Which national and musical cultures have shaped samba? What are Latin rhythms? The KING S Medium Term Plan - MUSIC. Y7 Programme
|
|
- Denis Ross
- 7 years ago
- Views:
Transcription
1 The KING S Medium Term Plan - MUSIC Y7 Programme Module Samba Building on prior learning Using their knowledge of the durations, rhythm and ensemble skills, learners will now begin to enhance their understanding of world music and rhythm by playing and appraising unfamiliar musical styles. This module introduces the polyrhythmic style of Latin American Samba and identifies its roots in African and Spanish/Portuguese music. Concepts revised and visited include the importance of a steady beat/pulse as a foundation of rhythmic music, looping rhythms, polyrhythms, call and response and improvisation. Overarching Challenge question Which national and musical cultures have shaped samba? What are Latin rhythms?
2 Lines of Enquiry Week 1: What are the origins of Samba? Week 2: Which instruments are used in samba? Week 3: How did samba evolve? Bossa nova Week 4: Who is involved in the sambadrome carnival and how do we signal to sambistas? Week 5: Bateria training. Week 6: assessment week Week 7: gap teaching week Progress Objectives Learners will develop their understanding of rhythm by learning about Latin and syncopated ostinati. They will become aware of how history and nationalism shape music. Performance: learners will be given group performance opportunities in this module through performing as a sambista as part of a bateria. Learning strategies Appraising: Learners will take part in a weekly appraising task at the start of each lesson and improve their skills through verbal and written communication forms.
3 Knowledge and Skills Musical elements Durations Rests Time signatures Notation Samba Instruments World music Improving musical vocabulary Reasoning and opinion Appraising Performance instrumental skills Composition Summative Success Criteria BRONZE AWARD I know what off beat means I can name 2 samba instruments I can play a simple ostinato rhythm SILVER AWARD I know what syncopation means I can perform an example of syncopation I can perform in an ensemble of 4 people playing 4 different rhythms at the same time, maintaining my pattern most of the time. GOLD AWARD I know what syncopation means I can perform an example of syncopation I can perform as a large ensemble and maintain my rhythm all of the time I can respond to samba signals PLATINUM AWARD I can perform multiple syncopated ostinato I can perform as part of a large ensemble I can respond to samba signals, and lead as a mestre
4 Week 1 Lesson 1. Where lie the origins of samba? Hypothesis: Samba is the product of one country Progress outcomes: To make historical links to the slave trade between Portugal, Africa and Brazil. To understand the religious and cultural impact of two different cultures in Brazil To understand the geographical and socio-economic factors impacting Brazilians today Recognising samba as music of the people Learning activities: Historical analysis of the Portuguese slave trade Learners will consider enforced religion Learners will examine African traits in Brazilian music Learners will watch an extract of Brasil, Brasil. Student success criteria: I can identify different countries associated with Samba I can recall knowledge about the slave trade
5 Week 2 Lesson 2: Which instruments are used in Samba? Hypothesis: Samba is only performed on drums Progress outcomes: To learn the names of unfamiliar instruments To play Bateria rhythms To perform as an ensemble Learning activities: Appraising One Note Samba Singing Sambalele with a focus on 2 parts and syncopation Learning to perform syncopation and how to build a Bateria section using a selection of performance parts Student success criteria: I can perform syncopated rhythms I can sing a samba song in 2 parts (harmony)
6 Week 3 Lesson 3 Bossa nova Hypothesis: Bossa Nova is clearly different to Samba Progress outcomes: to compare and contrast similarities and differences between samba and Bossa nova Improvising in samba performance Learning activities: appraising The Little Train of Caipira and One Note Samba Performing as a samba ensemble and learning to improvise Student Success Criteria: I can appraise the similarities and differences between Samba and Bossa Nova I am starting to improvise in a samba performance
7 Week 4 Lesson 4 Carnival Hypothesis: Carnival is a spectacle Progress outcomes To understand the groups involved in Carnival To perform carnival Bateria rhythms To maintain a part in a multipart ensemble To recognise and respond to samba signals Learning activities: watching the national geographic documentary on Carnival Learning the mestre samba signals and applying them as a class game Designing their own float on King's/ASPIRE them Student success criteria: I understand samba signals I can respond to samba signals I know key words and facts related to Carnival
8 Week 5 Lesson 5 Bateria Hypothesis: a Bateria requires no training Progress outcomes: To be able to recognise a syncopated ostinati To perform as an ensemble Learning activities: Playing ostinati on the samba instruments Playing and marching as a Bateria in a carnival parade Building the ensemble into a polyrhythmic performance Student success criteria: I can play an ostinato pattern I can maintain my ostinato rhythm when other people play a rhythm that is different to mine.
9 Week 6 Lesson 6 Class performance assessment: Samba de Janeiro. Learners will reinforce their learning through an ensemble performance, followed by a written assessment. Week 7 Lesson 7 Gap teaching: based on performance assessment and reinforcement of the samba instruments. Key Words Bass Line, Beats, Call and Response, Chords, Improvisation, Melody, Polyrhythm, Rhythm, Texture, Agogo Bells, Break, Caixa de guerro, Rhythm Grid Notation, Samba Leader, Shakers, Surdo, Tamborim, Texture, Chocolo, Layers, Polyrhythm, Reco-reco, Repinique,, Surdo,, Tamborim, Unison Appropriate videos to reinforce learning (Inside Rio Carnival, National Geographic) Brasil, Brasil (BBC) (Samba/Bossa) ep.1 Brasil, Brasil (BBC) Tropical Revolution Ep.2 Brasil, Brasil (BBC) History of 4 cities Ep.3
10
11
12
13 Extended learning opportunities Learners can reaffirm their learning through extra-curricular opportunities, such as choir and band. Learners can also start peripatetic music lessons.
14
Global Music Lesson Plans Lesson 3: Polyrhythmic Drumming Styles Japan and Brazil (Age range 11-14)
H Oxfam Education www.oxfam.org.uk/education Global Music Lesson Plans Lesson 3: Polyrhythmic Drumming Styles Japan and Brazil (Age range 11-14) Time required: One 60 minute lesson. Activity: Comparing
More informationCatch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA
Catch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA Summary: In this lesson students will travel to the island of Trinidad
More informationHandale Primary School Music Curriculum Year EYFS ( 4-5 year olds)
Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds) Music at EYFS stage reflects the different ways in which children learn and engage with other people. Many examples of stories, songs
More informationParameters for Session Skills Improvising Initial Grade 8 for all instruments
Parameters for Session Skills Improvising Initial for all instruments If you choose Improvising, you will be asked to improvise in a specified style over a backing track that you have not seen or heard
More informationGCSE Music Unit 4 (42704) Guidance
GCSE Music Unit 4 (42704) Guidance (There are recordings to accompany this document.) The Task Students will be required to compose one piece of music which explores two or more of the five areas of study.
More informationCOLLIS PRIMARY SCHOOL MUSIC POLICY
COLLIS PRIMARY SCHOOL MUSIC POLICY Collis Primary School Fairfax Road, Teddington TW11 9BS Last Updated: February 2015 Music is a universal language that embodies one of the highest forms of creativity.
More informationCMP Unit Plan Claire Burns
CMP Unit Plan Claire Burns Grade Level: Fourth Grade Class: General Music School: Kleven Boston Elementary School, Cherokee county, GA The Ostinato: Basis for Musical Experience Conceptual Focus: The Ostinato.
More informationMusical Literacy. Clarifying Objectives. Musical Response
North Carolina s Kindergarten Music Note on Numbering/Strands: ML Musical Literacy, MR Musical Response, CR Contextual Relevancy Musical Literacy K.ML.1 Apply the elements of music and musical techniques
More informationDemonstrate technical proficiency on instrument or voice at a level appropriate for the corequisite
MUS 101 MUS 111 MUS 121 MUS 122 MUS 135 MUS 137 MUS 152-1 MUS 152-2 MUS 161 MUS 180-1 MUS 180-2 Music History and Literature Identify and write basic music notation for pitch and Identify and write key
More informationCurriculum Mapping Electronic Music (L) 4202 1-Semester class (18 weeks)
Curriculum Mapping Electronic Music (L) 4202 1-Semester class (18 weeks) Week Standard Skills Resources Vocabulary Assessments Students sing using computer-assisted instruction and assessment software.
More informationMUSIC A. PROGRAM RATIONALE AND PHILOSOPHY
MUSIC A. PROGRAM RATIONALE AND PHILOSOPHY The systematic development of musical skills, knowledge and perception is fundamental to the total development of the individual. Music education should begin
More informationUnit Overview Template. Learning Targets
ENGAGING STUDENTS FOSTERING ACHIEVEMENT CULTIVATING 21 ST CENTURY GLOBAL SKILLS Content Area: Orchestra Unit Title: Music Literacy / History Comprehension Target Course/Grade Level: 3 & 4 Unit Overview
More informationbehind the scenes curriculum mapping: primary The following curriculum mapping is relevant for all 10 episodes of THE LION KING - Behind The Scenes
curriculum mapping: primary The following curriculum mapping is relevant for all 10 episodes of THE LION KING - Behind The Scenes Episode 1 from screen to stage Episode 2 BEHIND THE STORY Episode 3 meet
More information1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A.
FIRST GRADE CURRICULUM OBJECTIVES MUSIC I. Rhythm 1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A.1c) 3. respond
More informationLINCOLN PUBLIC SCHOOLS Music Learning Expectations: Grade 4
Singing Singing is a fundamental and universal form of expression that requires active listening skills. sing, alone and with others, a varied repertoire of music. demonstrate an understanding that singing
More informationMUSIC. Syllabus for Primary Schools. Curriculum Department, Floriana Year 3 19
MUSIC Syllabus for Primary Schools Curriculum Department, Floriana Year 3 19 YEAR 3 Curriculum Department, Floriana Year 3 20 LEARNING OUTCOMES for YEAR 3 Curriculum Department, Floriana Year 3 21 3.1
More informationManston Primary School. Policy for Music
Manston Primary School Policy for Music January 2016 This policy is intended to support the teaching and learning of music at Manston Primary School, enabling consistency, continuity and progression for
More informationMusic 42701 (JUN154270101) General Certificate of Secondary Education June 2015. Listening to and Appraising Music. Time allowed 1 hour
Centre Number Surname Candidate Number For Examiner s Use Other Names Candidate Signature Examiner s Initials Question Mark A General Certificate of Secondary Education June 2015 Music 42701 Unit 1 Listening
More informationMICHIGAN TEST FOR TEACHER CERTIFICATION (MTTC) TEST OBJECTIVES FIELD 099: MUSIC EDUCATION
MICHIGAN TEST FOR TEACHER CERTIFICATION (MTTC) TEST OBJECTIVES Subarea Listening Skills Music Theory Music History Music Creation and Performance Music Education Approximate Percentage of Questions on
More informationSamba: Brazil s Defining Personality
Samba: Brazil s Defining Personality Sarfati, Aaron MIT 21M030 Ruckert November 7, 2006 John Chasteen writes, Samba is Brazil s national rhythm, its prime symbol of cultural nationalism (Vianna xii). Samba,
More informationStandard 1: Skills and Techniques 1
1 Standard 1: Skills and Techniques 1 CB.1.1 Instrument Knowledge Skills CB.1.1.1 Instrument in good playing condition- including proper assembly, reed care, and cleaning. CB.1.2 Playing Posture Skills
More informationGeneral Music K-2 Primary Elementary Grades
The following General K-8 alignment with Iowa Core was developed to provide guidance with the 21 st Century Universal Constructs: Critical Thinking, Effective Communication, Creativity, Collaboration,
More informationStudy Kit No 9. Aura Lee (Love Me Tender)
Study Kit No 9 Aura Lee (Love Me Tender) Reharmonization Study Kit No. 9 Aura Lee Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design: Raymond Suen Copyright
More informationSilver Burdett Making Music
A Correlation of Silver Burdett Making Music Model Content Standards for Music INTRODUCTION This document shows how meets the Model Content Standards for Music. Page references are Teacher s Edition. Lessons
More informationMinnesota Academic Standards
Minnesota Academic Standards Arts K-12 2008 The proposed revised standards in this document were drafted during the 2007-2008 school year. These standards are currently proceeding through the administrative
More informationMUSIC GLOSSARY. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts.
MUSIC GLOSSARY A cappella: Unaccompanied vocal music. Accompaniment: A vocal or instrumental part that supports or is background for a principal part or parts. Alla breve: A tempo marking indicating a
More informationBrookburn Primary School. Policy for Music
Brookburn Primary School Policy for Music POLICY FOR MUSIC Document Purpose This document reflects the values and philosophy of Brookburn Primary School in relation to the teaching and learning of Music.
More information2012 Music Standards GRADES K-1-2
Students will: Personal Choice and Vision: Students construct and solve problems of personal relevance and interest when expressing themselves through A. Demonstrate how musical elements communicate meaning
More informationNational Standards for Music Education
National Standards for Music Education 1. Singing, alone and with others, a varied repertoire of music. 2. Performing on instruments, alone and with others, a varied repertoire of music. 3. Improvising
More informationHow to create bass lines
First rule: always memorize the melody of the song! Always. Always. Always. You should be able to sing and play it in the original key. If you really want to be totally extra, extra awesome, you will be
More informationLesson Plans: Stage 3 - Module One
Lesson Plans: Stage 3 - Module One TM Music Completes the Child 1 Stage Three Module One Contents Week One Music Time Song 2 Concept Development Focus: Tempo 4 Song Clap Your Hands 5 George the Giant Pitch
More informationGeneral Music Programme Syllabus (Primary/Secondary)
GENERAL MUSIC PROGRAMME SYLLABUS General Music Programme Syllabus (Primary/Secondary) Curriculum Planning & Development Division Ministry of Education Singapore All Rights Reserved Year of Implementation:
More informationThe Samba Experience
Sarfati, Aaron MIT 21M030 Ruckert December 7, 2006 The Samba Experience In examining and researching a foreign culture, there are two ways one may go about conducting the research: 1) reading and studying
More informationEducation through Music
2015-16 Education through Music gwentmusic.co.uk Gwent Music making music happen Blaenau Gwent, Monmouthshire, Newport and Torfaen. We exist to provide a complete range of music tuition and music services
More informationC Major F Major G Major A Minor
For this task you will create a 16 bar composition with a Ground Bass Accompaniment. REMINDER A chord is built on the notes 1 3 5 of a scale. e.g. chord of C would have the notes C E G. The first note
More informationJubilee Primary School. Music Medium Term Plan. Year 4: Music
National Curriculum Statutory Requirements Jubilee Primary School N.B. Key Stage 2 play and perform In solo and ensemble context, using their voices and playing musical instruments with increasing accuracy,
More informationMusic Music: Grade 4 Product Performance GLE 1: Develop and apply singing skills to perform and communicate through the arts
Expressive Singing Independent Singing : Grade 4 Product Performance GLE 1: Develop and apply singing skills to perform and communicate through the arts : knowledge of process and techniques for the production,
More informationGuitar Rubric. Technical Exercises Guitar. Debut. Group A: Scales. Group B: Chords. Group C: Riff
Guitar Rubric Technical Exercises Guitar Debut In this section the examiner will ask you to play a selection of exercises drawn from each of the three groups shown below. Groups A and B contain examples
More informationSenior Phase Grade 7 Today Planning Pack ARTS AND CULTURE
M780636110205 Senior Phase Grade 7 Today Planning Pack ARTS AND CULTURE Contents: Work Schedule: Page Grade 7 2 Lesson Plans: Grade 7 4 Rubrics: Rubric 1 11 Rubric 2 12 Rubric 3 13 1 Work schedule for
More informationCHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC
CHESHIRE PUBLIC SCHOOLS SUBJECT AREA SUMMARY SHEETS MUSIC Curriculum Review Cycle Schedule 14-15 Analyze/Plan-Presentation to CCC 15-16 Implement I 16-17 Implement II 17-18 Implement III 18-19 Evaluation
More informationFINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Technology (Grades 6-8)
FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Technology (Grades 6-8) September 16, 2010 Page 1 of 5 Music Technology (grades 6-8) Georgia Performance Standards Section Page I. Acknowledgements
More informationAdmission Requirements to the Music Program
Department of Humanities and Fine Arts / 111 THE BACHELOR OF ARTS DEGREE IN MUSIC (MUSI, MUAP, MUEN) The Music Program plays a vital role in the life of the University and the community. The training environment
More informationMusic in schools: promoting good practice
Guidance from HMI for teachers, headteachers, and music hub leaders when observing musical teaching and learning Schools, all other funded providers of music education, and providers of Continuing Professional
More informationInternational Capoeira Angola Foundation...
International Capoeira Angola Foundation......dedicated to the practice, preservation and growth of Capoeira Angola International Capoeira Angola foundation 2513 Magnolia Street, Oakland, CA 94607 (510)
More informationPortsmouth High School. Music Department
Portsmouth High School Music Department What Courses Are Available as a Freshman? Piano I Guitar I Introduction to Music AP Music Theory Music Production & Engineering (Music Technology) Jazz Ensemble
More informationTime allowed: 1 hour 30 minutes
SPECIMEN MATERIAL GCSE MUSIC 8271 Specimen 2018 Time allowed: 1 hour 30 minutes General Certificate of Secondary Education Instructions Use black ink or black ball-point pen. You may use pencil for music
More informationMusic. Madison Public Schools Madison, Connecticut
Music Madison Public Schools Madison, Connecticut Dear Interested Reader: The following document is the Madison Public Schools Music Curriculum Guide. If you plan to use the whole or any parts of this
More informationKey Stage 3 Scheme of Work. Unit No. Title : Elements of Pop Music. Year : 8
1 Key Stage 3 Scheme of Work Unit No. Title : Elements of Pop Music. Year : 8 Aims To appreciate the role of Pop Music with in society. To recognise stylistic elements of different Pop Music genres. To
More informationORCHID VALE PRIMARY SCHOOL
ORCHID VALE PRIMARY SCHOOL MUSIC POLICY Orchid Vale Primary School Music Policy Philosophy Music is a powerful, unique form of communication that can change the way pupils feel, think and act. It brings
More informationHigh School Concert Band
Summit Public Schools Summit, New Jersey High School Concert Band Revised by Steven Rapp 2012 Summit High School Concert Band: Grade Level 9 th -12 th Content Area: Performing Arts Length of Course: Full
More informationGCSE (9-1) Specification MUSIC. J536 For first assessment in 2018. ocr.org.uk/gcsemusic
GCSE (9-1) Specification MUSIC J536 For first assessment in 2018 ocr.org.uk/gcsemusic YOUR CHECKLIST Our aim is to provide you with all the information and support you need to deliver our specifications.
More informationGreenwich Public Schools Electronic Music Curriculum 9-12
Greenwich Public Schools Electronic Music Curriculum 9-12 Overview Electronic Music courses at the high school are elective music courses. The Electronic Music Units of Instruction include four strands
More informationK-12 Music Unpacked Content
This document is designed to help North Carolina educators teach the Essential Standards (Standard Course of Study). NCDPI staff are continually updating and improving these tools to better serve teachers.
More informationMusic Learning Activity Types 1, 2
Music Learning Activity Types 1, 2 Technology has greatly influenced today s world of music, including the means by which people produce, consume, and share it. Teachers have many options for utilizing
More informationSample Entrance Test for CR125-129 (BA in Popular Music)
Sample Entrance Test for CR125-129 (BA in Popular Music) A very exciting future awaits everybody who is or will be part of the Cork School of Music BA in Popular Music CR125 CR126 CR127 CR128 CR129 Electric
More informationMusic Standards of Learning
Music Standards of Learning for Virginia Public Schools Board of Education Commonwealth of Virginia April 2006 Music Standards of Learning for Virginia Public Schools Adopted in April 2006 by the Board
More informationFINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Appreciation (Grades 6-12)
FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Appreciation (Grades 6-12) September 16, 2010 Page 1 of 7 Music Appreciation (grades 9-12) Georgia Performance Standards Section Page I. Acknowledgements
More informationTeaching Composition With Technology
ASME 2011 Teaching Composition With Technology Katie Wardrobe Midnight Music Recording and Sequencing... 3 Software options...3 Arranging techniques and other musical concepts... 3 Using pre- made loops...3
More informationBOSSA NOVA FOR GUITAR by Paul Donat
BOSSA NOVA FOR GUITAR by Paul Donat AN INTRODUCTION TO BOSSA NOVA Bossa Nova is a musical style that originated in Brazil in the late 1950's. It is basically a fusion of samba (a traditional Brazilian
More information2017 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass
2017 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass Track 1 Track 2 Track 3 Basic Audition The following three tracks are required of all wind applicants ALTO SAXOPHONE (pages 5-6) TENOR
More information8 th grade concert choir scope and sequence. 1 st quarter
8 th grade concert choir scope and sequence 1 st quarter MU STH- SCALES #18 Students will understand the concept of scale degree. HARMONY # 25. Students will sing melodies in parallel harmony. HARMONY
More informationNATIONAL STANDARDS for MUSIC EDUCATION
NATIONAL STANDARDS for MUSIC EDUCATION 1. Singing, alone and with others, a varied repertoire of music. 2. Performing on instruments, alone and with others, a varied repertoire of music. 3. Improvising
More informationST. PATRICK'S CATHOLIC PRIMARY SCHOOL. Policy on Music
ST. PATRICK'S CATHOLIC PRIMARY SCHOOL Policy on Music 1 Aims and objectives 1.1 Music is a unique way of communicating that can inspire and motivate children. It is a vehicle for personal expression, and
More informationAppendix C. Sample Lesson Plans and Templates
Appendix C Sample Lesson Plans and Templates 571 Lesson Plan - Sample Template I Lesson Overview: Level Suitability: Learning Outcomes: Students will: Supplies: Instructional Plan: Introductory Activity(ies)
More informationMusic. Key Stages 2 3. in the National Curriculum for Wales
Key Stages 2 3 Music in the National Curriculum for Wales Yr Adran Plant, Addysg, Dysgu Gydol Oes a Sgiliau Department for Children, Education, Lifelong Learning and Skills Music in the National Curriculum
More informationThe Music Department
The Music Department The department is based in a self contained block with a specialist Music Room, recording studio, ensemble/it room and large store cupboard. There are also three small rooms which
More informationMusic Standards FINAL. Approved on May 5, 2000. Copyright 2003 Texas State Board for Educator Certification
Music Standards FINAL Approved on May 5, 2000 Copyright 2003 Texas State Board for Educator Certification MUSIC STANDARDS Standard I. Standard II. Standard III. Standard IV. Standard V. Standard VI. Standard
More informationThe Soul of Korean Arirang Music from Korea in the Middle School Band Designed by: Vince Fejeran
The Soul of Korean Arirang Music from Korea in the Middle School Band Designed by: Vince Fejeran Summary: This lesson is designed to enhance the music of John Ployhar s well-known Korean Folksong Medley
More informationMUSICAL ANALYSIS WRITING GUIDE
THE CRITERIA MUSICAL ANALYSIS WRITING GUIDE In writing your essay, the only thing you really need to do is fulfill the marking criteria. Let s look closely at what the criteria says. The student evaluates
More informationBrazilian Beats. Authentic Bossa Nova Rhythms for Guitar. Alexander Harnisch. Guitar Teacher, Singer & Songwriter. Cover: Helga Rosenbauer
Brazilian Beats Authentic Bossa Nova Rhythms for Guitar Alexander Harnisch Guitar Teacher, Singer & Songwriter Cover: Helga Rosenbauer All audio examples in this book are available for free download from
More informationMFL Policy 2014. Policy confirmed by the Governing Body of Our Lady Immaculate Roman Catholic Primary School on: Date: 23.9.14
MFL Policy 2014 Policy confirmed by the Governing Body of Our Lady Immaculate Roman Catholic Primary School on: Date: 23.9.14 Signature: (Chair of Governors) To be reviewed on: Rationale for Teaching Languages
More informationRESEARCH IN MUSIC EDUCATION AND SOUND ARTS (Completed in, and/or about New Zealand)
Te Puna Puoru National Centre for Research in Music Education and Sound Arts (MERC) invites you to contribute to the national database of research in music education and sound arts. Fill in the template
More informationChoir 5. September 2014
St. Michael-Albertville Middle School East Teacher: Tina Lajko Choir 5 September 2014 Content Skills Learning Targets Assessment Resources & Technology CEQ: WHAT ARE THE ESSENTIAL COMPONENTS OF CHORAL
More informationMusic 2 and Music Extension. Stage 6 Syllabuses
Music 2 and Music Extension Stage 6 Syllabuses Original published version updated: April 2000 Board Bulletin/Official Notices Vol 9 No 2 (BOS 13/00) October 2009 Assessment and Reporting information updated
More informationFAVORITE SONGS AND MUSIC ACTIVITIES FOR ELEMENTARY TEACHERS AND THEIR STUDENTS
- FAVORITE SONGS AND MUSIC ACTIVITIES FOR ELEMENTARY TEACHERS AND THEIR STUDENTS Sponsored by the FINE ARTS division of the Utah State Office of Education Featuring practical music lessons coffelated to
More informationMercer County. Intermediate School
Mercer County Intermediate School Course Description Book 2014-2015 Mercer County Intermediate School 2014-2015 Course Descriptions Literature Grades 5 Mrs. Aldinger/Mr. Leng This course is designed to
More informationChoir 6. Content Skills Learning Targets Assessment Resources & Technology A: Rehearsal Skills
St. Michael-Albertville Middle School East Teacher: Tina Lajko Choir 6 September 2014 A: Rehearsal Skills A: Rehearsal Skills CEQ: WHAT ARE THE ESSENTIAL COMPONENTS OF CHORAL MUSIC THAT SHOULD CONSISTENTLY
More informationUnderstanding Samba-Reggae music from Brazil
Understanding amba-reggae music from Brazil Year 7 amba-reggae music from Brazil, sometimes used as carnival percussion music (for Cultural Understanding procession and dance) 1.a What is this music you
More informationMusic - Commercial. Career Options Vocalist Instrumentalist Producer Artist agent Sound engineer Public and private teaching
289 Definition The Commercial Music program is designed to prepare students to perform, to write and record music, to develop an appreciation of various contemporary music styles, and to understand the
More informationGCSE Music Revision notes
Pavan and Galliard - 8 Key Facts GCSE Music Revision notes 1. Court Dance Danced only by the nobility not us commoners danced at big formal parties 2. Renaissance Period - time of Queen Elizabeth I (Shakespeare
More informationGCSE MUSIC 42701 Listening to and Appraising Music
GCSE MUSIC 42701 Listening to and Appraising Music Mark scheme June 2015 Version 1.0: Final Mark schemes are prepared by the Lead Assessment Writer and considered, together with the relevant questions,
More informationHit Makers of America
George Gershwin 1898-1937 American 20th Century True music must repeat the thought and inspirations of the people and the time. My people are Americans and my time is today." Specialist Genres: Popular
More informationThe University of Alabama in Huntsville is an accredited institutional member of the National Association of Schools of Music.
The University of Alabama in Huntsville 1 Music B102 Roberts Hall Telephone: 256.824.6436 Email: music@email.uah.edu The University of Alabama in Huntsville is an accredited institutional member of the
More informationChapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter D. Elementary, Adopted 2013
Elementary, Adopted 2013 117.D. Chapter 117. Texas Essential Knowledge and Skills for Fine Arts Subchapter D. Elementary, Adopted 2013 Statutory Authority: The provisions of this Subchapter D issued under
More informationModern Foreign Languages (MFL)
Modern Foreign Languages (MFL) Fordcombe C.E. Primary School Reviewed & Approved by the Full Governing Body: Jan 2013 Next Review due Jan 2016 Signed:. Name (print) Mrs Sarah Finch Position: Chair of Governors
More informationGCSE Music Unit 3 (42703) Guidance
GCSE Music Unit 3 (42703) Guidance Performance This unit accounts for 40% of the final assessment for GCSE. Each student is required to perform two separate pieces of music, one demonstrating solo/it skills,
More informationPROGRAMME ANNEE SCOLAIRE 2015/2016. Matière/Subject : English Langue d enseignement/teaching Language : English Nom de l enseignant/teacher s Name:
Classe/Class : CM2 Section : Matière/Subject : Langue d enseignement/teaching Language : Nom de l enseignant/teacher s Name: Nombre d heures hebdomadaires/number of hours per week : Approx. 4½ hours. Présentation
More informationKODÁLY METHOD AND ITS INFLUENCE ON TEACHING WIND INSTRUMENTS IN HUNGARY
KODÁLY METHOD AND ITS INFLUENCE ON TEACHING WIND INSTRUMENTS IN HUNGARY Jozsef Csikota Midwest Clinic Chicago, Illinois U.S.A. 15th December 2004 KODÁLY METHOD IN HUNGARIAN SCHOOLS In Hungary, every student
More informationHOWARD COUNTY PUBLIC SCHOOLS MUSIC TECHNOLOGY
HOWARD COUNTY PUBLIC SCHOOLS MUSIC TECHNOLOGY GOALS AND OBJECTIVES GOAL I: PERCEIVING, PERFORMING, AND RESPONDING: AESTHETICS The student will demonstrate the ability to perceive, perform, and respond
More informationMusic Literacy for All
Music Literacy for All Developing Musically Literate Individuals in Performance-Based Ensembles J. Steven Moore, DMA Research Data How Many Public Performances Does the Average H.S. Band Present Annually?
More informationSPECIFICATION GCSE. WJEC GCSE in MUSIC. Teaching from 2016 For award from 2018 APPROVED BY QUALIFICATIONS WALES
GCSE WJEC GCSE in MUSIC APPROVED BY QUALIFICATIONS WALES SPECIFICATION Teaching from 2016 For award from 2018 This Qualifications Wales regulated qualification is not available to centres in England. GCSE
More information2010 Barry Liesch ch8 Drumming Guide for 10 Worship Styles 1
2010 Barry Liesch ch8 Drumming Guide for 10 Worship Styles 1 9 pages 63 examples Chapter 8 Drumming Guide for 10 Worship Styles This chapter explores ways drumming can be performed in ten worship styles.
More informationBass Clef Sight-Reading Exercise Worksheet
Bass Clef Sight-Reading Exercise Worksheet Instructions: In this exercise you will work through five different levels of sight-reading ability. You may wish to print four copies of the music sheet for
More informationLife Skills: Beginning knowledge Topic: South Africa Context: South African Symbols People Money Languages Symbols Provinces
Theme: South Africa our heritage Day 1 First ring Concept: South African symbols Participates in discussions and asks Listens and responds to simple Talks about pictures in posters, theme charts, books
More informationBachelor Programme (B.Mus.) Audio and Music Production. Overview: Fields of Study, Modules and Course Units
Bachelor Programme (B.Mus.) Audio and Music Production Overview: Fields of Study, Modules and Course Units The curriculum of the Audio and Music Production programme is divided into 13 fields of study,
More informationDIGITAL MUSIC DAY 1 WHAT IS SOUND? ANALOG AND DIGITAL EARLY RECORDING WAX FOR YOUR EARS ROUND BUT FLAT WIRE AND TAPE PURE SOUND
DIGITAL MUSIC DAY 1 WHAT IS SOUND? 1. Making a sound playing a musical instrument, moves the surrounding the instrument. 2. Making a sound sends out air which hit your ears. 3. Waves of changing air pressure
More informationArizona Music Standards
Introduction Music is a subject with its own unique skills and knowledge, a respected repertoire of quality literature, an advanced system of notation and literacy, and a challenging form of cognition.
More informationAshton Community Science College Edexcel GCSE Drama Student guide. Is this the right subject for me?
Ashton Community Science College Edexcel GCSE Drama Student guide Is this the right subject for me? Do you enjoy: Expressing yourself in an active and exciting way? Working in a group? Contributing your
More informationThe concept and purpose of this program has four goals:
Essential Music Theory for Fiddle is a program designed to help a first-year Fiddle student to learn how to play from the heart and rely less on printed sheet music and tablature. It is a practical application
More informationSVL AP Music Theory Syllabus/Online Course Plan
SVL AP Music Theory Syllabus/Online Course Plan Certificated Teacher: Norilee Kimball Date: April, 2010 Stage One Desired Results Course Title/Grade Level: AP Music Theory/Grades 9-12 Credit: one semester
More information