1 GAMELAN SELUNDING IN BALI By Danker Schaareman Information for this list has been supplied by Dr. Danker Schaareman, with support from the American Gamelan Institute. Any questions regarding this information can be sent to the author at his This page currently contains: 1. List of Gamelan Selunding 2. Notes on Balinese Inscriptions Related to Ritual Music 3. Literature on Gamelan Selunding 4. Published Recordings of Selunding Music. 5. Unpublished Recordings of Selunding Music I am working on more detailed information on the history of selunding; section 2 will be updated as materials become ready. I will also add a section with sample transcriptions of selundung pieces.
2 I. LIST OF GAMELAN SELUNDING Below is a preliminary list of selunding orchestras giving such (very succinct) information on these as is known to me. The next update of this work on selunding in progress will be a short introduction to selunding music in general. I intend to add more information on the history of the villages and their orchestras later. The villages which have or have had a selunding are listed alphabetically. The name of the district is added in parentheses. List A describes traditional selunding ensembles, whereas list B shows those orchestras which have been taken out of and are played outside their traditional setting. Thanks to Daniel Wolf, Charlie Richter, David Harnish and Loren Nerell for their input concerning list B. Depending on your point of view, Nrs. 28 (Payangan) and 40 (Tembuku) might be considered as being "out of context", although I have left them on the first list.
3 I.1 LIST A: TRADITIONAL SELUNDING ENSEMBLES 1. Ababi, Banjar Bias (Karangasem) In 1978, 17 keys were found in a ricefield (cf. Bali Post and ). According to the report in the Bali Post ( ) these were bronze keys, but the ones I have seen were definitely made of iron. The village regulations mention offerings for the "salunding". Playtime: unknown. 2. Asak (Karangasem) Recorded (first in the nineteen-forties); film & video available. Full orchestra. Transcription(s) in Schlager 1976, Schaareman 1992 (see reading list) as well as in the text to "Ritual Music from Bali I" (see recording list). Playtime: Once a year during the Usaba Kasa, around the full moon of the first month (June/July). 3. Awan (Bangli) Keys only (33); the keys were dug out in a field in Playtime: unknown. 4. Batur (Bangli) Recorded in This is not possible anymore, so it seems. There are still people in Batur who can play, but these are not allowed to play because they belong to the kiwa ("left") -half of Batur. Two instruments. Playtime: Usaba Kalima (fifth month, ca. November) and periodic large= rituals. 5. Bayung Gede (Bangli) Not active; keys only? Playtime: it was reportedly played during rituals in the fourth and tenth months (usaba gede). 6. Bebandem (Karangasem) Mentioned in a prasasti (edict) only (Saka 1068?). Playtime: unknown. 7. Besakih (Karangasem) Formerly (in the nineteen-seventies) there were keys only, kept in the Merajan Selonding at Besakih, and for a long time there have been no musicians. Recently (i.e. since about two years) the troughs (pelawah) have been rebuilt again, the keys were tuned and the sekaha (musicians' association) is practising (with a teacher from Bebandem). I have not checked this out yet. Formerly, players from Selat or Tenganan used to come and perform during temple rituals. Full orchestra. Playtime: Main temple rituals 8. Blancang (Bangli) Extinct. Reportedly there has been a selunding orchestra in this village in former times. Playtime: unknown. 9. Buahan (Bangli) Not active; there seem to be some instruments which are broken down. Mentioned in a prasasti of Saka Playtime: Fourth month (Kartika)? 10. Bugbug (Karangasem) Recorded; video available; full orchestra. Playtime: Once a year during the Usaba Kasa, around the full moon of the first month (ca. June/July). Transcriptions in Schlager 1976 (see reading list). 11. Bulian (Buleleng) Mentioned in a prasasti only (Saka 1103). Playtime: unknown.
4 12. Bungaya (Karangasem) Recorded in the nineteen-forties and Full orchestra. Playtime: I witnessed it being played during the maligia in the Karangasem puri kangin; otherwise once in ten years. Transcriptions in Schlager 1976 (see reading list). 13. Bunutin (Bangli) Not active, most likely extinct. The reported selunding ensemble here appeared to consist of one iron "kaling" (a kind of jar). Nevertheless, it was maintained that there had been a selunding orchestra in former times. Playtime: unknown. 14. Campetan (Bangli) Mentioned in a prasasti (Saka 1071?). Playtime: unknown. 15. Cempaga (Buleleng) Not active; extinct? Mentioned in two prasasti's (Saka 1103 and 1246). According to the village regulations (awig-awig) there ought to be four wooden troughs. There are no musicians any more. Playtime: unknown. 16. Geliang (Karangasem) Not active and probably extinct. It was reported that there were a selunding here, but I have not been able to discover it. Playtime: unknown. 17. Jagaraga (Buleleng) Mentioned in a prasasti only. Playtime: unknown. 18. Kayubihi (Bangli) Not active? In the early nineteen-seventies there were still some musicians, but I haven't been able to record the ensemble then. The keys are buried after rituals are completed. Playtime: unknown. 19. Kedampal (Karangasem) Recorded in , now supposedly inactive. Two instruments. Playtime: full moon rituals. 20. Kedisan (Bangli) Extinct or just not active? Reportedly two instruments with ten keys each. Playtime: full moon of the tenth month (Kadasa). 21. Kengetan (Gianyar) Not active; keys only? According to Kunst (1925) there were 3 instruments. People in the village do not know of a selunding, and suppose it got lost in Playtime: unknown. 22. Kintamani (Bangli) Not active; extinct? Reportedly there are keys. Playtime: unknown. 23. Landih (Buleleng) Mentioned in a prasasti only (Saka 1103). Playtime: unknown. 24. Ngis, Manggis (Karangasem) Recorded in Full orchestra Playtime: Usaba Kapat at the time of the full moon of the fourth month (ca. October); Galungan. Transcriptions in Schlager 1976 (see reading list). 25. Padangan (Tabanan) Full orchestra has ceng-ceng, kendang and "gender" added to it. Playtime: depends on village priest. 26. Pamuteran (Karangasem) Not active; two instruments with ten keys each. The orchestra is mentioned in a prasasti of Saka Playtime: unknown.
5 According to the prasasti the ensemble played during the full moons of the third and tenth months as well as during the time of the waning moon of the fourth month. 27. Payangan (Gianyar) Reportedly the village once possessed a selunding orchestra. Playtime: unknown. 28. Payangan (Gianyar) There is a new ensemble in Payangan, built after the Tenganan orchestra; inspired by Bob Brown. Playtime: not known to me. 29. Pedawa (Buleleng) Not active. Only one instrument, called "serunding". Type: gangsa jongkok! Playtime: unknown. 30. Perasi (Karangasem) Recorded in 1974; only some instruments remain now. Playtime: children bang on the instruments during rituals when the orchestra is ritually set up in the main village temple. 31. Pura Kehen (Bangli) Mentioned in a prasasti only (Saka 1126). Playtime: unknown. 32. Selat (Karangasem) Recorded; film available. The sekaha seems to be growing (in 1985 the orchestra was played by one village priest who handled several instruments at the same time!). Transcriptions in Schlager 1976 (see reading list). Playtime: during main village rituals. Main rituals are: Usaba Emping (full moon of the second Balinese month); Usaba Agung (full moon of the third month); Aci Ngasanga (full moon of the ninth month); Usaba Padikitan (new moon of the ninth month); Usaba Miyik (full moon of the fourth month); Usaba Kadasa (full moon of the tenth month); Usaba Ngatelun (nagingin pulu). 33. Sembiran (Buleleng) Reportedly! Playtime: unknown. 34. Serai (Bangli) Only one key remains. The orchestra as such is mentioned in a prasasti (Saka 1103). Playtime: unknown. 35. Seraya (Karangasem) Slightly mysterious. Some people say that there is or has been a selunding orchestra, others deny it. Playtime: unknown. 36. Songan (Bangli) Extinct. The village possessed a selunding orchestra in former times, but it was said that the iron keys had been used for making a gong orchestra. NB: A gong orchestra has usually bronze keys, but I have found several gong orchestras with iron keys instead in Lombok (iron is cheaper than bronze). But at any rate there is no orchestra with iron keys in Songan nowadays. Playtime: unknown. 37. Sulahan (Bangli) Extinct. According to people in Sulahan the village possessed a selunding orchestra a long time ago. The story is that it became obscure and was replaced by a Semar Pagulingan; only after that did the village obtain its now famous gong gede orchestra. Some people say that the gong gede has always been in Sulahan, but there is also a story according to which the orchestra was given to Sulahan by the king of Bangli in return for its help in the war against Klungkung (in which Klungkung was defeated). Playtime: unknown.
6 38. Teba Kauh (Gianyar) Extinct; mentioned only in two prasasti's. Playtime: unknown. 39. Tejakula (Buleleng) Extinct. Mentioned in a prasasti only (Saka 1077). Playtime: unknown. 40. Tembuku, desa Bambang (Bangli) New orchestra, made about a couple of years ago after the one in Tenganan. The teacher is a graduate from the STST, coming from the village of Bambang. Playtime: during temple ceremonies. 41. Tenganan (Karangasem) Three full ensembles, belonging to Tenganan kelod, tengah and kaja, resp. Playtime: often during village rituals. Transcriptions in McPhee 1966, Schlager 1976 and Ramseyer 1992 (see reading list). 42. Tigawasa (Buleleng) Not active. There must have been four wooden troughs; only two remain. Playtime: unknown. 43. Timbrah (Karangasem) Recorded in Full orchestra. Transcriptions in Schlager 1976 (see reading list). Playtime: Usaba Karo during the second month (ca. July/August). 44. Tista, Banjar Carik (Tabanan) In iron keys were found (cf. Bali Post, ). Playtime: unknown. 45. Trunyan (Bangli) Two instruments; I am not sure whether it is still played during rituals or not. Playtime: Usaba Kapat, i.e. during the time of the full moon of the fourth month (ca. October). I only know of a fragmentary transcription by Walter Spies (see reading list). 46. Tumbu (Karangasem) Only some wooden troughs and keys remain. An old woman told me in 1988 that she had heard the orchestra play "40 years ago"; there were six players then. Playtime: unknown. I.2 LIST B: SELUNDING ENSEMBLES IN OTHER SETTINGS 1. Basel (Switzerland) Two orchestras, built after a) Tenganan and b) Bungaya. They belong to the Music Academy and the Museum of Ethnography resp. Playtime: occasionally. 2. Denpasar (Badung) STST copy of the Tenganan orchestra. Playtime: used for educational purposes and composition. 3. Los Angeles (USA) Tenganan model; brought to Los Angeles by Bob Brown. Playtime: not known to me. 4. Payangan (Bob Brown), style Tenganan [cf. 28] 5. STSI (style Tenganan) 6. Tembuku, Bangli (style Tenganan/STSI) see nr. 40
7 II. A NOTE ON BALINESE INSCRIPTIONS (PRASASTI) RELATED TO RITUAL MUSIC To my knowledge, there are thirteen Balinese inscriptions (prasasti) in which instruments / ensembles are mentioned that we now know as selunding and gambang. The prasasti mention salunding wesi and galunggang petung, the first clearly relating to an ensemble with iron (wesi) keys, the second to the one with bamboo (petung) keys. Below is a map that indicates the location of the thirteen prasasti where these are kept now. III. LITERATURE ON GAMELAN SELUNDING 1. Boekian, I Dewa Poetoe "Kajoebii: een oud-balische bergdesa", in: Tijdschrift voor Indische Taal-, Land- en Volkenkunde Korn, V.E De dorpsrepubliek Tnganan Pagringsingan op Bali. Santpoort. 3. Kunst, J. & Kunst-v. Wely, C.J.A "De toonkunst van Bali II", in:. Tijdschrift voor Indische Taal-, Land- en Volkenkunde, 65, 3. Weltevreden: Albrecht.
8 4. McPhee, Colin Music in Bali: A Study in Form and Instrumental Organization in Balinese Orchestral Music. New Haven & London: Yale University Press. 5. Nakamura, Kiyoshi "Articulating Rituals. The Use of Ritual Music in Selat (Karangasem)", in Schaareman (ed.) Ramseyer, Urs Kultur und Volkskunst in Bali. Zurich: Atlantis 7. Ramseyer, Urs Bali, Distrikt Karangasem - "selonding"- Orchester. Ritualmusik in Tenganan Pegeringsingan. Publikationen zu wissenschaftlichen Filmen, Sektion Ethnologie, Serie 13, Nr. 6, Film E Goettingen: Institut fuer den Wissenschaftlichen Film. 8. Ramseyer, Urs "The Voice of Batara Bagus Selonding. Music and Rituals of Tenganan Pagringsingan (translated by Cressida Joyce)", in Schaareman (ed.) Schaareman, Danker Ritual und Musik in einem balinesischen Dorf. Unpublished MA Thesis, University of Basel. 10. Schaareman, Danker Taenze und Opferhandlungen waehrend des Sumbu-Festes in Tatulingga (Distrikt Karangasem, Bali). Publikationen zu wissenschaftlichen Filmen, Sektion Ethnologie, Serie 10, Nr. 21, Film D Goettingen: Institut fuer den Wissenschaftlichen Film. 11. Schaareman, Danker "The Power of Tones: Relationships between Ritual and Music in Tatulingga, Bali", in:. Indonesia Circle Schaareman, Danker "The Shining of the Deity. Selunding Music of Tatulingga (Karangasem) and its Ritual Use", in:. Schaareman (ed.) Schaareman, Danker (ed.) Balinese Music in Context. A Sixtyfifth Birthday Tribute to Hans Oesch. Winterthur: Amadeus-Verlag [Forum Ethnomusicologicum, Basler Studien zur Ethnomusikologie, Band 4]. 14. Schlager, Ernst Rituelle Siebenton-Musik auf Bali. Herausgegeben von Hans Oesch. Bern: Francke Verlag. [Forum Ethnomusicologicum, Series I: Basler Studien zur Ethnomusikologie, 1]. 15. Spies, Walter "Das grosse Fest im Dorfe Trunjan (Insel Bali). Tagebuchblaetter, in:. Tijdschrift voor Indische Taal-, Land- en- Volkenkunde Team Survey Guru-Guru KOKAR "Gamelan Selonding", in: "Musika, brosur mengenai ilmu musik dan koreografi, 1." Jakarta: Lembaga Musikologi dan Koreografi. 17. Pande Wayan Tusan Selonding. Tinjauan Gamelan Bali Kuna Abad X XIV. Karangasem: Citra Lekha Sanggraha.
9 IV. PUBLISHED RECORDINGS OF SELUNDING MUSIC Only the first two recordings contain exclusively selunding music. The other CDs and LPs (discs) have selunding music among other musics from Bali. Nrs. 1, 2, 3, 6 and 7 have selunding music from Tenganan; nrs. 4 and 5 from Asak (also east Bali). 1. CD. Selunding by the Sea. Aman 001CD. Recorded and produced by Douglas Myers. 2. CD. Gamelan Selonding "Guna Winangun", Tenganan. King Record Co. LTD, Japan (KICC 5182) 3. LP Musique des Dieux, Musiques des Hommes. Gamelans de Bali. Recorded by Louis Berthe and Bernhard Ijzerdraat. BAM, LD096M. Text and recordings by Louis Berthe. 4. LP Ritual Music from Bali I. The Annual Cycle in Tatulingga: The Usaba Sumbu. Musicaphon, BM 30 SL By Danker Schaareman. 5. LP Ritual Music from Bali II. Cross-section through the Music of the Annual Cycle in Tatulingga. Musicaphon, BM 30 SL By Danker Schaareman. 6. CD The Gamelan Music of Bali. King Record Co. LTD, Japan (KICC 5126). 7. CD Traditional Musicians. A Suite of Tropical Music and Sounds. WDR World Network, Best.-Nr Text by Wolfgang Hamm and Rika Riessler, recordings by Wolfgang Hamm and Radu Marinescu. Note: Incidentally, there is a review of the record by Louis Berthe written by Ernst Heins and published in Ethnomusicology X(3) in 1966, pp V. UNPUBLISHED RECORDINGS OF SELUNDING MUSIC In , a team of four researchers from the University of Basel, Switzerland, carried out research in Bali (and Lombok) which at the time focused on traditional Balinese music. This team consisted of Dr. Urs Ramseyer and his wife, Dr. Tilman Seebass and his wife, Danker Schaareman, Gera van der Weijden, and film makers Peter Horner and Bernadette Waldis. Each of the four researchers (Ramseyer, Seebass, Schaareman, van der Weijden) had his/her own field of research. During the two years a host of recordings (and films) was made, only a very small number of which was published (see section IV, nrs. 4 and 5, and section III, nrs. 7 and 10). During the nineteen eighties I myself at times together with Barnie Palm, Dieter Mack and Andrew Toth likewise made many recordings (of gambang, selunding, saron,
10 gong luang, caruk and gong gede). All these unpublished music recordings sit in the archives of the Institute of Musicology of the University of Basel, Switzerland, and are not easily accessible. This is mainly due to the fact that, after institute director Prof. Hans Oesch passed away in the early nineteen nineties, interest in non-western at the institute faded away, and so funds for maintaining this valuable collection are not made available. It must be added that the whole collection includes old recordings of Balinese music dating back to the nineteen forties and fifties, made by Dr. Ernst Schlager and Theo Meier, as well as some recordings made by Hans Oesch before When I left Switzerland for good, the archiving of the tapes of Schlager/Meier had not yet been completed. All music recordings from 1972 onwards were made with a Nagra Kudelski IV using good quality tape material. All recordings were duly archived (so that tracking a specific recording is easily possible), but they should be copied on CD; this is quite a job, but it is necessary, especially in respect to the oldest recordings that can only be played once: the brownish tape material layer containing the musical information is stripped off leaving the underlying plastic tape transparent. Fast forward, and rewinding is not possible at all without destroying the tape. I do not think that the institute is willing to finance this. At this moment I am trying to find out what options are available to make to collection public and widely accessible. Below is a list of all archived recordings in the institute. It should be checked and verified, and gaps should be filled. V.1 LIST OF ARCHIVED RECORDINGS, INSTITUTE OF MUSICOLOGY, UNIVERSITY OF BASEL, SWITZERLAND Archive Nr Ensemble Vocal Name of composition T-OZ F 020 K Vocal Made Rai T-OZ F 157 K Children's songs Méong Méong T-OZ F 157 K Kidung Bagus Diarsa T-OZ F 158 K Kidung daha Mamuja T-OZ F 158 K Kidung daha Masindihan T-OZ F 158 K Kidung daha Sanglana T-OZ F 159/160 K Kidung daha Pelawangan T-OZ F 160 K Kidung daha Mamuja CHECK NR Kidung Sanghyang Ayu emas, ayu alit T-OZ F 161 K Kidung Sanghyang Sekar Agung T-OZ F 161 K Kidung Sanghyang Nelayan T-OZ F 020 K Vocal Taruna Melali T-OZ F 157 K Children's songs Cening Ayu T-OZ F 020 K Vocal Galang Bulan
11 T-OZ F 020 K Vocal Goak Ngegaluk T-OZ F 020 K Vocal Siliasih T-OZ F 020 K Vocal Pangembang T-OZ F 020 K Vocal Bibi Rangda T-OZ F 161 K Kidung Sanghyang Ayu emas, ayu alit T-OZ F 161 K Kidung Sanghyang Nuju muspa T-OZ F 161 K Kidung Sanghyang Tirta luwih T-OZ F 141 K Kidung/Tembang Panjimarga T-OZ F 020 K Vocal Juru Pencar T-OZ F 142 K Kidung/Tembang Rangga Doja T-OZ F 141 K Kidung/Tembang Demung Sawit Tantri T-OZ F 141 K Kidung/Tembang Bangsasta T-OZ F 141 K Kidung/Tembang Juragandanu T-OZ F 141 K Kidung/Tembang Pelugon T-OZ F 141 K Kidung/Tembang Megatruh T-OZ F 141 K Kidung/Tembang Basung T-OZ F 141 K Kidung/Tembang Wargasari T-OZ F 142 K Kidung/Tembang Melini T-OZ F 142 K Kidung/Tembang Seronca (2x) T-OZ F 157 K Children's songs Bibi anu T-OZ F 142 K Kidung/Tembang Pangrus T-OZ F 021 K Janger Rajahpata (?) T-OZ F 142 K Kidung/Tembang Canggu T-OZ F 142 K Kidung/Tembang Semarandana T-OZ F 142 K Kidung/Tembang Sudamala T-OZ F 142 K Kidung/Tembang Kancil T-OZ F 157 K Kidung Wargasari T-OZ F 157 K Children's songs Grambang grombong T-OZ F 021 K Kecak Unknown T-OZ F 157 K Children's songs Anak Cerik T-OZ F 157 K Children's songs Peteng Pitu T-OZ F 161 K Kidung Sanghyang Kebyar gender T-OZ F 142 K Kidung/Tembang Pamandana Kidung daha Sanglana T-OZ F 015 K Kekawin Pupuh Adri (I) T-OZ F 004 K Kidung Jurangandanu
12 T-OZ F 004 K Kidung Ranggacalon T-OZ F 327 K Kidung - Kekawin Wirama Sewana Girisa T-OZ F 327 K Kidung - Kekawin Bala Ugu T-OZ F 326 K Kidung Wargasari T-OZ F 013 K Kecak Unknown T-OZ F 013 K Kekawin Unknown Kidung Undakan Pangrus T-OZ F 161 K Kidung Sanghyang Margapati Brahmara Sangupati T-OZ F 015 K Vocal Speech by the king of Gianyar (in Indonesian) Kawitan Tantri Kawitan Demung T-OZ F 209 K Mantra Sudamala (panglukatan) T-OZ F 084 K Kidung Wargasari T-OZ F 078 K Kidung Manukaba T-OZ F 078 K Kidung Panjimarga T-OZ F 078 K Kidung Demung T-OZ F 078 K Kidung Agal T-OZ F 078 K Kidung Juragandanu Kawitan Wargasari T-OZ F 143 K Kidung/Tembang Wahirat T-OZ F 161 K Kidung Sanghyang Kebyar genjek (2x) T-OZ F 161 K Kidung Sanghyang Sekar sandat T-OZ F 161 K Kidung Sanghyang Tabuh Angklung T-OZ F 161 K Kidung Sanghyang Lunga luhung T-OZ F 161 K Kidung Sanghyang Ketut bangun T-OZ F 161 K Kidung Sanghyang Sekar Gadung T-OZ F 162 K Kidung Sanghyang Sanghyang T-OZ F 163 K Kidung Sanghyang Sanghyang T-OZ F 163 K Kidung Gedong Manik T-OZ F 015 K Kekawin Pupuh Adri (II) T-OZ F 163 K Kidung Dangdang T-OZ F 015 K Vocal Speech by the king of Gianyar (in Dutch) T-OZ F 143 K Kidung/Tembang Ginada T-OZ F 147 K Cekepung Unknown Kidung daha Sanglana
13 T-OZ F 015 K Vocal Sinom Bebadungan T-OZ F 015 K Vocal Sinom Silir T-OZ F 015 K Vocal Sinom Payangan T-OZ F 015 K Vocal Lagu Janger T-OZ F 015 K Vocal Bibi Anu T-OZ F 293 K Kidung Kidung Taruna T-OZ F 158/160 K Kidung daha Sanglana T-OZ F 163 K Kidung Sinom T-OZ F K Satwa Tantri Kamanaka T-OZ F K Cekepung Unknown (various pieces) T-OZ FL 005 K Tembang Asmarandana T-OZ FL 005 K Tembang Durma T-OZ FL 005 K Tembang Pangkur T-OZ FL 005 K Tembang Sinom T-OZ FL 004 K Tembang Sinom (2x) T-OZ FL 005 K Tanda' Nyali T-OZ F 304 K Kidung Sudamala (several times) T-OZ FL 005 K Tanda' Belancaran T-OZ F 266 K Kidung Sudamala T-OZ F 332 K Satwa I Siap Selem T-OZ F 332 K Satwa I Sugih I Tiwas T-OZ F 332 K Satwa I Ubuh (2x) T-OZ F 245 K Satwa Tantri Kamanaka T-OZ F 243/244 K Kidung Ana Kidung T-OZ FL 004 K Vocal Kaka' Tua T-OZ F 243/244 K Kidung Purwajati (I,II) T-OZ F 342/343 K Cekepung Unknown (various pieces) T-OZ F 141 K Kidung/Tembang Kawitan Tantri T-OZ F 160 K Kidung daha Masindihan T-OZ F 345 K Kekawin Unknown (various verses) T-OZ F 208 K Mantra Sudamala (Panyudamalan) T-OZ F 007 K Kidung Unknown T-OZ FL 005 K Tembang Kumambang T-OZ F K Cekepung Unknown (various pieces) T-OZ F 243/244 K Kidung Sudamala T-OZ F 136 K Cekepung Kumambang Sorog Jukung
14 T-OZ F 136 K Cekepung Dangdang T-OZ F 136 K Cekepung Sinom T-OZ F 136 K Cekepung Turun Daun T-OZ FL 005 K Lagu anak Unknown T-OZ FL 005 K Tanda' Nayu' T-OZ FL 006 K Lagu anak Unknown T-OZ F 140 K Kidung Sasak Sinom T-OZ F 136 K Cekepung Kumambang Bukit T-OZ F K Kidung Panjimarga T-OZ F K Kidung Alis-alis Ijo T-OZ F K Kidung Pangaksama T-OZ F K Kidung Manukaba T-OZ F K Kidung Demung T-OZ F 243/244 K Kidung Bagusangko CHECK NR Kidung/Wirama Séwana Girisa T-OZ F 243/244 K Kidung Malat Limawanta T-OZ F 140 K Kidung Sasak Interview T-OZ F 140 K Kidung Sasak Dangdang T-OZ F 318/319 K Cekepung Unknown (7 pieces) T-OZ F K Kidung Unknown (various kidung gambang) T-OZ F 141 K Kidung/Tembang Dingdang T-OZ F 141 K Kidung/Tembang Kawitan Cupak T-OZ F 293 K Kidung Kidung daha T-OZ F 326 K Kidung Merdu Komala (Totaka) T-OZ F 210 K Kidung Manukaba T-OZ F 243/244 K Kidung Malat Keling T-OZ F 208 K Mantra Sudamala (Panyudamalan) T-OZ F 209 K Kidung Kawitan Tantri T-OZ F K Kidung Unknown T-OZ F 210 K Kidung Malat Sari T-OZ F 243/244 K Kidung Malat Kadiri T-OZ F 210 K Kidung Panjimarga T-OZ F 210 K Kidung Pamuspaan T-OZ F 210 K Kidung Alis-alis Ijo (2x) T-OZ F 210 K Kidung Kaki Tua (2x) T-OZ F 210 K Kidung Wargasari
15 T-OZ F 210 K Kidung Kawitan Wargasari T-OZ F 210 K Kidung Unknown T-OZ F 210 K Kidung Malat Cupak T-OZ F 013 K Angklung Gambangan T-OZ F 012 K Angklung Angklungan T-OZ F 328/329 Angklung Unknown (various pieces) T-OZ F 010 K Angklung Berong (pangawak) T-OZ F 010 K Angklung Berong (pangecet) T-OZ F 010 K Angklung Sekar Jepun T-OZ F 010 K Angklung Merdah T-OZ F 010 K Angklung Ngisep Jublag T-OZ F 010 K Angklung Pis Satus Selaka Loyang MACK Angklung Unknown T-OZ F 018 K Angklung Ngisep Jublag T-OZ F 018 K Angklung Barong (pangecet) (?) T-OZ F K Angklung 5 Panggulan T-OZ F K Angklung 5 Agik-agikan T-OZ F K Angklung 5 Tetangisan T-OZ F K Angklung 5 Kembang Mendari T-OZ F K Angklung 5 Ujan Gerimis T-OZ F K Angklung 5 Méong-méongan T-OZ F 011 K Arja Arja Arjana Wijaya T-OZ F 011 K Arja Arja Sampik Inglai (?) T-OZ F 018 K Arja (flute, piano) Arja T-OZ F 018 K Arja, suling gede Peperangan sira Panji T-OZ F 013 K Bebarongan Calonarang T-OZ F 055 K Beleganjur Unknown T-OZ FL 007 K Cekepung Cekepung Ginanti T-OZ FL 007 K Cekepung Cekepung Unknown (3) T-OZ FL 007 K Cekepung Cekepung Jejangeran T-OZ FL 007 K Cekepung Cekepung Sinom T-OZ F 125 K Cungklik Unknown T-OZ F 106 K Gambang Selopag T-OZ F 106 K Gambang Panjimarga T-OZ F 107 K Gambang Seruni T-OZ F 094 K Gambang Halan Tuban
16 T-OZ F 108 K Gambang Telaga Biru T-OZ F 094 K Gambang Sinom T-OZ F 108 K Gambang Ambangan Badung T-OZ F 108/109 K Gambang Rajin (2x) T-OZ F 108 K Gambang Layon Sari T-OZ F 107 K Gambang Abuang (A, B) T-OZ F 107 K Gambang Rejang T-OZ F 105 K Gambang Pamandana T-OZ F 107 K Gambang Wanda T-OZ F 106 K Gambang Kinanti T-OZ F 107 K Gambang Pendet T-OZ F 107 K Gambang Rebabikan T-OZ F 105 K Gambang Kawitan Rejang T-OZ F 105 K Gambang Legong T-OZ F 107 K Gambang Condong T-OZ F 095 K Gambang Panjimarga T-OZ F 105 K Gambang Tunings T-OZ F 101 K Gambang Interview T-OZ F 105 K Gambang Namus Kesela T-OZ F 096 K Gambang Manukaba T-OZ F 098 K Gambang Panjimarga T-OZ F 098 K Gambang Tunings T-OZ F 095 K Gambang Baluh-baluh T-OZ F 095 K Gambang Rajin T-OZ F 095 K Gambang Basung T-OZ F 095 K Gambang Alis-alis Ijo T-OZ F 095 K Gambang Manukaba T-OZ F 101 K Gambang Kasumba T-OZ F 096 K Gambang Demung T-OZ F 099 K Gambang Megatkung T-OZ F 096 K Gambang Baloh-baloh T-OZ F 096 K Gambang Cacak Lahu (= cacah kelawu?) T-OZ F 096 K Gambang Semarandana T-OZ F 096 K Gambang Tunings T-OZ F 120 K Gambang Kawitan Rejang (= Manukaba) T-OZ F 097 K Gambang Unknown
17 T-OZ F 098 K Gambang Malat T-OZ F 095 K Gambang Tunings T-OZ F 103 K Gambang Ukir Padelegan T-OZ F 105 K Gambang Mas arom T-OZ F 104 K Gambang Unknown (3 pieces) T-OZ F 104 K Gambang Saha T-OZ F 104 K Gambang Pagedangan T-OZ F 103 K Gambang Pangrus (?) T-OZ F 103 K Gambang Ukir Padelegan (?) T-OZ F 103 K Gambang Saha T-OZ F 098 K Gambang Kawitan Tunjung T-OZ F 103 K Gambang Pangrus T-OZ F 099 K Gambang Juragandanu T-OZ F 102 K Gambang Geguron... (7) T-OZ F 101 K Gambang Unknown T-OZ F 101 K Gambang Megatkung T-OZ F 101 K Gambang Tunings T-OZ F 100 K Gambang Rejang (kadong kelih) T-OZ F 100 K Gambang Giordana T-OZ F 100 K Gambang Semara T-OZ F 105 K Gambang Juragandanu T-OZ F 103 K Gambang Pagedangan T-OZ F 118 K Gambang Pangrus T-OZ F 120 K Gambang Tunings T-OZ F 094 K Gambang Demung T-OZ F 120 K Gambang Kawitan Kinanti T-OZ F 119 K Gambang Abuang T-OZ F 119 K Gambang Wargasari T-OZ F 119 K Gambang Panjimarga T-OZ F 119 K Gambang Rejang legong T-OZ F 121 K Gambang Panjimarga T-OZ F 118 K Gambang Mastu (2x) T-OZ F 121/122 K Gambang Pangareh (2x) T-OZ F 118 K Gambang Malat T-OZ F 118 K Gambang Manukaba T-OZ F 117 K Gambang Rejang (Legong)
18 T-OZ F 117 K Gambang Rejang T-OZ F 117 K Gambang Sidakarya T-OZ F 117 K Gambang Panjimarga T-OZ F 117 K Gambang Pamungkah T-OZ F 119 K Gambang Rejang Dangdang T-OZ F 122 K Gambang Lilit Ubi T-OZ F 124 K Gambang Tunings T-OZ F 124 K Gambang Alis-alis Ijo T-OZ F 124 K Gambang Panjimarga T-OZ F 124 K Gambang Manukaba T-OZ F 123 K Gambang Tunings T-OZ F 123 K Gambang Manukaba T-OZ F 123 K Gambang Manyura T-OZ F 120 K Gambang Kawitan Malat T-OZ F 122 K Gambang Panjimarga Nyading T-OZ F 116 K Gambang Panjimarga T-OZ F 122 K Gambang Pamungkah T-OZ F 122 K Gambang Wargasari T-OZ F 122 K Gambang Wilet T-OZ F 121 K Gambang Juragandanu T-OZ F 121 K Gambang Pangkur T-OZ F 121 K Gambang Jeman Kesuma T-OZ F 121 K Gambang Manukaba T-OZ F 122 K Gambang Tunings T-OZ F 110 K Gambang Megatsih T-OZ F 112 K Gambang Tunings T-OZ F 112 K Gambang Legong T-OZ F 112 K Gambang Rejang T-OZ F 112 K Gambang Malat T-OZ F 112 K Gambang Miut T-OZ F 111 K Gambang Wargasari (patut B) T-OZ F 111 K Gambang Wargasari (patut A) T-OZ F 117 K Gambang Panugra T-OZ F 110 K Gambang Juragandanu T-OZ F 113 K Gambang Panjimarga T-OZ F 110 K Gambang Demung Mara
19 T-OZ F 110 K Gambang Pamiut T-OZ F 110 K Gambang Pamungkah T-OZ F 109 K Gambang Tunings T-OZ F 109 K Gambang Baloh-baloh T-OZ F 109 K Gambang Sekar Kasumba T-OZ F 109 K Gambang Silanglang T-OZ F 111 K Gambang Panjimarga T-OZ F 114 K Gambang Rejang (I) T-OZ F 109 K Gambang Panjimarga T-OZ F 115 K Gambang Tunings T-OZ F 115 K Gambang Wargasari T-OZ F 115 K Gambang Duren-duren Ijo T-OZ F 115 K Gambang Abuang T-OZ F 115 K Gambang Saha T-OZ F 115 K Gambang Panjimarga T-OZ F 112 K Gambang Figuration techniques (cading) T-OZ F 114 K Gambang Rejang (II) T-OZ F 112 K Gambang Juragandanu T-OZ F 113 K Gambang Singanidra T-OZ F 113 K Gambang Wanda T-OZ F 113 K Gambang Gobreg T-OZ F 113 K Gambang Rejang taksu T-OZ F 113 K Gambang Sih tan pegat T-OZ F 113 K Gambang Wargasari T-OZ F 113 K Gambang Manukaba T-OZ F 116 K Gambang Kebo Dungkul T-OZ F 115 K Gambang Kebo Dungkul T-OZ F 165 K Gambang Sidapuja T-OZ F 063 K Gambang Tamiu-tamiu T-OZ F 003 K Gambang Pamandana T-OZ F 003 K Gambang Kasumba T-OZ F 166 K Gambang Sidakarya T-OZ F 166 K Gambang Pelegayung T-OZ F 166 K Gambang Jagirmangu T-OZ F 166 K Gambang Kinanti T-OZ F 165/166 K Gambang Sadi (4x)
20 T-OZ F 003 K Gambang Rejang Lilit T-OZ F 165/166 K Gambang Panjimarga T-OZ F 003 K Gambang Manukaba (= Abuang taruna) T-OZ F 165 K Gambang Ukir Padelegan T-OZ F 164 K Gambang Gumi Rusak (pt. 4) T-OZ F 164 K Gambang Berengos T-OZ F 164 K Gambang Pemalet T-OZ F 164 K Gambang Orag Kamal T-OZ F 164 K Gambang Kelentingan T-OZ F 164 K Gambang Gumi Rusak (geguron) T-OZ F 154 K Gambang Unknown T-OZ F 153 K Gambang Panjimarga T-OZ F 165 K Gambang Pamandana (geguron) T-OZ F 005 K Gambang Rejang T-OZ F 082 K Gambang Panjimarga T-OZ F 063 K Gambang Jaran Sindo T-OZ F 063 K Gambang Nyungnyungan T-OZ F 005 K Gambang Taruna (mode = tabuh pisan) T-OZ F 003 K Gambang Pamandana (pt. 1, 2, 3) T-OZ F 001 K Gambang Manukaba T-OZ F 001 K Gambang Jurangandanu T-OZ F 005 K Gambang Wargasari T-OZ F 003 K Gambang Tunings T-OZ F 005 K Gambang Abuang (3x) T-OZ F 153 K Gambang Kidung Jagirmangu T-OZ F 004 K Gambang Demung (pt. 3) T-OZ F 004/005 K Gambang Demung (Pamungkah), 3x T-OZ F 004/005 K Gambang Tunings T-OZ F 004 K Gambang Goak-goakan T-OZ F 004 K Gambang Kidung Ranggacalon T-OZ F 004 K Gambang Kidung Jurangandanu T-OZ F 004 K Gambang Pelegayung T-OZ F 004 K Gambang Panjimarga (Kalé) T-OZ F 003 K Gambang Ranggacalon (= Abuang desa) T-OZ F 005 K Gambang Malat (pt. 4) T-OZ F 344 K Gambang Pamungkah
The Genesis of a Dance-Genre: Walter Spies and the Kecak KENDRA STEPPUTAT Strange Recordings In 1931 a certain Dr. Friedrich Dalsheim 1 recorded three wax cylinders of Balinese music which, in 1932, were
Preface The uniqueness of Bali Island can be seen from its cultural aspects such as the great number of Hindu religious ceremonies. There are incidental ceremonies like: funeral, cremation, wedding, and
The Bali-Dutch Wars 1846-1849, picture gallery Dirk Teeuwen MSc, Holland Karl Bernhardt von Saksen-Weimar-Eisenach (1792-!862), commander of the third Dutch-Bali Expedition 1849; served the colonial army
IS BALI DOING AS WELL AS IT SHOULD BE? By Lia Collinson For the Balinese, tourism is both a blessing and a curse. Severe poverty has been almost wiped out and the percentage of poor people living in Bali
Ohio Standards Connection Fine Arts Music Connections, Relationships and Applications Benchmark D Identify various careers in music. Indicator 7 Identify various careers for musicians (e.g., in education,
Tsunami Evacuation Plan for Sanur, Bali A Documentation of the Process and Results of Tsunami Evacuation Planning developed by Evacuation Planning Working Group of Sanur Denpasar with support from District
CANDRASANGKALA: THE BALINESE ART OF DATING EVENTS. HANS HÄGERDAL firstname.lastname@example.org Department of Humanities University of Växjö Sweden 2006 1 Introduction 2 Babad Gumi 13 Babad Bhumi 42 Korn 1 74 Korn
Seven Kings High School Music Department. Scheme of Work. Year 9 - Spring Term 1. Indian Music. Content. Aurally recognise and appreciate characteristics of Indian Classical Music. Learning about Indian
DIGITAL MUSIC DAY 1 WHAT IS SOUND? 1. Making a sound playing a musical instrument, moves the surrounding the instrument. 2. Making a sound sends out air which hit your ears. 3. Waves of changing air pressure
J. ISSAAS Vol. 20, No. 1:29-40 (2014) COMMUNITY BASED AGRO-TOURISM AS AN INNOVATIVE INTEGRATED FARMING SYSTEM DEVELOPMENT MODEL TOWARDS SUSTAINABLE AGRICULTURE AND TOURISM IN BALI I Wayan Budiasa and I
Abstract of the DLA Thesis Tamás Velenczei History of the Trumpet Looking after our Foregoers Supervisor: Dr.Zoltán Gyöngyössy The Ferenc Liszt Academy of Music Doctoral School of Arts and Cultural History
RABIES CASES IN BALI, INDONESIA: STRATEGIES AND CONSTRAINTS OF THE DISEASE I Made Kardena Faculty of Veterinary Medicine Udayana University Bali Rabies in Indonesia Has been existed in 1889 Rabies reported
application for music major and worship leadership minor 2 audition procedure for bachelor of arts in music and bachelor of music degrees Students accepted into the Music Major Program at ORU are required
NJSMA SCHOLARSHIP AWARDS Information and Application The Executive Board of the North Jersey School Music Association (NJSMA), Region I of the New Jersey Music Educators Association, has made provisions
Music as a profession Studying at the Hamburg Conservatory With its unique structure the Hamburg Conservatory can claim a very special position within the wide scope of education in Germany. Music school
First 100 Instant Words the had out than of by many first and words then water a but them been to not these called in what so who is all some oil you were her sit that we would now it when make find he
INVENTORIES OF COLLECTIONS OF ORIENTAL MANUSCRIPTS INVENTORY OF THE ORIENTAL MANUSCRIPTS OF THE LIBRARY OF THE UNIVERSITY OF LEIDEN VOLUME 5 MANUSCRIPTS OR. 4001 OR. 5000 REGISTERED IN LEIDEN UNIVERSITY
Fry Instant Words High Frequency Words The Fry list of 600 words are the most frequently used words for reading and writing. The words are listed in rank order. First Hundred Group 1 Group 2 Group 3 Group
luigi archetti 2014 KLONG, 2012-13, Acryl on wellboard, variable size VOICE, 2013, Acrylic on wood, 105 cm x 65 cm VOICE, 2013, Acrylic on wood, 105 cm x 65 cm JIM DUNLOP, 2011, Ink-jet printing on paper
MASTER S DEGREE Final Project Handbook College of Musical Arts May 2015 Preface The purpose of this handbook is to acquaint graduate students in the College of Musical Arts with the necessary procedures
EGLE JANULEVICIUTE TEL: (805) 886-3242 E-MAIL: email@example.com URL: http://www.eglej.com EDUCATION 2002 Doctor of Musical Arts Degree, Piano Performance University of California, Santa Barbara Piano: Prof.
George Gershwin 1898-1937 American 20th Century True music must repeat the thought and inspirations of the people and the time. My people are Americans and my time is today." Specialist Genres: Popular
Life Dates: 1840-1893 Country of Origin: Russia Musical Era: Romantic I grew up in a quiet spot and was saturated from earliest childhood with the wonderful beauty of Russian popular song. I am therefore
At a glance Associate Professor Brydie-Leigh Bartleet from Griffith s Queensland Conservatorium has been named 2014 Australian University Teacher of the Year. es: Students: 800+ Research and Centres: 1
Music Standards of Learning for Virginia Public Schools Board of Education Commonwealth of Virginia April 2006 Music Standards of Learning for Virginia Public Schools Adopted in April 2006 by the Board
Sample Entrance Test for CR125-129 (BA in Popular Music) A very exciting future awaits everybody who is or will be part of the Cork School of Music BA in Popular Music CR125 CR126 CR127 CR128 CR129 Electric
The band Level: 2º E.S.O. Grammar: Present simple, frequency adverbs and word order Functions: describing habits and routines; asking for and giving personal information; talking about abilities Vocabulary:
Content focus: Music Visual Arts Language Arts History/Social Sciences SCHEHERAZADE LESSON PLAN Discovering the world of the Arabian Nights fairy tales through the music of Rimsky-Korsakov s Scheherazade
MASTER OF MUSIC DEGREE REQUIREMENTS (May also be found in the Graduate Student Handbook, beginning on page 8) Goals: The Master of Music Degree is intended for music students who desire to pursue graduate
zurich Dance Design sity Theatre Music f Transdisciplinary Studies the arts Fine Arts Art Education Film Fit for the Future As one of Europe s leading arts universities, our teaching and research are oriented
Sam Houston State University 1 MASTER OF MUSIC Program Description The Master of Music is specifically designed to develop the musician, scholar, therapist, or educator for a professional career in music.
THE HIDDEN MUSIC OF SOUTHEAST ASIA Grade Level: Written by: Length of Unit: Music (8th Grade) Tommy Reddicks, The Pinnacle Charter School, Federal Heights, CO Four Lessons of 50 minutes each I. ABSTRACT
Bali S e a Welcome to Alila Ubud Alila Ubud sits on the banks of the mystical Ayung River in the traditional Balinese hill village of Payangan, just five kilometres from Ubud, Bali s cultural and artistic
EXHIBITION FACTS AND DATES TITLE DANCED CREATION Asia s Mythical Past and Living Present EXHIBITION VENUE Weltmuseum Wien, Neue Burg DURATION April 17, 2013 - October 5, 2014 PRESS CONFERENCE April 17,
United Church of God An International Association SABBATH S CHOOL Preteen Sabbath Instruction Program Teacher s Outline Level K Unit 2 Week 3 WE WORSHIP GOD THROUGH SONG OBJECTIVE: To teach children to
WEINER 107 FRANÇOIS RENÉ GEBAUER S 50 LEÇONS POUR LA TROMBONNE BASSE, ALTO & TENOR: THE EARLIEST BOOK OF ÉTUDES FOR THE TROMBONE HOWARD WEINER Several years ago, while writing my article on André Braun
Last Update 11/03/00 Copyright 2001 by MENC: The National Assocation for Education Education Instrumental Performance Vocal Performance Conducting Composing for Worship Business Instrument Making and Repair
2nd Singapore Heritage Science Conference Nanyang Technological University (NTU), Singapour Thursday and Friday 15-16 January 2015 Intangible Heritage and Digital Humanities: the Realms of Music and Literature
Bachelor Programme (B.Mus.) Audio and Music Production Overview: Fields of Study, Modules and Course Units The curriculum of the Audio and Music Production programme is divided into 13 fields of study,
SPECIMEN MATERIAL GCSE MUSIC 8271 Specimen 2018 Time allowed: 1 hour 30 minutes General Certificate of Secondary Education Instructions Use black ink or black ball-point pen. You may use pencil for music
International Symposium on Performance Science ISBN 978-94-90306-02-1 The Author 2011, Published by the AEC All rights reserved An accent-based approach to performance rendering: Music theory meets music
SIMPSON UNIVERSITY MUSIC PROGRAM christ-centered approach Established in 1921, Simpson University is a Christian university of liberal arts and professional studies offering undergraduate, graduate and
Commercial Music April 2012 Needs Assessment Prepared by Elisa Lewis Date: April 25, 2012 Commercial Music 1 Scope Data compiled in this report covers San Bernardino, Riverside, Orange, and Los Angeles
GENERAL MUSIC PROGRAMME SYLLABUS General Music Programme Syllabus (Primary/Secondary) Curriculum Planning & Development Division Ministry of Education Singapore All Rights Reserved Year of Implementation:
PUSD High Frequency Word List For Reading and Spelling Grades K-5 High Frequency or instant words are important because: 1. You can t read a sentence or a paragraph without knowing at least the most common.
Grade 6 Band This elective course is open to all students in grade six that have completed one previous year of band instruction, or can demonstrate an equivalency at the discretion of the director. The
Illuminating Text: A Macro Analysis of Franz SchubertÕs ÒAuf dem Wasser zu singenó Maureen Schafer In ÒAuf dem Wasser zu singen,ó Franz Schubert embellishes a sentimental poem by L. Graf zu Stollberg to
Date: 4 & 5 July 2015 GKidz Timothy Club Worship & Offering Lesson 1 Let Everything Praise God! Key Verse: Let everything that has breath praise the Lord. Praise the Lord. Psalm 150:6 (NIrV) Bible Text:
UNIVERSITY OF NOVI SAD ACADEMY OF ARTS CATALOGUE OF STUDY PROGRAMMES AND COURSES Drama Department Study of Audio-Visual Media Study : Camera Camera Drama and Audio-visual Arts/ Camera Upon completing the
I like portraits, especially the ones which reveal an aspect of someone s life. This is what I try to achieve in my photographs as well. How you go about this is important. I try to get to know a person.
Lydia Vierlinger A singers life longform Lydia Vierlinger is Professor for Voice at the University for Music and Performing Arts in Vienna. She specializes in Early Music, has performed alto roles in many
M a n u a l O R C H E S T R A L T O O L S. C O M 2011 by OrchestralTools Schwarzer & Mantik GbR About Symphonic Sphere (SSP) When dreams transform into possibilities There are some nice orchestrational
Writing Academic Essays at University Philip Seaton, Hokkaido University Writing Academic Essays at University Page 2/ What is Research? Video 1 In this video series, I will be introducing you to the basics
The American Classical Orchestra Thomas Crawford, Music Director E nclosed: O rchestra Biography Music Director Biography Discography www.aconyc.org ACO Biography The American Classical Orchestra celebrates
GOLDSMITHS Research Online Book Negus, Keith Producing Pop: Culture and Conflict in the Popular Music Industry You may cite this version as: Negus, Keith. 2011. Producing Pop: Culture and Conflict in the
GCSE Music Unit 3 (42703) Guidance Performance This unit accounts for 40% of the final assessment for GCSE. Each student is required to perform two separate pieces of music, one demonstrating solo/it skills,
The Snowman Symphony for the Schools Education Guide Created by Jordan Drum Education Assistant, The Phoenix Symphony 2 Table of Contents Academic Content Standards... 3 The Snowman... 4 Sing! Sing! Sing!...
H. P. Berlage (1856-1934) travels to The Dutch East-Indies A journey in drawings, 1923 Review and comment on De Indische reis van H. P. Berlage by J. Molenaar (1991), composed in text and pictures Dirk
MUSIC What can I do with this degree? Transferable Skills In addition to the specific subject matter that Music majors learn, they acquire many skills that can easily transfer to any field. The following
Department of Music Assessment Plan (September, 2004) 1. Learning Objectives: I.1. Demonstrate an intellectual and aural understanding of the basic structural elements of music through the use of the basic
Infosheet No. 2 Registry of Shipping Infosheet The Registry of Shipping MCA Cardiff Anchor Court Ocean Way Cardiff CF24 5JW T +44 (0)29 20 448800 F +44 (0)29 20 448820 E firstname.lastname@example.org www.mcga.gov.uk
Dwight Anderson Music Library Collection Development Policy I. Introduction A. Preface 1. This policy describes the collection development program of the Dwight Anderson Music Library of the University
Ukulele Wheel Learn, Play and Explore the Ukulele Owner's Instruction Manual Getting Started: The thick black bar that runs directly above each note shows the nut of the Ukulele. Each string is shown by
Graduate Handbook Department of Music William Paterson University 2014-2015 TABLE OF CONTENTS PROGRAM AREAS, MASTER OF MUSIC (M.M.) 1 PROGAM DIRECTOR AND AREA COORDINATOR CONTACT INFORMATION 2 AREA REQUIREMENTS
Arts, Religion, and Social Change Seminar ASIA 3000 (3 Credits / 45 class hours) SIT Study Abroad Program: Indonesia: Arts, Religion, and Social Change PLEASE NOTE: This syllabus represents a recent semester.
An Important Component of Mandarin Language Education: Culture Integration Practice In the Twin Cities area of Minnesota, there is a tradition of emphasizing world language education. Immersion language
SEEKING YOUNG MUSICIAN ARTS LEADERS Take it Beyond the Concert Hall! It is an essential part of From the Top s mission to take our musicians out of the concert hall and into the community. Our education
BRASS OF THE ORCHESTRA WORKSHEET THE TRUMPET The history of the trumpet can be traced back to when people used wood, and animal horns to their voice. These primitive instruments were mostly, and were also
Name of Company CV Amyvisca Laksana ( trading as BALI GREAT EVENTS ) Office Jalan Palapa XIV, Perum Griya Sesetan Indah A7/28 Denpasar tel / fax. +62 361 710 142 Establishment 26 June 2006 akte no. 50,
UNIVERSITY OF ROCHESTER Degrees Conferred - Undergraduate Majors Completed Includes the following Undergraduate degrees: BA, BM, BS YEAR 2012-2013 2013-2014 2014-2015 Eastman School of Music Applied Music
Te Puna Puoru National Centre for Research in Music Education and Sound Arts (MERC) invites you to contribute to the national database of research in music education and sound arts. Fill in the template
Page 1 of 6 Undergraduate Degree Map for Completion in Four Years College: College of Arts and Humanities Department: Music Name of Program: IC Degree Designation: BA Emphasis/Concentration: Option: Version:
http://oregonmusicnews.com/ Recording engineer Rod Evenson talks about his audio expertise by James Bash on January 24, 2011 Photo credit: Peter C. Little Portland is the home of many recording engineers,
MUSIC THERAPY PROGRAM ADMISSIONS REQUIREMENTS The Bachelor of Music degree prepares students for clinical careers in music therapy, working with a broad range of clinical populations. Applicants must first
THE AT CHURCH FARM SCHOOL 1 THE ARTS AT CHURCH FARM SCHOOL verything starts with art. Before we can even read or write, we are trying to express ourselves with finger paint, through the recitation of nursery
Rehearsal Strategies A Night in Tunisia By Reginald Thomas, Professor of Jazz Piano Michigan State University, East Lansing, MI Do you remember the first time you heard this jazz classic, A Night In Tunisia?
Where magical memories are made... Amanusa, which means peaceful isle, is located on Bali's southern peninsula on a grassy knoll overlooking Nusa Dua, the Indian Ocean and the Bali Golf and Country Club.
MUS 101 MUS 111 MUS 121 MUS 122 MUS 135 MUS 137 MUS 152-1 MUS 152-2 MUS 161 MUS 180-1 MUS 180-2 Music History and Literature Identify and write basic music notation for pitch and Identify and write key
Music Program 2016-17 Department of Visual and Performing Arts Audition and Admission Information Thank you for your interest in studying music at UCCS. The undergraduate music degrees at UCCS are focused
289 Definition The Commercial Music program is designed to prepare students to perform, to write and record music, to develop an appreciation of various contemporary music styles, and to understand the