20th century copyright system meets 21st century artist. Henrik Ingo

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1 20th century copyright system meets 21st century artist Henrik Ingo

2 Who am I? H a p p ily m a rrie d m a n, e n g in e e r, b it n e rd y S o ftw a re D e v e lo p e r (S e s c a T e c h n o lo g ie s ) L in u x u s e r A u th o r o f 1 b o o k (w w w.a v o in e la m a.fi) V id e o h o b b y is t: a b o u t liv e w e b c a s ts o f c o n c e rts e tc. S o m e m u ltic a m e ra p ro d u c tio n s. A u th o r o f 1 O p e n S o u rc e p ro g ra m (W a lte r 0.1 )

3 Creative Commons

4 Creative Commons

5 Creative Commons, short version A "L o g o " fo r O p e n C o n te n t L ic e n s e s M ix o f: A ttrib u tio n, S h a re A lik e, N o n C o m m e rc ia l, N o D e riv a tiv e s S im ila r to O p e n S o u rc e a n d S h a re w a re A h o m e p a g e fo r lic e n s e s p ro m o tin g a n n o u n c in g a n d h e lp in g to fin d p u b lis h e d c o n te n t

6 Case: Me, Myself and I A v o in E lä m ä : N ä in to im ii O p e n S o u rc e E n g lis h tra n s la tio n c o m in g u p F irs t? o p e n s o u rc e s ty le (n o n c -n d c la u s e ) C C b o o k in F in la n d D o w n lo a d fro m : w w w.a v o in e le m a.fi P u b lis h e d in A p ril

7 Results D o w n lo a d e d tim e s in 1 w e e k tim e s in 1 m o n th ~ tim e s b y n o w ( p e r m o n th ) 0.2 % o f F in n is h p o p u la tio n! S o ld a lm o s t c o p ie s F in a n c ia lly p ro fita b le B tw : D ig ita l p rin tin g is g re a t! (5 0 0 / p rin t)

8 The best result...w a s, w h e n m y b e s t frie n d re a d th e w h o le b o o k in o n e n ig h t "T o is a a lta lu in ju u ri tu o n "A v o in e lä m ä " P D F :n, ja v o i o lla e ttä o le n h iu k a n liik u ttu n e e s s a ja h e rk ä s s ä m ie le n tila s s a." "M itä s m e v o is im m e te h d ä y h d e s s ä - e ttä tä m ä a ja tte lu m a lli le v iä is i la a je m m a lle y h te is k u n ta a n?" m a n y o th e rs... th o u s a n d s o f o th e rs...

9 One more T u lo s tin k irja s i jo p a p e riv e rs io lla, m u tta a lk u v a ik u tti n iin m ie le n k iin to is e lta, e ttä o n p a k k o tu k e a n ä in h ie n o k irja a. E n k y llä o s ta is i, jo s tä tä e i s a is i m y ö s ilm a is e k s i. S a m a a s ia o li m y ö s S ta r W re c k e lo k u v a n k a n s s a, jo k a tu li ju u ri tila ttu a. E n o le e lä m ä s s ä n i lu k e n u t a in u tta k a a n k irja a a lu s ta lo p p u u. P e ru s k o u lu s s a k irjo is ta tu li lu e ttu a s u u n n ille e n jo k a to in e n s iv u. N y t k u n lu in k irja s ta e n s im m ä is e t 6 0 s iv u a a ja tte lin, e ttä lu e n v ie lä s e u ra a v a n k a p p a le e n jo s k e llo e i o le y li 4 :0 0 (y ö llä ), m u tta k a ts o ttu a n i k e llo a s e o lik in jo 6 :0 0, jo te n p ä ä tin k in v a in tu lla tila a m a a n k irja n ja m e n n ä n u k k u m a a n. K iito s lo is ta v a s ta k irja s ta ja h y v ä t ja tk o t.

10

11 Star Wreck In the Pirkinning A c o u p le o f g u y s fro m T a m p e re s p e n d 5 y e a rs m a k in g a fu ll le n g th S ta r T re k & B a b y lo n 5 p a ro d y - A S A H O B B Y! A b o u t p e o p le in v o lv e d in film in g, fro m te c h s tu d e n ts to re a l F in n is h a c to rs S ta te o f th e a rt s p e c ia l e ffe c ts, n o th in g lik e th is h a s e v e r b e e n s e e n in F in la n d b e fo re R e le s e d w ith A ttrib u tio n -N o D e riv a tiv e s - N o n C o m m e rc ia l lic e n s e A u g

12 Star Wreck Results D u rin g 5 y e a rs in p ro d u c tio n in te re s t in th e film h a s g ro w n s te a d ily d is c u s s io n o n w e b fo ru m is liv e ly a n d tra ile r is a v a ila b le fo r d o w n lo a d P 2 P -te c h n o lo g y h e lp s s p re a d th e film a ro u n d th e w o rld N o v : 3,5 d o w n lo a d s -> A ll tim e re c o rd v ie w e rs fo r a F in n is h film T u n te m a to n s o tila s 2,8 m ilj m o v ie g o e rs N o "J u s s i" a w a rd, n o t e v e n n o m in a tio n

13 Case: Webcasting concerts C h ris tia n y o u th c a fe w ith v o lu n te e r w o rk e rs L iv e c o n c e rts a re w e b c a s t liv e a n d a ls o p u b lis h e d fo r d o w n lo a d R e c a ll T e o s to w a n te d ~2 0 0 a m o n th M a n y b a n d s h a v e th e ir o w n m u s ic a n d not m e m b e rs o f T e o s to -> T h o s e c a n b e w e b c a s t a n d p u b lis h e d fo r d o w n lo a d

14 Results T u rn s o u t, fo r m a n y b a n d s it w a s a b ig th in g to p e rfo rm o n a liv e w e b c a s t M a n y a d v e rtis e d it to fa n s a n d lin k e d o n th e ir w e b s ite s O n e b a n d a g re e d to p la y e x p lic itly o n th e c o n d itio n th a t th e c o n c e rt is w e b c a s t liv e O n e b a n d p ro b a b ly lie d a b o u t n o t b e in g m e m b e rs o f T e o s to (I c h o s e to b e lie v e th e m ) N o te : T h is w a s a c h ris tia n g o s p e l b a n d :-)

15 The problem W h e n b a n d s g e t a re c o rd d e a l, th e y b e c o m e m e m b e rs o f T e o s to O th e rw is e n o m o n e y fro m ra d io p la y R a d io p la y is p ra c tic a lly th e o n ly in c o m e B a n d g e t's <4 % fro m C D s a le s (M T V 3 V iih d e u u tis e t) T e o s to is a m o n o p o ly, n o ro o m to n e g o tia te te rm s A ls o : B y la w y o u r m o n e y is p a id to T e o s to w h e th e r y o u lik e it o r n o t (ra d io & T V ) E n d o f b lo o m in g In te rn e t s ta rd o m A ls o c a n n o t p e rfo rm fo r c h a rity, e tc e tc...

16 Case: Mikseri.net D o w n lo a d F in n is h m p 3 m u s ic s in c e a rtis ts! M a n y M ik s e ri.n e t m e m b e rs b e c o m e fa m o u s a n d g e t re c o rd d e a ju n k m a il, U n ik lu b i, C h o ra le, S te e n C h ris te n s s e n, S te lla T h e iro n y : A fte r th e re c o rd d e a l, n o m o re m p 3 file s!

17 There are remedies L a w a ls o g iv e s a rtis t w h o is n o t m e m b e r o f T e o s to th e rig h t to w ith in 3 y e a rs a s k fo r h is m o n e y (ra d io & T V ) L ittle k n o w n b u t it is p o s s ib le Y o u ju s t in fo rm T e o s to w h ic h s o n g s /w o rk s a re y o u rs a n d th e y a lre a d y k n o w w h a t th e y o w e y o u S m a ll h a n d lin g fe e o f (p e r y e a r?) is d e d u c te d Y o u a re fre e to lic e n s e y o u r m u s ic fo r In te rn e t, c o n c e rts a n d e v e ry th in g e ls e

18 There are remedies 2 T e o s to c o u ld a ls o c h a n g e a n d a d a p t L e t a m e m b e r g e t m o n e y fro m ra d io p la y, b u t d e c id e o n h is o w n w h a t to d o w ith th e In te rn e t. N o t g o in g to h a p p e n, th o u g h T e o s to is ru n b y it's m e m b e rs, s o th e y c a n b la m e th e m s e lv e s T h e la w c o u ld b e c h a n g e d. c u rre n t m o n o p o ly s e tu p is b e n e fic ia l to tra d itio n a l ra d io & T V (th e s y s te m is v e ry g o o d, h a d th e In te rn e t n o t b e e n in v e n te d ) L a w c o u ld b e c h a n g e d to fo rc e T e o s to to g iv e m o re rig h ts to a rtis t

19 "The Industry" says ÄKT:n Tommi Kyyrän m ie le s tä ta a s e i p itä is i re a g o id a te k n is iin m u rro k s iin, jo s n iid e n p o h ja e i o le liik e to im in ta h a k u is ta ja jo s v iih d e te o llis u u s its e e i o le k e h ity k s e s s ä a lu s ta a s ti m u k a n a. (v a p a u s a s te.n e t IP R e d e s ig n 2 ) E n g lis h tra n s la tio n : T h e In te rn e t s h o u ld b e b a n n e d b e c a u s e Ä K T w a s n o t c o n s u lte d w h e n it w a s in v e n te d. Dr Martin S chäfer (former B ertels mann): H e s a id th a t C re a tiv e C o m m o n s w a s o n e o f th e m o s t p o s itiv e a n d e x c itin g th in g s th a t h a d h a p p e n e d in th e a re a o f c o p y rig h t d u rin g th e la s t y e a rs b e c a u s e it p ro m o te d a "T h is is w h a t's p e rm itte d " a p p ro a c h in s te a d o f th e rig id "A ll rig h ts re s e rv e d " a p p ro a c h. (C P o p k o m m )

20 Case: Bar in Extremadura (Spain) B a r p la y s C C -lic e n s e d m u s ic b y lo c a l a rtis t, n o t m e m b e r o f c o lle c tin g s o c ie ty S p a n is h c o lle c tin g s o c ie ty w a n ts m o n e y B a r re fu s e s to p a y, e n d s u p in c o u rt C o u rt ru le s b a r w a s rig h t W h o u n d e rs ta n d s c o p y rig h t la w b e tte r A D J in s o m e s m a ll b a r? A ll o f th e la w y e rs in "T e o s to "? h ttp ://c re a tiv e c o m m o n s.o rg /w e b lo g /e n try / You should not attribute to malice that which can be explained by incompetence?

21 While waiting for a solution T h e o n ly w a y o u t rig h t n o w......s e e m s to b e to c h o o s e either or In a w a y th is is p o s itiv e fo r C re a tiv e C o m m o n s : W h e n T e o s to re fu s e s to a c c e p t th e In te rn e t e x is ts, m o re a n d m o re a rtis ts m u s t lo o k fo r o th e r o p tio n s T h is d e v e lo p m e n t is n o t a s u rp ris e...

22 Raise and fall of software models Computer is invented We are about here The Internet Open Source Proprietary Piracy Shareware & Freeware

23 Now just switch labels... C-casette is invented We are about here The Internet CC ShareAlike The Industry "Piracy" CC nc-nd

24 So that's my prediction In 1 0 y e a rs if I'm p ro v e n c o rre c t y o u c a n c o m e b a c k a n d w o rs h ip m e a little

25 Points in favour of ShareAlike N C a n d N D is fin e fo r p e o p le w h o w a n t to d o w n lo a d m u s ic to th e ir IP o d. S o m e h a v e a lre a d y s e e n th e w is d o m o f th e S a m p lin g lic e n s e. (A lm o s t S h a re A lik e ) W h a t if y o u n e e d s o m e g ra p h ic s fo r y o u r C D c o v e r? (O r b o o k c o v e r?) W h a t if s o m e o n e n e e d s b a c k g ro u n d m u s ic fo r th e ir C C -lic e n s e d m o v ie? T h e s e a re c le a rly d e riv a tiv e s. A ls o a m o v ie p ro b a b ly c a n 't b e d o n e N C.

26 The Stallman strategy Y o u r p ro m is in g O S S a p p lic a tio n is tu rn e d p ro p rie ta ry, w h e n y o u r b o s s fin d s o u t it m ig h t b e u s e fu l G u a rd : T ry to b a s e y o u r n e w a p p s o n o th e r p e o p le 's e x is tin g G P L c o d e Y o u r m ik s e ri.n e t file s a re ta k e n o ff th e n e t w h e n y o u s ig n a re c o rd d e a l M ix in C C S h a re A lik e m u s ic in to y o u r s o n g s

27 In summary C u rre n t c o p y rig h t s y s te m is v e ry u n fle x ib le H a rm s m a n y a rtis ts in s te a d o f s e rv in g In te rn e t is a g re a t o p p o rtu n ity b o th fo r a rtis ts a n d th e ir a u d ie n c e In c re a s in g ly y o u a re b o th : a u d ie n c e a n d a rtis t L o t's o f m id d le m e n h o w e v e r a re (rig h tfu lly ) w o rrie d a n d c re a tin g p ro b le m s "P ro fe s s io n a ls " a re m in d -b o g g in g ly c lu e le s s C re a tiv e C o m m o n s N C -N D lic e n s e s w ill ris e firs t, b u t B Y -S A & B Y w ill fo llo w

28 More things to talk about F lic k r C C lic e n s e d p ic tu re s C o v e r o f m y b o o k h ttp ://a v o in e la m a.fi/ W o rld m a p h ttp ://w w w.flic k rm a p.c o m / C o lo r p ic k e r h ttp ://k ra z y d a d.c o m /c o lrp ic k r/ W ik ip e d ia h ttp ://w ik ip e d ia.o rg D e m o c ra c y T V h ttp ://w w w.g e td e m o c ra c y.c o m /

ta tio n a l s c ie n c e b y s u p p o rtin g th e e m e rg in g G rid p ro to c o ls o n W in d o w s a n d

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