2016 WMEA All-State Audition Materials Jazz Saxophones and Brass
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1 2016 WMEA All-State Audition Materials Jazz Saxophones and Brass All examples are to be played alone (without accompaniment) except where indicated. Track 1 Track 2 Track 3 Basic Audition The following three tracks are required of all wind applicants ALTO SAXOPHONE (pages 3-4) TENOR SAXOPHONE (pages 5-6) BARITONE SAXOPHONE (pages 7-8) TRUMPET (pages 9-10) TROMBONE (pages 11-12) Play Swing Excerpt - #1 as indicated on separate page. Play Ballad Excerpt - #2 as indicated on separate page. Play Latin/Straight 8th Excerpt- #3 as indicated on separate page. Additional optional improvisation tracks follow, as well as tracks for lead trumpet and bass trombone candidates. Specialty Add-Ons Optional LEAD TRUMPET If you would like to be considered for lead trumpet or demonstrate your lead trumpet ability, record tracks 1-3 from the Basic Audition and add these tracks. Track 4 You may either demonstrate your improvisational skills by following that option s instructions, or you may leave this track blank. Track 5 Play Lead Trumpet Excerpt - LT #1 as indicated on separate page. Track 6 Play a chromatic scale from your lowest comfortable note to highest comfortable note BOTH ascending and descending. Use legato tonguing, taking breaths as needed. (Quarter note = 132) Improvisation Add-On Optional ALTO SAXOPHONE IMPROVISATION TENOR SAXOPHONE IMPROVISATION BARITONE SAXOPHONE IMPROVISATION TRUMPET IMPROVISATION TROMBONE IMPROVISATION If you would like to demonstrate your improvisational skills, record tracks 1-3 from the Basic Audition and add this track. Track 4 Optional improvisation. Record a Bb Blues Head of your choice and 1-4 additional improvisation choruses of a Bb Blues. This may be recorded with Jamey Aebersold or a live rhythm section of your choice, but it must be accompanied. BASS TROMBONE If you would like to be considered for bass trombone or demonstrate your bass trombone ability, record tracks 1-3 from the Basic Audition and add these tracks. Please note--if you need to take all or portions of tracks 1-3 down an octave, you are welcome to do so. Track 4 Track 5 Track 6 You may either demonstrate your improvisational skills by following that option s instructions, or you may leave this track blank. Play Bass Trombone Additional Excerpt - BT #1 as indicated on separate page. Play a descending quarter note chromatic scale from Bb in the bass clef staff to your lowest comfortable note. Use legato tonguing, taking breaths as needed. (Quarter note = 132) Page 1
2 2016 WMEA Audition Materials Jazz Band and Choir Rhythm Sections All examples are to be played alone (without accompaniment) except where indicated. This rhythm section material is for both Jazz Band and Jazz Choir Rhythm auditions. PIANO Track 1 Play the written piano part from Jazz Piano, example 1. Track 2 Comp with melody and chords for one chorus of A Misty Moment (Jazz Piano, example 2), followed by two choruses of improvisation. You may use a live rhythm section or Aebersold, Volume 25, CD 1, track 7, left channel only. Track 3 Improvise a solo playing 3 choruses of up tempo Bb blues using a live rhythm section or Aebersold, Volume 2, track 5, left channel only. Track 4 Play any additional example of your choice not to exceed one minute. BASS Acoustic Bass is preferred, but electric bass is acceptable. Track 1 Play the written bass part from Jazz Bass, example 1. Track 2 Play a walking bass line on A Misty Moment (Jazz Bass, example 2) for two choruses and solo on a third chorus if you choose to, using a live rhythm section or Aebersold, Volume 25, CD 1, track 7,right channel only. Track 3 Play a bass line on a latin tune of your choosing for 1 chorus and solo for 1 chorus if you choose to. You may use a live rhythm section or a play-along recording such as Aebersold or Hal Leonard with the bass part removed. Track 4 Play any additional example of your choice not to exceed one minute. GUITAR Track 1 Play the written guitar part from Jazz Guitar, example 1. Track 2 Comp 16 measures of chord changes from a medium tempo swing feel chart, unaccompanied. Recommendation: if possible, use materials you are currently playing in your school jazz ensemble. Track 3 Improvise a solo playing 3 choruses of up tempo Bb blues using a live rhythm section or Aebersold, Volume 2, track 5. Track 4 Play any additional example of your choice not to exceed one minute. DRUMS For each of tracks 1-5, play 16 measures trading 4 s divided alternately as 4 bars of time, 4 bars of solo, etc., within each 16 measure track. See separate Drum Set page for further instructions. Track 1 Play 16 measures of medium swing. (Quarter note = 120) Track 2 Play 16 measures of fast swing. (Quarter note = 200) Track 3 Play 16 measures of shuffle (Quarter note = 152) Track 4 Play 16 measures of Bossa Nova (Quarter note = 152) Track 5 Play 16 measures contemporary straight 8th (ECM/fusion) (Quarter note = 100) Track 6 Play Big Band Excerpt -- #1 as instructed on the separate Drum Set page. (Quarter note = 200) Optional: Track 7 Play 16 measures of jazz waltz. (Quarter note = 144) Track 8 Play 16 measures of funk or funk shuffle. (Quarter note = 176) Page 2
3 ALTO SAXOPHONE Page 1 of 2 Required: Swing Excerpt - #1 Swing Ballad Excerpt - #2 Page 3
4 ALTO SAXOPHONE Page 2 of 2 Latin/Straight 8th Excerpt - #3 Latin Page 4
5 TENOR SAXOPHONE Page 1 of 2 Required: Swing Excerpt - #1 Swing Ballad Excerpt - #2 Page 5
6 TENOR SAXOPHONE Page 2 of 2 Latin/Straight 8th Excerpt - #3 Latin Page 6
7 BARITONE SAXOPHONE Page 1 of 2 Required: Swing Excerpt - #1 Swing Ballad Excerpt - #2 Page 7
8 BARITONE SAXOPHONE Page 2 of 2 Latin/Straight 8th Excerpt - #3 Latin Page 8
9 TRUMPET Page 1 of 2 Required: Swing Excerpt - #1 Swing Ballad Excerpt - #2 Page 9
10 TRUMPET Page 2 of 2 Latin/Straight 8th Excerpt - #3 Latin Lead Trumpet Excerpt LT #1 Swing Page 10
11 TROMBONE Page 1 of 2 Required: Swing Excerpt - #1 Swing Ballad Excerpt - #2 Page 11
12 TROMBONE Page 2 of 2 Latin/Straight 8th Excerpt - #3 Latin Bass Trombone Additional Excerpt -BT #1 Swing Page 12
13 Page 13
14 Page 14
15 Bass 5 9?? q»? C œ Samba œ œ œ œ œ b œ œ œ œ J œ Jœ bœ œ b J J œ œ œ œ bœ œ œ bœ. Jazz Bass, example 1 œ bœ œ bœ bœ œ œ œ b œ bœ œ b J œ œ J b J œ œ b œ œ J œ œ bœ œ œ Greg Metcalf used by permission œ Œ Ó Page 15
16 Page 16
17 DRUM SET Page 1 of 1 Required: All drummers are required to play five (5) separate sixteen (16) bar phrases as follows: 16 bars at the appropriate tempo, in the appropriate style trading 4 s divided alternately as 4 bars of time, 4 bars of solo, etc. Medium Swing at quarter note = 120 Fast Swing at quarter note = 200 Shuffle at quarter note = 152 Bossa Nova at quarter note = 152 Contemporary Straight 8 th (ECM/fusion) at quarter note = 100 Required: * Please play time and figures along with appropriate solo fill and set-ups.* Big Band Excerpt - #1 Optional:(performed as instructed in exercises 1-5 above) Jazz Waltz at quarter note = 144 Funk or Funk Shuffle at quarter note = 176 Page 17
2017 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass
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