1 Anna Ling Östra Kristinelundsvägen 25 a, Malmö, Sweden
2 CV Anna Ling Born 1971 Gothenburg, Sweden Lives and works in Malmö, Sweden Education Malmö Art Academy, MFA program, Edinburgh College of Arts, exchange with the Proto Academy 2000 Video/Feminism Kvinnofolkhögskolan, Gothenburg, Hovedskous paintingschool, Gothenburg, Selected solo exhibitions 2013 Galleri Elastic, Malmö, Sweden 2012 Galleri Arnstedt, Båstad, Sweden 2011 Gallery Gregor Podnar, Ljublijana, Slovenia Galleri 54, Göteborg, Sweden 2010 Elastic, Malmö, Sweden 2008 Drawing a line, Bohusläns museum, with Alexander Gutke, Uddevalla, Sweden Galleri Tom Christofferssen, Cube, Copenhagen, Denmark 2006 Elastic, Malmö, Sweden Ystads artmuseum, Room five, Ystad, Sweden Kristinehamns artmuseum, Kristinehamn, Sweden 2005 Elastic, Malmö, Sweden 2004 Milliken, Stockholm, Sweden Galleri Magnus Åklundh, Malmö, Sweden Galleri Box, with Ann Böttcher, Gothenburg, Sweden 2003 Screen, Bildjournalen, SVT, Sweden 2002 Lobby, SAS Raisson hotel, Rooseum, Malmö, Sweden Vinge Advokatkontor, Malmö, Sweden Peep gallery, Malmö, Sweden Liste, Cargolino, with Luca Frei, Basel, Switzerland Cargobar, with Luca Frei, Basel, Switzerland Selected group exhibitions 2013 Nordiska Akvarellmuseet, Skärhamn, Sweden Galleri Arnstedt, Båstad, Sweden 2012 Kunstgallerie Bonn, Germany Skissernas Museum, Lund, Sweden Armory show, Elastic, nordic section, NY, USA 2011 Till havs, Varbergs konsthall, Sweden Papi, galleri st. Gertrud, Malmö, Sweden 2010 Utan titel, Ystads konstmuseum, Ystad, Sweden 2009 Elastic, Malmö, Sweden 2008 Malmö Konstmuseum, Malmö, Sweden, (catalogue) Signal, Malmö, Sweden Lillehammer kunstmuseum, Lillehammer, Norway 2007 Freunde fur immer, Bonner Kunstverein, Bonn, Germany Pumphusets konsthall, Landskrona, Sweden Jag vill kunna se vad det är, Lunds Konsthall, Lund, Sweden,(catalogue) Landskap nu, Rackstadmuseet, Arvika, Sweden Bra konst!, VikingsbergsKonsthall, Helsingborg, Sweden (catalogue) 2006 Dreamlands Burn Mücsarnok/Kunsthalle Budapest, Ungern, (catalogue) Elastic, Malmö, Sweden The sun on the wall,latvian National Museum of art, Riga, Latvia, (catalogue) The sun on the wall, Pavel Haus, Laafeld, Austria 2005 Malmö konsthögskolas Jubileumsutställning, Rooseum, Malmö, Sweden, (catalogue) 2004 Attraktion samtidskonst i Skåne, Stockholm Art fair, Elastic Projects, Konstfrämjandet 2003 Contemporary art from Sweden, The Nordic embassy, Berlin, Germany, (catalogue) Nya namn, Malmö konstmuseum, Sweden, (catalogue) Contemporary art from Sweden, ECB, Frankfurt, Germany, (catalogue) 2002 Gwangju Biennale, Signal, Gwangju, South Korea, (catalogue) Malmö-Oslo, overstation, Astrup Fearnley Museet, Oslo, Norway 2001 Ett annat sted, Hordalands kunstnercenter, Bergen, Norway Greetings from Liverpool, Bluecoats, England The Wight Biennale, with Luca Frei, Wight Gallery, UCLA, USA, (catalogue) Nomadsland-proto academy, Malmö Art academy, Rooseum, Malmö, Sweden 2000 Lost in space, Färgfabriken, Stockholm, Sweden, (catalogue) Cashbox, Galleri Box, Gothenburg, Sweden Video shop, Edinburgh, Scotland Flat show, Proto Academy, Edinburgh, Scotland Transitory cooperation, Edinburgh, Scotland A5 invitational, Backstage, Stockholm, Sweden 1999 Cashbox, Galleri Box, Gothenburg, Sweden Roll on video, Roll on project, Malmö, Sweden 1419A, The Royal Art Academy, Stockholm, Sweden Gallery Gulp, Malmö/Reykjavik, Sweden/Iceland Prices, grants 2003, Aase & Rickard Björklunds stipendiefond 2004, One year working grant from konstnärsnämnden 2005, Nifca, two month residency in Soumenlinna, Helsinki 2006, Region Skånes Kultur pris 2007, Two year working grant from konstnärsnämnden 2008, The Edstrandska Foundation Grant 2013, Two year working grant from konstnärsnämnden Collections The European investmentbank of Luxenburg Statens konstråd Lunds kommun Apoteksbolaget Region Skåne Sveriges allmäna konstförening Private collections Malmö, Konstmuseum Nordiska Akvarellmuseet Public art Lunds kommun, Förskolan Ormen Långe Rättspsyk, Fleemmingsberg
3 Fossil and Polystyrene Fossil and Polystyrene, 2013, plaster, fabric, glass, and steel, 120 x 90 x 70 cm.
4 Sediment Sediment, 2013, ink on paper, 64 x 48 cm.
5 My Slovenian garden My Slovenian garden, 2012, ink on paper, 55 x 40 cm, installation view Galleri Arnstedt, Båstad.
6 My Slovenian garden, Desk, 2012, ink on paper, 55 x 40 cm. My Slovenian garden, Linoleum, 2012, ink on paper, 55 x 40 cm. My Slovenian garden, 2012, ink on paper, 55 x 40 cm, installation view Galleri Arnstedt, Båstad. My Slovenian garden, For Vinko, 2012, ink on paper, 55 x 40 cm.
7 My Slovenian garden, Agatas, 2012, ink on paper, 55 x 40 cm. My Slovenian garden, Nedelisce, 2012, ink on paper, 55 x 40 cm. My Slovenian garden, Embroidery, 2012, ink on paper, 55 x 40 cm. My Slovenian garden, Rakovci, 2012, ink on paper, 55 x 40 cm. My Slovenian garden, Camouflage #1, 2012, ink on paper, 55 x 40 cm. My Slovenian garden, Mossängen, 2012, ink on paper, 55 x 40 cm.
8 Caves Caves, collage, 38 x 53 cm, 2011, installation view artists studio.
9 Caves, #1, collage, 38 x 53 cm, Caves, #2, collage, 38 x 53 cm, Caves, #5, collage, 38 x 53 cm, Caves, #6, collage, 38 x 53 cm, Caves, #3, collage, 38 x 53 cm, Caves, #4, collage, 38 x 53 cm, Caves, #7, collage, 38 x 53 cm, Caves, #8, collage, 38 x 53 cm, 2011.
10 Oceans of air In Anna Ling s cloud drawings, the clouds appear as airy light figures. They hover quietly above and inside the paper, halftoned, in a state of decomposition. Just as in the real world, some of these clouds seem to be mere shadows, as if they were on the verge of existence, while the appearance of others is more obvious and indisputable. A cloud is a contradiction. It is a poetic metaphor of immaterial beauty. It is also a rather crude atmospheric phenomenon an accumulation of drops of water and ice crystals. Clouds have always represented the transitoriness of existence. They are often in the background but in romantic landscapes, for example, they play a central role. There, they talk of the frailness of life and about our longing for the ungraspable. Nowadays, clouds appear in digital form: information, knowledge and relationships float, constantly available but invisible, in the atmosphere. There is an educational aspect to Anna Ling s eleven cloud drawings in Indian ink and graphite. They account for the ten basic cloud categories, as they were studied, classified and named by the British chemist Luke Howard during the infancy of nephology at the beginning of the 19th century. The eleventh cloud is our time s typical cloud, the condensation trail, which is made by the condensed and frozen exhaust of aircraft engines. Oceans of air, eleven drawings, ink and pencil on paper, 77 x 109 cm, 2010, installation view Elastic, Malmö. Karin Faxen
11 Oceans of air, Rain-Layer, ink and pencil on paper, 77 x 109 cm, Oceans of air, Layer, ink and pencil on paper, 77 x 109 cm, Oceans of air, eleven drawings, ink and pencil on paper, 77 x 109 cm, 2010, installation view Elastic, Malmö. Oceans of air, Heap-Rain, ink and pencil on paper, 77 x 109 cm, Oceans of air, Curl of hair, ink and pencil on paper, 77 x 109 cm, 2010.
12 Oceans of air, Layer-Heap, ink and pencil on paper, 77 x 109 cm, Oceans of air, Curl of hair-layer, ink and pencil on paper, 77 x 109 cm, Oceans of air, High-Heap, ink and pencil on paper, 77 x 109 cm, Oceans of air, Condensation trails, ink and pencil on paper, 77 x 109 cm, Oceans of air, Curl of hair-heap, ink and pencil on paper, 77 x 109 cm, Oceans of air, High-Layer, ink and pencil on paper, 77 x 109 cm, Oceans of air, Heap, ink and pencil on paper, 77 x 109 cm, 2010.
13 Guardians Guardians, gold, bronze and concrete, The six redlisted swedish frogs are placed in front of the six entrances of an preschool in Lund, Sweden. The frogs are also placed on the wall inside the school. Guardian is a public commission for Lunds kommun.
14 Guardians, gold, bronze and concrete, 2008, public commission for Lunds kommun. Guardians, gold, bronze and concrete, 2008, public commission for Lunds kommun.
15 Grey navigation Anna Ling s pictures depict places in the mind as well as everyday rooms and objects. The borders between outer and inner space are never ambiguous, but wide open. The drawings have been reduced and pared down, and she often puts the white nuances of the blank paper to careful use as part of a motif. Her works Grey navigation, 2007 and The geography of grey mass, 2006 are ink drawings, seemingly describing a walk through and around a house. The light in Grey navigation makes me think of early dawn or dusk, the hour of the wolf, the non-time that exists in-between sleep and wakefulness. A door is open, but just a bit, some steps take you out toward something unknown, she zooms in on some densely green bushes. The house is a proper, actual house; it has everything that normally is part of a house: balcony, floor, walls, a pitched roof. But the rooms are empty of people. I am reminded of Ingmar Bergman s early films. Inner psychological tension is reflected in the interior, surroundings and setting. There is a silent, cinematic aspect to The geography of grey mass as if the drawings were sketches for backdrops, an old storyboard, in frozen wait for protagonists and play. To me, the work is about the issues that surround memory and the past, about the difficulty of differentiating between actual realitybased experience and one based on dreams and wishes. Karin Faxen Grey navigation, 2007, 15 ink drawings on paper, 24x35 cm. Installation view, Bonner Kunstverein, Bonn, Germany, 2007.
17 Grey navigation, 2007, 15 ink drawings on paper, 24x35 cm.
19 Untitled Untitled, 2007, 4 ink drawings on paper, 84x112 cm, 7 ink drawings on paper 42x56 cm, Installation view, Artists studio.
20 Untitled, 2007, 4 ink drawings on paper, 84x112 cm, Installation view, Artists studio.
21 Untitled, 2007, 7 ink drawings on paper 42x56 cm, Installation view, Artists studio.
23 The geography of grey mass These black-and-white ink drawings invite the viewers for a tour around a house. The artist has chosen her parents summer house as her object of study. Pared-down architectural details of stairs, window-sills, a door left ajar, part of a terrace with greenery are presented as if they were an abstract story-board for a film. The views are taken at a child s eye-level, which indicates that the artist has worked with her own memories of childhood summers. The work also deals with the difficulty of what constitutes an authentic early memory and what is an after-construction based on other people s stories, photographs and films. The references to cinema and fiction highlight the precariousness of all such reconstructions. How memory lives on in the body, in ourselves, is crucial for how we utilise it in the present. Åsa Nacking The geography of grey mass, 2006, nine ink drawings on paper, 42x56 cm. Installation view, Elastic, Malmö 2006.
25 The geography of grey mass, 2006, nine ink drawings on paper, 42x56 cm.
26 Observations on open sea A series of 12 ink drawings showing the sea in different weather conditions: light air, light breeze, gentle breeze, moderate breeze, fresh breeze, strong breeze, near gale, gale, strong gale, storm, violent storm, hurricane. The seascapes correspond to the twelve-degree scale established by Sir Francis Beaufort in the early 19th century for calculating wind speed by observing the movements of the sea. The artist was fascinated by the poetry of the visual reading that underlies this scientific method. The Beaufort scale may be used for observations on dry land, for instance by measuring the thickness of twigs broken by the wind. Åsa Nacking Observations on open sea / Observationer på öppet hav Moderate Breeze / Frisk bris, 2006 (4 of12) Ink on paper / Tusch på papper, 58 x 79 cm Installation view, Ystads Konstmuseum, 2006
27 Observations on open sea / Observationer på öppet hav Light Air / Nästan stiltje, 2006 (1 of 12) Ink on paper / Tusch på papper, 58 x 79 cm Observations on open sea / Observationer på öppet hav Light Breeze / Lätt bris, 2006 (2 of 12) Ink on paper / Tusch på pappe, 58 x 79 cm Observations on open sea / Observationer på öppet hav Ink on paper / Tusch på papper, 58 x 79 cm Installation view, Ystads Konstmuseum, 2006 Observations on open sea / Observationer på öppet hav Gentle Breeze / Mild bris, 2006 (3 of 12) Ink on paper / Tusch på papper, 58 x 79 cm Observations on open sea / Observationer på öppet hav Moderate Breeze / Frisk bris, 2006 (4 of12) Ink on paper / Tusch på papper, 58 x 79 cm
28 Observations on open sea / Observationer på öppet hav Fresh Breeze / Styv bris, 2006 (5 of 12) Ink on paper / Tusch på papper, 58 x 79 cm Observations at open sea / Observationer på öppet hav Strong Breeze / Hård bris, 2006 (6 of 12) Ink on paper / Tusch på papper, 58 x 79 cm Observations on open sea / Observationer på öppet hav Strong Gale / Halv storm, 2006 (9 of 12) Ink on paper / Tusch på pappe, 58 x 79 cm Observations on open sea / Observationer på öppet hav Storm / Storm, 2006 (10 of 12) Ink on paper / Tusch på papper, 58 x 79 cm Observations on open sea / Observationer på öppet hav Near Gale / Styv kuling (7 of 12) Ink on paper / Tusch på papper, 58 x 79 cm Observations on open sea / Observationer på öppet hav Gale / Hård kuling, 2006 (8 of 12) Ink on paper / Tusch på papper, 58 x 79 cm Observations on open sea / Observationer på öppet hav Violent Storm / Svår storm, 2006 (11 of 12) Ink on paper / Tusch på papper, 58 x 79 cm Observations on open sea / Observationer på öppet hav Hurricane / Orkan, 2006 (12 of 12) Ink on paper / Tusch på papper, 58 x 79 cm
29 Aaltos nature "Aaltos nature, 4", 2005, ink on paper, 28x42 cm. Installation view, Elastic gallery, Malmö, 2005.
30 "Aino", 2005, ink on paper, 42x56 cm. Installation view, Elastic gallery, Malmö, "Aaltos natur, 1-3", 2005, ink on paper, 28x42 cm. Installation view, Elastic gallery, Malmö, 2005.
31 "Aaltos nature, 1", 2005, ink on paper, 42x28 cm. Antennas "Aaltos nature, 2", 2005, ink on paper 42x28 cm. "Aaltos nature, 3", 2005, ink on paper, 42x28 cm.
33 Jetty 56 swedish lighthouses Axel, Björn, Viking, Frej, Karl
34 Documentation of three works shown at Gallery Peep Malmö, Jetty Jetty is a six metre long drawing consisting of nearly two hundred A4 drawings mounted directly onto the gallery wall. The motif can be compared to a hallucinatory wallpaper pattern or a surrealistic grate structure, repeated over and over. The drawing is made of short brown pen strokes that give an almost flickering impression. 56 Swedish lighthouses 56 Swedish lighthouses consists of eight small spiral bound books with drawings of lighthouses found along the Swedish coast. The books were placed on a low table in the gallery where the visitors could sit down and flick through the books. Axel, Björn, Viking, Frej, Karl Axel, Björn, Viking, Frej, Karl is a series of drawings portaying tugboats. The short male names written on the drawings create a situation where the text and the drawing is given equal prominence.
37 And the grass is green "And the grass is green" Images from a drawing project I did during my stay in Berlin fall The series of drawings is like a storyboard without a direct beginning and end. The viewer get some clues and has to build up their own story. Size of the original drawings, ca. 21X29cm.
39 Utopi koloni "Utopi koloni" A work I did in the spring 2001, inspired by visiting allotment gardens in Berlin. The houses in the gardens were like perfect prototypes for modernistic architecture built by found and cheap materials. I call the project Utopi Koloni both as a self critique; me looking at the allotment gardens as an utopian way of living, but also as an proposal for a way of becoming a member of a community. Size of the original drawings, 50X75 cm.
40 Camoufl age-hedge "Camouflage-hedge" living in a house living in a house with a high hedge living in a house with a high hedge and a fence living in a house with a high hedge and a fence with a locked gate living in a house with a high hedge and a fence with a locked gate and blinds living in a house with a high hedge and a fence with a locked gate and blinds and curtains Documentation of two works I showed in a flat exhibition with the Proto Academy in Edinburgh, April 2000
41 Garden were like islands set in a sea of natural wilderness "Gardens were like islands set in a sea of natural wilderness" Documentation of an action I did with Jonathan Owen and Janet Mc Crorie in a private park in Edinburgh. The action happened the 11 of April 2000 between and pm. We got in to the park through a brought ladder, we performed one work each and climbed out. We then left the ladder to give the public an open night in one of the usually closed parks. My contribution was to put a sign in one of the flowerbeds with the text: Gardens were like islands set in a sea of natural wilderness.
Andreas Eriksson Born: 1975 in Björsäter, Sweden Lives and works in Medelplana, Sweden Education 1993-98 The Royal University College of Fine Arts, Stockholm, Sweden Solo Exhibitions (selected) Erosion,
CHRISTIAN ANDERSSON Born 1973 in Stockholm, Sweden Lives and works in Malmö, Sweden Education Masters of Art, Malmö Art Academy, 1996-2001 Solo Exhibitions 2015 Kunstmuseum Thun, Thun, Switzerland (solo)
The Zig Zag Building Victoria Street, London, SW1 The Zig Zag Building Victoria Street, London, SW1 Client: Land Securities Scope: Lead Design Architectural Services (CMT & Novated) Type: Offices, Retail,
Cv Pontus Lindvall www.pontuslindvall.se Member of the craft based group WeWorkInAFragileMaterial www.weworkinafragilematerial.com PROJECTS 2012 Solo show, September gallery, Berlin, Germany. Internship
Tensta Museum Continues 11.6 28.9 2014 routeyou.com översätt Sharp 1 Tensta Museum: Reports from New Sweden is about history and memory in Tensta, both in relation to the place and to the people who live
Visiting Scholar at the Nordic Centre Fudan University www.nordiccentre.net The Nordic Centre in Fudan University is a collaboration between our 26 Nordic member universities, the Nordic Institute of Asian
One person can make a difference AN INTRODUCTION TO THE WORKS OF ART IN THE SOUTHERN CONNECTING ROOM 2 An introduction to the works of art in the Southern Connecting Room We should always remember We should
Marius Moldvaer NO: 41452090 firstname.lastname@example.org mariusmoldvaer.com gruppe-11.com Education 2013-2014: MA in Critical Theory and Creative Research, Pacific Northwest College of Art, Portland OR, USA
email@example.com/oct 2010 Contact Mobile: +47 90 7777 86, firstname.lastname@example.org. www.mari-astrup.no Studio: Kunstnerstranda, Maries vei 20, entrance G, NO-1363 Høvik. MARI ASTRUP paintings My work is based on
1- Little Forest 2- Big Slide 3- Under the Steps Gallery 4- Green Slope 5- Swimming Pool 6- Hot Tub 7- Wood Beach 8- Bio Swale 9- Big Screen 10- Amphitheatre 11- Rocky Beach 12- Playground 13- Shipping
DISCOVER UNESCO WORLD HERITAGE AND ROYAL TOMBS IN... ROSKILDE CATHEDRAL Roskilde Cathedral has been inscribed on the UNESCO World Heritage List since 1995 a list including the most spectacular monuments
Schools Online Project In association with the Cornwall Museums Group and Cornwall Council Background to the collection Learning resources and content for the Cornwall Council Schools Art Collection Online
CV. Name: Jose Luis Martinat. Education: 2004-2007: Malmö Fine Art Academy. Sweden 2000-2003: School of Photography and Film. University of Gothenburg. Sweden. Solo Shows: 2013 They/We. Lucia de la Puente
Measuring Wind How can we use the wind if we can t see it? Grade Level Middle School Subject Areas Earth Science, Math (statistics and conversion) Duration Preparation time: 20 minutes Lesson Time : Part
it is necessary embark on an experience that exceeds the visual: to feel first and to understand later. Os Gemeos WHO MADE THIS ART INSTALLATION? Identical twins Otavio and Gustavo, together, are the graffiti
KUNO is a lively and ambitious Nordplus network comprising 16 Nordic-Baltic fine art academies, aiming to become an art university without walls. By cooperating on a wide range of project activities, the
Destination TRONDHEIM TRONDHEIM A BIG VILLAGE OR A SMALL CITY TRONDHEIM IN THE HEART OF NORWAY! TRONDHEIM A CITY WITH HIGHLIGHTS! Trondheim was founded in 997 by the Viking King Olav Tryggvason. Historical
KEY CONCEPT Most clouds form as air rises and cools. BEFORE, you learned Water vapor circulates from Earth to the atmosphere Warm air is less dense than cool air and tends to rise NOW, you will learn How
KAROLINA ZDUNEK Karolina Zdunek / bio Born 1978 in Kielce, lives and works in Warsaw. Karolina Zdunek reads culture mainly in terms of architecture, but also one seen as background at which people hang
TAMA Art University Library Tokyo, Japan - By: Toyo Ito, 2007 Architect Toyo Ito Born in Japan June 1, 1941 Recently won the Pritzker Architecture Prize 2013. Known for his innovative designs. Concrete
CURRICULUM VITAE EVA ZETHRAEUS Haganygata 29A 413 01 Gothenburg/ Sweden www.evazethraeus.se email@example.com Studio: Konstepidemin, studio 503 Konstepideminsväg 6 414 13 Gothenburg/ Sweden Member of
MEMORIES IN MOTION LAURA ELLENBERGER 37 Ocean Street Woollahra, Sydney, NSW 2025 (02) 9328 0922 mcontemp.com LAURA ELLENBERGER VEILED INTO BEING This series of works began with a fascination of life-masks
COMBO COMPETITIONS PRESENTS AN ART MUSEUM FOR A PIONEER OF ABSTRACTION OCTOBER 24TH, 2016 - JANUARY 22ND, 2017 The Ten Largest, No. 4, Youth, 1907 CONTENTS ABOUT COMBO COMPETITIONS INTRODUCTION & SHORT
LIBER QUARTERLY, ISSN 1435-5205 LIBER 2000. All rights reserved K.G. Saur, Munich. Printed in Germany The National Library of Norway, Oslo Division: Is it Possible to Make a 1913-Building Accessible for
FINAL REPORT MY EXCHANGE SEMESTER IN GÄVLE, SWEDEN (27 TH AUGUST 2014 18 TH JANUARY 2015) UNIVERSITY OF APPLIED SCIENCES BIBERACH MORITZ REIBER Table of content Preparation... 2 Sweden & Gävle... 3 University...
A Teachers Guide to: Kara Walker We at Camden Arts Centre are Exceedingly Proud to Present an Exhibition of Capable Artworks by the Notable Hand of the Celebrated American, Kara Elizabeth Walker, Negress.
1 Part 1(15 minutes) LISTENING Task 1 You will hear a conversation between Bernice and Jude, who study at different schools. Decide if each statement 1 6 is TRUE or FALSE. Put a tick in the proper box.
Norwegian contemporary: Else Marie Hagen 6 November - 31 December 2010 Rogaland Theatre Stavanger, Norway www.statoil.com/artprogramme Dear viewer and reader, The Statoil art programme is pleased to present
Mai 3rd - 13th, 2017: Tango Cruise Baltic Sea and Saint Petersburg Itinerary: Copenhagen - Riga - Tallinn - St. Petersburg - Helsinki - Stockholm - Klaipeda - Copenhagen Highlight: Overnight stay in Saint
IKEA goes to college A collaboration with Beckmans College of Design Inter IKEA Systems B.V. 2011 PE279749 These students are sketching future fabric patterns for IKEA that will be sold in 38 countries.
Supported by A seven part series exploring the fantastic world of science. Find out about different climates in different parts of the World. The only animal capable of surviving the harsh conditions in
GOLDEN RAIN Golden Rain By Michael Petry A project for On the Edge organised by Hå gamle prestegard as part of Stavanger 2008 at the Eigeroya lighthouse, Egersund, Norway Golden Rain: installation documentation
ELMER Lives and works in Copenhagen Born 1952 Courtesy Galleri Tom Christoffersen Skindergade 5 1159 Copenhagen K Denmark T +45 33917610 M +45 26377210 firstname.lastname@example.org www.tomchristoffersen.dk
1 THE STATUE OF LIBERTY Name: _ The Statue of Liberty is one of the most famous statues in the world. It is located in New York City, one of the most important cities in the United States of America (USA).
SMART KIDS Sculpture Tour Welcome to the Princeton University Art Museum. Today we are going to look at sculpture on the Princeton University campus. Refer to the map on the back if you need help finding
Gröna Tåget [grœ:na 'tɔ:gɛt] to make train travel more attractive Oskar Fröidh Royal Institute of Technology (KTH) Stockholm, January 25, 2012 What are specific Nordic conditions? Harsh winters Elks and
Shiva Anoushirvani CV/Biography Based in Stockholm and Malmö, Sweden Born in Tehran/Iran 1979 Webpage www.shivaa.se Education 2002-2005 -Goldsmiths University of London, Fine Art, Studio Practice and Contemporary
1 Allaert van Everdingen Alkmaar 1621 Amsterdam 1675 Landscape painter, a student of Pieter de Molijn and Roelandt Savery. Active in Utrecht, Haarlem and Amsterdam. He visited Norway and Sweden in 1644
an Audience A Nordic conference on working strategically with audiences When: 19 May 12.30 20.00 20 May 9.00 16.30 (dinner 19.00 21.00) 21 May 9.00 12.00 Where: Moderna Museet in Stockholm KOP a network
The OPAL DIY Weather Kit The weather is something everyone relates to. It is all around us and affects us all. Meteorologists study the weather and use a variety of technical equipment to monitor changes
WINSTON ROETH Lives and works in Beacon, NY and Waldoboro, ME. SOLO EXHIBITIONS 2013 Jensen Gallery, Sydney - Australia. Xavier Fiol Galería, Palma de Mallorca - Spain. 2012 Bartha Contemporary, London.
The Water Cycle 1/2/3. Finding out about the Water Cycle Aims: To enable pupils to learn and understand what happens at each stage of the Water Cycle To introduce specific vocabulary related to the Water
Read the text. 1 No ordinary place to eat! For hundreds of years when tired travellers stopped on their journeys, there were only a few places to eat and drink. Nowadays, streets are lined with restaurants,
Art Workshops Isle Gallery, Tynwald Mills, St Johns Workshop Instruction by: Anna Clucas and Kate Jerry Email: email@example.com /firstname.lastname@example.org or email@example.com Tel: 07624415797 / 07624453315
Hans Heysen Art Gallery of South Australia Adelaide This trail is intended as a guide for young people and families as they enjoy the Hans Heysen retrospective exhibition. The wet road, 1894 Judith Fletcher,
IEEE802.1 2007 September Meeting Hosting in Stockholm, Sweden Photo: Olof Holdar Photo: Christer Lundin Photo: Mikael Sjöberg Stockholm The Capital of Scandinavia Welcome to Stockholm and one of the world
Victorian Certificate of Education 2010 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words ART Written examination Friday 12 November 2010 Reading time: 9.00 am to 9.15 am (15
Wooden Bride, 2015 solo show, Photogether Galerie, Zlín wood, gilding, xylograph, B/W photographs, paper collage 45 x 30 x 20 cm exhibition view charred wood, carving, burned B/W photographs 50 x 50 cm
Oklahoma State University Donald W. Reynolds Architecture Building Stillwater, Oklahoma DESIGN ARCHITECT OSU SCHOOL OF ARCHITECTURE FACULTY TEAM, Stillwater, OK ARCHITECT OF RECORD STUDIO ARCHITECTURE,
Photography matters: The Helsinki School Dear viewer and reader, It is a great honour and a pleasure to present to you the exhibition Photography matters: The Helsinki School. The Helsinki School of photography
ALVAR AALTO in HELSINKI This report highlights a study trip to Helsinki to visit key buildings designed by Alvar Aalto in order to discover and analyse his ability to create spaces which appeal not only
STEIGEN AIR RESIDENCIES FOR VISITING ARTIST IN THE LAND OF THE MIDNIGHT SUN AND AURORA POLARIS The cultural foundation of Grøtøyleia offers 2 residencies to professional artists, writers, directors, dancers,
ArtHaus. For Immediate Release Exhibition DEFENESTRATION An Installation Commemorating the Old Hugo Hotel Exhibition Dates: April 4 June 28, 2014 ArtHaus presents DEFENESTRATION A Multi-Media Installation
PRINT POÈME NUMÉRIQUE PROJECT DESCRIPTION Project name: POÈME NUMÉRIQUE LABORATORIES CASE STUDIES A project by: Maurer United Architects Year: 2009-10 ONCE UPON A TIME The Case Studies project is a utopian
Commerzbank Head Office Frankfurt am Main 2 Commerzbank Head Office Conception The Commerzbank head-office building not only adds an impressive feature to Frankfurt s skyline. Viewed from close quarters
The place is of profound tranquility where after a day of rain and fog an intense light reflects in the stilled mirror of the majestic Hudson River s deep waters. A place where twilights are a thousand
INTRODUCTION PROGRAMME Including Intensive Swedish Language Course for Exchange Students at Malmö University, Autumn Semester 2015 Wednesday, 19 August ARRIVAL DAY! 09:00 17:00 Welcome to Malmö! Location:
Notes on the Painter Eilert Adelsten Normann (1848-1918) landscape and interest in landscapes. Hans-Jørgen Wallin Weihe, Lillehammer University College, Box 952, 2604 Lillehammer, Norway H-J.Wallin.Weihe@hil.no
Bornholms Kunstmuseum James Carpenter Design Associates Inc / Ramboll Bornholms Kunstmuseum Bornholm, Denmark Concept Design September 16, 2011 OVERVIEW OF EXISTING MUSEUM: SITE The Danish island of Bornholm
The Fruitmarket Gallery Learning Through Massimo Bartolini Studio Matters +1 School Workshops, Family Fun, Group Activities Curriculum for Excellence / Creative Learning 45 Market Street, Edinburgh Mon
Natalia has been painting since she was twelve. She went to several art schools, finally graduating from Mukhina High School of Art in St. Petersburg. In spite of her many jobs, painting has always been
The natural and cultural heritage as development forces The natural and cultural heritage as development forces Riksantikvarieämbetet, 2011 Print: Elanders Sweden, Falköping 2011 Edition: 600 copies ISBN
When I Begin my Day with Mozart by Lynda McKinney Lambert I put the morning coffee on to brew, then reached for a CD of Mozart s Violin Sonata in. The soft, slow opening lines of the Largo-Allegro began.
USING FENG SHUI TO EMPOWER YOURSELF TABLE OF CONTENTS Introduction to Feng Shui... 3 What is Feng Shui?... 4 History & Origins of Feng Shui... 5 Modern Day Feng Shui... 6 Different Aspects of Feng Shui...
Per Spook. A fashion exhibition Kjellberg, Anne Abstract: In 2006 The National Museum of Art, Architecture and Design in Oslo showed the exhibition Per Spook. A Norwegian Fashion Designer in Paris (fig.
July 19th - 26th, 2015: Tango Cruise Baltic Sea and Saint Petersburg Highlight: Overnight stay in Saint Petersburg Dancing Tango in St. Petersburg, Tallinn, Helsinki and Riga Tango Workshops with Enrique
Hotel Miura Celadna Words: Joann Plockova Photography: Tomas Soucek Architects Labor 13 have created a striking hotel in rusting steel and grey cladding, topped by intriguing sculptures by Czech artist
When we use story-telling to interpret artworks Stephanie James Presentation at the 4 th ELIA Teachers Academy NATFA, Sofia, July 2009 When we use story-telling to interpret artworks In this presentation
September 13, 2013 (Bled, Slovenia) I don t sleep well. It s a combination of the jetlag and the room being too warm. The room has a thermostat that doesn t work in turning on the air conditioning. The
Entertain. Inspire. Celebrate. Philadelphia Museum of Art First Impressions Invite your guests to explore Philadelphia s premier cultural gem. Home to our worldrenowned, peerless collection, the Museum
Artwork BY Hanne TharaldsenYara House TEamwork PAGE 1 Yara Artwork In May 2014 Yara International ASA moved into their new headquarters in Oslo, Norway. My task has been to embellish six of the seven floors
The Lexington HAMPTONITE COLLECTION Photo Credit: Kenny Rodriguez We are happy to present our first clothing collaboration in the United States the Lexington Hamptonite collection! As you may recall, we
Exchange Report Spring 2015 Lund University, Sweden Summi Lau BBA (ECON and MGMT) Part 1: Activity Log January I arrived Lund on the official arrival day, 12 th January. There were a few mentors waiting
Komanovitz Hall University of San Francisco New interior atrium sketch study Mixed Use Study University of San Francisco A preliminary study to create a new green roofed basketball stadium as the anchor
Client: Fred Jones Jr. Museum of Art, The Stuart Wing and Adkins Gallery Completion: October 2011 Scope: Renovation of existing gallery and addition of new galleries - 54,570 SF Cost: $13 Million Awards:
Learning outcomes: Ancient Art I know how ancient people told stories through art I know why ancient people told stories through art I have used planning and creative skills to create cave art I have worked
That was then... This is now That was then.. This is now 1, is an exhibition made to discuss the position of craft today curated by Heidi Bjørgan at Hordaland Art Centre (HKS) in Bergen, Norway. That was
The North Fife Sundial Trail to St. Andrews by Dennis Cowan This sundial trail starts from the Forth Road Bridge (the main A90 road from Edinburgh) which spans the River Forth between South Queensferry
Kunstmuseum Stuttgart (Stuttgart Art Museum) Architect: Hascher und Jehle, Berlin Lighting designer: Peter Andres, Hamburg; ibb Burrer & Deuring Ingenieurbüro GmbH, Ludwigsburg Photographer: Thomas Mayer,
World About Contact Submit Advertise SUBSCRIBE TO OUR DAILY NEWSLETTER E-MAIL ADDRESS Sign In Register Selected Works CATALOG Home Projects News Articles Materials Interviews Software Venice Biennale More
Press release Muratcentoventidue-Artecontemporanea Kaja Leijon Wasteland Galleria Muratcentoventidue is pleased to present Wasteland, the first solo exhibition in Italy by Kaja Leijon, a young Norwegian
Welcome to Stockholm The Green Capital of Europe 2010 Day 1 Arrival to Arlanda Airport. A transfer bus with guide is waiting for us. It takes about 50 minutes from Arlanda to the hotel. On the way to our
Landscape Design Rationale Culture and History Streetscape and Entry Outdoor Rooms Shapes and Numbers The Chinatown district of Vancouver is rich with Chinese culture, history and landscape imagery. Throughout
Green Park Village BBCG Construction - Akbük Green Park Village Green Park Village excellently located in a picturesque and peaceful area of Akbuk with fantastic pine tree and sea views. The complex situated