EUROPE EBU TECHNOLOGY AND INNOVATION UHD DEVELOPMENTS IN EUROPE DR IR EGON VERHAREN MANAGER R&D NPO DDU, CHAIR EBU TECHNICAL COMMITTEE (EGON.VERHAREN @NPO.NL) THE WORLD S FOREMOST ALLIANCE OF PUBLIC SERVICE MEDIA

More information

ULTRA HIGH DEFINITION MARKET OUTLOOK AND NEXT STEPS

ULTRA HIGH DEFINITION MARKET OUTLOOK AND NEXT STEPS ULTRA HIGH DEFINITION MARKET OUTLOOK AND NEXT STEPS Christoph LIMMER, Director Commercial Development Broadcast & Video Michel CHABROL, Marketing Director Innovation AGENDA Market environment Technical

More information

JPEG2000 in Moving Image Archiving

JPEG2000 in Moving Image Archiving JPEG2000 in Moving Image Archiving The Library of Congress Packard Campus National Audio Visual Conservation Center James Snyder Culpeper, Virginia Senior Systems Administrator, NAVCC Our Mission: Digitize

More information

High Definition Broadcast Server BROADCAST

High Definition Broadcast Server BROADCAST High Definition Broadcast Server BROADCAST HD MAXX-1200 HD transcends earlier HD video servers, offering a new standard for multi-channel performance in an economical package. Large-Scale Performance for

More information

Audio/Video Synchronization Standards and Solutions A Status Report. Patrick Waddell/Graham Jones/Adam Goldberg

Audio/Video Synchronization Standards and Solutions A Status Report. Patrick Waddell/Graham Jones/Adam Goldberg /Video Synchronization Standards and Solutions A Status Report Patrick Waddell/Graham Jones/Adam Goldberg ITU-R BT.1359-1 (1998) Only International Standard on A/V Sync Subjective study with EXPERT viewers

More information

MJPEG vs MPEG4. Understanding the differences, advantages and disadvantages of each compression technique. White Paper

MJPEG vs MPEG4. Understanding the differences, advantages and disadvantages of each compression technique. White Paper MJPEG vs MPEG4 Understanding the differences, advantages and disadvantages of each compression technique White Paper On-Net Surveillance Systems Inc. 222 Route 59 Suite 303, Suffern, NY 10901 Phone: (845)

More information

Capture / Streaming: V-Tizer Series

Capture / Streaming: V-Tizer Series Summary This price guide provides a brief description of Darim s and its related items that can be ordered from Darim s regional offices and can be shipped to North and South America regions, Europe, Middle

More information

Parameter values for the HDTV standards for production and international programme exchange

Parameter values for the HDTV standards for production and international programme exchange Recommendation ITU-R BT.79-6 (6/215) Parameter values for the HDTV standards for production and international programme exchange BT Series Broadcasting service (television) ii Rec. ITU-R BT.79-6 Foreword

More information

This is a revised version of an article which first appeared in AMIA Tech Review Volume 2, October 2010 2

This is a revised version of an article which first appeared in AMIA Tech Review Volume 2, October 2010 2 Digital Cinema Technologies from the Archive s Perspective by Arne Nowak, Dep. Moving Picture Technologies 1 Fraunhofer Institute for Integrated Circuits, Germany This is a revised version of an article

More information

Motionlink ABN 21 089 713 057 July 2015

Motionlink ABN 21 089 713 057 July 2015 Asset Input Guide Asset Delivery Physical media: All deliveries should be addressed to: Motionlink Pty Ltd Suite 903, 1 Chandos St, St Leonards NSW 2065, Australia t. +612 9439 0133 Please email relevant

More information

METADATA METADATA: WHERE-WHAT-WHO

METADATA METADATA: WHERE-WHAT-WHO WHITE PAPER METADATA METADATA: WHERE-WHAT-WHO With analog video, one can embed machine readable data using edge or scan lines encoding schemes. Using scan lines, one can embed about 108 bytes of data per

More information

FREE TV AUSTRALIA OPERATIONAL PRACTICE OP- 59 Measurement and Management of Loudness in Soundtracks for Television Broadcasting

FREE TV AUSTRALIA OPERATIONAL PRACTICE OP- 59 Measurement and Management of Loudness in Soundtracks for Television Broadcasting Page 1 of 9 1. SCOPE This Operational Practice is recommended by Free TV Australia and refers to the measurement of audio loudness as distinct from audio level. It sets out guidelines for measuring and

More information

Waveform Monitor Audio & Loudness Logging

Waveform Monitor Audio & Loudness Logging Waveform Monitor Audio & Loudness Logging PT0800M Data sheet Nov. 201 3 V.1.0 Introducing the PT0800M The PT0800 introduces a unique combination of Audio, Loudness and Waveform monitoring at the highest

More information

MPEG Encoding Overview: Using the MainConcept MPEG-2 plug-in

MPEG Encoding Overview: Using the MainConcept MPEG-2 plug-in MPEG Encoding Overview: Using the MainConcept MPEG-2 plug-in Revision 12, Updated 09.30.03 The information contained in this document is subject to change without notice and does not represent a commitment

More information

CINEMA SPOT DCINEMA TRANSFER SPECS 5-PAGE BOOKING FORM

CINEMA SPOT DCINEMA TRANSFER SPECS 5-PAGE BOOKING FORM CINEMA SPOT DCINEMA TRANSFER SPECS 5-PAGE BOOKING FORM Upon receipt please complete this 5-page form and return to: Shawn.Irvin@cineplex.com or via fax: 416-539-8511 Please complete this form to facilitate

More information

Time and Frequency Synchronizations in Broadcast Video

Time and Frequency Synchronizations in Broadcast Video Time and Frequency Synchronizations in Broadcast Video Introduction Synchronization has always been important in broadcast video. Even analog TVs relied on synchronization pulses embedded into analog video

More information

RECOMMENDATION ITU-R BR.469-6. Analogue composite television tape recording

RECOMMENDATION ITU-R BR.469-6. Analogue composite television tape recording Rec. ITU-R BR.469-6 1 RECOMMENDATION ITU-R BR.469-6 *, ** Analogue composite television tape recording Standards for the international exchange of television programmes on magnetic tape *** The ITU Radiocommunication

More information

2K Processor AJ-HDP2000

2K Processor AJ-HDP2000 Jan.31, 2007 2K Processor AJ-HDP2000 Technical Overview Version 2.0 January 31, 2007 Professional AV Systems Business Unit Panasonic AVC Networks Company Panasonic Broadcast & Television Systems Company

More information

Technical Brief. Quadro FX 5600 SDI and Quadro FX 4600 SDI Graphics to SDI Video Output. April 2008 TB-03813-001_v01

Technical Brief. Quadro FX 5600 SDI and Quadro FX 4600 SDI Graphics to SDI Video Output. April 2008 TB-03813-001_v01 Technical Brief Quadro FX 5600 SDI and Quadro FX 4600 SDI Graphics to SDI Video Output April 2008 TB-03813-001_v01 Quadro FX 5600 SDI and Quadro FX 4600 SDI Graphics to SDI Video Output Table of Contents

More information

DIGITAL CINEMA ECONOMICS (part I)

DIGITAL CINEMA ECONOMICS (part I) DIGITAL CINEMA ECONOMICS (part I) Advertising DigiTraining Plus: New Technologies for European Cinemas Kuurne (Belgium), 7 April 2005 Patrick von Sychowski Director of Business Development Unique Digital

More information

TECHNICAL OPERATING SPECIFICATIONS

TECHNICAL OPERATING SPECIFICATIONS TECHNICAL OPERATING SPECIFICATIONS For Local Independent Program Submission September 2011 1. SCOPE AND PURPOSE This TOS provides standards for producing programs of a consistently high technical quality

More information

22.2 Multichannel Audio Format Standardization Activity

22.2 Multichannel Audio Format Standardization Activity 22.2 Multichannel Audio Format Standardization Activity The audio format for Super Hi-Vision, which is under research and development for high-presence broadcasting in the future, is 22.2 multichannel

More information

INFORMATION FOR DELIVERY MATERIALS OF FUNDED PRODUCTIONS

INFORMATION FOR DELIVERY MATERIALS OF FUNDED PRODUCTIONS INFORMATION FOR DELIVERY MATERIALS OF FUNDED PRODUCTIONS Congratulations from the National Film & Sound Archive of Australia (NFSA) on securing funding for your production. You will notice that in your

More information

HMP-1801 HD/SD Solid-State Media Server

HMP-1801 HD/SD Solid-State Media Server Datasheet HMP-1801 HD/SD Solid-State Media Server Space-saving, modular platform for advanced signal processing. The Densité HMP-1801 from Grass Valley, a Belden Brand, is a single card, solid-state media

More information

Digital Cinema System Specification V1.0

Digital Cinema System Specification V1.0 Digital Cinema Initiatives, LLC Digital Cinema System Specification V1.0 July 20, 2005 Final Approval July 20, 2005 Digital Cinema Initiatives, LLC Member Representatives Committee Copyright 2005 by Digital

More information

Common 16:9 or 4:3 aspect ratio digital television reference test pattern

Common 16:9 or 4:3 aspect ratio digital television reference test pattern Recommendation ITU-R BT.1729 (2005) Common 16:9 or 4:3 aspect ratio digital television reference test pattern BT Series Broadcasting service (television) ii Rec. ITU-R BT.1729 Foreword The role of the

More information

An Introduction to High Dynamic Range (HDR) and Its Support within the H.265/HEVC Standard Extensions

An Introduction to High Dynamic Range (HDR) and Its Support within the H.265/HEVC Standard Extensions White Paper An Introduction to High Dynamic Range (HDR) and Its Support within the H.265/HEVC Standard Extensions By Raul Diaz, Vanguard Video CEO December 17, 2014 Vanguard Video, LLC. 974 Commercial

More information

Entertainment Imaging. Business Overview

Entertainment Imaging. Business Overview Entertainment Imaging Business Overview 1 Agenda The Entertainment Industry Kodak s WW Motion Picture Business Navigating the Future Film Businesses Digital Services Digital Cinema 2 Imaging Value Chain

More information

RECOMMENDATION ITU-R BR.469-7 *, ** Analogue composite television tape recording

RECOMMENDATION ITU-R BR.469-7 *, ** Analogue composite television tape recording Rec. ITU-R BR.469-7 1 RECOMMENDATION ITU-R BR.469-7 *, ** Analogue composite television tape recording Standards for the international exchange of television programmes on magnetic tape *** (Question 239/11)

More information

+ = FROM AVID MEDIA COMPOSER TO AVID DVD BY SONIC

+ = FROM AVID MEDIA COMPOSER TO AVID DVD BY SONIC written by Johnson Lee + = Blu-ray made easy FROM AVID MEDIA COMPOSER TO AVID DVD BY SONIC The following answer covers: How to export from an Avid HD project (in Media Composer ) How to use Sorenson Squeeze

More information

LOUDNESS MONITORING AND CALM COMPLIANCE (UNFOLDING EVENTS) Jim Welch. IneoQuest Technologies

LOUDNESS MONITORING AND CALM COMPLIANCE (UNFOLDING EVENTS) Jim Welch. IneoQuest Technologies LOUDNESS MONITORING AND CALM COMPLIANCE (UNFOLDING EVENTS) Jim Welch IneoQuest Technologies Topics What s the issue? What s the history? What are the new rules? What are the key concepts? What are the

More information

The Ad Hoc Group on television evaluation materials

The Ad Hoc Group on television evaluation materials SPECIAL REPORT FROM THE AD HOC GROUP Mastering and Archiving Uncompressed Digital Video Test Materials By Charles Fenimore This is a report on the status of the SMPTE Ad Hoc Group (AHG) charged with creating

More information

UHD (8K) Television Coverage of Large Sports Events in Brazil

UHD (8K) Television Coverage of Large Sports Events in Brazil UHD (8K) Television Coverage of Large Sports Events in Brazil 8K Super Hi-Vision (SHV) and its production in sports events Shinichi SAKAIDA NHK 8K Super Hi-Vision (SHV) and its production in sports events

More information

This document represents my comments as a private citizen about the Digital Television Regulation Consultation Paper, January 2015.

This document represents my comments as a private citizen about the Digital Television Regulation Consultation Paper, January 2015. Brian McCarty January 29, 2015 Manager Services and Regulation Section Media Branch Department of Communications GPO Bo 2154 Canberra ACT 2601 Gentlemen: This document represents my comments as a private

More information

Datasheet EdgeVision

Datasheet EdgeVision Datasheet Multichannel Quality of Experience Monitoring Stay in control with customizable monitoring and interfaces. offers richly featured, Quality of Experience (QoE) monitoring across an entire network

More information

R 95 SAFE AREAS FOR 16:9 TELEVISION PRODUCTION REVISION 1 SOURCE: SP-BHD, SP-QC

R 95 SAFE AREAS FOR 16:9 TELEVISION PRODUCTION REVISION 1 SOURCE: SP-BHD, SP-QC R 95 SAFE AREAS FOR 16:9 TELEVISION PRODUCTION REVISION 1 SOURCE: SP-BHD, SP-QC Geneva July 2016 Page intentionally left blank. This document is paginated for two sided printing EBU R 95 Safe areas for

More information

Audio and Video Synchronization:

Audio and Video Synchronization: White Paper Audio and Video Synchronization: Defining the Problem and Implementing Solutions Linear Acoustic Inc. www.linearacaoustic.com 2004 Linear Acoustic Inc Rev. 1. Introduction With the introduction

More information

ATSC Digital Television Standard: Part 4 MPEG-2 Video System Characteristics

ATSC Digital Television Standard: Part 4 MPEG-2 Video System Characteristics ATSC Digital Television Standard: Part 4 MPEG-2 Video System Characteristics Document A/53 Part 4:2009, 7 August 2009 Advanced Television Systems Committee, Inc. 1776 K Street, N.W., Suite 200 Washington,

More information

Multichannel stereophonic sound system with and without accompanying picture

Multichannel stereophonic sound system with and without accompanying picture Recommendation ITU-R BS.775-2 (07/2006) Multichannel stereophonic sound system with and without accompanying picture BS Series Broadcasting service (sound) ii Rec. ITU-R BS.775-2 Foreword The role of the

More information

Quick start guide! Terri Meyer Boake

Quick start guide! Terri Meyer Boake Film Editing Tutorial Quick start guide! Terri Meyer Boake 1. Preparing yourself and your files: This information is valid for all film editing software: FCP, Premiere (the version of FC being used is

More information

D 3 -Info.Net. Display the RIGHT Information; At the RIGHT Time; In the RIGHT Place

D 3 -Info.Net. Display the RIGHT Information; At the RIGHT Time; In the RIGHT Place DIGITAL SIGNAGE D 3 -Info.Net Display the RIGHT Information; At the RIGHT Time; In the RIGHT Place Digital Signage has brought a revolution to the information publishing industry. When compared with traditional

More information

White paper. An explanation of video compression techniques.

White paper. An explanation of video compression techniques. White paper An explanation of video compression techniques. Table of contents 1. Introduction to compression techniques 4 2. Standardization organizations 4 3. Two basic standards: JPEG and MPEG 4 4. The

More information

TV Loudness: Time for a New Approach?

TV Loudness: Time for a New Approach? TV Loudness: Time for a New Approach? John Couling Dolby Laboratories, Inc., England Differences in subjective loudness between television channels and programmes are a significant cause of public annoyance.

More information

FLIPFACTORY ENCODING FOR IPTV & VOD APPLICATIONS

FLIPFACTORY ENCODING FOR IPTV & VOD APPLICATIONS App Not e FLIPFACTORY ENCODING FOR IPTV & VOD APPLICATIONS Synopsis...2 Support for Leading Set Top Boxes...3 Qualifying FlipFactory for IPTV Set Top Boxes and VOD Workflows...3 VOD Transport Stream Codecs...4

More information

The Worlds first Blu-ray Recorder from Panasonic modified for 3G/HDSDI/SDI, Embedded Audio O/P

The Worlds first Blu-ray Recorder from Panasonic modified for 3G/HDSDI/SDI, Embedded Audio O/P The BMR-BS850HSDI & BMR-BS750HDSDI have modified this first Blu-ray recorder launched by Panasonic last year specifically for the Broadcast and Post Production markets. These 2 Blu-ray Disc Recorder with

More information

Red Bee Media. Technical file and tape delivery specification for Commercials. Applies to all channels transmitted by Red Bee Media

Red Bee Media. Technical file and tape delivery specification for Commercials. Applies to all channels transmitted by Red Bee Media Red Bee Media Technical file and tape delivery specification for Commercials Applies to all channels transmitted by Red Bee Media Red Bee Media Rev. November 2010 Introduction Commercial copy is delivered

More information

High Dynamic Range Video The Future of TV Viewing Experience

High Dynamic Range Video The Future of TV Viewing Experience The Future of TV Viewing Experience - White Paper - www.keepixo.com Introduction The video industry has always worked to improve the TV viewing experience. More than a decade ago, the transition from SD

More information

Preservation Handbook

Preservation Handbook Preservation Handbook Digital Audio Author Gareth Knight & John McHugh Version 1 Date 25 July 2005 Change History Page 1 of 8 Definition Sound in its original state is a series of air vibrations (compressions

More information

Hitting the Moving Target of 4K. The 4K Video Signal What You Need to Know Now...2. Resolution 4K and UHD...2. Color Bit Depth...3. Frame Rate...

Hitting the Moving Target of 4K. The 4K Video Signal What You Need to Know Now...2. Resolution 4K and UHD...2. Color Bit Depth...3. Frame Rate... Hitting the Moving Target of 4K Table of Contents The 4K Video Signal What You Need to Know Now...2 Resolution 4K and UHD...2 Color Bit Depth...3 Frame Rate...4 Color Sampling...5 Bandwidth Data Rate...6

More information

Selecting a Streaming Codec

Selecting a Streaming Codec Selecting a Streaming Codec Factors to consider when choosing the right codec for your streaming application By Karl Johnson E very day, video over IP technology reaches farther streaming products increases,

More information

Reference electro-optical transfer function for flat panel displays used in HDTV studio production

Reference electro-optical transfer function for flat panel displays used in HDTV studio production Recommendation ITU-R BT.1886 (03/2011) Reference electro-optical transfer function for flat panel displays used in HDTV studio production BT Series Broadcasting service (television) ii Rec. ITU-R BT.1886

More information

Switch. The only tool professionals need to play, inspect and correct all their files

Switch. The only tool professionals need to play, inspect and correct all their files Telestream Switch Product Guide Switch The only tool professionals need to play, inspect and correct all their files Ideal for visual file inspection, QC workflows, itunes content delivery, and rewrapping

More information

FORT KNOX VISUAL INFORMATION A/V EQUIPMENT SERVICES FY 16 CATALOG

FORT KNOX VISUAL INFORMATION A/V EQUIPMENT SERVICES FY 16 CATALOG FORT KNOX VISUAL INFORMATION A/V EQUIPMENT SERVICES FY 16 CATALOG Video Cameras, Cameras, and Accessories JVC Everio HDD Camcorder High quality MPEG 2 recording F1.2 lens, 2.2 megapixel CCD, 10x op cal

More information

PRODUCING DV VIDEO WITH PREMIERE & QUICKTIME

PRODUCING DV VIDEO WITH PREMIERE & QUICKTIME This article contains guidelines and advice on producing DV video for the screen using a DV camcorder, Adobe Premiere and QuickTime. PRODUCING DV VIDEO WITH PREMIERE & QUICKTIME PRODUCING DV VIDEO WITH

More information

AES/EBU Audio Input 4x AES/EBU pairs on DB-25 for 8 audio channels. Sample rate converted. Pinout compatible with

AES/EBU Audio Input 4x AES/EBU pairs on DB-25 for 8 audio channels. Sample rate converted. Pinout compatible with Product Technical Specifications Teranex 2D Processor Perfect for regular conversions as well as capture and playback. Get SD/HD and 3 Gb/s SDI, HDMI and analog in and out, 8 channel AES/EBU, 4 channel

More information

How to use Adobe Media Encoder CS6

How to use Adobe Media Encoder CS6 How to use Adobe Media Encoder CS6 Adobe Media Encoder CS6 converts sequences and clips into media suited for distribution on the web or on DVDs, ipods, tablets, cell phones, and other mobile devices.

More information

TR 036 TV PROGRAMME ACCOMMODATION IN A DVB-T2 MULTIPLEX FOR (U)HDTV WITH HEVC VIDEO CODING TECHNICAL REPORT VERSION 1.0

TR 036 TV PROGRAMME ACCOMMODATION IN A DVB-T2 MULTIPLEX FOR (U)HDTV WITH HEVC VIDEO CODING TECHNICAL REPORT VERSION 1.0 TV PROGRAMME ACCOMMODATION IN A DVB-T2 MULTIPLEX FOR (U)HDTV WITH HEVC VIDEO CODING TECHNICAL REPORT VERSION 1.0 Geneva March 2016 Page intentionally left blank. This document is paginated for two sided

More information

DELIVERY SPECIFICATIONS FOR COMMERCIALS AND BILLBOARDS Release January 2016

DELIVERY SPECIFICATIONS FOR COMMERCIALS AND BILLBOARDS Release January 2016 DELIVERY SPECIFICATIONS FOR COMMERCIALS AND BILLBOARDS Release January 2016 1 General This document covers the technical requirements for commercials and billboards commissioned in High Definition (HD)

More information

Megapixel HD PoE Day/Night PTZ Internet Camera TV-IP672PI (V1.0R)

Megapixel HD PoE Day/Night PTZ Internet Camera TV-IP672PI (V1.0R) Megapixel HD PoE Day/Night PTZ Internet Camera (V1.0R) The Megapixel HD PoE Day/Night PTZ Internet Camera, model TV- IP672PI, provides day and night video monitoring over a large area. Pan the camera side-to-side

More information

FREE TV AUSTRALIA OPERATIONAL PRACTICE OP 60 Multi-Channel Sound Track Down-Mix and Up-Mix Draft Issue 1 April 2012 Page 1 of 6

FREE TV AUSTRALIA OPERATIONAL PRACTICE OP 60 Multi-Channel Sound Track Down-Mix and Up-Mix Draft Issue 1 April 2012 Page 1 of 6 Page 1 of 6 1. Scope. This operational practice sets out the requirements for downmixing 5.1 and 5.0 channel surround sound audio mixes to 2 channel stereo. This operational practice recommends a number

More information

Distributing 4K and UHD Signals in Professional AV Environments. Introduction to 4K Technology K Video Resolutions...2

Distributing 4K and UHD Signals in Professional AV Environments. Introduction to 4K Technology K Video Resolutions...2 Distributing 4K and UHD Signals in Professional AV Environments Table of Contents Introduction to 4K Technology...2 4K Video Resolutions...2 Data Rates for 4K and UHD Video Signals...2 Effect of Chroma

More information

Loudness and Dynamic Range

Loudness and Dynamic Range Loudness and Dynamic Range in broadcast audio the Dolby solution Tony Spath Dolby Laboratories, Inc. Digital delivery media offer a wider dynamic range for audio than their analogue predecessors. This

More information

Panasonic DVCPRO from DV to HD. By David Wiswell

Panasonic DVCPRO from DV to HD. By David Wiswell Panasonic DVCPRO from DV to HD By David Wiswell Panasonic DVCPRO from DV to HD The transition to DTV has begun and even consumers realize that DTV does not always mean HDTV. While some broadcasters are

More information

itunes Video and Audio Asset Guide 5.2

itunes Video and Audio Asset Guide 5.2 itunes Video and Audio Asset Guide 5.2 Contents Overview 4 Introduction 4 Changes Made in this Release 4 What s New in the itunes Video and Audio Asset Guide 5.2? 4 Music Audio Content Profiles 6 Music

More information

RECOMMENDATION ITU-R BO.786 *

RECOMMENDATION ITU-R BO.786 * Rec. ITU-R BO.786 RECOMMENDATION ITU-R BO.786 * MUSE ** system for HDTV broadcasting-satellite services (Question ITU-R /) (992) The ITU Radiocommunication Assembly, considering a) that the MUSE system

More information

Digital radio broadcast service, captioned radio

Digital radio broadcast service, captioned radio Recommendation ITU-R BS.1894 (05/2011) Digital radio broadcast service, captioned radio BS Series Broadcasting service (sound) ii Rec. ITU-R BS.1894 Foreword The role of the Radiocommunication Sector is

More information

TECHNICAL SPECIFICATIONS FOR PROGRAM DELIVERY

TECHNICAL SPECIFICATIONS FOR PROGRAM DELIVERY TECHNICAL SPECIFICATIONS FOR PROGRAM DELIVERY Version 5.0, November 21 st, 2014 Prepared by the CBC/Radio-Canada Working Group on HD/SD standards Version 5.0 (Nov. 21 st, 2014 ) Version 5.0 - Update Content

More information

Ultra-High Definition TV Acquisition and Exchange

Ultra-High Definition TV Acquisition and Exchange Application Note April 2013 Ultra-High Definition TV Acquisition and Exchange The TV industry is moving towards the next generation of high quality TV screen technology; Ultra High Definition Television

More information

Evolution of video Is fiber necessary?

Evolution of video Is fiber necessary? IBM Global Services Evolution of video Is fiber necessary? Kjell Arne Yttervik Business development Executive IBM April 10-11, 2008 Copyright IBM Corporation 2006 2008 IBM Corporation Agenda What are the

More information

Getting ready for high frame rates in Digital Cinema

Getting ready for high frame rates in Digital Cinema Barco Getting ready for high frame rates in Digital Cinema Author Tom Bert Product Marketing Manager Barco Page 1 of 7 INTRODUCTION The digitization of cinema projection started around the year 2000. Since

More information

White paper. HDTV (High Definition Television) and video surveillance

White paper. HDTV (High Definition Television) and video surveillance White paper HDTV (High Definition Television) and video surveillance Table of contents Introduction 3 1. HDTV impact on video surveillance market 3 2. Development of HDTV 3 3. How HDTV works 4 4. HDTV

More information

Understanding HD: Frame Rates, Color & Compression

Understanding HD: Frame Rates, Color & Compression Understanding HD: Frame Rates, Color & Compression HD Format Breakdown An HD Format Describes (in no particular order) Resolution Frame Rate Bit Rate Color Space Bit Depth Color Model / Color Gamut Color

More information

DELIVERING CAPTIONS IN DTV An NCAM DTV Access Brief

DELIVERING CAPTIONS IN DTV An NCAM DTV Access Brief NOTICE: The following information is offered by NCAM solely as a general overview of the current status of closed captioning support in digital television. Features and capabilities of related systems

More information

SMPTE Time Code Generator/Reader

SMPTE Time Code Generator/Reader The TC-3 SMPTE Time Code Generator/Reader Manual Version 1.4 BURST ELECTRONICS INC ALBUQUERQUE, NM 87109 USA (505) 898-1455 Made in USA (505) 898-0159 FAX www.burstelectronics.com Hardware, software and

More information

SDI TO HD-SDI HDTV UP-CONVERTER BC-D2300U. 1080i/720p HDTV Up-Converter with built-in Audio/Video processor

SDI TO HD-SDI HDTV UP-CONVERTER BC-D2300U. 1080i/720p HDTV Up-Converter with built-in Audio/Video processor R SDI TO HD-SDI HDTV UP-CONVERTER BC-D2300U 1080i/720p HDTV Up-Converter with built-in Audio/Video processor High-Technology, Low-Cost Solution for DTV Broadcasting from JVC s Newly Introduced BC-D2300U

More information

Color management workflow in Adobe After Effects CS4

Color management workflow in Adobe After Effects CS4 Color management workflow in Adobe After Effects CS4 Technical paper Table of contents 1 Getting started 3 High-definition video workflow 7 Digital cinema workflow 14 Animation/Flash export workflow 19

More information

4.No rights can be derived from the broadcasting of any billboard and/or break bumper by SBS Broadcasting in the past.

4.No rights can be derived from the broadcasting of any billboard and/or break bumper by SBS Broadcasting in the past. . Ground rules and directions Billboarding SBS Broadcasting 2014 In general The mention of a sponsor on billboards and break bumpers serves to inform viewers that a programme or part of a programme is

More information

INTERNATIONALE FILMFESTSPIELE BERLIN

INTERNATIONALE FILMFESTSPIELE BERLIN INTERNATIONALE FILMFESTSPIELE BERLIN TECHNICAL GUIDELINES 2017 Content Summary for 2017... 3 DCP Digital Cinema Screenings... 4 General Remarks... 4 DKDMs... 4 Technical Requirements... 5 Video Screenings...

More information

Dolby Vision for the Home

Dolby Vision for the Home Dolby Vision for the Home 1 WHAT IS DOLBY VISION? Dolby Vision transforms the way you experience movies, TV shows, and games with incredible brightness, contrast, and color that bring entertainment to

More information

SAWA. Production guideline for 35mm commercials in cinemas. www.sawa.com

SAWA. Production guideline for 35mm commercials in cinemas. www.sawa.com SAWA Production guideline for 35mm commercials in cinemas www.sawa.com Screen advertising World Association The Screen Advertising World Association (SAWA) is the worldwide trade body of Screen Advertising

More information

A Brief on Visual Acuity and the Impact on Bandwidth Requirements

A Brief on Visual Acuity and the Impact on Bandwidth Requirements Managing The Future Cable of Ultra TV Migration High Definition to IP TV Part (UHDTV) 1 A Brief on Visual Acuity and the Impact on Bandwidth Requirements Series Introduction: Market Drivers and Tech Challenges

More information

Mapping SDI with a Light-Weight Compression for High Frame Rates and Ultra-HD 4K Transport over SMPTE /6

Mapping SDI with a Light-Weight Compression for High Frame Rates and Ultra-HD 4K Transport over SMPTE /6 Lotfi El Hafi Engineer at intopix February 28 th, 2014 Mapping SDI with a Light-Weight Compression for High Frame Rates and Ultra-HD 4K Transport over SMPTE 2022-5/6 Background intopix Leading technology

More information