We don t know ANYTHING about the soldier SHARING HISTORY. EXHIBITION The Written War. 3 September January EXHIBITION Canada in Flanders

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1 The Written War 3 September January 2017 Canada in Flanders 26 March July 2016 We don t know ANYTHING about the soldier YPRES SHARING HISTORY

2 Sharing history. During these years dedicated to commemorating the Great War, the In Flanders Fields Museum will be placing the story of the First World War in a contemporary context. Ypres and the Westhoek will become a meeting place in the next four years, even more so than in the past years. A place where people of from around the world come to research the history of their forefathers or their country of birth. A place with the time and space to reflect on both History with a capital H and on the many personal stories of the soldiers, nurses, local population... Personal stories. The In Flanders Fields Museum has always emphasised the personal stories in the larger story of a conflict that codefined world history. In particular, the museum will focus on the story of the common man, and exhibits hundreds of authentic objects and images in an innovative, experienceoriented way. Lifelike characters and interactive installations confront the contemporary visitor with his/her peers in the war, a century ago. The mirror of history. In a country where war has raged, it will linger, even if the war is a century behind us. For each of the 600,000 dead who fell in our country, for each of the more than 425,000 graves and names on memorials and hundreds of other traces and relics in the front region, for each of the millions who were affected, there is a story of sorrow, pain and ordeal somewhere in the world. The In Flanders Fields Museum confronts the visitor with the consequences of The Great War. It confronts young and old with life and death in the Ypres front region. It holds up a mirror and makes us reflect on how we deal with our past and that of all other countries involved. People came from more than fifty different countries and cultures to fight in the war in Flanders. Today, the museum welcomes visitors from around the world and confronts them with the universal nature of an Armageddon that occurred 100 years ago. HARING ISTORY These stories endure and incite us to search further, dig deeper, and ultimately, to share across generations and borders. The IFFM is thus not only a meeting place, but first and foremost a place of exchanges. A place where - more than ever before - it becomes clear that people from around the world were literally part of the same story a hundred years ago. And that story is still being written... and shared today. The Dutch singer and songwriter Thé Lau sang the words: We don t know anything about the soldier. By extension you could say: we know nothing or hardly anything about our history. In 2016 the IFFM puts the spotlight twice on little known aspects of the history of the First World War on the front in Belgium. Canada in Flanders 26 March July 2016 Canada in Flanders. From 26 March to 3 July 2016 an exhibition will be held about the presence of Canadian troops on the front in Belgium. Canada lost almost 65,000 lives in the First World War. A quarter of the losses outside of Canada were in Belgium. But if we look just at the first two years of the war, from August 1914 to August 1916, more than 80% of all Canadian soldiers died between Ypres and the French border. The Canadian Corps was also formed during this period. The first big field battle of the corps was the Battle of Mount Sorrel (Hill 62) in the Ypres Salient (2-13 June 1916). Therefore, in the remembrance we see that for Canadians the first major symbol of the First World War battles was Ypres or Flanders. It was only later that Vimy Ridge and the Somme became the central points of the national Canadian remembrance. Canada in Flanders focuses on this almost forgotten piece of WWI history in Belgium. The Written War 3 September January 2017 The Written War. 3 September January Understanding the feelings and psyche of the soldiers and civilians during the First World War is, however, much more difficult than knowing about the military history. The written sources are the best witnesses of this. How do we know about the war in text? From literary sources, over personal, private and public material to secret texts. The exhibition deals with the form and content of the literature from the First Wold War in a creative manner, with ego documents (letters, diaries), journalistic material and reports. The Written War also pays attention to important niches in the story, such as study circles, trench journals, pamphlets, reports, official or alternative historiography, and the relationship between the immaterial heritage of the text and the material heritage of the present-day landscape. The Written War will run in association with the Gone West programme Voices and Places (Stemmen en Plekken). 3 September January 2017.

3 The poppy bracelet. To increase the experience even more, every visitor receives a personal poppy bracelet on arrival. The microchip in the bracelet automatically sets the language choice and enables the visitor to discover 4 personal stories throughout the permanent exhibition. The List of Names: commemoration and remembrance of a shared history. On 4 August years after the German invasion of Belgium the centenary commemoration was placed on permanent display to all visitors to the In Flanders Fields Museum. Every day for the next four years, the names of the people who died on Belgian territory on that day because of the First World War will be projected. We intend the List of Names to be a global and inclusive list, a register of ALL victims of the war in Belgium: civilians and soldiers, friends and former enemies, Belgians who died in their own country and people of other nationalities who died or were fatally wounded here. Because every name leads to places to this today (a place of birth, origin, death and commemoration), the List of Names turns the past into a shared history. We will also share this virtual commemoration with people all over the world through our website. After all, commemoration is remembering and remembering is connecting. Multimedia and multidisciplinary. The In Flanders Fields Museum has a high reputation to uphold for multimedia presentation methods. The scenography also gives ample attention to the most recent museum applications. Touch screens, the interactive poppy bracelet, video projection, soundscapes... everything contributes to an intense experience and an authentic immersion in life at the front. The museum goes further than a purely historical or military narration of the facts. In addition to historical (practical) objects, diary passages and artifacts, there is also room for personal impressions of soldiers and artists, both by early 20th century and contemporary poets, authors, painters, photographers and sculptors. Their artistic interpretation always provides a personal and touching confrontation with war... but also with the hope for peace.

4 The portal to WWI in Flanders. In the In Flanders Fields Museum, visitors can also find information about the city and surrounding battlefields. There is a tourism centre with a regional exhibition about Ypres and the Westhoek. Landscape and aerial photography. The war was present everywhere in this region. An excellent way to visualise this is through the aerial photography that was invented as a systematic observation method during the war. In an application in the museum, but also in the centre for aerial photography in the knowledge centre, we bring hundreds of aerial photos together as an additional time layer. With a simple click you can compare today s landscape to that of the war period, and find unexpected or disappeared traces. Educational function. Now that the last witnesses of the war to end all wars have died, the In Flanders Fields Museum is more than ever a portal to the First World War in Flanders. In the museum, students can discover and experience the stories of WWI more intensely. Their personalised Poppy bracelet will confront them with four personal stories. In combination with a guided tour in the Ypres region, the museum visit becomes completely personal when young people stop in the places where those stories took place. After a visit to the museum, a qualified guide will lead the school group along the traces in the landscape or the city. Among other things, the following themes from the Great War will be explored: the First World War and literature, the multicultural aspect of the war, the reconstruction, refugees, and executions during the First World War. Discover the educational package on (under Educational Service). Climb the bell tower. The current landscape is one of the last tangible witnesses of the war history and is therefore an important theme in the scenography of the museum. The museum trajectory also gives you the chance to visit the belfry. After climbing the 231 steps, you are rewarded with an exceptional view of the city and the surrounding battlefields.the visit of the bell tower is optional and costs 2 EURO extra. The site is the ideal way to prepare a visit or talk about it afterwards. You will find all practical info about the museum, as well as downloads and personal stories there. You can also consult our catalogues and the List of Names. There is an extensive programme for the secondary and primary education (from the 4th class). Delve deeper in the Research Centre. The In Flanders Fields Museum houses a Research Centre. Here, each visitor can delve even deeper into this dramatic period in the history of the world. You can search for specific aspects of the large, global background story, as well as extremely personal or local stories.

5 Landscape and Trees of Memory. Countless traces in the contemporary landscape landmine craters, cemeteries, and monuments still bear witness to the devastating effect of the war that raged throughout Europe a century ago. The Trees of Memory project was created to give both local residents and visitors the opportunity to better understand and experience the war landscape of the Ieper Salient. The trees were planted to serve as markers defining the first trench or frontlines that defined no man s land almost continuously between 1915 and The simple use of colour a blue line on the top of the fence placed around a tree denotes the allied front line while red marks the German front line shows us today how the front criss-crossed the landscape one hundred years ago. The YPRES SALIENT, landscape as witness. The war is still present, and not only virtually. The traces in the current landscape testify hundredfold to the war of a century ago. There are both clearly visible relics in the landscape such as bunkers, trenches, mine craters, etc., as well as countless underground, archaeological traces. In addition, hundreds of cemeteries and monuments were installed after the war, and many hundreds of thousands of pilgrims and tourists visit the former front region. Almost all of them bring their own war story (family, local). That s why the Westhoek is still a living witness, a current war landscape, where the war never truly ends. 3 key zones in Ypres. After you have learnt about the history of the First World War in the West Flanders Front, you can visit the scene of these events. There are 3 key zones in Ypres (South, Mid and North), each with numerous relics of the past (Hill 60/Caterpillar/The Bluff/ Bellewaerde Ridge/ Caesar s Nose/Pilkem Ridge). The zones are connected to each other by walking and cycle routes.

6 EVENEMENTEN 2016 Spring 2016: Sensations of a Wound (Jim Boyes & Belinda O Hooley) _ 26/03-03/06/2016: Canada in Flanders _ 25/04/2015: ANZAC Day of Remembrance _ June - September 2016: Menin Road - Ypernstrasse Art _ 26/08/2015: Four Days of the Yser - Final Day in Ypres - be _ 02/09/2015: Start of the third Gone West _ 03/09/ /01/2017: The Written War _ 30/09/2016: The Great Flock concert (A reed flows by, Patrick Riguelle, Koen De Cauter, Barbara Sarafian, Wouter Vandenabeele) _ 10/11/2016: 11 November lecture _ 11/11/2015: Memorial concert: The Great War remembered - 98 year remembrance of armistice - Organised by the Last Post Association - _ Tbc: Sofa cat (Josse De Pauw, Bart Maris, Trui Chielens) _ Tbc: The Big Concert (Konrad Kosseleck Big Band, Vincent Bijlo, Ellen ten Damme) Toerism Ypres is not responsible for any changes to the events calendar. For up-to-date information, please visit

7 Canada in Flanders 26 March July 2016 The Written War 3 September January 2017 Prices 2015/16. INDIVIDUAL * MUSEUM + ONLY GROUPS * (min. 15 persons) MUSEUM + ONLY Adults 9,00 5,00 Mixed groups 7,00 4,00 Children 7 Youth 7 18 FREE 4,00 FREE 2,00 Schools ( 26 years) Adult education 4,00 5,00 2,00 3,00 Youth ,00 3,00 Families (max. 2ad. + 3 chld.) 20,00 12,00 ATTENTION: - Also visit the bell tower ( 2) - In order to benefit from the special group prices, you must reserve at least 14 days in advance. Opening hours 15/16. Museum shop and museum café. 1 April» 15 November every day from 10 am to 6 pm * 16 November» 31 March from Tuesday to Sunday from 10 am to 5 pm * * Ticket sales stop 1 hour before closing. The museum is closed op 25 December, 1 January and from 5 January up to and including 18 January You can quietly browse books about a wide variety of themes in the museum shop. There is a wide range of souvenir postcards, t-shirts, posters, cds, and car and bicycle maps... Before or after your visit to the museum and the bell tower you can take a break at the museum café, with more than 100 seats. In the unique setting of the cloth hall you can chat or just relax after the strenuous climb up the bell tower. The menu provides a wide choice of hot and cold drinks and sandwiches. Cloth Hall - Grote Markt 34 - B 8900 Ypres - Belgium t. +32(0) flandersfields@ieper.be

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