Diploma Lecture Series 2013 Revolution to Romanticism: European Art and Culture
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1 Diploma Lecture Series 2013 Revolution to Romanticism: European Art and Culture The everyday aesthetics of Danish and Biedermeier art in the early 19 th century Dr Jacqueline Strecker 11/12 September 2013 Lecture summary: This lecture considers the connections between Danish painting and the Biedermeier aesthetic. During the years from , following the defeat of Napoleon, a lively exchange took place between artists from Central and Northern Europe and a common aesthetic was developed which emphasised functionality, the art of the everyday and natural beauty. In Berlin and Vienna the legacy of Biedermeier was most strongly articulated in the decorative arts while artistic developments in Denmark played an important role in shaping a new direction in painting which focussed on themes drawn from everyday events and settings. Slide list: *Georg Friedrich Kersting, Woman embroidering, 1817, oil on panel, National Museum, Warsaw Unknown artist, Red room in the apartment of Princess Marianne and Prince Wilhelm of Prussia, Berlin Palace, c.1830 and Eduard Gaertner, Study in the apartment of Princess Marianne and Prince Wilhelm of Prussia, Berlin Palace, 1852, watercolour, Hessische Hausstiftung, Kronberg Eduard Gaertner, Toilette room in the apartment of Prince Wilhelm and Princess Marianne in the Royal Palace, Berlin, 1849 and Prince Waldemar s living room in the Royal Palace, Berlin, 1847, watercolour, Hessische Hausstiftung, Kronberg Writing cabinet, Munich, c.1810, cherry, cherry veneer, Deutsches Historisches Museum, Berlin Tea table, Vienna, c.1825, maple veneer on beech, mahogany inlays, private collection, Germany Coffee bowls, Vienna, c.1835, porcelain, Technisches Museum, Vienna Two cups and saucers, Vienna, , porcelain, private collection, Vienna Beakers with pansies and four-leaf clover, Vienna, c.1820, Wien Museum, Vienna Studies for the decoration of interior walls, c , gouache, Museum of Decorative Arts, Prague Pair of candelabra, Vienna, c.1820, silver-plated copper, Collection Christian Witt- Dörring, Vienna Jakob Alt, View from the artist s studio in Alservorstadt towards Dornbach, 1836, watercolour over pencil, Albertina, Vienna Proudly sponsored by
2 Wilhelm Bendz, Life class at the Royal Academy of Fine Arts,, 1826, oil on canvas, Statens Museum for Kunst, Christen Købke, View of the plaster cast collection at Charlottenborg Palace, 1830, oil on canvas, The Hirschsprung Collection, Frederik Sødring, The rear courtyard of Charlottenborg Palace, 1828, oil on canvas, Statens Museum for Kunst, Christoffer Wilhelm Eckersberg, Julie Eckersberg, née Juel, the artist s second wife, 1817, oil on canvas, Statens Museum for Kunst, *Christoffer Wilhelm Eckersberg, Woman standing in front of a mirror, 1841, oil on canvas, The Hirschsprung Collection, Christoffer Wilhelm Eckersberg, A view towards the wharf at Nyholm with crane and warships, 1826, oil on canvas, The Hirschsprung Collection, *Christen Købke, Frederiksborg Castle in the evening light, 1835, oil on canvas, The Hirschsprung Collection, Constantin Hansen, Kronborg Castle, 1834, oil on canvas, Statens Museum for Kunst, Christen Købke, One of the small towers from Castle Frederiksborg, c.1834, oil on canvas, The David Collection, Christen Købke, View from the grain loft, 1831, oil on canvas, Statens Museum for Kunst, Eduard Gaertner, Panorama of Berlin from the roof of the Church of Friedrichswerder, 1835, oil on canvas, Stiftung Stadtmuseum Berlin Martinus Rørbye, Vester Edege Church with Gisselfeld Covent in the background, 1832, oil on paper pasted on canvas, Ny Carlsberg Glyptotk, Martinus Rørbye, View from the artist s window, c.1825, oil on canvas, Statens Museum for Kunst, *Johan Christian Dahl, Dresden in moonlight, 1843, oil on canvas, Bergen Kunstmuseum Johan Christian Dahl, Cloud study, 1832, oil on paper on card, Hamburger Kusthalle, Hamburg Johan Christian Dahl, Study of drifting clouds, 1835, oil on paper, Nasjonalgalleriet, Oslo *Johan Christian Dahl, Vesuvius in eruption, 1821, oil on canvas, Bergen Kunstmuseum Johan Christian Dahl, Eruption of Vesuvius, 1823, oil on canvas, private collection, New York References: Patricia C Berman, In another light: Danish painting in the 19 th century, New York 2007 Kasper Monrad, The Golden Age of Danish Painting, Los Angeles County Museum of Art, 1993 Hans Ottomeyer, Biedermeier: the invention of simplicity, exh cat, Milwaukee Art Museum, 16 September January 2007 Catherine Johnson et al, Baltic Light: Early Open-Air Painting in Denmark and Northern Germany, exh cat, National Gallery of Canada, Ottawa, 2000 Jiri Rak, Biedermeier: art and culture in central Europe , Milan, Skira, 2000 Angus Wilkie, Biedermeier, New York, Abbeville Press, 2 nd ed, 2006
3 Images: Georg Friedrich Kersting Woman embroidering 1817 National Museum, Warsaw Christoffer Wilhelm Eckersberg Woman standing in front of a mirror 1841 The Hirschsprung collection,
4 Christen Købke Frederiksborg castle in the evening light 1835 The Hirschsprung collection, Johan Christian Dahl Dresden in moonlight 1843 Bergen Kunstmuseum
5 Johan Christian Dahl Vesuvius in eruption 1821 Bergen Kunstmuseum
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