BUREAU 127 Henry Street New York NY bureau-inc.com TOM HOLMES. Gabrielle Giattino

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1 BUREAU 127 Henry Street New York NY bureau-inc.com TOM HOLMES Gabrielle Giattino

2 TOM HOLMES b. 1975, Ozona, Texas Lives and works in Brooklyn and Liberty TN EDUCATION 2002 MFA, Studio Art, University of California Los Angeles 1999 BFA, Studio Art, University of Texas at Austin. SOLO EXHIBITIONS 2010 Silly Rabbit: a gravestone and an urn, Dispatch, New York Noisy Bottom, Exile, Berlin Bamboo, GREIGE, Berlin. Glas ist eine zahfliessende Flussigkeit or That Joke Isn t Funny Anymore, Galerie fuer Gegenwartskunst Barbara Claasen-Schmal, Bremen, Germany. Singing the Smiths to Learn Spanish, La Panadería (artist-in-residence), Mexico City. Catalog. Kund: the new generation chooses freedom, curated by Per Hüttner, HOOD, Los Angeles. The Horrible True Story of How White Boys Got No Soul, Parkhaus, Düsseldorf, Germany. Catalog. SELECTED GROUP EXHIBITIONS 2009 I Know Nothing of the Weather, Pacific Northwest College of Art, Feldman Gallery, Portland, OR. Catalog Subject Index, curated by Gabrielle Giattino, Malmö Konstmuseum, Sweden. Catalog. Useful Gestures/Useless Gestures, Dispatch, NY Undone, curated by Howie Chen and Shamim Momin, Whitney Museum at Altria, NY 2005 Put it in Your Mouth / I ll see you on the dark side of the prune, curated by Darren Bader, Rivington Arms, NY. Maurizio Couldn t Be Here, with VOY, Apex Art, NY. Kicking Rocks, Champion Fine Art, Los Angeles. Cat Kerry, Sister Gallery, Los Angeles LA s Illest Artists, with VOY, Los Angeles. South Pasadena is 4 Lovers, Sone Studio, Los Angeles. Cat #1 Sabado de CHYG S, Chyg s, Mexico City. With Pleasure Wickedness and Finesse, The Basement, Los Angeles Sharing Sunsets, Museum of Contemporary Art, Tucson, AZ. The Evening School/Kvällskurserna/Aftenskolen, Signal, Malmö, Sweden. Cat. Ars Moralis-Timeo danaos et dona ferentes, Galerie fuer Gegenwartskunst Barbara Claasen-Schmal, Bremen, Germany. Battle for the Best Drawing in the Universe Title, Black Dragon, Los Angeles. SELECTED PRESS AND PUBLICATIONS 2010 Anne Doran, Tom Holmes, Time Out New York, Feb John Motley, I know nothing of the weather, Portland Mercury, Mar Gabrielle Giattino, Subject Index, Malmö Konstmuseum exh. cat. Internationalistiske Ideale, Copenhagen, DK Leah Modigliani, Undone at the Whitney at Altria, Artnet.com. Pipilotti Rist, Congradulations! VICE photo issue, July La Panadería , Per Hüttner, Reflection, Mare Articum, 2002, p82. Inken Steen, Sag einfach mal Sorry, Bremen, May 1, 2002.

3 Tom Holmes Silly Rabbit a gravestone and an urn 2010 The exhibition takes the form of a showroom for funeral monuments. Comprised of two floor models, the show features a gravestone of yellow cinder blocks and an inverted Trix cereal box urn filled with human remains. A selection of sketches and works on paper depicting other available models and possibilities for funereal monuments are available for review.

4 My Dearest Kings, This town sux and so doos u. This town sux and so do me. I barely remember watching the cartoons (The Bible in Pictures for Little Eyes) and taking the pills, pill, pills, one by one. Ug, the fucking embarrassing ug of the neighbor lady (she s a real cunt full) found finding me, couldn t wake me up - but I was just foolin. I ve been tryin to take more pleasure in my confusions but all signs and psychics point to getting out - until there is a final twist and it snaps and I spend the rest of my life in some state run snake pit. I couldn't open my eyes or move, but I heard everything. I remember the lady shake tickling me and saying, "Oh, my God. Oh, my fuckin G (but, God was a spotty giraffe, of sorts.) I remember a November ambulance, probably vitamin-piss yellow, and people taking off my clothes and puke - warm at first, acid hot, spilling across my chest and into my armpits. There were long long spokes extending from one side of me, a shoulder. They variegated from green to flashing yellow or maybe it was a yellow to scaly green green. A perpetual falling backwards in space, into a grand urgency - the modern kind. An urgency to get back to that cinder tile building that was for the mex kin kids - smelled. It had rained for five weeks str8 when a cloud glob split and spot lit that god-awful Architectonica building and I turned to Mr. T and I said, a fuckin billboard is just as abstract as a Frankenthaller (knowing that used to be an insult.) And, it wasn t even till the end of the block that I stepped in what I thought was cow shit but turned out to be an ol slave s cement pile grave. I tried to push a couple of seashells into it while it was still wet but, they didn t stick - cause of the rain, probably. And then, just then, the wa wa of the drugs in your head before your eyes go wood. Litho greeny screeny Frankenberry counterfeit lines as all 44 baby tooths snap and chip on the gravel gravel puffs. Silly Faggot, Dicks are for Chicks. (Then cut to me. Shot in a hospital room.) Walkin around in a hospital gown lots of places won t hire you. Knock knock. Whose there? Full-blown AIDS! (heard through curtains) I need a job just to breathe in my breathey parts. Meeting w the bankruptcy lawyer on Mon. I m getting out of this shitty game, scrapin for chump change. Y all have at it for me - up up w confetti confetti, the rich kids are eatin everything in the fridge. They get all the daylight. The rich kid babies were stealin all my glamour and that s why I got arrested. Arrested for punchin those babies in their lil baby skulls. You know the difference btw a baby and a table, right? They ll elbow you, tack up wood over your windows, tell you its the rules, if you try to even get on, just gettin by, cryin for a living. Listen, I tell u that Rock Paper Scissors used to be called Concrete Paper & Steel. Sterling, BTW, Mojo - douches all, pieholes sick to death of impotence. - can t skull-fuck a table. My mind is on the Mount. Literally, I z walkin out of this shitty, cross Jersey, south bound and down. I use to hear my daddy mumble Live and learn, die and forget it all. You go on for me you count all those black spots on the sidewalk, every Bubbliciouslly tarry one. Fuck You, New York fufufuck to pieces. You re gonna atomize. You re gonna atomize just like those ugly new buildings comin down in a forest fire. Punch fuck, dead broke. If I knew more of the death drive I d go on and on and on about those fruity flavors - raspberry red, lemony lemon, orangey orange, wildberry blue, grapity purple and [niggery] watermelon. I only tell my lovers I can t read - what do they care. Yours in Christ, (the very last of his molecules) Bobby Wilson

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13 Tom Holmes Text works Ikebana TexTiles: SkillSet, digital sketch for textile SkillSet, 2008, inkjet print textile proposal, 12 x 15.5 in. SkillSet, 2008, woven textile, 6 x 6 ft. JesusPieces, 2008, inkjet print textile proposal, 12 x 16.5 in. ICanCallMyMotherThatButYouCan tcallmymotherthat, 2008, inkjet print textile proposal, 12 x 16.5 in. Deaf Dog: Too Old To Live, 2007, inkjet print, 11 x 17 in. Make Stuff Up, 2007, inkjet print, 11 x 17 in. Stage Mom, 2007, inkjet print, 11 x 17 in.

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22 Tom Holmes Landscape and Portrait Photographs Untitled (bow green) c-print 16x9in Untitled (bows yellow and blk), c-print, 16x9in untitled (from Faggots and Their Friends Btw Revolutions) c-print, 16x16 in., untitled (from Faggots and Their Friends Btw Revolutions) c-print, 16x16 in., untitled (from Faggots and Their Friends Btw Revolutions) c-print, 16x16 in., untitled (from Faggots and Their Friends Btw Revolutions) c-print, 16x16 in.,

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