THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline
|
|
|
- Christal Webb
- 7 years ago
- Views:
Transcription
1 THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline - pfacol@elaine.ee.und.ac.za The.'s and,'s after the chord name means that the chord is a duplicate or alternate formation. Ab Ab+ Ab/A. Ab/F. Ab/F.. Ab/Gb. Ab/Gb.. Ab11 Ab Ab. Ab. Ab.. Ab Ab.. Abdim Abdim/E. Abdim/E.. Abdim/E... Abdim/Eb.. Abdim/F. Abdim/F.. Abdim/F... Abdim. Abdim.. Abdim... Absus Absus. Absus/F. Absus Abm Abm/D. Abm/E. Abm/E.. Abm/E... Abm/Gb... Abm Abm. Abmaj Abmaj Abmin Ab#. A A+ A.. A... A... A/Ab. A/B. A/B.. A/D A/D... A/D... A/D... A/F# A/G# A/G. 9 A/G.. A/G... A/Gb. A/Gb... A/Gb... A/Gb... A/Gb... A11 A1 A A. A.. A... A A.. A... A... A... A/. A/sus. A/sus.. A A(#). A(9+) A+ A. A.. A... A/add11. Asus Asus.. Asus... THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page 1 Asus... A9 A9sus Aadd9. Aadd9.. Aaug/D. Aaug/G. Adim Adim/Ab. Adim/E. Adim/F. Adim/F.. Adim/G. Adim/Gb. Adim. Asus Asus.. Asus... Asus... Asus Asus.. Asus... Asus... Asus... Asus/Ab. Asus/C. Asus/C.. Asus/D. Asus/D.. Asus/Db. Asus/Db.. Asus/Eb. Asus/F. Asus/G. Asus/G.. Asus/Gb. Asus/Gb.. Asus Asus/Ab. Asus/B. Asus/Bb. Asus/C. Asus/C.. Asus/Db. Asus/Db.. Asus/F. Asus/G. Asus/G.. Asus/G... Asus/Gb. Asus/Gb.. Am Am(#) Am(add9) Am.. Am... Am/B. Am/B.. Am/D. Am/D.. Am/Eb. Am/F. Am/F.. Am/F... Am/F... Am/F... Am/G Am/G. Am/G.. Am/G... Am/G... Am/Gb. Am/Gb.. Am Am. Am.. Am Am(b). Am. Am.. Am... Am/add11. Amsus Am9 Amadd9 Amaj Amaj Amin Amin/maj9. Am# A# A#+ A# A#. A#.. A# THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page
2 A#dim A#sus A#sus A#m A#m A#maj A#maj A#min Bbb. Bb Bb+ Bb. Bb... Bb/A. Bb/Ab. Bb/Ab.. Bb/Db. Bb/E. Bb/G. Bb/G.. Bb11 Bb Bb. Bb Bb. Bb/add9. Bb Bb. Bb.. Bbsus. Bb9 Bbadd#11. Bbaug/E. Bbdim Bbdim/C. Bbdim/D. Bbdim/G. Bbdim/G.. Bbdim/Gb. Bbdim/Gb.. Bbdim. Bbdim.. Bbsus Bbsus. Bbsus/G. Bbsus Bbsus/Ab. Bbm Bbm. Bbm/Ab. Bbm/D. Bbm/Gb. Bbm Bbm9 Bbmaj Bbmaj Bbmaj. Bbmaj9. Bbmin Bb#. B B(addE) B+ B. B/A. B/A.. B/A... B/A... B/Ab. B/E. B/E.. B/F# B11 B11/1 B1 B B. B. B B#9 B(#9) B+ B+ B.. B... B/add11. B/add11.. Bsus. Bsus.. B9 BaddE BaddE/F# Baug/E. Baug/E.. Bdim Bdim/A. THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page Bdim/A.. Bdim/A... Bdim/Ab. Bdim/Ab.. Bdim/Ab... Bdim/G. Bdim/G.. Bdim/G... Bdim. Bdim.. Bdim... Bsus Bsus. Bsus.. Bsus. Bsus.. Bsus/E. Bsus Bsus/A. Bsus/A.. Bsus/Ab. Bsus/Ab.. Bsus/Db. Bsus/Eb. Bsus/Eb.. Bsus/G. Bsus/G.. Bsus/G... Bm Bm(maj) Bm(sus9) Bm. Bm... Bm/A. Bm/A.. Bm/A... Bm/A... Bm/A... Bm/G. Bm/G.. Bm/G... Bm/G... Bm Bm Bm(b). Bm(b).. Bm(b)... Bm. Bm.. Bm... Bm... Bm... Bm/add11. Bmb Bmaj Bmaj Bmaj/#11. Bmin Bmsus9 Bmmaj B#. B#.. Cb. C C(add9) C(addD) C+ C.. C... C... C... C... C/A. C/A.. C/A... C/A... C/B C/B. C/B... C/Bb. C/D, C/D,, C/D,,, C/D. C/D.. C/D... C/D... C/D... C/F. C/F.. C11 C C. C C. C.. THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page
3 C... C/add9. C C. Csus. C9 C9(11) C9(b). Cadd/B Cadd9 Cadd9, Cadd9,, Cadd9,,, Cadd9,,,, Cadd9. Cadd9.. Cadd9... Cadd9... Cadd9... CaddD Cdim Cdim/A. Cdim/Ab. Cdim/Ab.. Cdim/D. Cdim. Csus Csus. Csus.. Csus Csus. Csus.. Csus... Csus/A. Csus/B. Csus/B.. Csus/E, Csus/E,, Csus/E,,, Csus/E. Csus/E.. Csus/E... Csus/F. Csus Csus/A. Csus/A.. Csus/B. Csus/Bb. Csus/D. Csus/E. Csus/E.. Csus9 Cm Cm.. Cm/A. Cm/Bb. Cm11 Cm. Cm Cmaj Cmaj Cmaj.. Cmaj... Cmaj9. Cmin C# C#(add9) C#+ C# C#. C# C#(b) C#add9 C#dim C#sus C#sus C#m C#m C#maj C#maj C#min Dbb. Db Db+ Db. Db.. Db... Db... Db/B. Db/Bb. Db/C. Db/C.. Db. Db. Db Db. THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page Dbaug/D. Dbaug/G. Dbdim Dbdim/A. Dbdim/A.. Dbdim/A... Dbdim/B. Dbdim/Bb. Dbdim/Bb.. Dbdim/D. Dbdim/D.. Dbdim. Dbdim.. Dbsus Dbsus. Dbsus Dbsus/Bb. Dbm Dbm. Dbm... Dbm/A. Dbm/B. Dbm/B.. Dbm Dbm(b). Dbm. Dbm.. Dbmaj Dbmaj Dbmaj. Dbmaj.. Dbmin Db#. Db#.. D D(add9) D+ D. D.. D... D... D/A D/B D/B. D/B.. D/B... D/B... D/B... D/C D/C# D/C. D/Db. D/E D/E. D/E.. D/E... D/E... D/E... D/E... D/E... D/G D/G. D/G.. D11 D D. D.. D/E D D. D.. D... D/add9. D/add9.. D D#9 D(#9) D.. D... Dsus Dsus Dsus. D9 D9(#). D9(add) D9. D9.. D9... D9add Dadd9 Dadd9, Dadd9,, Dadd9,,, Dadd9. Dadd9.. Dadd9... THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page
4 Dadd9... Daug/E. Ddim Ddim/B. Ddim/B.. Ddim/B... Ddim/Bb. Ddim/Bb.. Ddim/C. Ddim. Ddim.. Ddim... Dsus Dsus. Dsus.. Dsus... Dsus Dsus, Dsus. Dsus.. Dsus... Dsus/Ab. Dsus/B. Dsus/B.. Dsus/Bb. Dsus/C. Dsus/C.. Dsus/Db, Dsus/Db. Dsus/Db.. Dsus/F. Dsus/G, 9 Dsus/G,, Dsus/G. Dsus/G.. Dsus/G... Dsus/Gb, Dsus/Gb,, Dsus/Gb. Dsus/Gb.. Dsus Dsus/B. Dsus/B.. Dsus/C. Dsus/E, Dsus/E. Dsus/E.. Dsus/E... Dsus/Gb. Dsus/Gb.. Dm Dm(#) Dm(#) Dm.. Dm/A Dm/B Dm/B. Dm/B.. Dm/B... Dm/Bb. Dm/C Dm/C# Dm/C. Dm/C.. Dm/C... Dm/Db. Dm/E. Dm(b) Dm. Dm.. Dm Dm(b). Dm. Dm... Dm/add11. Dm9 Dmaj Dmaj Dmaj. Dmin 1 Dmin/maj. Dm# Dm# D# D#+ D# D#. D# D#dim D#sus D#sus D#m D#m D#maj D#maj D#min THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page Dm/B Dm/C Dm/C# Dm(b) Dm Dm9 Dmaj Dmaj Dmin Dm# Dm# D# D#+ D# D# D#dim D#sus D#sus D#m D#m D#maj D#maj D#min Eb Eb(add9) Eb+ Eb. Eb.. Eb... Eb/C. Eb/D. Eb/Db. Eb/Db.. Eb/Db... Eb/E. Eb Eb. Eb. Eb Eb. Eb.. Eb... Ebadd9 Ebaug/E. Ebaug/E.. Ebdim Ebdim/B. Ebdim/B.. Ebdim/B... Ebdim/C. Ebdim. Ebsus Ebsus/Ab. Ebsus Ebsus/F. Ebm Ebm. Ebm/Db. Ebm Ebm. Ebmaj Ebmaj Ebmaj. Ebmin Eb#. Eb#.. E E+ E. E.. E/A. E/D. E/D.. E/D... E/D... E/Db. E/Db.. E/Eb. E/Eb.. E/Eb... E/Gb. E/Gb.. E/Gb... E11 E11/b9. E E. E.. E E. E.. E E#9 E(#9) E(11) E(b) 9 THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page
5 E(b9) E. E.. E... E... E/add11. E/b9(b). Eb9 Esus. E9 E9. E9.. Eadd9. Eadd9.. Eadd9... Edim Edim/C. Edim/D. Edim/Db. Edim/Db.. Edim/Eb. Edim. Edim.. Esus Esus, Esus,, Esus. Esus.. Esus... Esus. Esus.. Esus/A. Esus/A.. Esus/Ab. Esus/Ab.. Esus/Db. Esus/Eb. Esus/Eb.. Esus/G. Esus/G.. Esus/G... Esus Esus/Ab. Esus/C. Esus/C.. Esus/D. Esus/D.. Esus/Db. Esus/Db.. Esus/Eb. Esus/F. Esus/G. Esus/G.. Esus/G... Esus/Gb. Esus/Gb.. Em Em(add9) Em(sus) Em. Em.. Em... Em/A. Em/A.. Em/A... Em/B Em/C. Em/C.. Em/C... Em/D Em/D, Em/D,, 1 Em/D,,, Em/D,. Em/D,., Em/D,.. Em/D. Em/D.. Em/D... Em/Db. Em/Eb. Em/Eb.. Em/Gb, Em/Gb. Em/Gb.. Em/Gb... Em Em. Em Em(b). Em, Em,, Em,,, Em,,,, Em,,,,, Em. 1 THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page 9 Em.. Em... Em... Em... Em/D Em/add11. Em9. Em9.. Em9... Emadd9 Emaj Emaj Emaj. Emaj.. Emaj... Emaj9. Emaj9.. Emin Emin/maj. Emin/maj9. Emsus E#. F F(add9) F+ F++11 F. F.. F... F... F/A F/C F/D F/D. F/D.. F/D... F/E. F/E.. F/E... F/E... F/E... F/Eb. F/Eb.. F/G F/G. F/G.. F11 F F. F F. F.. F... F/add9. F F. F.. F/A F9 Fadd9 Fadd9. Fadd9.. FaddG Faug/D. Faug/G. Fdim Fdim/D. Fdim/D.. Fdim/D... Fdim/Db. Fdim. Fdim.. Fdim... Fsus Fsus. Fsus. Fsus.. Fsus/A. Fsus/A.. Fsus/B. Fsus/Bb. Fsus/D. Fsus/E. Fsus/E.. Fsus Fsus/G. Fm Fm. Fm.. Fm/D. Fm/Db. Fm/Db.. Fm/Eb. Fm/Eb.. Fm Fm. THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page
6 Fm Fm. Fm.. Fmaj Fmaj Fmaj(+) Fmaj, Fmaj,, Fmaj. Fmaj.. Fmaj... Fmaj/#11. Fmaj/A Fmaj/C Fmaj9. Fmin Fmmaj F# F#+ F#/E F#11 F# F#. F#.. F# F#9 F#dim F#sus F#sus F#m F#m/C#m F#m F#m F#m- F#maj F#maj F#min Gb Gb+ Gb. Gb.. Gb... Gb/Ab. Gb/E. Gb/E.. Gb/Eb. Gb/F. Gb. Gb Gb(#). Gb. Gb.. Gb/#9. Gbsus. Gb9 Gbadd9. Gbaug/E. Gbdim Gbdim/D, Gbdim/D. Gbdim/D.. Gbdim/E. Gbdim/E.. Gbdim/Eb. Gbdim. Gbsus Gbsus. Gbsus/Bb. Gbsus Gbsus/E. Gbm Gbm. Gbm.. Gbm... 1 Gbm/D. Gbm/D.. Gbm/E, Gbm/E,, Gbm/E. Gbm/E.. Gbm/E... Gbm Gbm(b). Gbm(b).. Gbm, Gbm. Gbm., Gbm.. Gbm... Gbm/b9. Gbmaj Gbmaj Gbmaj. Gbmin Gb#. G THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page 11 G(add9) G+ G, G,, G,,, G. G.. G... G... G... G/A G/A. G/A.. G/B G/C. G/C.. G/D G/E, G/E,, G/E,,, G/E,,,, G/E. G/E.. G/E... 1 G/E... 1 G/E... G/F# G/F. G/F.. G/F... G/Gb. G/Gb.. G/Gb... G/Gb... G11 G G. G.. G G(sus) G, G,, G,,, G,,,, G,.,. G. G.. G... G... G/add9. G/add9.. G/add9... Gsus G G#9 G(#9) G(b9) G(sus) G+ G. G.. G... G/add11. Gb9 Gsus Gsus. G9 G9(11) G9. G9.. Gadd9 Gadd9. Gadd9.. Gaug/E. Gaug/E.. Gdim Gdim/E. Gdim/E.. Gdim/Eb. Gdim/Eb.. Gdim/Eb... Gdim. Gdim.. Gsus Gsus. Gsus.. Gsus... Gsus, Gsus,, Gsus. Gsus.. Gsus/B. Gsus/B.. Gsus/C. Gsus/E, Gsus/E,, THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page 1
7 Gsus/E. Gsus/E.. Gsus/Gb. Gsus/Gb.. Gsus Gsus/A. Gsus/B. Gsus/B.. Gsus/E, Gsus/E,, Gsus/E,. Gsus/E,.. Gsus/E. Gsus/E., Gsus/E.. Gsus/F. Gm Gm. Gm.. Gm/Bb Gm/E. Gm/Eb. Gm/F. Gm/F.. Gm1. Gm Gm. Gm Gm. Gm.. Gm/add11. Gm9. Gmaj Gmaj Gmaj, Gmaj,, Gmaj. Gmaj.. Gmajsus Gmaj9 Gmin G# G#+ G# G#. G#.. G# G#dim G#sus G#sus G#m G#m G#m G#m9(maj) G#m9maj G#maj G#maj G#min Chords in the key of:- Ab or G# Ab Bbm Cm Db Eb Fm Gdim A A Bm Dbm D E Gbm Abdim Bb or A# Bb Cm Dm Eb F Gm Adim B B Dbm Ebm E Gb Abm Bbdim C C Dm Em F G Am Bdim Db or C# Db Ebm Fm Gb Ab Bbm Cdim D D Em Gbm G A Bm Dbdim Eb or D# Eb Fm Gm Ab Bb Cm Ddim E E Gbm Abm A B Dbm Ebdim F F Gm Am Bb C Dm Edim Gb or F# Gb Abm Bbm B Db Ebm Fdim G G Am Bm C D Em Gbdim THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page 1 _aug = _# (Augmented triad) _(no rd) = _ (Root and th - Power chord) _/sus = _/sus (Sus triad plus th, minor th) _dom = _ (Major triad, minor th) _/add11 = _/11 (Minor triad, minor th, plus 11th) _ = _add9 (Major triad, plus 9th) _sus = _sus (No rd but a th from a major triad) _# = _maj (Major triad, major th) _sus = _add9(no rd) (No rd but a th from a major triad) _/9 = _/add9 (Major triad plus th and 9th) _9(#) = _maj9 (Major triad, major 9th plus th) _o = _m(b) (Diminished triad, minor th : half-diminshed _dom9 = _9 (Major triad, minor th plus 9th) C/D is an C chord with a D bass note (xx00). A/B is an A chord with a B bass note (x0). G/D is an G chord with a D bass note (xx000). And so on. If you are playing in a band with a bass player you don't need to play th with a bass note, just play it as a normal chord (eg. C/D = C and so on). THE ULTIMATE GUITAR CHORD CHART II Special thanks to Martin.Leclerc@Sun.com and Mario.Dorion@Sun.com for the use of their Postscript code and thanks to all those people that responded to my initial postings for guitar chords. Please check chords and notify me of any errors via at:- Pfacol@elaine.ee.und.ac.za Remember: Make as many copies as you want, pass it on to your friends. THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Page 1
A7sus4... A9 A9sus Aadd9. Aadd9.. Aaug/D. Aaug/G. Adim 6. Adim/F.. Adim/G. Adim/Gb. Adim7. Asus. Ab/F. Ab/F.. Ab/Gb. Ab/Gb.. 4. Ab Ab+ Ab/A.
THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline email- pfacol@elaine.ee.und.ac.za The.'s and,'s after the chord name means that the chord is a duplicate or alternate formation. Asus... A9 A9sus
Terms of Use. By purchasing Jamorama, the Ultimate Guitar Learning Kit, you agree to the following -
Terms of Use By purchasing Jamorama, the Ultimate Guitar Learning Kit, you agree to the following - You will use Jamorama, Chordinator, Jayde Musica, Guitearit, Advanced Learning Techniques for Guitar,
CHORD AVAILABILITY. NOTE: I ve used different abbreviations for different chord names. / for add (e.g. C/9 = C add 9, Em7/11 = Em7 add 11)
CHORD AVAILABILITY Any songwriter, whether they are amateur or professional, is bound to get stuck sometimes in finding that elusive chord to use in their song. What many of them don t realize is the number
LEFT HAND CHORD COMBINING ON THE ACCORDION
LEFT HAND CHORD COMBINING ON THE ACCORDION The standard Stradella bass system on the accordion only provides four chord types: Major, minor, 7-th and diminished. It's possible to play other chords by using
The Basic Jazz Guitar Chord Book
The Basic Jazz Guitar Chord Book By Dirk Laukens / January 25, 2005 Hello and welcome to the basic jazz guitar chord book, brought to you by www.jazzguitar.be. How are guitar chords built? What makes a
Modern vertical thinking (Triad pairs over seventh chords)
Koninklijk Conservatorium, Den Haag Jazz guitar David Reschofsky Modern vertical thinking (Triad pairs over seventh chords) Main subject teachers: Wim Bronnenberg, Martijn van Iterson Research coaches:
Chords and Voicings Made Simple By: Sungmin Shin January 2012
Chords and Voicings Made Simple By: Sungmin Shin January 2012 I. Intervals An interval is the space between two notes. intervals of a 2nd, 3rd, 6th, and 7th can be diminished, minor, major, or augmented
Chords and More Chords for DGdg Tenor Banjo By Mirek Patek
Chords and More Chords for DGdg Tenor Banjo By Mirek Patek This tenth article about the fingerstyle tenor banjo in DGdg tuning will be focused on banjo accompaniment, i.e. on playing chords. The goal is
The Chord Book - for 3 string guitar
The Chord Book - for 3 string guitar Prepared for: 3 string fretted cbg Prepared by: Patrick Curley Forward This short ebook will help you play chords on your 3 string guitar. I m tuned to G, if you re
The Secret Weapon for Bar Chords
Created by BCM The Secret Weapon for Bar Chords This handy device will make it much easier to form bar chords on your guitar. It is an effective tool that will give you immediate results. No more hours
Developing a cohesive walking bass line 2005 Eric Elias
Developing a cohesive walking bass line 00 Eric Elias Developing a walking bass lines is a subject that many of my students (guitarists and bassists alike) have been interested in. If you are a jazz player,
Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz.
Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz. This ebook may be freely distributed but not copied or altered in any way. WARNING: There is
Companion Instruction Booklet
Companion Instruction Booklet Page 1 of 33 Glossary of Terms: Page 2 of 33 Chord: A group of notes played together, such as the notes C-E-G (C Major) Open Chord: A group of notes played on guitar that
Jazz Chords/Scales Encyclopedia By Mark Feezell
Jazz Cords/Scales Encyclopedia By Mark Feezell - Cord symbols are grouped by function itin te keys in a circle-of-4ts (descending 5ts) pattern. - Te key of C is listed in its entirety at te end of te encyclopedia.
Introduction to Chords For Jazz Band
Introduction to Chords For Jazz Band First, let s start with a major scale and review the scale degrees. We refer to the distance between two notes as an interval, and an interval has two aspects: the
Last updated: June 2012 SONGBOOK www.alc1.org/music/songs. Name of Song (Ctrl+Click title for song) Highlighted Lyrics Key Song # Above All F 1000
Last updated: June 2012 SONGBOOK www.alc1.org/music/songs Name of Song (Ctrl+Click title for song) Highlighted Lyrics Key Song # Above All Agnus Dei Alive In Us All for Love (sing with Shout unto God)
Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook
Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the guitar chapter of the Thelonious Monk Institute of Jazz s Online Jazz Handbook! A guitarist in a jazz
How To Improvise a Solo A Workshop for Beginners
1 How To Improvise a Solo A Workshop for Beginners 10:00-10:30 am Arrival, Setup and Performance 10:30 to 12:00 pm Interactive Workshop 12:00 to 12:30 Lunch 12:30 to 2:00 pm Workshop 2:00 tp 3:30 pm Open
Larry's Guitar Chord Key Chart
C Larry's Guitar Chord Key Chart C# G# G D D# A A# E B C# # The middle triangle in any circle is the name of that key. Every circle is a key. This does not show the minors but they follow the same pattern.
Tutorial 1J: Chords, Keys, and Progressions
Tutorial 1J: Chords, Keys, and Progressions Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Relate chords with keys 1A: Virtual Practice 2. Use basic blues progressions & blues
Page 1 of 36. Companion Workbook. 2005 leadworship.com
Page 1 of 36 Companion Workbook Page 2 of 36 Glossary of Terms: Chord: A combination of 3 or more notes that blend harmoniously when sounded together. Chord Scale: All of the chord combinations that naturally
Visa Smart Debit/Credit Certificate Authority Public Keys
CHIP AND NEW TECHNOLOGIES Visa Smart Debit/Credit Certificate Authority Public Keys Overview The EMV standard calls for the use of Public Key technology for offline authentication, for aspects of online
Foundation Course. Study Kit No 1. Away In A Manger
Foundation Course Study Kit No 1 Away In A Manger Reharmonization Study Kit No. 1 Away In A Manger Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design:
Students of jazz must overcome several hurdles in their development
Teaching Jazz mprovisation Using Macro-Analytical Techniques Nolan Stolz Students of jazz must overcome several hurdles in their development as musicians. Technical fluidity may be mastered in a practice
The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo.
Piano Chord Voicings for jazz combo The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo. Secondly, he acts as a soloist himself. Therefore,
Ukulele Music Theory Part 2 Keys & Chord Families By Pete Farrugia BA (Hons), Dip Mus, Dip LCM
This lesson assumes that you are using a ukulele tuned to the notes G, C, E and A. Ukulele Notes In lesson 1, we introduced the sequence of 12 notes, which repeats up and down the full range of musical
MUSIC THEORY BASICS. Introduction
MUSIC THEORY BASICS Introduction o Welcome to the fascinating world of music theory in EZkeys and in real life. On the following pages you will be taking a guided tour through the basic principles applied
GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS SIDENOTES. www.hearandplay.com www.gospelkeys202.com. Minister Jermaine A.
GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS & SIDENOTES www.hearandplay.com www.gospelkeys202.com Minister Jermaine A. Griggs, Author 1 INTRODUCTION Hello my friend, and welcome to Gospel Keys
How To Determine Chords for Mountain Dulcimer Playing (How The Person Who Wrote the Chord Book Figured It Out)
How To Determine Chds f Mountain Dulcimer Playing (How The Person Who Wrote the Chd Book Figured It Out) by Roger Huffmaster Did you ever wonder how the person who wrote the mountain dulcimer chd chart
Slash Chords: Triads with a Wrong Bass Note?
patrick schenkius Slash Chords: Triads with a Wrong Bass Note? In this article the phenomenon slash chord is being examined by categorizing almost all of them and the way these chords function inside the
2012 Saskatchewan Curriculum. Jazz Theory. To Accompany Instrumental Jazz 10, 20, 30
2012 Saskatchewan Curriculum To Accompany Instrumental Jazz 10, 20, 0 ISBN 98-1-10-06-2 1. Arts education (Secondary school) - Saskatchewan - Curricula. 2. Competency-based education - Saskatchewan. Saskatchewan.
DATING YOUR GUILD 1952-1960
DATING YOUR GUILD 1952-1960 YEAR APPROXIMATE LAST SERIAL NUMBER PRODUCED 1953 1000-1500 1954 1500-2200 1955 2200-3000 1956 3000-4000 1957 4000-5700 1958 5700-8300 1959 12035 1960-1969 This chart displays
MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY
MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY Introduction All songwriters will use harmony in some form or another. It is what makes up the harmonic footprint of a song. Chord sequences and melodies
Major Scale Construction. The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A.
Major Scale Construction The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A. A B C D E F G A B C D E F G etc. Scales are a series of
Legacy Learning Systems 2510 Franklin Pike, Suite 200 Nashville, TN 37204
Legacy Learning Systems 2510 Franklin Pike, Suite 200 Nashville, TN 37204 Gibson's Learn and Master Guitar. Copyright 2010 by Legacy Learning Systems, Inc. All rights reserved. No part of this product,
Future Trends in Airline Pricing, Yield. March 13, 2013
Future Trends in Airline Pricing, Yield Management, &AncillaryFees March 13, 2013 THE OPPORTUNITY IS NOW FOR CORPORATE TRAVEL MANAGEMENT BUT FIRST: YOU HAVE TO KNOCK DOWN BARRIERS! but it won t hurt much!
L. DROP 2 VOICINGS. Bebop, hard bop, contemporary jazz. Bill Evans, Barry Harris, Oscar Peterson, Kenny Barron.
L. DROP 2 VOICINGS Bebop, hard bop, contemporary jazz. Bill Evans, Barry Harris, Oscar Peterson, Kenny Barron. Extract from A Compendium of Jazz Piano Voicings Jason Lyon 2007, AN ARRANGING technique used
SERVER CERTIFICATES OF THE VETUMA SERVICE
Page 1 Version: 3.4, 19.12.2014 SERVER CERTIFICATES OF THE VETUMA SERVICE 1 (18) Page 2 Version: 3.4, 19.12.2014 Table of Contents 1. Introduction... 3 2. Test Environment... 3 2.1 Vetuma test environment...
RGT offers quality exams you can have confidence in.
offers quality exams you can have confidence in. About () was established in the UK in 1992 and is now the world s premier organisation of guitar educators. To find a registered guitar tutor in your area
Basic Music Theory. Reading Different Clefs
1 Basic Music Theory Reading Different Clefs The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Leaving Cert. Music. Clef reading
Jim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
THOSE WHO WAIT As recorded by Tommy Emmanuel
ransribd by iorio Mali OSE O s rordd by ommy Emmanl (From h lbm OLY) Msi by ommy Emmanl rrand by ommy Emmanl nro r-rs = nin: DDE Dadd Fadd add Dadd rs,.. [] [] [] [] [] [] [] [] [] [] () () Fadd () add
How to Play Chords on your Mountain Dulcimer tuned DAd
How to Play Chords on your Mountain Dulcimer tuned DAd (or Surviving in a Multi-Instrument Jam) by Missy Strothers If you are like me, sooner or later you ll get into a festival situation where you ll
SERVER CERTIFICATES OF THE VETUMA SERVICE
Page 1 Version: 3.5, 4.11.2015 SERVER CERTIFICATES OF THE VETUMA SERVICE 1 (18) Page 2 Version: 3.5, 4.11.2015 Table of Contents 1. Introduction... 3 2. Test Environment... 3 2.1 Vetuma test environment...
Music Theory. Basic Level
Music Theory Basic Level June 2005 Introduction... 3 Intervals... 4 Theory... 4 Usage... 5 Chords... 7 Theory... 7 Triads... 8 Four-note chords... 8 Usage... 8 The Major Scale... 10 Theory... 10 Usage...
Table of Contents. Interlude: Terminology; Drop 2 and Drop 3 Voicing 57 More droppings? An explanation of some common terms.
1 Table of Contents Introduction: Theory, Triads and Terminology. 3 Understand the building blocks of chords. Learn the often inconsistent jargon associated with playing jazz chords. Section 1: Functional
Sample Pages. This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here
1 Sample Pages This pdf contains sample pages from the ebook The Easy Guide to Jazz Guitar Arpeggios. To get the full ebook, Click Here 2 Contents Introduction....6 What Are Arpeggios?....7 Chapter 1:
Basic Guitar Chords. By Tomas Michaud
Basic Guitar Chords By Tomas Michaud 2 Basic Guitar Chords - Lesson 1 Basic Guitar Chords - Lesson 2 Basic Guitar Chords - Lesson 3 Basic Guitar Chords - Lesson 4 Basic Guitar Chords - Lesson 5 More Exercises:
Reharmonizations and Substitutions
Reharmonizations and Substitutions 7 th chords and scale harmonization Reharmonizing: Substituting chromatic chords within the iii vi ii V I progression For the sake of variety, coloration and creativity,
MI OR PE TATO ICS. Cm shape Minor Pentatonic Scale. PDF Created with deskpdf PDF Writer - Trial :: http://www.docudesk.com. Root. 5th. 4th. Root.
MI OR PE TATO ICS Em shape Minor Pentatonic Scale 1 4 5 Dm shape Minor Pentatonic Scale 1 4 5 Cm shape Minor Pentatonic Scale 1 4 5 MI OR PE TATO ICS Am shape Minor Pentatonic Scale 1 4 5 Gm shape Minor
Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords...
Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords... 6 Allcanplay TM Piano * MaxLearning.Net 2009 * Playing By Ear * 4/6/2009
USB HID to PS/2 Scan Code Translation Table
Key Name HID Usage Page HID Usage ID PS/2 Set 1 Make* PS/2 Set 1 Break* PS/2 Set 2 Make PS/2 Set 2 Break System Power 01 81 E0 5E E0 DE E0 37 E0 F0 37 System Sleep 01 82 E0 5F E0 DF E0 3F E0 F0 3F System
evirtuoso-online Lessons
evirtuoso-online Lessons Chords Lesson 3 Chord Progressions www.evirtuoso.com Chord Progressions are very popular and a strong foundation for many instruments and songs. Any chords combined together in
SYMBOLIC REPRESENTATION OF MUSICAL CHORDS: A PROPOSED SYNTAX FOR TEXT ANNOTATIONS
SYMBOLIC REPRESENTATION OF MUSICAL CHORDS: A PROPOSED SYNTAX FOR TEXT ANNOTATIONS Christopher Harte, Mark Sandler and Samer Abdallah Centre for Digital Music Queen Mary, University of London Mile End Road,
CROSS REFERENCE. Cross Reference Index 110-122. Cast ID Number 110-111 Connector ID Number 111 Engine ID Number 112-122. 2015 Ford Motor Company 109
CROSS REFERENCE Cross Reference Index 110-122 Cast ID Number 110-111 Connector ID Number 111 112-122 2015 Ford Motor Company 109 CROSS REFERENCE Cast ID Number Cast ID Ford Service # MC Part # Part Type
Piano Requirements LEVEL 3 & BELOW
Piano Requirements LEVEL 3 & BELOW Technical Skills: Time limit: 5 minutes Play the following in the keys of F, C, G, D, A, E, B: 1. Five-note Major scales, ascending and descending, hands separate or
DECIPHERING JAZZ CHORD SYMBOLS
DECIPHERING JAZZ CHORD SYMBOLS Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html Jazz relies on a shorthand system of chord notation, which is not universal, not standard, and not terribly logical or
Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 8
Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 8 1. Gritty Blues Rock in A Minor This is a nice hard-hitting play along guitar track with a catchy rhythm guitar riff and driving drum beat.
MU 3323 JAZZ HARMONY III. Chord Scales
JAZZ HARMONY III Chord Scales US Army Element, School of Music NAB Little Creek, Norfolk, VA 23521-5170 13 Credit Hours Edition Code 8 Edition Date: March 1988 SUBCOURSE INTRODUCTION This subcourse will
Scales and Arpeggios. Absolute Beginners. By J.P. Dias
Scales and Arpeggios Absolute Beginners By J.P. Dias opyright 2004-2005 To Paula ontents Introduction...8 1. Basic of Reading Music...9 2. Major Modes...10 4. Minor Scales...24 3. Pentatonic Scales...30
The Many Benefits of Discovering the Root Progressions in the Music of Classical and Contemporary Composers
The Many Benefits of Discovering the Root Progressions in the Music of Classical and Contemporary Composers Dr Margaret S. Brandman freelance composer and music educator This paper discusses the advantages
Fundamentals Keyboard Exam
Fundamentals Keyboard Exam General requirements: 1. Scales: be prepared to play: All major and minor scales (including melodic minor, natural minor, and harmonic minor) up to five sharps and flats, ith
Basic Music Theory for Junior Cert.
1 Reading Different Clefs Basic Music Theory for Junior Cert. The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Junior Cert. Music.
Beautiful Simple Guitar Chord Progressions
Beautiful Simple Guitar Chord Progressions The purpose of beautiful simple guitar chord progressions is to present guitar mechanisms as simply as possible. Using mostly three finger chords beautiful guitar
Automatic Chord Recognition from Audio Using an HMM with Supervised. learning
Automatic hord Recognition from Audio Using an HMM with Supervised Learning Kyogu Lee enter for omputer Research in Music and Acoustics Department of Music, Stanford University kglee@ccrma.stanford.edu
Application Note RMF Magic 5.1.0: EMC Array Group and EMC SRDF/A Reporting. July 2009
Application Note RMF Magic 5.1.0: EMC Array Group and EMC SRDF/A Reporting July 2009 Summary: This Application Note describes the new functionality in RMF Magic 5.1 that enables more effective monitoring
Study Kit No 9. Aura Lee (Love Me Tender)
Study Kit No 9 Aura Lee (Love Me Tender) Reharmonization Study Kit No. 9 Aura Lee Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design: Raymond Suen Copyright
COUNCIL OF INTERNATIONAL SCHOOLS (CIS) SCHOOL IMPROVEMENT THROUGH ACCREDITATION
COUNCIL OF INTERNATIONAL SCHOOLS (CIS) SCHOOL IMPROVEMENT THROUGH ACCREDITATION Guide to School Evaluation and Accreditation - 8 th Edition (Version 8.2) STANDARDS AND INDICATORS SECTION A SCHOOL GUIDING
Guitar Method Beginner: Book 1
Guitar Method Beginner: Book 1 This book has been a project in the works for over a year, and now my dream of releasing it has finally come true. I would like to thank everyone who has encouraged or helped
Nashville Number System
presents the Nashville Number System for worship teams 1. WHY THE NASHVILLE NUMBER SYSTEM?... 2 SOME DISCLAIMERS... 2 2. BASICS OF THE NNS... 3 PRACTICE EXAMPLE #1... 4 3. SLASH CHORDS... 5 PRACTICE EXAMPLE
The DADGAD Chord Primer: How to Build Chords in DADGAD Tuning. Version 2.2. By: Mark Parnis www.markparnis.com mark@markparnis.com
The DADGAD Chord Primer: How to Build Chords in DADGAD Tuning Version 2.2 By: Mark Parnis www.markparnis.com mark@markparnis.com DADGAD is essentially a variant on open D tuning, DADF # AD. The subtle
Service Instruction. 1.0 SUBJECT: ECi Accessory Cases for Lycoming 4-Cylinder engines with single magneto configurations and TITAN 361 Engines
Title: Service Instruction ECi Accessory Cases Installed on Engines S.I. No.: 03-1 Page: 1 of 7 Issued: 2/28/2003 Revision: 2 (4/13/2009) Technical Portions are FAA DER Approved. 1.0 SUBJECT: ECi Accessory
Guitar Reference. By: Frank Markovich
Guitar Reference By: Frank Markovich Guitar Reference Introduction The purpose of this book is to give the student the reference materials for learning how to play the guitar. In this book you will find
Intervals Harmony Chords and Scales. Workbook
Intervals Harmony Chords and Scales Workbook Introduction In writing this book I was able to make many discoveries for myself both in methods of teaching and basic use of music theory. In every discipline
Lesson 21: Substitution Chords Play Piano By Ear Audio Course. Materials For This Lesson
Hello, and welcome to Lesson 21. In Lesson 19 you learned Drink To Me Only With Thine Eyes, using just four chords. In this lesson we ll be using substitution chords to create a more professional sounding
LIMITED KNOWLEDGE TO INTERMEDIATE LEVEL.
Rock Band Song List When I first started implementing my rock program at Montague Consolidated School, the most frustrating and time consuming task was finding school appropriate songs that fit the skill
UKULELE CHORD SHAPES. More Strumming, Less Memorizing BRAD BORDESSA
UKULELE CHORD SHAPES More Strumming, Less Memorizing BRAD BORDESSA TABLE OF CONTENTS GRATITUDES 2 9th 26 13th 26 INTRODUCTION 3 Altered 27 HOW TO USE THIS BOOK 4 Suspended 2 28 The Fingerboard 5 Suspended
PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC. The Jazz Theory Entrance Test 2010 STUDY GUIDE
PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC The Jazz Theory Entrance Test 2010 STUDY GUIDE The Jazz Theory Entrance Test Study Guide Every concept that you will study in jazz theory, either
The CAGED Guitar System
The CAGED Guitar System First of all, let s look at an example below on how to use the CAGED guitar system: 1 The example showed above demonstrates the general idea of how the CAGED system works in a certain
An Introduction to Chords
1 An Introduction to Chords by David Gilson A chord is the musical sound produced by playing a number of notes at the same time. The sound of the chord is different depending on the key you are playing
Pattern Co. Monkey Trouble Wall Quilt. Size: 48" x 58"
.............................................................................................................................................. Pattern Co..........................................................................................
FEDERAL BUREAU OF INVESTIGATION FOIA/PA DELETED PAGE INFORMATION SHEET
5 Page(s) withheld entirely at this location in the file. One or more of the following El(b)(1) (b)(7)(a) (05) (b)(2) (b)(7)(b) 0)(2 ) (b)(3) (b)(7)(c) (k)(1) (b)(7)(d) (k)(2) Eg(b)(7)(E) (k)(3) (b)(7)(f)
Ariel Kasler. A Thesis
GIANT STEPS: CHORD SUBSTITUTIONS AND CHORD-SCALES FOR IMPROVISATION Ariel Kasler A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements
Introduction to Chord Theory & Chord Voicing for the Guitarist Volume Two taught by John Miller
Introduction to Chord Theory & Chord Voicing for the Guitarist Volume Two taught by John Miller INTRO TO CHORD THEORY AND CHORD VOICING FOR THE GUITARIST, VOLUME 2 I. SIXTH CHORDS, TONIC FUNCTION, AND
PENTATONICS BY CHORD TYPE
PENTATONICS BY CHORD TYPE Extract from Pentatonic & Hexatonic Scales in Jazz, Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html 1. WHAT TO PLAY ON A MINOR 7TH CHORD AS OF now, we ll be thinking primarily
MMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B).
MMTA Exam Requirements Level 3 and Below b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B). c. Staff and grand staff stem placement. d. Accidentals: e. Intervals: 2 nd
3. April 2013 IT ZERTIFIKATE. Zertifizierungsstellen / Certification Center. IT Sicherheit UNTERNEHMENSBEREICH IT
IT Sicherheit UNTERNEHMENSBEREICH IT IT ZERTIFIKATE 3. April 2013 Zertifizierungsstellen / Certification Center D-TRUST D-Trust Root Class 2 CA2007 Aussteller/Issuer: D-TRUST Root Class 2 CA 2007 Gültig
Geometry Handout 2 ~ Page 1
1. Given: a b, b c a c Guidance: Draw a line which intersects with all three lines. 2. Given: a b, c a a. c b b. Given: d b d c 3. Given: a c, b d a. α = β b. Given: e and f bisect angles α and β respectively.
How they invented chord patterns for the guitar. J. Chaurette. Dec., 2012
How they invented chord patterns for the guitar J. Chaurette Dec., 2012 The guitar has a very long history; it has evolved over the ages to what it is now. It has achieved its final distinct form in 1770,
Community College of Philadelphia Calling Code 218 Employer Scan Client Approved: November 17, 2005 Region (CIRCLE) City MSA
Community College of Philadelphia Calling Code 218 Employer Scan Client Approved: November 17, 2005 Region (CIRCLE) City MSA Zip V0 V1 V2 Month/ Day/ Year of Contact: Business Name: Address: V3 City: V4
Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 1
Best Backing Tracks Backing and Jam Tracks for Guitar, Vol. 1 1. Moody in G Minor Dorian A slow, atmospheric backing track with a simple chord structure. A nice guitar solo can be created using the G Minor
1. Find the length of BC in the following triangles. It will help to first find the length of the segment marked X.
1 Find the length of BC in the following triangles It will help to first find the length of the segment marked X a: b: Given: the diagonals of parallelogram ABCD meet at point O The altitude OE divides
unplugged let s jam! $9 95 take your playing to the next level full band on your: full band on your: guitar keyboard percussion saxophone
unplugged let s jam! take your playing to the next level full band on your: guitar keyboard percussion saxophone jam jam along along with with a full band on your: flute voice harmonica I N C L U D E S
Crash Course in Music Theory for Guitarists by Andy Drudy
Crash Course in Music Theory for Guitarists by Andy rudy An in-depth knowledge of music theory is essential for any musician. Learning the ropes so-to-speak, will rapidly expand your insight into you own
NEOSHO COUNTY COMMUNITY COLLEGE MASTER COURSE SYLLABUS. Medical Administrative Aspects
NEOSHO COUNTY COMMUNITY COLLEGE MASTER COURSE SYLLABUS COURSE IDENTIFICATION Course Code/Number: ALMA 120 Course Title: Medical Administrative Aspects Division: Applied Science (AS) Liberal Arts (LA) Workforce
Lecture Notes on Pitch-Class Set Theory. Topic 4: Inversion. John Paul Ito
Lecture Notes on Pitch-Class Set Theory Topic 4: Inversion John Paul Ito Inversion We have already seen in the notes on set classes that while in tonal theory, to invert a chord is to take the lowest note
0242-1. HSR TRAINING COURSE REQUIREMENTS HSR Training Course Guidance Booklet 2
0242-1 HSR TRAINING COURSE REQUIREMENTS HSR Training Course Guidance Booklet 2 SafeWork SA 2 Contents Introduction... 4 Learning resources... 4 PART 1 UNDERPINNING PRINCIPLES FOR THE DEVELOPMENT OF A SAFEWORK
URL encoding uses hex code prefixed by %. Quoted Printable encoding uses hex code prefixed by =.
ASCII = American National Standard Code for Information Interchange ANSI X3.4 1986 (R1997) (PDF), ANSI INCITS 4 1986 (R1997) (Printed Edition) Coded Character Set 7 Bit American National Standard Code
A BRIEF GUIDE TO PIANO FOURTH VOICINGS
A BRIEF GUIDE TO PIANO FOURTH VOICINGS INTRODUCTION This article is intended to give you a basic command of the most useful piano chords voiced in fourths (also known as quartal voicings ). This sound