THE RAVEN Edgar Allan Poe
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1 THE RAVEN Edgar Allan Poe ONCE upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. "'Tis some visiter," I muttered, "tapping at my chamber door Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; vainly I had sought to borrow From my books surcease of sorrow sorrow for the lost Lenore For the rare and radiant maiden whom the angels name Lenore Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me filled me with fantastic terrors never felt before; 1
2 So that now, to still the beating of my heart, I stood repeating "'Tis some visiter entreating entrance at my chamber door Some late visiter entreating entrance at my chamber door; This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you" here I opened wide the door; Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the darkness gave no token, And the only word there spoken was the whispered word, "Lenore!" This I whispered, and an echo murmured back the word, "Lenore!" Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon I heard again a tapping somewhat louder than before. "Surely," said I, "surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore Let my heart be still a moment and this mystery explore; 'Tis the wind and nothing more!" Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not an instant stopped or stayed he; But, with mien of lord or lady, perched above my chamber door Perched upon a bust of Pallas just above my chamber door Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore 2
3 Tell me what thy lordly name is on the Night's Plutonian shore!" Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore." But the raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Nothing farther then he uttered not a feather then he fluttered Till I scarcely more than muttered "Other friends have flown before On the morrow he will leave me, as my hopes have flown before." Then the bird said "Nevermore." Startled at the stillness broken by reply so aptly spoken, "Doubtless," said I, "what it utters is its only stock and store Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore Till the dirges of his Hope that melancholy burden bore Of 'Never nevermore.'" But the raven still beguiling all my sad soul into smiling, Straight I wheeled a cushioned seat in front of bird, and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking "Nevermore." This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining On the cushion's velvet lining that the lamplight gloated o'er, But whose velvet violet lining with the lamplight gloating o'er, She shall press, ah, nevermore! 3
4 Then, methought, the air grew denser, perfumed from an unseen censer Swung by angels whose faint foot-falls tinkled on the tufted floor. "Wretch," I cried, "thy God hath lent thee by these angels he hath sent thee Respite respite and nepenthe from thy memories of Lenore! Quaff, oh quaff this kind nepenthe and forget this lost Lenore!" "Prophet!" said I, "thing of evil! prophet still, if bird or devil! Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted On this home by Horror haunted tell me truly, I implore Is there is there balm in Gilead? tell me tell me, I implore!" "Prophet!" said I, "thing of evil prophet still, if bird or devil! By that Heaven that bends above us by that God we both adore Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore Clasp a rare and radiant maiden whom the angels name Lenore." "Be that word our sign of parting, bird or fiend!" I shrieked, upstarting "Get thee back into the tempest and the Night's Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken! quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!" And the raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted nevermore! 4
5 ה עו ר במאת א דגּ רפּו א תרגם זאב ז'בוטינסקי (עם שינויים קלים מאת צחי אבנור) כּ ח צו ת ל יל ק ר ו ס ע ר, ע ת א נ י, שׁ בוּר-ה צּ ע ר, בּ ס פר י ח כמ ה נ שׁכּ ח ת ה סתּ כּ לתּ י נ ים-ו ע ר, בּ א רשׁרוּשׁ ס תוּם בּ דּ ל ת, ק ל כּ ד פ ק י ד נ חשׁ ל ת י ד חו שׁ שׁ ת י ד שׁו א ל ת מ ח ס ה ל ד ל או ג ר. "ז ה או ר ח" כּ ה ל ח שׁתּ י "ז ה או ר ח, ז ר או ג ר ז ה או ר ח, א יו ת ר". ז כוּר נ י: ל יל-ע צ ב ת סוּפ ת-ח ר ף מ י בּ ב ת א שׁ כּ יר י ם, נ ע ז ב ת, גּו ס ס ה ב או ר ח וּ ר; ל יל א ין-סו ף, א ין ק ץ ל ח ב ל א הו ע ילוּ ס פר י-ה ב ל ה שׁכּ יח נ י א ת ה א ב ל א ת ה צּ ע ר ה בּו ע ר א ת ל נו ר ה שׁ נּ מו ג ה כּ ה מּ ג ח לו ם עו ב ר כּ ח לו ם, ו א יו ת ר. ו ילו נו ת הו מ ים בּ ר ח שׁ צ קוּ ל ח שׁ, ה גוּ-נ ח שׁ באימה רבה מילאוני, זאת היטב אני זוכר. ל ה רגּ יע ל ב קו ד ח, א ל ע צמ י ב קו ל בּו ט ח שׁוּב אָמ רתּ י: "ז ה או ר ח, ה ל ך-ל יל ה מ אַח ר ג ר אחד תועה בדרך, ז ר בנשף מאחר ז הוּ, ז ה ו א יו ת ר". נ ח ל רוּח ה יּ ג ע, שׁ ב ל בּ י ל ה ר ג ע, ו ק ר את י: "הו י סל ח-נ א א י כ לתּ י ל ב ר ר מ ה ז ה, י ד ק לּ ה דו פ ק ת או ר צפּ ת ח דר י שׁו ר ק ת, כּ י נ רדּ מתּ י ל י ב שּׁ ק ט תּ רדּ מ ה ב ין נ ים ו ע ר" וּפ ת חתּ י א ת ה דּ ל ת בּ עו ד נּ י מ ד בּ ר: א פ ל ה ו א יו ת ר. וּב תה ם ר בּ ה ס ק רתּ י, ו ה חר שׁתּ י, ו ה רה רתּ י ה רהוּר ים שׁ פּ ה ב ן-ח ל ד מ עו ל ם עו ד א ה רה ר. א פ ל ה ו א נ או ר ה; ד מּ יּ ה ו א נ עו ר ה; וּפ תא ם ה שּׁ ם "ל נו ר ה" א ת שׁ לו ת ה לּ יל נ קּ ר. 5
6 א ת ה שּׁ ם א נ י ל ח שׁתּ י: ה ד בּ א פ ל ה תנ ע ר ה ד בּ א פ ל, א יו ת ר. ו ח ז רתּ י ד ם ל שׁ ב ת, וּלב ב י א כּ ל-ל ה ב ת וּפ תא ם שׁ נ ה ה דּ פ ק, אַך כּ ע ת מ צּ ד אַח ר. אָז אָמ רתּ י: "ז ה ה רוּח מ נ דנ ד תּ ר יס פּ תוּח ע ל ה קּ יר מ קּ ישׁ ה לּוּח : סו ד ה כּ שׁ ף מ תבּ ר ר. ח לּו נ י א פתּ ח א בּ יט ה, ו ה כּ שׁ ף י תבּ ר ר ז ה ה רוּח, א יו ת ר". ה ר ימ ת י א ת מ סגּ ר ת ה ח לּו ן וּג ד ל-תּ פא ר ת בּ א עו ר ב י שׁ ישׁ כּ נּ צ ח בּ א ג ב ה ו קו ד ר, בּ א י ה יר כּ לו רדּ בּר יט נ י, בּ ק דּ ה א ב ר כ נ י, ו ה מר יא לו, ז כוּר נ י, ל תּ בנ ית תּ ח ת-ה נּ ר ל תּ בנ ית שׁ ל ר אשׁ אַתו נ ה ע ל ק יר י ב או ר ה נּ ר שׁ מּ ה נ ח ו א יו ת ר. בּ ע ינ י ם בּו ד ב קתּ י וּמ תּו ך ע צבּ י שׂ ח קתּ י ע ל גּ אוּת פּ נ יו שׂ ח קתּ י ו ה תּ לתּ י בו ל אמ ר: "כּ רבּ לתּו מ קצ ת נ קר ח ת, אַך ל בּו הו א ל ב אַל-פּ ח ד, א לּוּפ י מ ע מ ק שׁ ח ת בּו ה לּ יל שׁ לּ יט י שׂ ר! מ ה שּׁ מ ב ין שׁ ר י-ת פ ת, שׁ ם, בּ א פ ל גּ יא ע כו ר?" ו יּ קר א: " א ע ד-א ין-דּו ר". כּ ה אָמ ר בּ רוּר שׁ מ עתּ י, ו ת מו הּ לו ת מ התּ י, א ם-כּ י ט ע ם א ה ב נתּ י א י כ לתּ י עו ד ל פתּ ר: מ י שׁ מ ע כּ י בו א ת ב אנ ה כ נפ י-ט ר ף תּו ך-מ עו נ ה? מ י ע ל ס מ ל ר אשׁ אַתו נ ה, כּ ה ב לּ יל, ח ז ה צ פּו ר עו ף מוּז ר, קו ד ר כּ ח שׁ ך, ע ז-מ רא ה, ק דמו ן, שׁ חו ר ו נ קר א " א ע ד-א ין-דּו ר"? אַך א ז ע, א ר אשׁ ה נ יע, ו אַח ר ת א ה בּ יע כּ י אוּל י בּ זּ את ל בּ הוּ נ שׁתּ פּ ך ע ד ה מּ קו ר. נ ח ק פוּא ע ל ה אַנדּר ט א ו ל ח שׁתּ י: "ל מּ ה ב את? כּ י מ ח ר מ בּ ית-צ ר ת ה עוּף תּ עוּף א ל או ר וּדרו ר כּ תּ קוו ת, כּ אָח ו ר ע, נוּס תּ נוּס א ל או ר וּדרו ר". 6
7 הוּא ק ר א " א ע ד-א ין-דּו ר". נ זדּ עז תּ י כ י ה פּ ע ם בּ א א מר הוּ א מ ר-ט ע ם ו אָמ רתּ י: "בּ ע ל י ל מּ ד ב יו ם מ צו ר א יז ה ד ך נו אָש מ סּ ב ר, מ ע נּ ה י גו ן ו שׁ ב ר, שׁ צּ מ א שׁ לו ת ה קּ ב ר וּפ ר שׁ מ גּ יל ו או ר שׁ ח ד ל שׁ יר י תו ח ל ת, ע ד ה יוּ לו ל מ זמו ר ה מּ לּ ים " א ע ד-א ין-דּו ר". בּ ע ינ י ם בּו ד ב קתּ י וּמ תּו ך ע צבּ י שׂ ח קתּ י, ו כ סּ א ס ג ל כּו נ נתּ י מוּל ה נּ ר ו ה צּ פּו ר, ו נ שׁע נתּ י, נ לא ה-רוּח, ל קט יפ ת כּ ר יו ל נוּח, ו הו ס פתּ י ד ם ל שׂוּח ע ם נ פשׁ י, צ מ א ל פתּ ר מ ה נ בּ א ל י ה או ר ח ה מּוּז ר ו ה שּׁ חו ר בּ קר יאַת " א ע ד-א ין-דּו ר"? דּ ם ח ק רתּ י ו ה רה רתּ י, דּ ם בּ ז יו ע ינ יו ס ק רתּ י; מ בּ טו ל ע מק י-נ פ שׁ ח ד ר נ י ע ד ל בעו ר. ח זיו נו ת ל א ה בּ יע... דּ מיו נו ת ל א ה גּ יע... ע ל כּ סא י ל אָט ה רתּ יע נ ר ה שּׁ מ ן ג לּ י-או ר הוי, אותהעל כר המשי הסגול בגלי-אור א א רא ה א ע ד-א ין-דּו ר... ה ס! מ ה זּ ה? ה קט ר ת ר יח? ה ד כּ נפ י א רא ל פּו ר ח? ר ח שׁ ן אָזנ י מ רגּ שׁ ת, א ם ע ינ י ס ג י-נ הו ר! " א נ דּ נ י א ל ע ד נּ ה ז ה צ ירו מ ב יא ל י ה נּ ה כּו ס מ רג ע תּ ן-נ א, תּ ן-נ א, כּ י א רו ה וּב ל א זכּ ר תּ ן ל מחו ת ז כרו ן ל נו ר ה תּ ן ל שׁכּו ח ו ל שׁכּ ר!" ס ח ה עו ף " א ע ד-א ין-דּו ר". "עו ף-כּ נ ף או שׂ ר-שׁ ל-מ טּ ה, כ נּ ב יא עו נ ה ל י א תּ ה! ו יה י-מ י שׁ ה ט יל ךּ, א ם סוּפ ה או צ ר שׁ חו ר, כּ י-ע ל-כּ ן נ דּ חתּ ה נּ ה ל נו ת י שׁ סּ ר מ מּ נּ ה גּ יל ו א שׁ ר, ו יכ סּ נּ ה ל יל-צ למ ו ת, בּ י, א מ ר: ה י פר ח צ ר י ה יּ שׁ ע? ה א מצ א א ת ה ר-ה מּ ר?" ו יּ קר א: " א ע ד-א ין-דּו ר". 7
8 "עו ף-כּ נ ף או שׂ ר-שׁ ל-מ טּ ה, מ ע נ י נ ב יא נ ת תּ! ב שם אלוהים הו ד ע-נ א ל ל בּ י ר ווּי מ מרו ר, א ם מ קּ ב ר א ע ב ר ה א ל גּ ן-ע ד ן, ה מּ סתּו ר ה בּו תו פ יע ל י ל נו ר ה, ב ת-אַלמ ו ת, ע למ ת-או ר הא ם אפגוש שׁם א ת ל נו ר ה מ זה יר ה ב נ ז ר-או ר?" ו יּ קר א: " א ע ד-א ין-דּו ר". "צ א ו ל ך, שׂ ט ן!" ר ע מתּ י ב ח רו ן א פּ י, ו ק מתּ י, "שׁוּב ל סּ ע ר, שׁוּב ל תּ פ ת שׁ ם י א ה ל מ דו ר! אַל תּ שא יר נו צ ה שׁ מּ ת ה או ת ל שׁ ק ר זוּ נ בּ את! א ל בּ ית י פ ר צתּ פ ת ע ו ה ב את בו מ גו ר אַל תּ פר יע, צ א, ע זב נ י ע ר יר י ב דמ י וּדרו ר!" ו יּ קר א: " א ע ד-א ין-דּו ר". ו נ שׁאָר, נ שׁאָר נ טוּע א י נוּע, א י זוּע, א י סוּר מ ר אשׁ אַתו נ ה ו ל נ צ ח א י מּו ר; וּמ בּ ט ע ינ יו מ בּ יע ח לו מו ת שׂ ט ן מ ר יע, ו ה נּ ר או תו מ גּ יה וּמ רתּ יע צ ל שׁ חו ר; ו נ פשׁ י ל או ר ו ח פ ש מ ה כּ ת ם ה שּׁ חו ר א ת קוּם עו ד ע ד-א ין-דּו ר! 8
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