Civic Theatre Technical Details

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1 Civic Theatre Technical Details Information about stage dimensions, dressing rooms, the orchestra pit, lighting and sound and communications are detailed within this section. If you have any technical enquiries please feel free to contact: Andy Chafer, Production Manager on Nick Wheatley, Deputy Production Manager, on Please note, we cannot guarantee that all equipment will be in working order all the time. 1. Stage Dimensions Performing area: 12.2m x 7.00m (40ft x 22ft 11.5in) (Usable width x depth to back of safety curtain) Pros opening: 11.17m x 4.11m (36ft 8in x 13ft 6in) Forestage depth: 2.14m (7ft) Wing widths S/R 3.66m (12ft) S/L 1.83m (6ft) Dock doors: 1.53m x 4.85m (5ft x 15ft 10in) Height to grid: 10m (33ft) The stage surface is wooden painted black with no rake. There is a workshop that adjoins the scene dock that may be used for storage by prior arrangement. The prompt desk is situated S/R and has both comms and Q light facilities as well as backstage and FOH calls and show relay. Prompt corner also has CCTV monitor of stage and control of infrared assistive listening system. 2. Dressing Rooms There are two dressing rooms under the stage accessible by stairs. Each room accommodates 18 people. All dressing rooms have shower facilities. WC's are also under the stage, each with showers. In addition there is one stage level dressing room which can accommodate 2 people, which also has a WC and shower facilities. The green room is situated under the stage with a sink, refrigerator, microwave and TV/Stage monitor. All dressing rooms, green room and workshop receive show relay and stage manager calls. Backstage, with the exception of under-stage facilities, is accessible to disabled performers and staff. 3. Orchestra Pit The Orchestra pit is in two sections of hydraulic raise and lower platforms, that create a half or full pit. When in use it is railed and curtained from the audience. When not in use this forms the front part of the auditorium floor with seating placed on. When half of the pit is in place, the centre of row A is lost. When the full pit is in place the centre of rows A, B and C are lost. The lifts also raise the platform to stage level if required.

2 19 x Doughty lit music stands 1 x Doughty lit conductors music stand 1 x Knight Upright Piano (tuning by request) 4. Lighting FOH: Advance Bar: 26 Circuits 3 x Cantata Strand PC with colour scrollers (1.2kw) - not to be moved 16 x CCT Starlette (1.2kw Fresnels) 6 x Source 4 15/30 zoom profiles No.1 PERCH 7 Circuits (each side) 5 x paired Par-Cans (each side) 1 x Tab warmers (each side) 1 x Strand Cantata 22/44 Profile (1.2kw) No.2 PERCH 4 Circuits (each side) 3 x Source 4 15/30 zoom profiles No.3 PERCH 3 Circuits (each side) 3 x Source 4 15/30 zoom profiles 2 x Cormar Popilota Follow spot (1200w) Above rear of balcony position. These do not cover full stage individually but must cross-over. Follow spotting into the auditorium is not possible. Stage: 14 x Strand Cantata F (1.2kw) 13 x Strand Cantata 18/32 Profiles (1.2kw) 6 x Strand Cantata 22/44 Profiles (1.2kw) 15 x Strand Cantata PC (1.2kw) 6 x CCT Starlette F (1kw) 4 x CCT Starlette F (2kw) 2 x Strand Alto F (2kw) 6 x Strand Coda 4 (4 x 500w ea.) 15 x Strand Patt 743 (1kw) 4 x Strand Prelude 16/30 Profiles (650w) 4 x Strand Quartet F (650w) 50 x Par 64 fitted with CP62 (1kw) Each LX bar has 3 Cantata PC's complete with colour scrollers. These cannot be moved except by prior agreement with Senior Production Staff. 24 circuits (4 x Socapex) per side for 4 booms (per side) on stage 3 x 18 way pre-wired bar (3 x Socapex) on electric winches 500kg 4 way socapex 25A for cyc circuits on electric winch 500kg Assorted 15A cable in 1,5,10,15 and 20m lengths 2 way and 3 way 15A splitters Various Bars of six Various Socapex multicores with spiders

3 FX: 1 x White Lightning Strobe 4 x Par v Pinspots 2 x DHA effects disks with ripple effect 2 x Martin Magnum Pro2000 Smoke machine 1 x Nuetron star Hazer 1 x Gobo rotator 1 x Mirrorball 1 x Starcloth 30ft wide x 15ft 6in drop 1 x Sanyo portable data projector (4000 ANSI Luments) (subject to availability) Dimming and Lighting Control: 1 x ETC sensor dimmer rack containing: 182 x 15A dimmers (MCB protected) 12 x 25A dimmers (MCB protected) 12 x 15A Switch circuits (MCB protected) 8 x houselight circuits 1 x ETC Insight 2 x Control desk with: (512 Channels, 600 Groups, 10 pages of 108 subs, 600 cues & 5 moving light jog wheels) 3 separate DMX 512 outputs (on one DMX Universe) Riggers remote Designers work tablet Power: In prompt corner: d/sr total power 125a 3 phase Distro: 1 X 125A Three Pase Cee-Form 1 x 63A Three Phase - Cee-Form 1 x 32A Three Phase - Cee-Form 3 x 63A Single Phase - Cee-Form (one on each phase) 3 x 16A Single Phase - Cee-Form (one on each phase) 6 x 13A Sockets (Red Phase) 6 x 13A Sockets (Yellow Phase) 3 x 15A Switched independent socket (Red phase) 3 x 15A Switched independent socket (Yellow phase) 5. Sound Mixer Position All sound is on Red Phase Permanent sound position at rear of auditorium total area 8ft 6in wide x 7ft deep with platform for desk 7ft x 4ft 14 x 13A sockets

4 Any other position in the Auditorium requires removing seats from sale and must be requested before tickets go on sale. FOH: 6 x Martin Audio EM75 (365w PMPO) 2 x JBL Bass bins (650w PMPO) 2 x Martin Audio WT15 (75w PMPO) Flown from FOH Truss 4 x Boston Acoustics 325 (50w PMPO) mounted in pit panels Centerfills 4 x JBL Control 1 (110w PMPO) Rear fill/surround STAGE: 6 x Martin Audio Blackline F15 monitors (400w PMPO) Amplification: 4 x CAudio RA1001 (250w at 8ohms) 4 x CAudio RA1000 (250w at 8ohms) 1 x CAudio RA3001 (650w at 4ohms) 1 x Yamaha P4050 quad amp (75w at 4ohms) N.B All amps are installed in a rack S/R and can be patched to the hirers specification. Microphones: A selection of microphones are available for use by the hirer, these are shared with the other venues (more info on request). Additionally, 8 UHF radio microphones (Sennheiser EW300 G2) may be available for hire directly from the theatre (prices available on request). Processing and Effects: 2 x Yamaha SPX2000 Stereo effects processor 4 x BSS FCS band stereo graphic EQ 1 x 2ch Behringer Composer Compressor/Liniter/Expander/gate 1 x Sabine FBX 2020 Feedback Exterminator 1 x Yamaha D1030 Delay unit Sources: 2 x Tascam MD-CDI (combi with individual outputs & autopause on both CD & MD sides) Other sources may be available on request Control: I x Soundcraft GB8 48 (+ 4 stereo):8:2:1 (+ 4 way matrix) 8 aux There are three multicore outputs in each sound position for a total of 48 microphone sends and 12 returns. There are also a parallel set of 12 microphone sends and 12 returns in the pit as well as 6 in the cable trap at the front of the forestage. N.B: All outputs are electronically balanced.

5 6. Communications CUE LIGHTS There are 8 cue lights available with four sockets S/L and S/R. HEADSETS 1 x Tecpro dual circuit power supply 1 x Speaker station (LX Box) 1 x Master station (Prompt desk) 6 x Tecpro BP111 Belt packs with single muff headsets (2 x followspot, Flys, Sound, S/L and S/R) N.B: up to four more belt pack systems may be available provided sufficient notice is given. Flying System 21 x Double purchase counterweight system (3 point pick up) (swl 250kg) 4 x Electric Winch systems (5 point pick up) (swl 500kg) See flying plot or stage plan. Additional Information Captioning There are two 42in flat panel plasma monitors permanently mounted, one each side of the pros. These are for use of our captioning system only and may only be used for another purpose subject to consultation with and permission from Theatre Management. These screens are covered with black material when not in use and do not impede the view of the stage. Signing There is a designated signing position (with its own lighting) DSR via a demountable platform that is only put in this position when signing takes place.

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