Art of the Seventeenth Century Baroque Art

Transcription

1 Art of the Seventeenth Century Baroque Art 1. One of the major influential monuments for the development of Baroque church architecture was a. St. Peter's b. Santa Susanna c. St. Ivo d. S. Carlo alle Quattro Fontane e. Santa Maria delle Salute 2. The façade of St Peter's was designed by a. Michaelangelo b. Bernini c. Maderno d. della Porta e. Francesco Borromini 3. The piazza in front of St. Peter's was designed by a. Michaelangelo b. Bernini c. Maderno d. della Porta e. Francesco Borromini 4. Bernini designed the great canopy under the dome at St. Peter's known as the a. Cathedra Petri b. Scala Regia c. Cornaro Chapel d. baldacchino e. Ecstasy of Santa Theresa 5. The Ecstasy of Santa Theresa is a work which is a. limited by its spatial setting b. static c. highly theatrical d. uniform in texture e. strictly classical 6. The architect-sculptor who made Rome a city of fountains was a. Michaelangelo b. Bernini c. Maderno d. della Porta e. Francesco Borromini 7. The architect who carried Baroque inventiveness into a play of convex and concave spaces (St. Ivo) was a. Michaelangelo b. Bernini c. Maderno d. della Porta e. Francesco Borromini

2 8. The traditional Renaissance dome was dematerialized into a series of figures that seem to revolve in the Cathedral of Turin by a. Bernini b. Guarini c. Borromini d. Longhena e. della Porta 9. The great Baroque church in Venice is a. St. Mark's b. S. Giorgio Maggiore c. St. Peter's d. Santa Maria della Salute e. S. Ivo 10. The first academy of art for the training of painters was founded in Bologna by a. Bernini b. Caravaggio c. Titian d. the Carracci e. Guido Reni 11. The vault fresco The Loves of the Gods in the Farnese Palace was painted by a. Bernini b. Caravaggio c. Titian d. the Carracci e. Guido Reni 12. In contrast to the idealized world painted by the Bolognese painters, the common people inspired a. Caravaggio b. Bernini c. Rubens d. Annibale e. Fra Pozzo 13. The feature of Caravaggio's style that fascinated his contemporaries and won him many followers in The Netherlands and Spain as well as Italy was a. realism b. tenebrism c. idealism d. quadro ripportato e. illusionism 14. Caravaggio took his figure types from a. Michelangelo b. the Greeks c. Tintoretto d. Byzantine art e. the ordinary people 15. Caravaggio's style had many followers and imitators including, in Italy, the artist who painted Judith and maidservant with Head of Holofernes a. Aretmisia Gentileschi b. Annibale Carracci c. Domenichino

3 d. Salvator Rosa e. Orazio Gentileschi 16. Illusionistic ceiling painting, begun by Mantegna in the Renaissance, found the culmination of di sotto in suin Pozzo's a. Aurora b. Name of Gesù c. Loves of the Gods d. Glorification of St. Ignatius e. Last Communion of St. Jerome 17. The realism and tenebrism of Caravaggio found an echo in Spain in the work of the artist who painted St. Bartholomew a. Ribera b. El Greco c. Murillo d. Rubens e. Rivera 18. The Spanish master of brilliant optical realism was a. Ribera b. El Greco c. Murillo d. Rubens e. Velasquez 19. A Flemish master who drew together the contributions of the Italian Renaissance and Baroque masters was a. Rubens b. Velasquez c. Van Dyke d. Van Eyck e. Rembrandt 20. This pupil of Rubens became court painter to Charles I of England a. Van Eyck b. Van Dyck c. van Honthorst d. Seegers e. Jan Breugel 21. The leading painter of the Haarlem school and one of the great realistic painters of the Western tradition was a. Vermeer b. Rembrandt c. Hondecutter d. van Honthorst e. Franz Hals 22. A painter of merry genre scenes (The Supper Party) was a. Gerard van Honthorst b. Rembrandt c. Jan Vermeer d. Hondecutter e. Metsys 23. Which of the following were not painted very often by Dutch artists? a. flowers b. landscapes

4 c. portraits d. seascapes e. religious subjects 24. One of the Dutch artists who did paint religious subjects, but interpreted them in a personal way "for human beings in human terms" was a. Franz Hals b. Rembrandt c. Honthorst d. Jan Vermeer e. Metsys 25. The early work of Rembrandt was influenced by a. Titian b. Rubens c. Hals d. Corregio e. Michelangelo 26. The best-known and most highly regarded Dutch interior scene painter was: a. Franz Hals b. Gerard van Honthorst c. Jan Vermeer d. Jan Steen e. Jacob van Ruidael 27. The term Bourgeois refers to: a. Middle Class b. Royalty c. Lower Class d. a painting technique e. a form of sculpture 28. Vermeer was ahead of his time in the science of: a. architecture b. sculpture c. medicine d. chemistry e. color 29. In Willem Claesz Heda s still life painting Still Life with Oysters, Rum Glass and Silver Cup, there are many symbolic references to a. food b. mortality c. religion d. royalty e. bourgeois 30. Vermeer s painting Girl with Pearl Earring is also know as a. Madonna of the South b. The annunciation of the Renaissance c. The Mona Lisa of the North d. an important Bourgeois symbol 31. Nicholas Poussin modeled his work after Titan and in his reference to the classics. a. Michelangelo b. Da Vinci c. Raphael d. Rubens

5 e. Rembrandt 32. Claude Lorrain created soft sophisticated landscape paintings that a. have symmetry b. use harsh colors c. point out no moral d. tell a dramatic story Art of the Eighteenth Century: Late Baroque, Rococo and Neoclassicism 1. The eighteenth century in Europe is known as the a. Age of Despotism b. Counter Reformation c. Romantic Era d. Age of Enlightenment e. Renaissance 2. The elegant style which had its origins in the Baroque style but which was also a reaction to it was the a. Neoclassical b. Palladian Classicism c. Enlightenment d. Romantic e. Rococo 3. The great house built for John Churchill as a tribute to his victory over the forces of Louis XIV was a. Cheswick House b. Strawberry Hill c. Buckingham Palace d. Blenheim Palace e. Monticello 4. The ancient architect to whom the English looked for their ultimate inspiration in architecture was a. Inigo Jones b. Christopher Wren c. Palladio d. Richard Boyle e. Vitruvius 5. The Renaissance architect whom the English also looked to was a. Inigo Jones b. Christopher Wren c. Palladio d. Richard Boyle e. Vitruvius 6. The building by Richard Boyle and William Kent which draws upon Italian Renaissance precedents is a. Cheswick House b. Strawberry Hill c. Buckingham Palace d. Blenheim Palace e. Monticello

6 7. The Circus, The Royal Crescent and Queen's Square were fashionable residences in the English city of Bath designed by a. John Wood the Younger b. Filippo Juvara c. Thomas Jefferson d. John Vanbrugh e. Germain Boffrand 8. The influence of Bernini and Borromini was felt in Germany in ecclesiastical architecture such as the church of a. the Superga b. The Panthéon c. Monticello d. St. Paul 's e. Vierzehnheiligen 9. A town house in Paris was called a a. hôtel b. palais c. chåteau d. maison e. facade 10. An example of a typical French Rococo room is the a. Salon de la Princesse b. The Amalienburg c. Versailles d. Cheswick House e. Blenheim Palace 11. The English garden was characterized by its a. formality b. naturalness c. geometric layout d. clipped shrubs e. topiary 12. Palladian classicism prevailed in England until 1760, when it evolved into a. Romanticism b. Neo-Gothic c. Neoclassicism d. late Baroque e. Rococo 13. The leader of taste in France under Louis XV was a. Madame de Pompadour b. Marie Antoinette c. Maria Theresa d. Catherine the Great e. Elizabeth 14. The French painter most associated with the development of Rococo was a. Greuze b. Poussin c. Lorrain d. Rigaud e. Watteau

7 15. Watteau's painting he made for application to the French Academy was a. L'indifférent b. Louis XIV c. Return from Cythera d. The Swing e. Cupid a Captive 16. The French Academy in the 18th century was divided between the Poussinistes and the a. Caravaggistes b. Bamboccianti c. Rubenistes d. Romanticists e. Classicists 17. To be a Poussiniste meant that you believed that this element of art was paramount: a. color b. form c. content d. texture e. value 18. Which is not a characteristic of the Rococo? a. strict classicism b. sinuous curves c. intimate scale d. use of shells and vine forms e. undulating line 19. The new interest in technology and the workings of the universe is shown in paintings by a. Joseph Wright of Derby b. John Singleton Copley c. Jean-Baptiste Greuze d. George Stubbs e. Giovanni Batista Piranesi 20. A brilliant example of French Rococo architecture style in Germany was the a. Amalienburg b. Superga c. St. Pauls d. Cheswick House e. Neuschwanstein 21. Instead of embracing French Rococo style immediately and in a big way, Italy in the 18th century continued the developments of the a. late Baroque b. Neoclassical c. Gothic d. Renaissance e. Romantic 22. Bernini's Baroque sculptural style as seen in Apollo and Daphne found an echo in French small- scale sculpture such as a. Nymph and Satyr b. L'indifférent c. Voltaire

8 d. Milo of Cortona e. Apollo attended by the Muses 23. An Italian painter who continued the practice of large-scale ceiling paintings in the 18th century was a. Tiepolo b. Panini c. Corregio d. Pozzo e. Canaletto 24. The spirit of Tiepolo's painting coupled with the influence of Bernini's sculpture found its way into German sculpture in Asams a. Assumption of the Virgin b. Ressurection c. Vierzehnheiligen d. St. Paul e. Iphigenia 25. Wealthy British tourists making the Grand Tour were especially fond of paintings of Venice by a. Greuze b. Molinari c. Canaletto d. Tiepolo e. Watteau 26. A painting depicting an actual scene in Italy was known as a a. canaletto b. veduta c. camera obscura d. panorama e. machicolation 27. A Venetian woman painter who made popular casual portraits in pastels a. Sophonisba Anguisola b. Rosalba Carriera c. Artemisia Gentileschi d. Rachael Ruysch e. Angelica Kaufmann 28. The expanding desire for things connected with ancient Greece and Rome led to the style now called a. Baroque b. Rococo c. Neoclassicism d. Romanticism e. Impressionism

9 29. A strong influence on interior design in the late eighteenth century resulted from the ancient paintings in the newly discovered city of a. Rome b. Venice c. Naples d. Pompeii e. Turin 30. The English school of portraiture began under English painters in the 18th century. One of the first was first president of the Royal Academy, a. John Singleton Copley b. Sir Joshua Reynolds c. Thomas Gainsborough d. William Hogarth e. William Blake 31. An English painter who preferred landscape, but who was extremely popular as a portraitist able to combine the mood of Watteau (who influenced him) with a native English naturalism and love of the outdoors was a. John Singleton Copley b. Sir Joshua Reynolds c. Thomas Gainsborough d. William Hogarth e. William Blake 32. A down-to-earth naturalism with sharp focus and attention to visual fact marked the work of one of the first American artists to live and work abroad, a. William Morris b. John Singleton Copley c. Samuel Morris d. Paul Revere e. Hogarth 33. A French woman artist who worked for the aristocracy until their downfall, but who was able to continue in favor in the post-revolutionary period was a. Rosalba Carriera b. Elisabeth Vigée-Lebrun c. Madame de Pompadour d. Rachael Ruysch e. Angelica Kaufmann 34. The Italian sculptor called to Paris to work for Napoleon was a. Greenough b. Canova

10 c. Rude d. Puget e. Houdon 35. The sculptor who portrayed George Washington with the body of Zeus was a. Greenough b. Canova c. Rude d. Puget e. Houdon 36. The French artist who made the transition from Rococo to Neoclassicism during a period of study in Rome, and who belonged to the radical arm of the French Revolution was a. Jean Baptiste Greuze b. Jean-Baptiste Chardin c. Jacques Louis David d. Francois Boucher e. Jean-Honoré Fragonard 37. Classicism as revolutionary ideology is reflected in this artist's painting Oath of the Horatii: a. Jean Baptiste Greuze b. Jean-Baptiste Chardin c. Jacques Louis David d. Francois Boucher e. Jean-Honoré Fragonard 38. Napoleon's favorite sculptor was a. Michelangelo b. Houdon c. Donatello d. Canova e. Bernini 39. The statue of Pauline Borghese as Venus is an example of style called a. Rococo b. Neoclassical c. Neo-baroque d. Federal e. Late Baroque

11 40. Begun as a church and reconverted into one, this structure based on Roman temples of the early Empire, was intended for use by Napoleon as a Temple of Glory. a. Pantheon b. Ste-Genevieve c. La Madeleine d. Arc de Triomphe e. Sacre-Coeur 41. Jacques Louis David demanded that his students choose their subjects from the ancient Roman writer Petrarch. Some of them kept close to their master's style but instead chose subjects from other periods and places. Girodet-Trioson, for example, in his work The Burial of Atala, chose a. Greeks b. Egyptians c. American Indians d. Arabs e. Spaniards 42. Another student of David, this painter portrayed Napoleon healing his troops. a. Antoine-Jean Gros b. Jean Auguste Dominique Ingres c. Theodore Gericault d. Horatio Greenough e. Delacroix 43. An artist who devoted most of his career to painting birds and animals of North America in a very controlled neo-classical style and who had a society named after him was a. John Constable b. Albinus c. Leonardo da Vinci d. Jacques-Louis David e. John James Audubon 44. Audubon was educated in Paris, where he studied under. a. Jacques Louis David b. Antoine-Jean Gros c. Theodore Gericault d. Jan Vermeer

12 45. In 1803 Audubon s father obtained a false passport for him to travel to the United States to avoid the. a. Hundred Years War b. Spanish American War c. Napoleonic Wars d. Barbary Wars 46. Ingres style was modeled after the Greeks rather than the Romans. a. Baroque b. Neoclassical c. Romantic d. Rococo e. Romanticism 47. This Spanish painter, although a contemporary of David, was completely different in his approach to art and disdained the Neoclassical. a. Francisco Goya b. Francisco Zurbaran c. Diego Velasquez d. El Greco e. Pablo Picasso