MULTIPOSITIONALITY AND ARTICULATION OF DIFFERENCES

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1 MULTIPOSITIONALITY AND ARTICULATION OF DIFFERENCES >> initating conversations in micro-urbanterritories through artistic interventions. Rio de Janeiro, Lisbon and Berlin. Daniela Brasil Proposal to an interdisciplinary practice-based PhD Supervisor: Prof.Dr. Max Welch Guerra Professur Raumplanung und Raumforschung Fakultät Architektur - Bauhaus-Universität Weimar Co-supervisor: Profa. Dra. Margareth Campos da Silva Pereira Professor of Urban culture, history of art, history and theory of urbanism PROURB FAU Universidade Federal do Rio de Janeiro 1

2 INTRODUCTION This project wants to create conversations between cities and their inhabitants through the intertwined field of politics, art and urbanism. Can change and exchange in the urban structures be fostered by artistic interventions? Interdisciplinarity for the past two decades has become the most effective tool of dealing with the public realm. To understand and work with urban space and its political transformations is necessary to deal with difference and with the multipositionality of the actors of society. Therefore this study aims to bring traditional fields of urbanism (city planning, urban design and spatial researches) together with humanities and contemporary art. Focusing on processes that are produced by the interaction of cultures and collective experiences - or that exists within the conflict of the different discourses - "between spaces" will be traced as a potential terrritory of action. The spaces to be observed are not limited to the conventional understanding of public space, i.e. the outdoor squares and streets, the spaces left in-between buildings without private owners, or the urban theories that developed concepts that identify only the corporeal and legal dimensions of space. Mapping micro-urban-territories within metropolitan areas will be an exercise of observing the phenomena of dematerialization of space fostered by its cyber and mediatic dimensions, in junction with the approach that any public space does not exist a priori, since it is necessarily socially, culturally, economically and politically constructed. 2

3 BACKGROUND To situate this proposal within the development of my previous work I would like to underline some of the conducting guidelines that perpasses the main projects I have idealized and/or organized in the past ten years. The body of my work may divert in its form, but the intention remains as an attempt of touching the realm of society. Through the attentive perception of landscapes, the excercise of questioning political power and cultural practices; promoting encounters and exchanges; my projects are interested in investigating and generating shifts on behaviours. The wish of raising debate - through provocating established structures - has always been present. The act of questioning is used to dislocate meaning, hence to foment change. These provocations emerge from trained observation, chance and poetical readings of the cities, drifting through latent possibilities that tend to be hidden from the distracted eye. Expanding the gaze, perception becomes intention and a mode of action. Creating interstices to operate, these projects initiated contact and dialogues with a series of actors of society, i.e. citizens, political and administrative powers, universities, cultural and artistic institutions, private investors and public funds. Inquiring the varied contituents of society is understood as an effective way of potentializing different perspectives and therefore new attitudes towards the public sphere. Accordingly an advantage of my contradictory and momentaneous position of distance and proximity towards the three chosen cities will be taken. The intensive academic, professional and sentimental experience I have with these environments gives me the required support to start this research from an pre-acquired level of understanding of these particular urban cultures and their inherent conflicts. 3

4 INTENTIONS In times where multiplicity is in the order of the day, the issues of where we are positioned and to whom we are talking to are extremely important. How to facilitate talks, how to create cooperative network systems where all the components have space for reflection and intervention? How to articulate between spaces - finding existing gaps and connections or creating new ones - where dialogues among different languages can take place? Considering modes of perception and forms of expression as the actual basis for conviviality within the public realm, the themes of language and identity will be a central point of the research. By tracing out three categhories of interventional spaces, i.e. Cognitive spaces (when people acknowledge their environment - through thought, experience and/or the senses); Textual spaces (where discourse and its interpretations are created); and Political spaces (where decisions take place through dialogues); a mapping of the territory will lead to the verification if it is possible to qualify public spaces through acknowledging difference. Facilitating dialogues and mediating connections within the three cities and its inhabitants through interferences generated by artistic objects and actions, this investigation wants to verify how can short-term interventions generate long-term reactions. As a result, a sentimental and scientifical cartography of the studied places is to be expected. 4

5 METHODOLOGY The research will shift from theory to practice and vice-versa, as in a chemestry laboratory of experiments. The theoretical substance will be transformed into an urban interference; and the result of the action will be analised becoming theoretical content. It is a practice-based investigation. These practical exercises will be used as "case studies" created by and to the studies, so that the idea of "case study" will not be as normally a pre-existing one. The process consists of mapping the territories and inserting artistic objects and actions within chosen spaces. The criteria to choose the micro-urbanterritories of intervention will be developed during the preparatory phase. The proposed research method of understanding the public space is based on the superposition of bibliographic and cartographic studies, attendance to seminars, in loco experiences and the elaboration of artistic devices. To allow a basis of comparison, the same objects and the same actions will be used for the three cities. The patterns of language and technics of documentation will also be the same. In this sense, the artistic object and its representation will be repeated, what will change is the scenario and its inherent political, economical, cultural and social conditions. The objects to be produced shall all fit in one suitcase. They have to be easily transportable in order to allow their installation in any spot of the three cities chosen for intervention. 5

6 WORK SCHEDULE 1. Preparations >> Oct 06 Feb Selecting the specific bibliography and cartography for each city 1.2. Creating the methodology to approach the space and the people 1.3. Idealizing and constructing the objects and the actions 2. Urban actions >> Mar 07 - Nov 07 Each city will be studied for a period of 3 months, one month for each of the following steps: Tracing conflict, identifing and classifing potential areas of intervention 2.2. Chosing, analising and mapping the micro-territories 2.3. Intervening, following up and registering reactions Mar Mai >> 1 st.city Rio de Janeiro Jun Ago >> 2 nd city Berlin Sep Nov >> 3 rd city Lisbon 3. Reflections >> Dec 07 Jun Analising and comparing the results 3.2. Generating a cartography of difference 4. Conclusion >> Jul 08 Sep Writing the final thesis ATTENDENCE TO SEMINARS AND INSTITUTIONAL COLLABORATION. Europäische Urbanistik - Promotionsprogramm der Fakultät Architektur an der Bauhaus-Universität Weimar. Programa de pós-graduação em Urbanismo da Universidade Federal do Rio de Janeiro (PROURB FAU UFRJ). Centro de Estudos Geográficos - Faculdade de Letras - Universidade de Lisboa (CEG FLUL) In particular the activities within the context of the Universitary cooperation programme: CAPES - DAAD / Politik des Öffentlichen Raumes im Wandel: Rio de Janeiro und Berlin. Ein binationales Forschungsvorhaben. 6

7 BIBLIOGRAPHY ARGAN, Giulio Carlo. História da Arte como História da Cidade. Martins Fontes, São Paulo, BARTHES, Roland. A câmara clara. Nova Fronteira, Rio de Janeiro, BENJAMIN, Walter. Das Passagen-Werk. Suhrkamp, Frankfurt am Main, BHABHA, Homi K. The Location of Culture. Routledge, New York, BRASIL, Daniela and GALVÃO LUCAS, Marta (eds). Em trânsito: mobilidade e vida urbana. Goethe-Institut Lissabon, Lisbon, CALVINO, Italo. Seis propostas para o próximo milénio. Lisboa, Editorial Teorema, CALVINO, Italo. As cidades invisíveis. São Paulo, Companhia das Letras, CARERI, Francesco. Walkscape: walking as an aesthetical experience. Gustavo Gili, Barcelona, CERTEAU, Michel. The practice of everyday life. University of California Press, Berkeley, DELLEUZE, Giles and GUATARRI, Felix. A thousand Plateaux: capitalism and schizophrenia. Continuum, London, DEUTSCHE, Rosalyn. Evictions - Art and Spatial Politics. MIT, Massachsetts, Lisboa Capital do Nada, Marvila Extramuros, Lisboa, FARIAS, Agnaldo. Folha Explica - Arte brasileira hoje. Publifolha, São Paulo, FINKELPEARL, Tom. Dialogues in Public Art. MIT, Massachusetts, FOUCAULT, Michel. As palavras e as coisas. Martins Fontes, São Paulo, FORTY, A. and KÜCHLER, S. (ed.) The art of forgetting. Berg, Oxford, HABERMAS, Jürgen. Strukturwandel der Öffentlichkeit: Untersuchungen zu einer Kategorie der bürgerlichen Gesellschaft. Suhrkamp, Frankfurt, KOCH, Jochen. Organisation und Differenz: Kritik des organisationstheoretischen Diskurses der Postmoderne. Westdt. Verl., Wiesbaden, KRAUSS, Rosalind. Passages in Modern Sculpture. Cambridge, Mass.: MIT Press, LACY, Suzanne (ed.). Mapping the terrain: new genre public art. Bay Press, Seattle,

8 MILES, Malcolm. Art, Space and the city. Routledge, London, MILES, Malcolm and Hall, Tim (ed.). The city cultures reader. Routledge, London, MOUFFE, Chantal. On the political. Routledge, London, PESSOA, Fernando. Livro do Desassossego. Assírio & Alvim, Lisboa, MERLEAU-PONTY, Maurice. A Prosa do Mundo. Cosac & Naify, São Paulo, MERLEAU-PONTY, Maurice. O olho e o espírito. Cosac & Naify, São Paulo, ROGOFF, Irit. Terra Infirma. Routledge, London, SCHILLER, Friedrich. On the Aesthetical Education of Man. The Claredon Press, Oxford, SENNETT, Richard. The fall of public man. W. W. Norton, New York, WARNER, Michael: Publics and counterpublics. Zone Books, New York Articles and Catalogues: AGUILAR, Nelson (org.). Catálogo Bienal Brasil Século XX. SP, Fundação Bienal, ALYS, Francis. Seven Walks. Artangel, London, BENJAMIN, Walter; ADORNO, Theodoro. Exchanged letters in Aesthetics and Politics, Verso, London, New York, BOWRON, Astrid (ed). Experiment experiência: art in Brazil Oxford : Museum of Modern Art; São Paulo : BrasilConnects, 2001 GULLAR, Ferreira. Cultura posta em questão. Rio de Janeiro: Civilização Brasileira, MOUFFE, Chantal. interviewed by Rosalyn Deutsche, Branden W. Joseph, and Thomas Keenan. Every Form of Art has a political Dimension. in Grey Room 02, pp Grey Room Inc. and Massachusetts Institute of Technology, MATZNER, Florian, MANSKE, Hans-Joachim, PFISTER, Rose. No art = no city! Stadtutopien in der zeitgenössischen Kunst. Hatje Cantz Verlag, Bremen, RANCIÈRE, Jacques. The aesthetical revolution and its outcomes. in The New Left Review The Alden Press, Oxford,

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