DEWAR & GICQUEL GALERIE LOEVENBRUCK

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1 DEWAR & GICQUEL

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3 DEWAR & GICQUEL Dewar & Gicquel La couleur vert détachée de la montagne suit le mouvement de la truite prise (sekite hara), Wood & wool; 130 x 140 x 70 cms. Public collection, FNAC, Puteaux, France 2 - Dewar & Gicquel Dry Fly, Steel, wool and pluck. Private Collection, Lille. Photo: Fabrice Gousset 3 - Dewar & Gicquel Strike apose, Stoneware, wool, bamboo, concrete, inner tubes ; 186 x 130 x 115 cms. View of the exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, Private Collection, Paris 4 - Dewar & Gicquel Black Spinner and Rapala, Glazed earthenware, aluminium, stainless steel, wool; L 400 cms. Glazed earthenware, steel; 68 x 20 x 23 cms (Unit of 24 unique works). Private collections, Paris 5 - Dewar & Gicquel Guinea pig, Badi wood; 200 x 200 x 430 cms. Vranken Pommery collection, Reims, France 6 - Dewar & Gicquel Grit, Granite, stainless, Austin mini, steel, nylon, acrylic painting ; 160 x 350 x 600 cms. Collection FRAC Ile-de-France, Paris. Photo: Marc Domage 7 - Dewar & Gicquel Kentucky Chesnut Breakdown, Wood ; 210 x 90 x 140 cms. Private collection, Lille 8 - Dewar & Gicquel Aruba 49CC, Chesnut, ceramic, volcanic rocks, iron, aluminium, fiberglass, blackson paint, engine; 110 x 160 x 50 cms. Collection FNAC, Puteaux, France 9 - Dewar & Gicquel Driving in the abyss behind a 2 big tits lorry truck truck mental ray, Rubber, steel, stainless, silicone, wood; 400 x 160 x 420 cms. Private collection, Paris 10 - Dewar & Gicquel The great extasy of the woodpecker, Teel, ceramic, wood, wool ; L 450 cms. Private collection, Paris 11 - Dewar & Gicquel Ukiyo-E, Leather, wood, metal, fabric, wool; 139 X 302 X 354 cms Public collection, FRAC des Pays de Loire, Carquefou, France 12 - Dewar & Gicquel Original Peruvian Carpet and Digital Project for Musicians, Pine wood, oak wood, wool, tools. Photo: Marc Domage

4 DEWAR & GICQUEL Daniel Dewar : Né en /Born in 1976 à /in Forest of Dean, GB Vit et travaille à /Lives and works in Bordeaux, France. Nationalité britannique /British nationality Grégory Gicquel : Né en /Born in 1975 à /in St Brieuc, France Vit et travaille à /Lives and works in Paris, France. Nationalité française /French nationality Artistes representés par la galerie /Artists represented by the gallery Loevenbruck, Paris Maître d œuvres d un univers plastique qui va de la quincaillerie à la scierie ou ils découpent à même le bois la forme d un quad, ce duo basé entre Nantes et Paris est passé en peu de temps des ready-mades artisanaux de baskets, de truelles, de cadres de vélo de BMX à des sculptures improbables, à la fois exotiques et high-tech ou coquillages et crustacés côtoient les formes cylindrées de pocketmotos. Un hyperréalisme brut. Jean-Max Collard EXPOSITIONS PERSONNELLES /SOLO EXHIBITIONS (selection) 2008 Mason Massacre, Les Collections de st Cyprien, St Cyprien Village, France 2007 FRAC Basse-Normandie, Caen, France Chapelle du Genêteil, Centre d Art Contemporain, Chateau-Gontier, France Daniel Dewar & Grégory Gicquel, Nouvelles du monde renversé, Palais de Tokyo, Paris 2006 Hazelnut Cottage, Galerie Loevenbruck, Paris Strike a Pose, Victorian College of Arts/Margaret Lawrence Gallery, Melbourne, Australia Ukiyo-E, FRAC Pays de la Loire, Carquefou, France Driving in the abyss behind a 2 big tits lorry truck truck mental ray, Ecole municipale des Beaux-Arts, Galerie Edouard Manet, Gennevilliers, France 2004 (DA)HEAVYDUTYSELFMADEMATERIALBOYHARDWARESTORE, Galerie Loevenbruck, Paris 1999 The Flat Program, Glasgow, UK EXPOSITIONS DE GROUPE /GROUP SHOWS (selection) 2010 Temps retrouvé, œuvres de la collection du Frac de Pays de la Loire, Musée des beaux arts d Angers, France 2009 Sculptures, Delaury & Aboulker, Paris Exposition, Galerie Loevenbruck, Paris La Force de l Art 02, Grand Palais, Paris La travail de la rivière, Crédac, Ivry-sur-Seine, France 2009 La Force de l Art 2, Grand Palais, Paris Pragmatismus & Romantismus, Fondation d Entreprise Ricard, Paris 2008 Château de Tokyo / Palais de Fontainebleau, Château de Fontainebleau, France La Chute d Eau, Le Circuit, Lausanne, Suisse 2007 Hamsterwheel, Printemps de septembre, Toulouse Ultramoderne, Nausbaum & Reding Art Contemporain, Luxembourg Château de Tokyo / Tokyo Redux, Centre international d art et de paysage, île de Vassivière New Economy, Artists Space, New York City, NY, USA 2006 Cosa Nostra, Glassbox, Paris Offshore, Musée d Art Contemporain, Marseille, France 2005 Offshore, curator Jean Max Colard, Espace Paul Ricard, Paris 2004 Prix altadis- Arts plastiques, Palais de Tokyo, Paris Hyperstyle, Loop, Berlin, Germany Grand Decolette, Mary Mary, Glasgow, UK

5 COLLECTIONS PUBLIQUES /PUBLIC COLLECTIONS FRAC des Pays de la Loire, Carquefou, France FNAC La Défense, Puteaux, France FRAC Île-de-France/Le Plateau, Paris, France FRAC Basse Normandie, Caen, France FRAC Aquitaine, Bordeaux, France

6 DEWAR & GICQUEL ŒUVRES /WORKS (selection)

7 Palme, 2009 Sculpture en grès ; 35 x 88 x 37 cm Collection privée, France Sandstone sculpture ; 13.8 x 34.6 x 14.6 inches Private collection France Photo : J.P. Humbert

8 Sans titre, 2009 Technique mixte, dimensions variables Exposition «La Force de l Art 02», Grand Palais, Paris, 2009 Mixed media, variable dimensions Exhibition «La Force de l Art 02», Grand Palais, Paris, 2009 Photos : Marc Domage

9 Oyster, 2009 Verre sculpté ; 55 x 30 x 22 cm Glass sculpted ; 21,7 x 11,8 x 8,7 inches

10 Mason Massacre, 2008 Sculpture en marbre de Castelnou ; 400 x 190 x 200 cm Vue du parc des Collections de St Cyprien, France Collection privée, Monaco Castelnou marble sculpture ; x 74.8 x 78.7 inches View of the Collections de St Cyprien park, St Cyprien Village, France Private collection, Monaco Photo: Noël Hautemanière

11 Vue du parc des Collections de St Cyprien, France View of the Collections de St Cyprien park, St Cyprien Village, France Photo: Noël Hautemanière

12 James Hetfield, Lars Ulrich, Kirk Hammet and Cliff Burton, 2008 Sculpture en marbre de Castelnou ; 500 x 350 x 300 cm Vue du parc des Collections de St Cyprien, France Castelnou marble sculpture ; x x inches View of the Collections de St Cyprien park, St Cyprien Village, France Photo: Noël Hautemanière

13 Sans titre, 2008 Sculpture en marbre de Castelnou ; 150 x 150 x 100 cm Vue du parc des Collections de St Cyprien, France Castelnou marble sculpture ; 59.1 x 59.1 x 39.4 inches View of the Collections de St Cyprien park, St Cyprien Village, France Photo: Noël Hautemanière

14 Granitoïd Trans Goa Rascal Koï Koï, 2007 Granit, bois et peinture acrylique ; 175 x 350 x 160 cm Vue du parc des Collections de St Cyprien, France Granite, wood & acrylic painting ; 69.9 x x 63 inches View of the Collections de St Cyprien park, St Cyprien Village, France Photo: Marc Domage

15 Original Peruvian Carpet, 2007 Laine, bambou ; 210 x 140 cm Wool, bamboo ; 81.9 x 54.6 inches Photo : Fabrice Gousset

16 Original Peruvian Carpet and Digital Project for Musicians, 2007 Pin, chêne, laine, midi tools ; 200 x 660 x 660 cm Pine wood, oak wood, wool, tools ; 78.7 x x inches Photo : Fabrice Gousset

17 Shimenawa Mamba, 2007 Techniques mixtes ; 150 x 1150 x 920 cm Exposition Daniel Dewar & Gregory Gicquel, Palais de Tokyo, Paris, France, 2007 Mixed medias ; 59.1 x x inches Exhibition Daniel Dewar & Gregory Gicquel, Palais de Tokyo, Paris, France, 2007 Photo: Marc Domage

18 Sans titre, 2007 Kaolin (argile) ; 180 x 800 x 1000 cm Vue de l exposition Dewar & Gicquel, Les Abattoirs, Printemps de Septembre, Toulouse, 2007 Production Printemps de Septembre Kaolin (clay); 70.8 x x inches View of the exhibition Dewar & Gicquel, Les Abattoirs, Printemps de Septembre, Toulouse, 2007 Production Printemps de Septembre Photo: Philippe Migeat

19 Otter and Trout, 2007 Techniques mixtes ; 90 x 130 x 100 cm Exposition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, 2007 Collection privée, Paris, France Mixed medias ; 35,4 x 51,2 x 39,4 inches Exhibition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, France, 2007 Private collection, Paris, France Photo: Marc Domage

20 Greyhound, 2007 Chêne, chaussettes, laine ; 120 x 140 x 96 cm Oak, socksand, wool ; 47,2 x 55,1 x 37,8 inches Photos : Bruno Scotti

21 Vue de l exposition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, France, 2007 View of the exhibition «Dewar & Gicquel» FRAC Basse-Normandie, Caen, France, 2007 Photos : Marc Domage

22 Macraming is not Dead, 2006 Aluminium, corde, fer forgé ; dimensions variables / L: 270 cm Exposition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, France, 2007 Collection privée, Paris, France Aluminium, rope, wrought iron ; L: 106,3 inches View of the exhibition «Dewar & Gicquel» FRAC Basse-Normandie, Caen, France, 2007 Private collection, Paris, France Photos : Marc Domage

23 Drum Kit, Pied de biche, 2007 Peau de poney, fer forgé, inox forgé ; 130 x 150 x 140 cm Inox forgé ; 65 x 4 x 14 cm Exposition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, France, 2007 Collections privées, Paris, France Pony skin, wrought iron, wrought inox ; 51,2 X 59,1 X 55,1 inches Wrought inox ; 25,6 X 1,6 X 5,5 inches Exhibition «Dewar & Gicquel» FRAC Basse-Normandie, Caen, France, 2007 Private collections, Paris, France Photos : Marc Domage

24 Polar Bear, 2007 Chêne, silicone, combinaison néoprène, Exposition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, France, 2007 Oak, silicone, neoprene Exhibition «Dewar & Gicquel» FRAC Basse-Normandie, Caen, France, 2007 Photos : Marc Domage

25 Vue de l exposition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, France, 2007 View of the exhibition «Dewar & Gicquel» FRAC Basse-Normandie, Caen, France, 2007 Photo : Marc Domage

26 Dortmund, 2007 Polystyrène, acier, plume Exposition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, France, 2007 Collection privée, Paris, France Polystyrene, steel, pluck View of the exhibition «Dewar & Gicquel» FRAC Basse-Normandie, Caen, France, 2007 Private collection, Paris, France Photo : Marc Domage

27 Leipzig, 2007 Polystyrène, acier, plume ; 40 x 25 x 15 cm Exposition «Dewar & Gicquel», FRAC Basse-Normandie, Caen, France, 2007 Collection privée, France Polystyrene, steel, pluck ; 15.7 x 9.8 x 5.9 inches View of the exhibition «Dewar & Gicquel» FRAC Basse-Normandie, Caen, France, 2007 Private collection, France Photos : Marc Domage

28 Grit, 2006 Granit, inox, Austin Mini, acier, nylon, peinture acrylique ; 160 x 350 x 600 cm Exposition «Suites Baroques», Les Instants Chavirés, Montreuil, France, 2006 Collection FRAC Ile-de-France, Paris Granite, stainless, Austin Mini, steel, nylon, acrylic painting ; 62.4 x x 234 inches Exhibition «Suites Baroques», Les Instants Chavirés, Montreuil, France, 2006 Public collection, FRAC Ile-de-France, Paris Photo: Marc Domage

29 Guinea Pig, 2006 Badi ; 200 x 200 x 430 cm Exposition «Supernova, Expérience Pommery 3», Domaine Pommery, Reims, France, 2006 Collection Vranken Pommery, Reims, France Badi wood ; 78 x 78 x inches Exposition «Supernova, Expérience Pommery 3», Domaine Pommery, Reims, France, 2006 Vranken Pommery collection, Reims, France

30 Vue de l exposition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 View of the exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Photo: Fabrice Gousset

31 Browning Fishing Reel, 2006 Bois (Tilleul) ; 73 x 70 x 68 cm Exposition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Collection privée Wood ; 28,7 x 27,6 x 26,8 inches Exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Private collection Photos : Bruno Scotti

32 Daïwa Fishing Reel, 2006 Bois (Tilleul) ; 115 x 110 x 96 cm Exposition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Wood ; 45,3 x 43,3 x 37,8 inches Exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Photos : Bruno Scotti

33 Shimano Fishing Reel, 2006 Bois (Tilleul) ; 90 x 125 x 85 cm Exposition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Wood ; 35,4 x 49,2 x 33,5 inches Exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Photos : Bruno Scotti

34 Strike A Pose, 2006 Céramique, bambou, laine ; 230 x 160 x 120 cm Collection privée, Paris, France Exposition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Collection privée, Levallois-Perret, France Stoenware, bamboo, wool ; 89.7 x 62.4 x 46.8 inches Private collection, Paris, France Exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Private collection, Levallois-Perret, France Production Victoria College of Arts, Melbourne, Australia Photo: Fabrice Gousset

35 Crow bar and dead badger, 2006 Inox, badi, peau de poney et peau d agneau ; 139 x 89 x 66 cm Exposition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Stainless, badi wood, pony skin and lam skin ; 54,2 x 34,7 x 25,7 inches Exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Photos : Bruno Scotti

36 Vue de l exposition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 View of the exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Photo: Fabrice Gousset

37 Rapala, 2006 Faïence émaillée, acier ; 68 x 20 x 23 cm chaque Série de 24 pièces uniques Exposition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Enameled earthenware ; 26,8 x 7,9 x 9,1 inches each Exhibition «Hazelnut Cottage», galerie Loevenbruck, Paris, France, 2006 Photos : Bruno Scotti

38 Driving in the abyss behind a 2 big tits lorry truck truck mental ray, 2006 Caoutchouc, acier, inox, silicone, bois ; 400 x 160 x 420 cm Exposition «Driving in the abyss behind a 2 big tits lorry truck truck mental ray», Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, 2006 Collection privée, Paris, France Rubber, steel, stainless, silicone, wood ; 156 x 62.4 x inches Exhibition «Driving in the abyss behind a 2 big tits lorry truck truck mental ray», Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, 2006 Private collection, Paris, France Production Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, France Photo: Laurent Lecat

39 Ukiyo-E, 2006 Cuir, bois, métal, tissu, laine ; 139 x 302 x 354 cm Exposition «Ukiyo-E», FRAC des Pays de Loire, Carquefou, France, 2006 Collection FRAC des Pays de Loire, Carquefou, France Leather, wood, metal, fabric, wool ; 54.2 x x 18.2 inches Exhibition «Ukiyo-E», FRAC des Pays de Loire, Carquefou, France, 2006 Public collection, FRAC des Pays de Loire, Carquefou, France

40 The Hairdresser s Birthday Treat & Cocoa Tourismo, 2006 Céramique, laine, bois ; 500 x 30 x 30 et 470 x 87 x 26 cm Exposition «Driving in the abyss behind a 2 big tits lorry truck truck mental ray», Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, France, 2006 Collection privée, Paris, France Céramics, wool, wood ; 196,9 x 11,8 x 11,8 and 185 x 34,3 x 10,2 inches Exhibition «Driving in the abyss behind a 2 big tits lorry truck truck truck mental ray», Ecole municipale des Beaux- Arts / Galerie Edouard Manet, Gennevilliers, France 2006 Private collection, Paris, France Photos : Laurent Lecat

41 Big Bertha, 2006 Fer forgé ; 115 x 14 x 11 cm Exposition «Driving in the abyss behind a 2 big tits lorry truck truck mental ray», Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, 2006 Collection privée, Paris, France Wrought iron ; 45.3 x 5.5 x 4.3 inches Exhibition «Driving in the abyss behind a 2 big tits lorry truck truck mental ray», Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, 2006 Private collection, Paris, France Photo: Laurent Lecat

42 Sans titre, 2006 Bois et acier ; 100 x 35 x 6 cm Exposition «Driving in the abyss behind a 2 big tits lorry truck truck mental ray», Ecole municipale des Beaux-Arts / Galerie Edouard Manet, Gennevilliers, France, 2006 Collection privée, Paris, France Wood and steel ; 39,4 x 13,8 x 2,4 inches Exhibition «Driving in the abyss behind a 2 big tits lorry truck truck truck mental ray», Ecole municipale des Beaux- Arts / Galerie Edouard Manet, Gennevilliers, France 2006 Private collection, Paris, France Photos : Laurent Lecat

43 Boxing Gloves, 2006 Peau de kangourou, bambou ; 60 x 80 x 40 cm Exposition «Strike a pose», Victorian College of Arts / Margaret Lawrence Gallery, Melbourne, Australie Collection privée, Paris, France Kangaroo skin, bamboo ; 23,6 x 31,5 x 15,7 inches Exhibition «Strike a pose», Victorian College of Arts / Margaret Lawrence Gallery, Melbourne, Australie Private collection, Paris, France Photos : Bruno Scotti

44 La couleur vert détachée de la montagne suit le mouvement de la truite prise (sekite hara), 2005 Bois et laine ; 130 x 140 x 70 cm Exposition «Offshore», Espace Paul Ricard, Paris, France, 2005 Collection du FNAC, Puteaux, France Wood and wool ; 50.7 x 54.6 x 27.3 inches Exhibition «Offshore», Espace Paul Ricard, Paris, France, 2005 Public collection, FNAC, Puteaux, France

45 Plectrums, 2005 Chataîgner, plumes ; 1000 x 55 x 10 cm Photo : Bruno Scotti Glass sculpted ; 39,4 x 21,7 x 3,9 inches Photo : Bruno Scotti

46 Aruba 49 CC, 2005 Châtaignier, céramique, roches volcaniques, fer, aluminium, fibre de verre, peinture de carosserie, moteur ; 110 x 160 x 50 cm Exposition «Déjà 5 ans seulement!», galerie Loevenbruck, Paris, France, 2006 Collection FNAC, Puteaux, France Chesnut, earthenware, volcanic rocks, iron, aluminium, fiberglass, blackson paint, engine ; 42.9 x 62.4 x 19.5 inches Exhibition «Déjà 5 ans seulement!», galerie Loevenbruck, Paris, France, 2006 Public collection, FNAC, Puteaux, France Coproduction 40mcube, Rennes, France Photo: Fabrice Gousset

47 Kentucky Chestnut Breakdown, 2004 Châtaignier ; 210 x 90 x 140 cm Exposition «Art Dealers 2005», Marseille, France Collection privée Lille, France Chestnut ; 81.9 x 35.1 x 54.6 inches Exhibition «Art Dealers 2005», Marseille, France Private collection Lille, France

48 Pocketmoto Granitoïd Kaïkaï, 2004 Béton, granite ; 120 x 100 x 100 cm Concrete, granite ; 47,2 x 39,4 x 39,4 inches Photos : Blaise Adilon

49 Handmade Guitar Bodies, 2004 Bois peint ; dimensions réelles Ensemble de 8 guitares réalisées en collaboration avec Wilfried Almendra Exposition «It s Hip to be Square», Zoo galerie, Nantes, France, 2004 Collections privées, France Painted wood ; real dimensions Unite of 8 guitars made with the collaboration of Wilfried Almendra Exhibition «It s Hip to be Square», Zoo galerie, Nantes, France, 2004 Private collections, France

50 Handcrafted BMX frame, 2004 Tubulure A37 ; 75 x 30 x 10 cm Tubulure A37 ; 29,5 x 11,8 x 3,9 inches Photos : Bruno Scotti

51 Handmade BMX Gooseneck, 2003 Inox Oeuvre réalisée en collaboration avec Wilfried Almendra Stainless Work made with the collaboration of Wilfried Almendra

52 DEWAR & GICQUEL BIBLIOGRAPHIE /BIBLIOGRAPHY (selection)

53 BIBLIOGRAPHIE /BIBLIOGRAPHY (sélection) TEXTES/TEXTS, EDITIONS LOEVENBRUCK, 2009 Avec une sorte d évidente simplicité, Dewar & Gicquel pratiquent une sculpture figurative hors sol, plus ou moins facile à identifier, mais dont la relation à quelque référent extérieur ne fait aucun doute. Regardés un à un, leurs motifs semblent précis et signifiants, tant ils empruntent à des niches culturelles ou à des domaines d activités spécialisés, mais considérés à l échelle de leur travail, leur liste s allonge pour mieux brouiller tout kit identitaire comme toute association narrative. Rétrospectivement, le défilé de leurs motifs et leur mode d apparition fragmentaire fait passer ces considérations pour leurs filiations culturelles au plan de l anecdote et les replace dans la zone indistincte d une imagerie globalement pop (ou sub-pop), mise au service de décisions conceptuelles (où il est alors plutôt question d images quelconques pour une sculpture figurative). De la même manière, Dewar & Gicquel s essayent à des techniques variées en amateurs purs et durs sur des matériaux le plus souvent bruts, faisant ainsi usage de sources d inspirations régionalistes (voire cantonales), pour des sculptures essentiellement ex-situ. Cette fabrication main, refuge traditionnel de l expression de soi, est aussi un espace pour des glissages improvisés : moments d exaltation qui laissent la part belle à une forme d endurance héroïque et aux détours arbitraires d un imaginaire débridé. Et voilà que ce subjectivisme exacerbé par la pratique contredit l hypothèsed une décision a priori conceptuelle sur le motif. L hybridation des motifs, techniques et matériaux opérant à différentes échelles de leur travail, permet autant d allers-retours entre l évidence première d une imagerie pop alliée à un langage vernaculaire et les effets seconds d une posture conceptuelle indifférente à son imagerie naturaliste comme à son contexte d exposition. Leurs sculptures, fusions d images quasi ready-made et de formes quasi imprévisibles, synthétisent ainsi très concrètement une posture à cheval entre deux options : celle d un subjectivisme expressionniste à l imaginaire authentiquement pop et celle d un conceptualisme figuratif distancié. Emilie Renard Extrait de «Textes», Editions Loevenbruck, Paris, 2009 With a kind of evident simplicity, Dewar & Gicquel practise an offshore style of figurative sculpture that may be more or less easy to identify, but whose relation to an external referent is beyond doubt. Looked at individually, their motifs seem precise and meaningful, in that they reference cultural niches or specialist activities. But when considered globally, on the scale of their work as a whole, the sheer length of the list prevents the formation of any kind of identity kit or narrative association. Retrospectively, the succession of their motifs and the fragmentary way in which they appear makes these considerations of cultural genealogy seem anecdotal, placing them in the indistinct zone of global Pop (or sub-pop) imagery, made to serve conceptual decisions (where it is more a question of nondescript images for figurative sculpture). In the same way, Dewar & Gicquel try out various techniques in a pure amateur spirit, working with materials, usually in their raw form, to bring out regional (or even cantonal) sources of inspiration in sculptures that are essentially exsitu. This hand-made, the traditional refuge of self-expression, is also a space for improvised slippage, with moments of exaltation giving free rein to a kind of heroic endurance and to the arbitrary detours of an untrammelled imagination. And so this subjectivism exacerbated by practice contradicts the hypothesis of an a priori conceptual decision about the motif. The hybridisation of motifs, techniques and materials operative at different levels of their work allows an endless back and forth between the basic obviousness of the Pop imagery allied to a vernacular language and the secondary effects of a conceptual posture that is indifferent to its natural imagery and to the context of its exhibition. Their sculptures, fusing almost readymade images and almost unforeseen forms, are thus the very concrete synthesis of a position that straddles two options: an expressionist subjectivism based on an authentically Pop imaginary and a distanced figurative conceptualism. Emilie Renard Extract from «Texts», Editions Loevenbruck, Paris, 2009

54 DEWAR & GICQUEL - BIBLIOGRAPHIE /BIBLIOGRAPHY Textes / Texts Editions Loevenbruck, Paris, pages ISBN : X Masson Massacre Editions Loevenbruck, Paris, 2009 ISBN: Prix: 22 euros Qu est-ce que la sculpture aujourd hui? Beaux-Arts Editions, 2008 ISBN: pages Prix: 24 euros French Connection Black Jack Editions, 2008 ISBN: Prix: 59 euros Le Printemps de Septembre à Toulouse Catalogue «Le Printemps de Septembre à Toulouse», 2007

55 DEWAR & GICQUEL - BIBLIOGRAPHIE /BIBLIOGRAPHY New Economy Joao Ribas et Stefania Heim, 2007 Catalogue de l exposition «New Economy», Artists Space, New York, USA Promenade au zoo Editions de Valence, pages ISBN: UKIYO-E Fonds Régional d Art Contemporain des Pays de la Loire, pages ISBN: Artistes / Qu est-ce que l art contemporain en France? BeauxArts magazine, pages ISSN:

56 DEWAR & GICQUEL - BIBLIOGRAPHIE /BIBLIOGRAPHY Chantier Public 40m cube éditions / Archibooks, 2005 Catalogue des expositions Chantier public 1 et 2, Centre de formation sur l Urbanisme de Rennes 64 pages ISBN: Offshore Édition espace Paul Ricard, 2005 Catalogue de l exposition «Offshore», Espace Paul Ricard, Paris.. 45 pages Est-ce bien de l art? Mairie d Angers / Mairie de St Cyprien, 2005 Catalogue de l exposition «Est-ce bien de l art?», Abbaye du Ronceray, Angers ARMPIT OF THE MOLE Fundacio Trenta Quilometres Per Segon, Barcelona, 2005 ISBN: pages Art at the turn of rue de Seine et la rue de l Echaudé Galerie Loevenbruck, 2002 Catalogue de la galerie

57 DEWAR & GICQUEL REVUE DE PRESSE /PRESSE REVIEW (selection)

58 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW LE FIGARO, JUILLET 2008

59 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW Mouvement, janvier 2008

60 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW Mouvement, janvier 2008

61 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW Mouvement, janvier 2008

62 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW Mouvement, janvier 2008

63 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW 02, décembre 2007

64 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW 02, décembre 2007

65 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW Beaux-Arts Magazine N 279, septembre 2007

66 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW LES INROCKUPTIBLES N 593, avril 2007

67 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW FLASH ART, FÉVRIER /FEBRUARY 2007

68 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW LE MONDE, 23 DÉCEMBRE 2006

69 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW ARTFORUM, MAY 2006

70 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW BEAUX ARTS MAGAZINE, 2006

71 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW BEAUX ARTS MAGAZINE, 2006

72 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW BEAUX ARTS MAGAZINE, 2006

73 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW BEAUX ARTS MAGAZINE, 2006

74 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW BEAUX ARTS MAGAZINE, 2006

75 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW LE JOURNAL DES ARTS N 231, mars 2006

76 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW LES INROCKUPTIBLES N 537, mars 2006

77 DEWAR & GICQUEL - REVUE DE PRESSE /PRESS REVIEW LE MONDE, 11 février 2006

BØRRE SÆTHRE GALERIE LOEVENBRUCK

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