Introduction to Vienna

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2 Introduction to Vienna The Vienna range of consoles continues the Soundcraft tradition in sound reinforcement, offering superb performance, ruggedness, versatility and value for money - equally at home in the theatre, on tour, in a conference hall, auditorium or place of worship. Vienna has been designed to provide oustanding sound quality and facilities, a clear and practical control surface and the sturdy frame with built-in handles offers the strength to survive many years, either as part of a fixed installation or `on the road. The console is available in 16, 24, 32 or 40 channel frame sizes, all with eight groups and eight stereo effects returns as standard. The console may be specified with eight VCA groups in addition to the audio groups, and may be fitted with optional dual Matrix Output modules in blocks of four where space is available. The Input module is available in VCA or standard versions, with a patented padless microphone amp, hi-pass filter and a four band equaliser specifically designed for live sound applications. The channel signal may be fed to eight auxilliary sends and routed to eight audio groups and left, right and mono mix outputs. Comprehensive muting and solo facilities are included and the signal is monitored by individual LED bargraph meters. The Group module comprises an audio subgroup with low-noise summing amplifier, PFL monitoring and routing to the main mix outputs, plus a full-featured stereo line input for use as an additional input or as an effects return. This stereo input has full muting and routing facilities, stereo image control and access to four of the auxiliary sends. On VCA consoles a similar module also houses a VCA group master fader. Comprehensive master and monitor functions are provided on the central Master module, including versatile talkback facilities either from the local engineer to desk outputs or as two way communication with a separate monitor console. The optional Dual Matrix output module allows additional submixes to be created from the group outputs, main mix outputs and a separate external input. These modules may be fitted in blocks of four where space is available. Vienna is designed to allow two consoles to be linked in a master/slave configuration, with opto-isolated control signals and balanced, buffered audio connections for maximum noise immunity. The interface allows two Vienna consoles, or one Vienna and one Europa console to be linked. Simplicity and clarity of operation is ensured by careful layout of controls, internally illuminated buttons and provision for three Littlelites on the top surface of the console, with an inbuilt dimmer. Introduction to Vienna 1

3 2 Introduction to Vienna

4 Introduction to Vienna 3

5 4 Introduction to Vienna

6 Installation Connectors Installation 5

7 Installation Vienna is designed for reliability, high performance and built to the highest standards. Whilst great care has been taken to ensure that installations are made as trouble-free as possible, care taken at this stage, followed by correct setting up will be rewarded by a long life and reliable operation. Warning! Before switching on your Vienna console, check that the mains voltage selectors on the power supply units are set to the correct mains voltage for your area, and that the fuses are of the correct rating. This is clearly marked on the case of the power supplies. Do not replace the fuses with any other type, as this could become a safety hazard and will void the warranty. Always ensure that you use the correct power supplies for your console. One CPS550 or CPS550-B unit and one CPS650 or CPS650-B unit are required for the 16, 24 and 32 channel consoles, while the 40 channel console requires one CPS550 or CPS550-B and one CPS750 or CPS750-B. Different configurations of power socket are used for each supply to prevent incorrect connection. Wiring Considerations A For optimum performance it is essential for the earthing system to be clean and noise-free, as all signals are referenced to this earth. A central point should be decided on for the main earth point, and all earths should be `star-fed from this point. It is recommended that an individual earth wire be run from each electrical outlet, back to the system star point to provide a safety earth reference for each piece of equipment. B Install separate mains outlets for the audio equipment, and feed these independently from any other equipment. C Avoid locating mains distribution boxes near audio equipment, especially tape recorders, which are very sensitive to electro- magnetic fields. D Where possible ensure that all audio cable screens and signal earths are connected to ground only at their source. 6 Installation

8 Connections Wiring conventions The standard Vienna console uses two different types of audio connector, 3 pin XLR (top diagram) and 1 4" three pole (`A gauge or stereo) jacks. The latter are used in several configurations, as shown below. Two EDAC multiway connectors are included for linking to other Vienna or Europa consoles and three BNC connectors are fitted feed Littlelites. 1/4" A Gauge Stereo Jack Plug used as balanced input: line inputs, 2 Track B returns, insert returns 1/4" A Gauge Stereo Jack Plug used as ground compensated output: Input & Group insert sends 1/4" A Gauge Stereo Jack Plug used as balanced output: mix insert sends, channel direct outputs 1/4" A Gauge Stereo Jack Plug used as a stereo output: headphones Installation 7

9 8 Installation

10 Module Block Diagrams Input Module Output Group / Stereo Return Module Master Module Aux Master Module Matrix Output Module Module Block Diagrams 9

11 - 30 db DETECT - 30 db PEAK DETECT PEAK TO PEAK DETECT Input Module TO PEAK DETECT + 48V BUS 48V INPUT GAIN TO MULTIWAY MIC - 2 TO - 70 dbu LINE + 10 TO - 20 dbu 20HZ - 40OHZ METER OUTPUT MIC INPUT FROM XLR OPTIONAL TRANSFORMER MIC AMP LINE INPUT FROM JACK LINKS & METHODE CONN FOR TRANSFORMER & MULTIWAY INTERFACE LINE LINE AMP 3RD ORDER BUTTERWORTH ON/OFF SWITCH ON POT GROUND COMP SEND - 2 dbu BAL INSERT POINT BALANCED RETURN PRE FADE PRE CUT 1 M1 SOFT MUTE CCT PRE FADE POST CUT FADER BUFFER 2 M2 3 4 MUTE BUSES 5 M3 M4 M5 MUTE SAFE SAFE LOGIC CIRCUITRY CUT SOLO SOLO SAFE P L R SWITCH AFL L AFL R PFL SAFE VCA SYSTEM CONTROL AND BYPASS CIRCUIT FADER FOR NON-VCA INPUT BYPASS IS BY LINKS VCA SELECT 6 7 M6 M7 ENABLE AUX 1-8 AUX 8 PRE FADE PRE FADE PRE CUT POST CUT 8 M8 AUX 1 ALL BANDS HAVE + / - 15 db CUT/BOOST BELL HI-Q HI-Q BELL FREQ FREQ FREQ FREQ HF 1KHZ 20KHZ 0-1 BELL/ SHELF HM LM LF EQ 60OHZ 12KHZ Q BELL 15OHZ 3KHZ Q BELL 20HZ 40OHZ Q-1 BELL/ SHELF 4 - BAND EQ OPTIONAL LINKING FOR INSERT POST - EQ PRE FADE TO PEAK DETECT PAN PANPOT GROUP BUS ROUTING BUS 1 6 BUS 8 8 ALL BUSES BALANCED MIX BUS ROUTING MIX L MIX R L/R ON MONO MIX MONO AUX BUS AUX 3 ON AUX BUS 3 AUX 5 ON AUX BUS 5 AUX 7 ON AUX BUS 7 AUX BUS 8 PRE AUX 2 ON AUX BUS 2 PRE AUX 4 ON AUX BUS 4 AUX 6 ON AUX BUS 6 PRE AUX 8 ON DIR SOLO MUTE PAN BUFFERS EBOS LINKS AND METHODE CONN FOR TRANSFORMER & MULTIWAY INTERFACE DIRECT OUT + 4 dbu -1 POST FADE 10 Module Block Diagrams

12 Output Group / Stereo Return INPUT LEFT INPUT RIGHT GROUP BUS SELECT TO METER LEFT TO METER RIGHT INPUT GAIN BALANCED GROUP SUMMING AMP CUT PEAK 1 FADER PEAK 2 Σ - 2 dbu MUTE BLOCK GROUP PATH METER STEREO INPUT PATH PEAK 1 & ACTIVE 1 PEAK 3 WIDTH MUTE BLOCK STEREO PEAK 2 & ACTIVE 2 MONO WIDE WIDTH PEAK 4 STEREO FADER WIDTH MUTE BLOCK M1 M2 MASTER MUTE BUSSES M3 M4 M5 M6 MUTE LOGIC M7 M8 SOLO MUTE LINK FOR SOLO MUTE CUT ACTIVE ACTIVE BALANCE UNITY AT CENTRE Σ PRE Σ PFL TRANSFORMER OPTION L-R MON GROUP OUTPUT L-R MON PFL - 1 MIX L - 1 MIX R - 1 MONO GRP 1 GRP 2 MIX L MIX R MONO AUX 1 AUX 3 3 AUX 2 AUX 4 4 PEAK 1 PEAK 2 ACTIVE 1 ACTIVE 2 GROUP PEAK & ACTIVE PEAK DRIVE PEAK ACTIVE DRIVE - 30 db ACTIVE VCA MASTER SYSTEM STEREO RETURN PEAK & ACTIVE PEAK 1 PEAK 2 PEAK 3 PEAK DRIVE PEAK 4 ACTIVE 1 ACTIVE 2 ACTIVE DRIVE PEAK - 30 db ACTIVE Module Block Diagrams 11

13 Master Module 1 of 3 LEFT BUS MONO BUS RIGHT BUS Σ BALANCED SUM AMP Σ BALANCED SUM AMP Σ BALANCED SUM AMP BALANCED INSERT + 4 dbu BALANCED INSERT + 4 dbu BALANCED INSERT + 4 dbu LEFT MIX FADER + 10 db AT TOP MONO MIX FADER + 10 db AT TOP RIGHT MIX FADER + 10 db AT TOP 2 TK B REPLAY MIX TB TO L/R TB TO CNTR MONO ENABLE LINK M PRE FADE L M POST FADE L PRE FADE M POST FADE M R R 2 TK B TO MIX 2 TK B TO MIX 2 TK B TO MIX PRE ALT PA/RECORD OUTPUT L/R SUM LINKS & METHODE CONN TRANSFORMER INTERFACE EBOS MAIN OUT L + 4 dbu LINKS & METHODE CONN TRANSFORMER INTERFACE EBOS MAIN OUT MONO TO MONO METERS + 4 dbu LINKS & METHODE CONN TRANSFORMER INTERFACE EBOS MAIN OUT R + 4 dbu L OUT + 4 dbu LINKS & METHODE CONNS TRANSFORMER INTERFACE R OUT + 4 dbu PRE L 2TKA + 4 / - 10 INTERNAL 2TKB + 4 / - 10 INTERNAL MIX LEFT MIX MONO MIX RIGHT FROM PFL/AFL SUM PFL/AFL PRE SUM MTR L R MIX MIX MONO 2TKA 2TKB 2 TK B REPLAY LEFT TO MECHANICAL VU METERS IN OVERBRIDGE RIGHT LEFT 20 SEG MONO METER MAIN MONITOR SOURCES TO PFL/AFL SWITCH Σ Σ Σ PRE R PRE M POST L POST R POST M L TO MATRIX R TO MATRIX M TO MATRIX L/R RIGHT 12 Module Block Diagrams

14 MONITOR OUTPUT L + 4 dbu MONITOR OUTPUT R + 4 dbu Master Module 2 of 3 PFL BUS AFL BUS L AFL BUS R PFL/AFL DETECT SIP SOLO MUTE PFL/AFL DETECT FROM EXT I/F PCB SIP TO EXT SOLO MUTE TO EXT I/F PCB LOGIC BUFFER SYSTEM Σ Σ Σ FROM MAIN MONITOR SOURCES Σ LEFT RIGHT PFL AFL Σ Σ Σ LOGIC PFL/AFL TRIM + / - 15 db DETECT HIGHEST LEVEL PFL/AFL SUM SOLO LED PFL/AFL METER 20-SEGMENT LED METER SIP DISABLE SOLO IN PL/CE SOLO LOGIC PFL AFL L PFL AFL R PFL/AFL CHANGE OVER SWITCH Σ Σ MUTE BUSSES DIM DIM DIM ENABLE Σ Σ 20-SEGMENT LED METERS RIGHT WHEN PFL/AFL IS ACTIVE CONTROL ROOM LEVEL + 10 db AT MAX EBOS HEADPHONES LEVEL GAIN + 22 db PHONES JACK TALKBACK SIGNALS FROM: INT. EXT & MONITOR DESK MUTE MASTER SWITCHES M1 M2 M3 M4 M5 M6 M7 M8 LEFT EBOS Module Block Diagrams 13

15 Master Module 3 of 3 INITIAL RESET LOGIC PR SEQUENCE GENERATOR DISABLE SINEWAVE OSCILLATOR + 48V + 24V POWER SUPPLY INDICATOR DISABLE OSCILLATOR ON TALKBACK MICROPHONE FRONT PANEL XLR GAIN + 20 db TO + 55 db TALKBACK MICROPHONE XLR ON REAR CONN PANEL PINKENING FILTER PINK NOISE INT TONE LATCH & SWITCH OSC LEVEL + / - 15 db MTRX LATCH MATRIX TALKBACK LINE LATCH AUX 1 ROUTING RES AUX 8 GRP 1 GRP 8 AUDIO SWITCH AUDIO SWITCH DIM ENABLE TO MONITOR CONTROL ROOM & HEADPHONES TALKBACK SIGNAL EXTERNAL TALKBACK INPUT EXTERNAL TALKBACK INTERFACE TALKBACK OUPUT TO EXTERNAL TALKBACK INPUT FROM MONITOR CONSOLE BLYTHPHONE INTERFACE - 1 DIM ENABLE AUDIO LOGIC CONTROL LOGIC & CONTROL SYSTEM TALKBACK OUTPUT TO MONITOR CONSOLE - 1 SELECTOR JUMPERS AUX ROUTING RES AUX 1 AUX 8 GRP 1 GRP ROUTING RES GRP 8 MIX MONO ROUTING RES MONO ROUTING RES AUX GRP MOMENTARY ROUTING RES MONO MOMENTARY ROUTING RES MONO MIX L L/R MOMENTARY ROUTING RES MIX R + 48V EXT MONITOR DESK + / - 7.5V + / - 17V + 24V + 7.5V - 7.5V MIX L MIX L/R MIX R EBOS OSCILLATOR OUTPUT + 4 dbu + 17V - 17V 14 Module Block Diagrams

16 Aux Master Module AUX IN FROM EXT - 1 NIC SUMMING AMP BALANCED AUX Σ BUS + 10 db AT MAX CW ROTATION AUX MASTER GAIN CUT CONTROL CURCUIT CUT AFL AUDIO SWITCH AFL PFL BUS ENABLE EBOS LINKS & METHODE CONN FOR TRANSFORMER & MULTIWAY INTERFACE AUX OUTPUT + 4 dbu Module Block Diagrams 15

17 BALANCED OUTPUT + 4 dbu VIA XLR Matrix Output Module EXTERNAL MATRIX INPUT VIA JACK + 4 / - 10 SWITCHING FROM MIX FROM GROUPS L R M EXTERNAL MIX L MIX R MIX MONO GROUP 8 GROUP 7 GROUP 6 GROUP 5 GROUP 4 GROUP 3 GROUP 2 GROUP 1 Σ MATRIX FADER + 10 db AT TOP AUDIO SWITCH AFL AUDIO SWITCH CONTROL CIRCUITRY CUT AFL L AFL R EBOS LINKS & METHODE CONN FOR TRANSFORMER & MUTIWAY INTERFACE ENABLE 16 Module Block Diagrams

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