Arturo Tamayo Certificate of Advanced Studies (CAS) in Ensemble conducting (contemporary repertoire)

Transcription

1 Le offerte della Post-formazione 10/ 11 Arturo Tamayo Certificate of Advanced Studies (CAS) in Ensemble conducting (contemporary repertoire)

2 Candidates The CAS in conducting is designed for musicians who wish to study theoretical, technical and practical points typical of conducting contemporary repertoire. Admission prerequisites - The candidate must have already a degree in music (Bachelor, Master or an equivalent). - Successful completion of an aptitude test and a brief conducting test. Principal Professor Arturo Tamayo Arturo Tamayo studied music at the Conservatoire of Madrid, his home town. During the same time he studied law at Universidad Complutense, although he ultimately left his law studies to devote himself completely to music. He graduated in composition with honours and studied conducting with Pierre Boulez in Basel, Francis Travis in Freiburg and Witold Rowicki in Vienna. He pursued postgraduate studies in composition with Wolfgang Fortner and Klaus Huber at the Musikhochschule in Freiburg, and at the same school he also obtained his Diploma in Orchestral Conducting with the highest grades. Since he was Professor of XXth Century Music Interpretation at the Musikhoschule in Freiburg. As a guest conductor, he has performed at the most prestigious Music Festivals in Europe, including the Salzburg Festival, the Luzern Festival, the Wien Modern Festival, the London Proms, the Venice Biennale, the Maggio Musicale Fiorentino, the Holland Festival, the Autumn Festival in Paris, the Berliner Musikbiennale, the Kölner Musik Triennale, the Steyrischer Herbst, the Autumn Festival in Warsaw, the Wiener Festwochen, or the Donaueschingen Festival. Throughout his career he has premiered numerous works of major composers, such as John Cage, Iannis Xenakis, Giacinto Scelsi, Klaus Huber, José Luis de Delás, Brian Ferneyhough, Wolfgang Rihm, Maurice Ohana, Sylvano Bussotti, Franco Donatoni, Giacomo Manzoni, Niccolò Castiglioni, and he has often collaborated with the leading composers of our time, such as Pierre Boulez, Luciano Berio, Karlheinz Stockhausen, Olivier Messiaen, Goffredo Petrassi, Luigi Nono, Witold Lutoslawski, Morton Feldmann, Helmut Lachenmann, Salvatore Sciarrino, etc.. As an opera conductor, Arturo Tamayo has also appeared in numerous opera houses, such as the Deutsche Oper in Berlin, the Wiener Staatsoper, Covent Garden London, the Paris Opera, the Champs Elysées Hall in Paris, the Opera Comique in Paris, Teatro La Fenice in Venice, the Rome Opera,Teatro Real di Madrid, Graz Opera House, the Basel Opera House and the Tokyo Opera House. Among the orchestras he regularly works with, we could mention Bavarian Radio Symphony Orchestra, Radio Symphonie Orchester Berlin, Radio Symphonie Orchester Frankfurt, Deutsches Symphonie Orchester Berlin, Rundfunk-Symphonie-Orchester Berlin WDR Orchester Köln, Rundfunk Symphonieorchester Stuttgart, Radio- Symphonie-Orchester Wien, BBC Symphony Orchestra, London Sinfonietta, Philharmonia Orchestra London, Orchestre Nationale de France, Orchestre de l Opera de Paris, Orchestre Philharmonique de Radio France, Ensemble Intercontemporain, Orchestre de l Opera de Lyon, The Hague Residence Orchestra, Hilversum Radio Symphony Orchestra, Orchestre Nationale de Belgique, Orchestre Philharmonique de Anvers, Prager Symphonieorchester Luxembourg Philharmonic Orchestra, Orchestre de la Suisse Romande, Orchestre de Chambre de Lausanne, Basler Symphonie Orchester, the most importants Italian orchestras such as the Orchestra Nazionale della RAI di Torino, Orchestra della Accademia Santa Cecilia di Roma, Orchestra del Maggio Musicale Fiorentino, Orchestra dell Opera di Roma, Orchestra del Teatro La Fenice, Foundation Symphony Orchestra in Lisbon, Portuguese National Orchestra and the vast majority of Spanish orchestral ensembles. His work in the field of recording is also plentiful and varied. We could mention, among his latest CDs, the three volume set with Maurice Ohana s works for orchestra, which has deserved 16 international awards, the monograph recordings of the orchestral works of Goffredo Petrassi and Franco Donatoni, Iannis Xenakis, Klaus Huber, Sylvano Busotti and, most recently, the complete orchestral works by Bruno Maderna with the RSO Franfurt.

3 Duration This CAS is set up to facilitate attendance for students who, for professional or personal reasons, cannot attend regular weekly sessions. The program runs for two semesters, with 7 sessions of 3 days each, mainly on weekends. Total of credits: 10 ECTS points. Subject Class hours Total hours (including personal study) ECTS Credits Conducting theory Practice with instrumental ensemble Analysis TOTAL 10 The student can also take part in other classes offered by the Scuola Universitaria free of charge. Content (this calendar may be modified) Session 1: 5-7 November 2010 Preliminary theoretical introduction by Arturo Tamayo, score preparation for the following sessions. (12 hours) Session 2: December 2010 Rehearsal: Bela Bartok, Il Mandarino meraviglioso, practice session with 2 pianos (9 hours) Session 3: January 2011 Rehearsal: Igor Stravinski, L histoire du soldat, practice session with ensemble (9 hours) Session 4: February 2011 Rehearsal: Karlheinz Stockhausen, Kreuzspiel, practice session with ensemble (9 hours) Session 5: March 2011 Rehearsal: Pierre Boulez, Eclat, session with ensemble (9 hours) Session 6: 7-9 April 2011 Rehearsal: Arnold Schönberg, Variationen für Orchester Op. 31, practice session with 2 pianos (9 hours)

4 Session 7: 5-7 May 2011 Rehearsal: Niccolò Castiglioni, Tropi, and Franco Donatoni, For Grilly, session with ensemble (9 hours) Further activities Selected students will have the opportunity to participate in the Novecento e Presente concert season. At the end of the course, chosen students will perform a concert with the following program: I.Stravinsky Concertino per 10 strumenti F.Donatoni: For Grilly N. Castiglioni: Tropi P. Boulez: Éclat K. Stockhausen: Kreuzspiel L.Berio: Tempi concertati Certificate requirements The following conditions must be filled in order to obtain the CAS: The student must have taken part in the entire course and have obtained a minimum of 10 ECTS credits. The student must have the course with a final project, agreed upon with the principal professor. Degree obtained Certificate of Advanced Studies SUPSI in contemporary repertory conducting Student book The student receives the Libretto Universitario : a document in which s/he writes down all of the seminars attended (with the number of ECTS credits given). It is the responsibility of the student, at the conclusion of each seminar, to ask for the signature of the professor. Registration The deadline for admission requests is August 31 st. The CSI may cancel the course if the number of participants is insufficient. The maximum number of students is 8. Fees Administrative tax per semester Fr 250 Tuition per semester Fr Registration (one-time fee: beginning of the course) Fr 250 Total costs Fr Rules/guidelines The CAS program defers to the current Regolamento degli studi of the CSI.

5 Head of the CAS program Nadir Vassena, (2 nd floor, office 411) Direct telephone Head of Post Diploma studies Roberto Valtancoli (2 nd floor, office 410) Direct telephone

6 Domanda d iscrizione Post-formazione Continuous Education Application Form Dati anagrafici / personal data Certificate of Advanced Studies (CAS) in Ensemble conducting (contemporary repertoire) Cognome Nome Last name First name Data di nascita Sesso: M F Date of birth Gender Luogo di Nascita Stato civile Place of birth Marital status Nazionalità Nationality Residenza / Residence Via/Piazza Street NAP Postal code Località Nazione Town Country Tel. Fax E mail Handy Attinenza (solo svizzeri) Num. AVS (se noto) Place of origin (Swiss citizens only) Questo è anche il mio domicilio fiscale This is also my fiscal domicile Ivi residente dal / / Since (dd/mm/yyyy) SI/YES NO Recapiti e domicilio in Svizzera/Ticino, solo se diversi dal luogo di residenza My address in Switzerland/Ticino (If other than residence address) Via/Piazza Address NAP Località Postal code, Town Cantone Canton Ivi residente dal / / Since Tel. Fax

7 Formazione scolastica (secondaria di I e/o di II grado) Previous studies (College and undergraduate programme) Scuole frequentate (o apprendistati) e relativi titoli di studio: Please indicate school/institution and kind of qualification achieved 1 - Scuola/istituto - School Luogo Town 2 - Scuola/istituto - School Luogo Town 3 - Scuola/istituto - School Luogo Town Anno del conseguimento Year Anno del conseguimento year Anno del conseguimento- year Formazione musicale Previous Music Education Conservatorio/accademie frequentate e relativi titoli di studio Please indicate School/Institution and qualification achieved: 1 - Scuola/istituto - School Luogo - Town Anno del conseguimento year 2 - Scuola/istituto - School Luogo - Town from Titolo conseguito -.qualification received Anno del conseguimento - year 3 - Scuola/istituto - School Luogo - Town Anno del conseguimento year Le sezioni seguenti sono da compilarsi a cura di coloro che hanno svolto una formazione presso il CSI (to be filled in by former student of the Conservatorio della Svizzera italiana only). Ho frequentato la sezione pre-professionale presso il CSI SI No Ho frequentato la sezione professionale presso il CSI SI No Ed ho conseguito il seguente diploma:.. Numero di Matricola (se già noto).

8 Il firmatario riconosce le condizioni d ammissione ed idoneità, così come i Regolamenti di studio della Scuola Universitaria di Musica, si impegna al pagamento regolare delle tasse scolastiche. Una volta ammesso lo studente è tenuto a pagare quanto dovuto per l intero CAS. By signing the present form, I acknowledge the admission and qualification conditions of the CSI as well as the school regulations. The student will be subject to payment of the full course fee. Attached: original degree 4 passport photos cover letter/ curriculum vitae Da allegare: originale del/dei titolo di studio 4 foto formato passaporto lettera presentazione / curriculum vitae Luogo data, e firma: Place, Date, and Signature