A Critique on the Book Studies on Iconology, Humanistic Themes in the Art of Renaissance by Erwin Panofsky

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1 Critical Studies in Texts & Programs of Human Sciences, Institute for Humanities and Cultural Studies (IHCS) Monthly Journal, Vol. 21, No. 5, Summer 2021, Doi: /CRTLS A Critique on the Book Studies on Iconology, Humanistic Themes in the Art of Renaissance by Erwin Panofsky Atefeh Amiri * Zeinab Saber **,Nahid Abdi *** Abstract Studies in Iconology, Humanistic Themes in the Art of the Renaissance by Erwin Panofsky clarifies the function of the Iconology method in interpreting artworks. The goal of this critic is to express the significance of interdisciplinary studies and also is a survey in how methodically organized studies is used in analyzing artworks. Thus this study criticizes and studies the form and contents in the book and also author s opinions about analyzing and referring to the sources according to Iconology method. In its form, the book looks into the basic relations between the form and subject in analyzing art forms and shows analyzing and interpreting artworks according to their historical context in which they originated and the multiplicity of visual and textual sources which refers to the artworks. By the way, in some cases missing references are seen and the order in using them in the text is not also correct and reliable references are needed, especially sources of Islamic philosophy which have caused some limitations in using the book in some related conditions. Despite these problems, researchers can go further than a mere Formal study by using interdisciplinary and in order to make an understanding about Symbolic Meaning and Contents of artworks, they can have fruitful research. Keywords: Iconology, Erwin Panofsky, Art of Renaissance, Intrinsic Meaning, Content * PhD Candidate in Art, University of Isfahan, Isfahan, Iran, amiri.a.art@gmail.com ** Associate Professor in Art, University of Isfahan, Isfahan, Iran (Corresponding Author), z.saber@aui.ac.ir *** Associate Professor in Art, Institute of Art, Tehran, Iran, Abdi.nahid@gmail.com Date received: 08/01/2021, Date of acceptance: 28/06/2021 Copyright 2010, IHCS (Institute for Humanities and Cultural Studies). This is an Open Access article. This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.

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19 75 (6! 45)... Studies in Iconology, Humanistic 01 /,-. +%E M '.+0 G 06 #( ^ $ R6 & Q 9? 1 % +%0 &% % % - $ #'?Yn '@7E ' $ L% % 7W 9? +0W AF.(ibid:192) ' x N rh$ ' 1 % &%7 '().(ibid: 193) +0 G N rh$ ' 1 M1 & Q "% $ M1% &% 9? ' Ek ' MP; 9? 1-5 G# % P%# % $ +%0 $ (7 R6) ' MX. '71 N $?7E rh$ ' 1 % &%X M1% &%,'W% % % %'% [6 M 4 +0 "7W.+0 G H G0 ' MX. ' #]^0% G #«[1?!@ - [1? -» *2-7 ( ,- *. 1 IJ : *) 9! ) =# > <)4.5 % Q $ G#( /$ G 06 ' & T GT % %N %1?%R( % &% % G$UE.? PB x) ^R( x?%@6 $ '%;B N 'E & C0 &.$' ( S?R( "SB $ &$%E 1 %N2%Y %?%R( 1 {% % S &.+0 G# +E ^R(,,%H %> $?%@>6 % 'E%= D%n$ % 'E DE=

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21 77 (6! 45)... Studies in Iconology, Humanistic 01 /,-. A# %E 413?%#,'0# : 8O &6X + &. # % % '%P66 $ %N.%#'% G K%F % 'H$) ' G7# +0 %5 G%T.#' &#$ M( $ +7?y6 H +0 G 0 % $%R6 +0X( KF $ DEUo /$ A6 o,t.+%0 D%H %; 1 % & *0 $ G '0#.#' Ah6 &$%6 $ %X6 $ 0ƒ +S( &6X 1 ' # k Q 68). +%0 1 G%. %?P6 & &( +S0$ ' '0# $ 7 M% <%.+%( %H %;;> C%0 $ # ' L@E M1n ' -4 $ %#: 5 1 'o r@o # $ r@o 1 1 & ( %6?%> < G *2# 6' Q #'?# 1$ % 7@%,E%# $ (%@( % LX.?R( '() 7 E. H &%P6 < 1 G0 ' KF «'S q4e» K= M LT $ 'Qh '%h %?@>6 99 >Y 'H$) $.+0 G1$? 6 & $ % ^$+0 < ; 'EF $ +0 G 0 'U0 M ' %P, 0' N.(99 ">Y 'H$).{) +0 # 'U0 (@( M% ^$+%0 '%SP,;( +0 ( H '0 & < 1 1 G%0 $ %T 1 ' - '(o 1.+ '(:) 'U0 (@( G% $%( DEF +0 T0 # ;;> +7 h & %k $% %( $ '%7 ' &6 1 $ DnUBY $ >%Y { 'H$) Wn 7#' &7.+0 '@- ^S '%() %,' M 4 P K= &.+0 4 >Y '@Y & 1 % "%7F6 4 L7 5 &,n# $ # 0' N +0 %4 %PoO C0 7#1 5 & 6 G '@- 1 G#k. H

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25 81 (6! 45)... Studies in Iconology, Humanistic 01 /,-. %; % Q : F '0 1 'T ; & h''@e $ '%@( D%EF 1 ' %P "%l $%R6 KF '0 +( H '0 $ %0 A%@B,X( GT '@- "7F6 k $ r@o 1 ' A%F % 'U%0 (%@( PS < KF ;( Q $ ' :% *+7 $ /1 G#k '0 F$& +0 G# A@B '>B0 D%[H6,i%# $ %# *j%06 %5 '@# DU4,<( $ +0 G $ 7B % "%#,'%0,<% M%1 %6'% : -4 $9) j06 '>. H G0 '%#; L%X % 71 %6» F')+,E ^$ M "0 1 O ; &.1 % G-%4 L%0 $ L$ M% '%7 % $ «% /$ % '%P '%.+0 XY &% L% % "%0# %@( A ' /; ( ) Q) (.2 Francesco Pesellino %5 &% /;,~>Y L ^n.+0 G# Jacopo Pesellino /;.(123 :1386 1%P)) L% % +%0 G%#q%@T G4 The Triumphs of Fame, Time, and Eternit $ '%#; $ +%0 ^%0 % +%0 : '#; 1 R6 E? o $ '0 5 L $ /; L "0# subject matter D%PE (1390) «% $ N» PE.3 "@Z% D%PE Q% %; &% (32 :1390 %PE) +%0 G% 7F6 «'E= "@Z».+0 ( H G0 'E= Panofsky, Erwin and Saxl, Fritz, :% %- %4 %SB ( )?0 Q( , Classical Mythology in Mediaeval Art. /; ( ) 71 $).5. M$ ' 107W $ io /; ( ) '@ 6.6.Q$ A X4 [E 1 $ ' /; ( ) '@.$ 6.7 % G &0 P1 Q#$ +Z +SPo XN,'E( -X '0 o0 ).8.(1002 :1386 1P)) (W6 $ $?-F

26 1400 "$% &'() "#! 82 % G» $ 1 G%%F %5 %X6.% '$ 7S $ G C$$ l) C.9 Vitruvius Pillio, The Ten Books of Architecture, :% - 4 SB.+0 «7S 1914 Boccaccio, The ) «$%» M% '% A% $ G% ( ).%.10.(Decameron (Penguin Classics), 2003.( ) &0).11 «%0 C$%$ C%@)» $ '@%Y L% (U% 17-U 1 8) 43) '$ E# $.12.(168 :1389 ) +0 % '% T 8) y4 M (L. 7 $ 8 H) 1 ' T '0#P6.13 _6.(( G( "# (1387) C% '% Z6 :% %- %4 "SB.+0 G# G$0 L '%H$ (%@( % 5y6 $ :<%P.+%( % F 0 2$S '$ 2@( (.L 65- L. 4).14 % M$ %6 '%H$ %6 $ 5y%6 +%>6.+%#: %T 1 %) ( (estern) «'H%#» M$ $.+0 'U0 M$ < 7 'H# < 1 '() N G 'U0 M$ ry6. M$ '= $ (1397 0) : ; - 4 "SB.16 /; ( ) ( $).17 2%6 5ƒ% 8%; % M$ ' 2@( ( ) (121 :1390 ).+0 # '1.18 '% %[E 1 $ % '% M% $ 2@( ( ) ).19.(122 :7 ) ( &%0 %@1 '%$ %7 +T%0 1% /%0 9? Z v) 1513 ^0.20 ^%0 %0 ^%o %5 &% 9%?% $ 6 &0 ( :1385 ). q@t % $% 1 +%7n $ '0)0 $' 76H MT.21 $ % % x$%6 A%66&% $ #+0 $ 5 $ $ /0 (7 ). '7X 8; )$

27 83 (6! 45)... Studies in Iconology, Humanistic 01 /,-. $ %( '% [E 1 $ ' q;> $ 2@( ( ) (.22 (97 :1389 ).+0 G ry6 N rh$ ' 1 $?7E rh$ ' 1 0.C;H :X6 4# S "7F6 4 <=$.(1398) $ + :%X6 %4# v%. {%( 1%0 G%) '%#; % 2%S7 G%.(1386) &%l$ 1%P).YS (.74. :X6 LH T "7F6 '7W6 S.(1396) &$ '().Q :X6 (Y q4e.(1397) ^UF 0 -%4) % L%W ") ' G- 6.(1397) P# G0 & 7# $ (E 'Y. '0# :X6 O X 1.&O0 :X6 $ N.(1390) PE «'P%07Xo $ ; # $ $ 1 {( 8; '0».(1391) PE M7# ^$ ^0 7 "@R( :. :X6 v. 1( ';67> "7F6 1 :.(1385) &@ :%X6 L$ v%. 7%4 '6%n$ %X "7F6 ' - $.(1390).«&» 5 4 $ 7F6 ry6 "0ƒ ~%Y "%7F6 1% M0 ) 6 &X XE 1 $7@H "F.(1389). - ( :X6 L$ v. ' GQl( $ 'lpopo. - ( :X6 L$ v. 70H S "7F6 _6,_6.(1390) $ W%) ^%0 %. "@%R( : «%R6 6 $?@>6 /$ $ N».(1395) X O.12 G7#.74. :X6 '>?7# +7n.(1388) R %# "%@W : «% D%SB '%0#?7%# $ %-?7%# $».(1389) R ^$ M7# 4 M$ /1.1 M7# T '4 $9) +$S N 1 M9$.(1391) ";.o0 :X6 # &>PE "7F6 L $ o0 0.(1376) Belting, Hans (2005), Image, Medium, Body: A New approach to Iconology, in: critical Inquiry 31.

28 1400 "$% &'() "#! 84 Johnson, Christopher D (2012), Memory, Metaphor, and Aby Warburg s Atlas of Images, Cornell University Press and Cornell University Library Ithaca, New York Klibansky, Raymond and Saxl, F and Panofsky, E (1964), Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion and Art. Cambridge University Press. Panofsky, Erwin and Saxl, Fritz (1933), Classical Mythology in Mediaeval Art, Metropolitan Museum Studies, Vol. 4, No 2. Panofsky, Erwin (2018), Studies in Iconology, Humanistic Themes in the Art of the Renaissance, Routledge: New York Panofsky, Erwin (1955), Meaning in the Visual Arts, Doubleday & Company, Inc. Garden City, N.Y. Landauer, Carl (1994), Erwin Panofsky and the Renascence of the Renaissance, Renaissance Quarterly, Vol. 47, No.2.

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