HELIX MOBILE PRODUCER USER S GUIDE

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1 HELIX MOBILE PRODUCER USER S GUIDE Helix Mobile Producer 13.1 Revision Date: 18 December 2009

2 RealNetworks, Inc. P.O. Box Seattle, WA U.S.A. Copyright RealNetworks, Inc. All rights reserved. Information in this document is subject to change without notice. All rights reserved. No part of this book may be reproduced, in any form or by any means, without permission in writing from RealNetworks, Inc. Helix, the Helix logo, the Real "bubble" (logo), RealProducer, Helix Producer, RealSystem Server, Helix Universal Server, RealAudio, RealVideo, RealMedia, RealPlayer, and RealOne Player are all trademarks or registered trademarks of RealNetworks, Inc. Other product and corporate names may be trademarks or registered trademarks of their respective owners Copyright (c) RealNetworks, Inc. This product may incorporate one or more of the following: U.S. Patent # 5,917,835; U.S. Patent # 5,854,858; U.S. Patent # 5,917,954; U.S. Patent # 6,597,961; U.S. Patent #6,314,466. Other U.S. patents pending. All rights reserved. RealNetworks Lossless audio codec Copyright (c) RealNetworks, Inc. All rights reserved. RealNetworks RealAudio Multichannel Codec Copyright (c) 2003 RealNetworks, Inc. All rights reserved. ACELP(r).net codec by VoiceAge Corporation Copyright(c) All rights reserved. AAC and aacplus implementation developed by Coding Technologies. All rights reserved. The Ogg Multimedia Framework and the Vorbis audio compression tools have been provided by the Xiph.org Foundation. RealNetworks RealVideo 8 video codec Copyright (c) RealNetworks, Inc. Portions Copyright (c) Intel Corporation. All rights reserved. RealNetworks RealVideo 9 video codec Copyright (c) RealNetworks, Inc. Portions Copyright (c) Intel Corporation. All rights reserved. RealNetworks RealVideo 10 video codec Copyright (c) RealNetworks, Inc. Portions Copyright (c) Intel Corporation. All rights reserved. STLport (c) 1999, 2000 Boris Fomitchev. Copyright (c) 1994 Hewlett-Packard Company. Copyright (c) 1996,97 Silicon Graphics Computer Systems, Inc. Copyright (c) 1997 Moscow Center for SPARC Technology. Helix, RealAudio, RealNetworks, RealSystem, RealVideo, and SureStream are trademarks or registered trademarks of RealNetworks, Inc. All other companies or products listed herein are trademarks or registered trademarks of their respective owners. All rights reserved.

3 CONTENTS INTRODUCTION 1 How This Guide Is Organized... 1 Conventions Used in this Guide... 3 PART I: GETTING STARTED 1 INSTALLATION 7 System Requirements... 7 Licensing... 7 License File Location... 8 Evaluation Versions... 8 Installing on Windows... 8 Windows.Net RunTime... 9 Uninstalling the Program...10 Feature Availability CODECS AND FILE FORMATS 11 Input Formats...11 Uncompressed Input Formats...11 Formats Requiring DirectX...11 Formats Requiring QuickTime...12 Output Choices GPP Release GPP Release MP MPEG RealMedia...14 Audio Codec Choices...14 AAC...14 AMR...18 MP RealAudio...21 Video Codec Choices...25 H H iii

4 Helix Mobile Producer User s Guide iv MPEG-4 SVP...27 RealVideo...28 Multi-Rate Streams...28 Rate Shifting...30 Encoding Requirements for Rate-Shifting Clips...30 Audience Template Modification...34 Switch Groups for 3GPP Clips...35 PART I: INPUTS AND OUTPUTS 3 INPUTS 39 Input Tab...39 Jobs and Job Files...40 Loading an Existing Job...41 Upgrading Older Job Files...41 File Input...41 Video Source File Size Limit...42 Capture Input...43 Input Duration...43 Audio Mixer...44 Audio Vendor Controls...44 Video Settings...45 Timeline Editor...47 Timeline Editing Controls...48 Source Properties PREFILTERS 51 Audio and Video Preprocessing...51 Controls for Displaying and Enabling Prefilters...52 Audio Level...52 Audio Synchronization...53 Input Cropping...53 Cropping Controls...54 De-Interlace and Inverse-Telecine...55 Inverse-Telecine Prefilter...56 De-Interlace Prefilter...56 Video Noise...57 Low Noise Filtering...58 High Noise Filtering...58 Input Resize...58 Resize Controls...59 Maintain Aspect Ratio...60 High-Quality Resize...60

5 Contents Black-Level Correction OUTPUTS 61 Output Tab...61 Single Outputs and Multiple Outputs...62 Outputs and Destinations...62 Outputs List...63 Output Selection...64 Output Name...65 Encoding Settings...65 Audience Control Buttons...65 Audience Templates...66 Audience Customization...67 Output File Destination...70 Archive Clips...70 Output File Extension...70 Progressive Download...71 Hint Track...71 Two-Pass Encoding...71 Output File Size...72 Metadata...72 Metadata Buttons...73 Metadata Entry...73 Metadata Titles and Values...74 PART II: ADVANCED AUDIO AND VIDEO SETTINGS 6 AUDIO CUSTOMIZATION 79 Audio Encoding Settings...79 Audio Codec...80 Channels...80 What is Stereo Surround?...81 What is Multichannel Audio?...83 Average Bit Rate...84 Sample Rate...84 What is a Sampling Rate? VIDEO CUSTOMIZATION 87 Video Encoding Settings...87 Video Codec...88 Level...88 Video Average Bit Rate...89 Frame Rate...89 v

6 Helix Mobile Producer User s Guide vi Target Frame Rates...90 Factors that Affect RealVideo Frame Rates...91 Frame Size...92 Maintain Aspect Ratio...92 High-Quality Resize...93 Notes on Resizing...93 Encoding Complexity...95 Frame Rate Mode ADVANCED VIDEO OPTIONS 97 Advanced Video Settings...97 Variable Bit Rate Video...98 VBR Compared to CBR...98 VBR Maximum Bit Rate...99 VBR Target Quality Maximum Video Buffering (Preroll) Maximum Key Frame Interval What is a Key Frame? Advantages of Lowering the Maximum Key Frame Interval Costs of Lowering the Maximum Key Frame Time Startup Latency Reduction During Broadcasts PART III: BROADCASTING 9 BROADCAST FEATURES 107 Live Broadcasting Broadcast Trial Runs Types of Broadcasts Helix Push Broadcast Helix Advanced Push Broadcast Helix Multicast Push Broadcast RTP Push Broadcast Helix Pull Broadcast Server Broadcast Mode Broadcast Transports Encoder Redundancy Forward Error Correction Error Correction Percentage Redundant Stream Protection FEC Rates and Receiver Buffering Archiving Helix Mobile Producer Archiving Helix Mobile Server Archiving...123

7 Contents Version 6 IP Addresses SERVER DESTINATIONS 125 Server Destinations Output Servers Buttons Server Destination Templates Helix Push Destination Helix Push Basic Settings Helix Push Advanced Settings Helix Advanced Push Destination Helix Advanced Push Basic Settings Helix Advanced Push Advanced Settings Helix Multicast Push Destination Helix Multicast Push Basic Settings Helix Multicast Push Advanced Settings RTP Push Destination RTP Push Settings Helix Pull Destination Helix Pull Basic Settings Helix Pull Advanced Settings PART IV: MONITORING 11 JOB MONITORING 151 Monitoring Tab Starting a Job Preview Section Multiple Output Display Audio Meters Clipped Audio Session Logging Session Log Viewer Logging Types Settings Advisor SNMP 157 SNMP Setup SNMP Protocols Authentication Protocols Security Levels Master Agent Configuration Master Agent Configuration File Master Agent Addresses and Ports vii

8 Helix Mobile Producer User s Guide SNMP Security Users Security Level and Permissions View Access Control Model Users Group Security Groups Views Master Agent Start-Up Master Agent on Windows Management System System Tree Job Tree Input Entry Tree Output Entry Tree Output Entry Stream Tree Output Destination Files Tree Output Destination Broadcast Servers Tree PART V: APPENDIXES A PREFERENCES 177 Preferences File File Location Preferences Template Directories Temporary Directory Log File Preferences Log File Location Logging Settings Log File Rolling Output Preferences Tabs for Output Types Encoding Defaults Output Directory and File Name Defaults Output Server Defaults Metadata Defaults Signal Detection Preferences Audio Watchdog Tests Video Watchdog Tests Message Suppression Frame Analysis Period SNMP Preferences viii

9 Contents Enable SNMP Address Port SNMP Traps B AUDIENCE TEMPLATES 193 Predefined Audience Templates Templates Included with Helix Mobile Producer Customized Templates k Voice k Video k Music k Video k Music k Video k Video k Music k Video k MP3 Music k Video k Video k Video M Video % VBR Quality Video C AUDIO AND VIDEO TIPS 205 Audio Capture Source Media Recording Equipment Shielded Cables Input Levels Volume Levels for Live Broadcasts Sampling Rates Audio Optimization DC Offset Normalization Dynamics Compression Equalization Video Recording Video Staging Scene Changes and Movement Colors and Lighting Video Output ix

10 Helix Mobile Producer User s Guide Color Depth Source Media Quality INDEX 211 x

11 INTRODUCTION This guide explains how to use the graphical application of Helix Mobile Producer 13.1 to encode on-demand clips and live broadcasts. It describes the file formats and codecs that Helix Mobile Producer can use to create output. It also explains how to customize audio and video output to meet your viewers needs. For More Information: An additional guide, Helix Mobile Producer Command Line and Job File Reference, explains how to run Helix Mobile Producer 13.1 from the command line. It also describes the syntax of the job, audience, and server files used by the graphical application. How This Guide Is Organized The guide contains the following chapters. Chapter 1: Installation This chapter covers Helix Mobile Producer requirements and installation. Chapter 2: Codecs and File Formats This chapter explains the output file formats and codecs that Helix Mobile Producer supports. Chapter 3: Inputs As explained in this chapter, you can encode audio and video from a file or live input. Chapter 4: Prefilters By applying prefilters to the input, you can improve the audio and video quality as well as crop and resize a video. 1

12 Helix Mobile Producer User s Guide Chapter 5: Outputs This chapter explains how to define outputs and select audiences to control how the output is encoded. Chapter 6: Audio Customization In many instances, you ll want to refine the audio settings by customizing an audience definition. Chapter 7: Video Customization You can also customize the video settings of an audience to change, for example, the video codec used to encode the output. Chapter 8: Advanced Video Options This chapter explains advanced video customizations, such as defining the video preroll and creating a variable bit rate clip. Chapter 9: Broadcast Features Refer to this chapter for basic information about broadcasting a live stream. Chapter 10: Server Destinations When you are ready to broadcast a live event, you set up a server destination using the instructions in this chapter. Chapter 11: Job Monitoring This chapter explains how to start, stop, and monitor an encoding job. Chapter 12: SNMP Information in this chapter allows you to monitor Helix Mobile Producer using Simple Network Monitoring Protocol. Appendix A: Preferences This appendix explains how to modify the Helix Mobile Producer preferences to set overall encoding preferences. Appendix B: Audience Templates Audience templates define encoding settings such as the streaming bit rate. This appendix describes the predefined templates included with Helix Mobile Producer. Appendix C: Audio and Video Tips Good quality starts at the source. This appendix provides tips for creating high-quality audio and video input. 2

13 Introduction Conventions Used in this Guide The following table explains the typographical conventions used in this guide. Convention emphasis Notational Conventions Meaning Bold text is used for in-line headings, user-interface elements, URLs, and addresses. terminology Italic text is used for technical terms being introduced, and to lend emphasis to generic English words or phrases. syntax This font is used for fragments or complete lines of programming syntax (markup). syntax emphasis Bold syntax character formatting is used for program names, and to emphasize specific syntax elements. variables Italic syntax character formatting denotes variables within fragments or complete lines of syntax. [options] Square brackets indicate values that you may or may not need to use. As a rule, when you use these optional values, you do not include the brackets themselves. choice 1 choice 2 Vertical lines, or pipes, separate values that you can choose between.... Ellipses indicate nonessential information omitted from examples. 3

14 4 Helix Mobile Producer User s Guide

15 Part I: GETTING STARTED PART I This section explains how to install Helix Mobile Producer It also covers the file formats and codecs that Helix Mobile Producer can use when encoding on-demand clips or live broadcasts.

16

17 Chapter 1: INSTALLATION CHAPTER 1 This chapter describes the hardware and software requirements for Helix Mobile Producer. It then explains how to install the product. System Requirements The following table lists the requirements for using Helix Mobile Producer Helix Mobile Producer 13.1 System Requirements Hardware or Software Requirement Windows Version Windows XP SP3 Windows Vista Windows 7 Windows Server 2003 Windows Server 2008 Windows.Net runtime.net 2.0 (automatically installed if not present) Windows Installer CPU (minimum) RAM (minimum) Display Resolution version 3.0 (included with Windows XP SP2 and later) Pentium 4 or Core2Duo (recommended) 512 MB 1024x768 pixels or greater Note: When encoding multiple outputs, Helix Mobile Producer uses each processor core to encode an output. A fourcore processor can encode four outputs at the same time, for example. Licensing Helix Mobile Producer requires a license file to operate. This license is valid only for the machine on which you install Helix Mobile Producer. You use the 7

18 Helix Mobile Producer User s Guide Helix Mobile Producer installation program to generate a machine ID. Using this ID information, you can receive a valid license file from RealNetworks. License File Location The installation process copies the license file to the licenses directory under the main Helix Mobile Producer directory. On startup, Helix Mobile Producer reads this local copy of the license. The original license file is no longer required, but should be stored securely in case re-installation is required. Evaluation Versions Warning! You can read the XML-based license file using any text editor. However, making any changes to a license file invalidates the license and prevents Helix Mobile Producer from starting. To resolve this problem, contact RealNetworks for a valid license file. Evaluation versions of Helix Mobile Producer add a digital watermark to encoded video output. After you purchase Helix Mobile Producer, you will receive a new license file that removes the watermark. Installing on Windows To install Helix Mobile Producer, you need a binary installation file and a license file that enables the Helix Mobile Producer features. License files are delivered by after you receive your Helix Mobile Producer installer and generate your machine ID. Note: Your account must have Administrator privileges to install Helix Mobile Producer. For More Information: See System Requirements on page 7 for computer hardware and software requirements. To install Helix Mobile Producer onto Windows: 1. Close all running applications. 2. Double-click on the installation program icon. The installer unpacks the required files and opens the installation dialog. 3. Choose the product to install. 8

19 CHAPTER 1: Installation 4. Click Browse to navigate to the license file you received from RealNetworks. Then click Next. Note: If you have not received your license file, copy the 32- character machine ID shown by the installer. Then follow the instructions in the sent to you when you downloaded the Helix Mobile Producer installer. This generates a license file valid for the machine on which the installer is running. For More Information: If you have problems generating the machine ID or receiving a license, contact RealNetworks at 5. Read the license and click Accept to agree to its terms. 6. The next page allows you to choose the installation location. The default directory is under C:\Program Files\. You can change this directory by clicking the Browse button and selecting the new path. Note: The installer adds the installation directory to your Windows PATH variable. This allows you to run the commandline application from any directory on your machine. If you do not want to update the PATH value, remove the checkmark from the option. Tip: You must log out of Windows and log back in before a Path variable update takes effect. 7. In the final confirmation screen, verify your choices and click Install. Windows.Net RunTime On Windows, Helix Mobile Producer installs Microsoft.Net 2.0 SP1 if it is not present already. This installation does not affect other versions of the.net runtime. For example, you can have.net 3.0 and 3.5 installed on the same machine without conflict. Note: If the installer included the.net runtime, you will need to reboot your machine after the installation completes. 9

20 Helix Mobile Producer User s Guide Uninstalling the Program To remove Helix Mobile Producer from your machine, use the Add or Remove Programs dialog of the Windows Control Panel. The removal process deletes all files that were created by the installer. However, it does not remove any encoded outputs or job files created by Helix Mobile Producer. Feature Availability The following table explains the feature availability across the various versions of Helix Mobile Producer. Features not listed in this table are available in all versions. Feature Availability for Helix Mobile Producer Versions Feature Pro On-Demand Standard command-line application yes yes no SNMP monitoring yes yes no instances per machine number of outputs for each encoding job number of live broadcast streams per job unlimited 0 unlimited 10

21 Chapter 2: CODECS AND FILE FORMATS CHAPTER 2 This chapter explains the input and output formats, audio codecs, and video codecs that you can use with Helix Mobile Producer. Input Formats When creating content to encode, use uncompressed formats whenever possible. Otherwise, you compress the source once when you digitize it and again when you encode it in a streaming format. This double compression can decrease the image quality. Use a compressed source format only if Helix Mobile Producer supports the file as input. Uncompressed Input Formats Tip: Always keep copies of the video source files. You cannot convert encoded clips back to their original source formats or transcode them to other streaming formats. You can use the following file formats as input sources on any operating system that runs Helix Mobile Producer. Using these formats does not require installing other audio and video software: Uncompressed QuickTime 3, 4, and 5 (.mov) WAV audio files (.wav) Uncompressed AVI (.avi) Formats Requiring DirectX You can use the following file formats as inputs on Windows if you have DirectX 9.1 or higher installed: Compressed AVI (.avi) AIFF (.aif,.aifc,.aiff) 11

22 Helix Mobile Producer User s Guide QuickTime 2 (.mov) MPEG Formats Requiring QuickTime Note: Using MPEG-2 requires the DirectShow MPEG-2 reader. Tip: If you experience problems using MPEG inputs under DirectX, install QuickTime. For More Information: For the latest version of DirectX, go to The following file formats can be used as sources on Windows if the latest version of QuickTime is installed: AU (.au,.snd,.ulw) Sound Designer II (.sd2) DV (.dif,.dv) QuickTime Flattened Movie (.mov,.qt) MPEG For More Information: For more about QuickTime, visit Output Choices When you set up an encoding output, you first choose one of the supported output types: 3GPP Release 5, 3GPP Release 6, MP3, or RealMedia. Helix Mobile Producer constrains the available audio and video encoding options to values appropriate for the output type. For More Information: See Outputs List on page 63 for information about how you choose the output type. 12

23 CHAPTER 2: Codecs and File Formats 3GPP Release 5 3GPP Release 5 output is designed for older mobile media players. The format supports fewer video and audio codec choices than 3GPP Release 6. players: Media players compliant with the 3GPP R5 standard and the chosen audio and video formats. file type: 3GPP Release 5 (.3gp) audio: AMR-NB, AAC-LC video: H.263, MPEG-4 SVP multi-rate: no 3GPP Release 6 3GPP Release 6 output is designed for newer mobile media players. It supports a larger number of video and audio choices than 3GPP Release 5. players: Media players compliant with the 3GPP R6 standard and the chosen audio and video formats. file type: 3GPP Release 6 (.3gp) audio: AMR-NB, AMR-WB, AAC-LC, AAC+ video: H.263, H.264, MPEG-4 SVP multi-rate: yes (see Multi-Rate Streams on page 28) MP3 MP3 is the audio layer of the MPEG-1 standard. players: Any MP3-enabled player. file type: MP3 (.mp3) audio: MP3 video: none multi-rate: no MPEG-4 MPEG-4 is a general-purpose output format. players: MPEG media players compatible with the chosen audio and video formats. file type: MPEG-4 (.mp4), MPEG-4 audio (.m4a) 13

24 Helix Mobile Producer User s Guide audio: AMR-NB, AMR-WB, AAC-LC, AAC+ video: H.263, H.264, MPEG-4 SVP multi-rate: yes (see Multi-Rate Streams on page 28) RealMedia The RealMedia output is a proprietary RealNetworks format. players: Desktop versions of RealPlayer. Mobile devices based on Helix technology. file type: RealMedia (.rm,.ra,.rv,.rmvb) audio: RealAudio video: RealVideo multi-rate: yes (see Multi-Rate Streams on page 28) Audio Codec Choices The following are the audio codecs that you can choose. Note that all audio codecs encode at discrete bandwidths only. For example, RealAudio stereo music codecs provide 44 Kbps and 64 Kbps choices, but no bandwidths inbetween. For More Information: See Audio Encoding Settings on page 79 for details about how you choose an audio codec and select the audio bit rate. AAC Advanced Audio Coding (AAC) codecs create audio content at bit rates starting at 8 Kbps. Compared to MP3 audio, AAC provides superior quality. Note: Helix Mobile Producer does not support AAC encoding using the raw AAC format (.aac). Tip: AAC codecs support multiple sampling rates. You can have Helix Mobile Producer set the sampling rate, or you can choose a rate manually as described in the section Sample Rate on page

25 CHAPTER 2: Codecs and File Formats AAC-LC Low-complexity AAC (AAC-LC) is the basic version of AAC compatible with any AAC-enabled media player. audio type: music channels: mono, stereo file types: 3GPP Release 5 and Release 6 (.3gp); MPEG-4 (.mp4,.m4a) video: Release 5: H.263, MPEG-4 SVP Release 6: H.263, H.264, MPEG-4 SVP MPEG-4: H.263, H.264, MPEG-4 SVP multi-rate: Release 5: no Release 6: yes MPEG-4: yes (see Multi-Rate Streams on page 28) AAC-LC Mono Codecs The following table lists the mono music codecs available with AAC-LC. AAC-LC Mono Music Codecs Bandwidth Codec Channels Sampling Rates 8 Kbps AAC , 11025, Kbps AAC , 11025, Kbps AAC , 11025, 12000, Kbps AAC , 11025, 12000, 16000, 22050, Kbps AAC , 12000, 16000, 22050, Kbps AAC , 12000, 16000, 22050, 24000, Kbps AAC , 12000, 16000, 22050, 24000, Kbps AAC , 12000, 16000, 22050, 24000, 32000, 44100, Kbps AAC , 22050, 24000, 32000, 44100, Kbps AAC , 24000, 32000, 44100, Kbps AAC , 24000, 32000, 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100,

26 Helix Mobile Producer User s Guide AAC-LC Mono Music Codecs (continued) Bandwidth Codec Channels Sampling Rates 128 Kbps AAC , 44100, Kbps AAC , 44100, AAC-LC Stereo Codecs With AAC-LC, you can encode stereo audio at the following bit rates. AAC-LC Stereo Music Codecs Bandwidth Codec Channels Sampling Rates 24 Kbps AAC , 12000, 16000, 22050, Kbps AAC , 12000, 16000, 22050, Kbps AAC , 12000, 16000, 22050, Kbps AAC , 22050, 24000, Kbps AAC , 24000, 32000, 44100, Kbps AAC , 24000, 32000, 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, AAC+ Also known as High Efficiency AAC (HE-AAC), AAC Plus includes the features of AAC-LC along with Spectral Band Replication (SBR). audio type: music channels: mono, stereo file types: 3GPP Release 6 (.3gp), MPEG-4 (.mp4,.m4a) 16

27 CHAPTER 2: Codecs and File Formats video: H.263, H.264, MPEG-4 SVP multi-rate: yes (see Multi-Rate Streams on page 28) AAC+ Mono Codecs For AAC Plus, you can encode single-channel (mono) audio at the following bit rates. AAC+ Mono Music Codecs Bandwidth Codec Channels Sampling Rates 8 Kbps AAC , 22050, 24000, Kbps AAC , 22050, 24000, Kbps AAC , 22050, 24000, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, 48000, Kbps AAC , 44100, 48000, Kbps AAC , 44100, 48000, Kbps AAC , 44100, 48000, Kbps AAC Kbps AAC Kbps AAC Kbps AAC AAC+ Stereo Codecs With AAC Plus, you can encode stereo audio at the following bit rates (Kbps). AAC+ Stereo Music Codecs Bandwidth Codec Channels Sampling Rates 24 Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100,

28 Helix Mobile Producer User s Guide AAC+ Stereo Music Codecs (continued) Bandwidth Codec Channels Sampling Rates 48 Kbps AAC , 44100, Kbps AAC , 44100, Kbps AAC , 44100, 48000, Kbps AAC , 44100, 48000, Kbps AAC , 44100, 48000, Kbps AAC , 44100, 48000, Kbps AAC Kbps AAC Kbps AAC Kbps AAC AMR The Adaptive Multi-Rate speech codec (AMR) encodes voice data at a variety of speeds. Note: Helix Mobile Producer does not support AMR encoding using the raw AMR format (.amr). AMR-NB AMR-NB is the narrowband implementation of AMR. audio type: voice channels: mono file types: 3GPP Release 5 and 6 (.3gp); MPEG-4 (.mp4,.m4a) video: Release 5: H.263, MPEG-4 SVP Release 6: H.263, H.264, MPEG-4 SVP MPEG-4: H.263, H.264, MPEG-4 SVP multi-rate: Release 5: no Release 6: yes MPEG-4: yes (see Multi-Rate Streams on page 28) 18

29 CHAPTER 2: Codecs and File Formats You can encode AMR-NB at the following bit rates. AMR-NB Voice Codecs Bandwidth Codec Channels Sampling Rate 4.75 Kbps AMR-NB Kbps AMR-NB Kbps AMR-NB Kbps AMR-NB Kbps AMR-NB Kbps AMR-NB Kbps AMR-NB Kbps AMR-NB AMR-WB AMR-WB is the wideband implementation of AMR. audio type: voice channels: mono file types: 3GPP Release 6 (.3gp); MPEG-4 (.mp4,.m4a) video: H.263, H.264, MPEG-4 SVP multi-rate: yes (see Multi-Rate Streams on page 28) You can encode AMR-WB at the following bit rates. AMR-WB Voice Codecs Bandwidth Codec Channels Sampling Rate 6.6 Kbps AMR-WB Kbps AMR-WB Kbps AMR-WB Kbps AMR-WB Kbps AMR-WB Kbps AMR-WB Kbps AMR-WB Kbps AMR-WB Kbps AMR-WB

30 Helix Mobile Producer User s Guide MP3 MP3 is a stand-alone audio format. Helix Mobile Producer encodes MP3 audio only as an MP3 file (.mp3). You cannot use MP3 audio as the soundtrack for a video stream. Use AAC instead. audio type: music channels: mono, stereo file types: MP3 (.mp3) video: none multi-rate: no MP3 Mono Codecs With MP3, you can encode single-channel (mono) audio at the following bit rates. MP3 Mono Music Codecs Bandwidth Codec Channels Sampling Rates 16 Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100,

31 CHAPTER 2: Codecs and File Formats MP3 Stereo Codecs With MP3, you can encode stereo audio at the following bit rates (Kbps). MP3 Stereo Music Codecs Bandwidth Codec Channels Sampling Rates 40 Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 22050, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, Kbps MP , 44100, RealAudio You can use RealAudio as a stand-alone audio format, or as the audio track of a RealVideo clip. audio type: voice, music channels: mono, stereo, stereo-surround, multichannel file types: RealMedia (.rm,.ra,.rmvb) video: RealVideo multi-rate: yes (see Multi-Rate Streams on page 28) The following sections describe the RealAudio codecs available through Helix Mobile Producer. The codecs are listed in separate tables for voice, mono music, stereo music, stereo surround, and multichannel audio. 21

REALPRODUCER USER S GUIDE

REALPRODUCER USER S GUIDE REALPRODUCER USER S GUIDE RealProducer 13.1 Revision Date: 21 January 2010 RealNetworks, Inc. P.O. Box 91123 Seattle, WA 98111-9223 U.S.A. http://www.real.com http://www.realnetworks.com Copyright 2004-2010

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