codart Courant 9/December 2004

Transcription

1 codart Courant 9/December 2004 codartcourant Published by Stichting codart P.O. Box nl-1070 ka Amsterdam Managing editor: Rachel Esner e [email protected] Editors: Wietske Donkersloot, Gary Schwartz t +31 (0) f +31 (0) e [email protected] codart board Henk van der Walle, chairman Wim Jacobs, controller of the Instituut Collectie Nederland, secretarytreasurer Rudi Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie Jan Houwert, chairman of the Board of Management of the Koninklijke Wegener N.V. Paul Huvenne, director of the Koninklijk Museum voor Schone Kunsten, Antwerp Jeltje van Nieuwenhoven, member of the Provincial Executive of Zuid-Holland contents 2 A word from the director 2 Erratum 3 News and notes from around the world 3 Estonia, Tallinn, The Creation of Eve: notes about a painting and a related print 4, Berlin, Introducing the Niederländisches Forum 4 Russia, Moscow, Pushkin State Museum of Fine Arts 5 Sweden, Stockholm, Nationalmuseum 7, Introducing the Association of Art Museum s (aamc) 9 codartactivities in codart achtcongress: Dutch and Flemish art in Sweden, Haarlem, 6-8 March 10 Study trip to Stockholm, Drottningholm, Skokloster, Uppsala, Västerås and Strängnäs, September 17 The codartcurator s bookshelf 30 Appointments 30 codartmembership news 31 Membership directory 44 codartdates 44 Preview of upcoming exhibitions and other events January-June 2005 codartis an international council for curators of Dutch and Flemish art. It supports inter-museum cooperation in the study and display of art from the Lowlands through a variety of means, including congresses, study trips, publications and a website ( The organization was founded and is aided by the Netherlands Institute for Cultural Heritage. It enjoys the generous support of the Netherlands Ministry of Education, Culture and Science and the Ministry of Welfare, Health and Culture of the Flemish Community. codartcourant appears twice a year. Contributions are welcome. codartcourant is designed by Typography Interiority & Other Serious Matters, The Hague issn Haarlem: location of the codart achtcongress, March 2005 (Gerrit Adriaensz. Berckheyde, Grote Markt with the St. Bavo church, 1696, Netherlands Institute for Cultural Heritage, on long term loan to the Frans Hals Museum, Haarlem). Photo Frans Hals Museum, Haarlem

2 codart Courant 9/December A word from the director codart een, codart twee, codart drie codartmarches on, and so does time. When the idea was launched in 1997, I was 57 years old, and lo and behold, in the twinkling of an eye, next June I ll turn 65. In keeping with tradition, the board and I decided that would be the time for me to step down as director. We also decided that I would not leave codart. I will stay on, for two days a week, in the function that most fits my capacities and is the easiest to separate from general operations. That is the website, for which I will remain webmaster through In January 2005, the search for a new director will be on. Suggestions and self-nominations are welcome. These should be addressed directly to the chairman of the board: Henk van der Walle Bisschopsstraat akenschede. In the next Courant I will be writing my last Word from the, in which I will acquit myself of the responsibility of looking back over the past years, a task which I am already looking forward to with relish. My successor will not have it easier than I have the last few years. In Courant 8, published last June, I reported with satisfaction that the Arts Council had attached a resoundingly positive recommendation to codart s application for government subsidy for the years Unfortunately, the State Secretary of Culture, Medy van der Laan, while not contesting the evaluation, nonetheless decided to limit the term of the subsidy to the Photo Thea Vignau-Wilberg year 2005 only. This was the result of a new policy regarding the Arts Policy Document (Cultuurnota) under which codartand hundreds of other cultural organizations are subsidized. Van der Laan wishes to redefine the criteria for participation in the Cultuurnota; she has proclaimed the year 2005 a transitional period, during which new conditions will be established for what she calls supporting organizations, in contrast to producing organizations. On various fronts, we have objected to the way the rules for subsidy were changed after applications were submitted and to the pigeonholing of codartunder supporting organizations. This development does not necessarily mean that we will be cut off from Dutch government support after 31 December Frankly, with our track record and all the good will we have built up in the Ministries of Education, Culture and Science and of Foreign Affairs, I cannot imagine that coming to pass. In the coming months, van der Laan has said, she will issue new criteria, and we will be invited to submit a new proposal. If she sticks by this resolve, we will not have clarity about our post-2005 position until September of next year. I am confident that should codartbe removed from the Cultuurnota, new possibilities for funding our activities will be made available. We will keep you informed. In the meanwhile, the board and I have also agreed to put into effect an old wish of mine, namely a leave of absence in order to write a book on Rembrandt for the 400th anniversary of the master s birth in The leave has two components. From May 2004 on, I have been given one free day a week for the project. For the months October, November and December, I will be off duty altogether, performing only incidental tasks for codart. The slack has been picked up by two temporary members of the codartteam, with whom you might have had contact. Eelke Boswijk took on the organization of the codart achtcongress and Kate Gatacre is filling in for editorial and day-to-day tasks at the office. However, the real reason you have not noticed until now that I am gone is that codartis blessed with two dedicated associates, Wietske Donkersloot and Navany Almazan, who have kept things running smoothly. From behind my Rembrandt workstation, I wish you a good holiday season and a fulfilling new year. As for codartin 2005, I can assure you it will be another banner year, as you can see on page 8 and further. Also, take a look at the website and enjoy imagining our congress in Haarlem in March and the study trip to Sweden in September. Increase your enjoyment by signing up for them. You will be sorry if you don t. Gary Schwartz Erratum Due to a series of mishaps in the editing process, some unfortunate errors were introduced into the text of Joanna Tomicka, Dutch and Flemish prints in major Polish collections, codartcourant 8 (June 2004), pp A corrected version can be consulted on our website at: Downloads/Courants/courant8.pdf One section of the text that contained substantial errors concerning delicate issues should read as follows: In Kraków, after the First World War, the print room of the Polish Academy of Arts and Sciences was created. In 1935, this institution acquired the collections of the discontinued Polish Library in Paris and the collection of the Moszyn ski family, which was purchased by the state. The Polish Library in Paris was founded in 1838 through the efforts of Polish émigrés, who intended it to be returned to Poland when the country was liberated. The Academy of Arts and Sciences in Kraków (the use of the words Polish or National was forbidden by the foreign authorities at that time [ ]) was the leading national scientific institution protecting culture and education during the last period of the loss of independence. At present, the collection of the Academy comprises over 80,000 prints, making it one of the largest collections of European graphics in Poland. In 1953, three groups of works were united to form the collection of the print room of the academy in Kraków: that of the Moszyn ski family, the Polish Library in Paris, and subsequent acquisitions, including prints from German museums, which, as a result of the war, were located on Polish territory. Prints by Dutch masters are the most numerous and occupy a prominent place, constituting nearly 40% of all the holdings. The most valuable masterpieces are 83 engravings and one etching by Lucas van Leyden, and over 100 etchings by Rembrandt, although not all of these impressions are of the best quality. This collection provides a complete picture of the development and accomplishments of Dutch and Flemish graphics, presenting, in addition

3 3 codart Courant 9/December 2004 to well-known works, exceptionally rare pieces, such as a series of playing cards attributed to Balthazar van den Bos and a color print by Johannes Teyler ( ). Losses of prints caused by the Second World War were most severe and cannot be fully estimated, partly because some inventory books were also destroyed. The post-war territory of Poland, which was moved from the east to the west as a result of political decisions, compensated for the losses of Poland s eastern territories to a small extent. As far as Old Master prints are concerned, as compensation for irreparable wartime losses, the two partially surviving collections (Rehdigerana and Magdaleniana) of the Schlesisches Museum der Bildenden Künste, Breslau (now Wrocl-aw) were moved to the National Museum in Warsaw and the Polish Academy of Arts and Sciences in Kraków. These include Dutch prints from the 16th and 17th centuries, notable for the high frequency of impressions with broad margins, and for a small but important set of 15th-century prints. News and notes from around the world estonia Tallinn The Creation of Eve: notes about a painting and a related print The Kadriorg Palace, a branch of the Art Museum of Estonia (ame), presently displays an anonymous Creation of Eve (Genesis 2:21-25), which originally came from the collection of the Literary Society of Estonia. The panel (89.5 x 69.7 cm, inv. nr. ekmm1333) may originate from a series depicting the creation of the world and might perhaps have once decorated a church (balcony), together with other biblical scenes. The painting was restored in 1963 by specialists from Moscow, and in 1999 by Yelena Kukina (ame). She removed most of the 18th- and 19th-century overpaintings, with the exception of those that had nothing underneath. Juta Keevallik published the Creation of Eve as the work of an unknown Netherlandish artist. The somewhat stiff figures in the painting appear separated from the landscape by their sharp outlines. This suggests that an engraving served as the model for the composition. Years ago, I found an engraving by Cornelis Cort (ca ) after Zuccaro s Creation of Eve, a possible pendant to a Creation of Adam (both 1572), reproduced in Armin Zweite s book on Maerten de Vos. It was striking to what degree our painting followed the model. Cornelis Cort s print is, of course, also included in the related volumes of both the Old and New Hollstein. Cort, a well-known engraver, worked with Hieronymus Cock in Antwerp and later with Titian in Venice and several other artists in Rome. During his second stay in the Eternal City (from 1572 until his death in 1578) he engraved the frescoes by Federigo (1540/ ) and Taddeo ( ) Zuccaro in the Sala dei Sogni of the Palazzo Farnese in Caprarola, among others. Zuccaro s Creation of Eve was certainly influenced by the same composition in the Sistine Chapel, while Michelangelo in his turn was fascinated by Jacopo della Quercia and other innovative artists of Quattrocento. In relation to Jacopo della Quercia s Sienese stone relief of the Creation of Eve ( ) Charles Seymour Jr. has written: As Eve is drawn up to a standing position by the powerful grasp of the hand of her Creator, she looks askance at her own hand, by which, as a human, she must learn to make her way in the world. Traditionally in this scene, Eve s hands are shown clasped in prayer. (It is well known that in the late Middle Ages, the Virgin Mary was often characterized as the New Eve and as the Church itself, born of the wound in Christ s side.) Mannerist artists presaged Baroque, but also partly looked back to medieval forms and iconography. I now come to my request: It would be interesting to know how many paintings and engraved copies after the Zuccaro/Cort composition are known today. So far, Suzanne Laemers (rkd, The Hague) has informed us of two variants: one of the panels was on sale in Munich in 1965, the other (attributed to Raphael Coxie) in Antwerp in Some of the works of the same subject differ from the Tallinn painting in that other scenes from Genesis, such as the Creation of Adam and Expulsion from the garden, are depicted in the background. The painting in the ameis far more concentrated no other biblical scenes are added, and Paradise has been left without any birds or animals. Their creation and other related motifs might have been depicted on separate panels. The Creation of Eve in the amecan probably be dated to the end of the 16th or beginning of the 17th century. Do any of the readers of codartcourant know the present location Photo courtesy of the rkd, The Hague Anonymus, Creation of Eve, ca. 1600, Tallinn, Art Museum of Estonia. Cornelis Cort after Federigo Zuccaro, Creation of Eve, Anonymous, Creation of Eve, n.d., auctioned in Munich in 1965.

4 codart Courant 9/December of works that could be related to our panel? Helena Risthein Art Museum of Estonia, Tallinn Bibliography Exhib. cat. Lääne-Euroopa rahvaste realistlik kunst, Tallinn 1953, p. 31 (where the panel is attributed to an anonymous German master). Juta Keevallik, xviisajandi hollandi ja flaami maal Tallinna Riikliku Kunstimuuseumi kogus, Tallinn 1970, pp. 54 (ill.), 55. Manfred Sellink, Cornelis Cort i, in: The New Hollstein: Dutch and Flemish Etchings, Engravings and Woodcuts , Rotterdam 2000, pp. xxvi xxvii. Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, Leipzig , vol. 31, p Alfred von Wurzbach, Niederländisches Künstler- Lexikon, Vienna & Leipzig 1906, vol. 2 [Leipzig 1910], p Armin Zweite, Marten de Vos als Maler: Ein Beitrag zur Geschichte der Antwerpener Malerei in der zweiten Hälfte des 16. Jahrhunderts, Berlin 1980, fig Works mentioned Jacopo della Quercia s, Creation of Eve, , stone relief, Siena. Michelangelo, Creation of Eve, , fresco, Sistine Chapel, Vatican. Federigo Zuccaro, Creation of Eve, 1566, fresco, Palazzo Farnese, Caprarola. Cornelis Cort, Creation of Eve, 1572, engraving (The Illustrated Bartsch, part 52, nr. 1). Anonymous (Netherlandish), Creation of Eve, ca. 1600, oil on panel, Tallinn, Art Museum of Estonia, inv. nr. ekmm1333. Anonymous, Creation of Eve, n.d., oil on panel, auctioned in Munich in Raphael Coxie (attributed to), Creation of Eve, n.d., oil on panel, auctioned in Antwerp in germany Berlin Introducing the Niederländisches Forum The Niederländisches Forum was founded at the Art History Institute of the Freie Universität Berlin in May It is kindly supported by the Royal Netherlands Embassy. The Niederländisches Forum, with its new contributions to research, raises the profile of the art and art history of the Low Countries. In the first instance, it takes the form of a permanent lecture series with around four or five sessions per semester. The subject matter is wide ranging: Netherlandish, Dutch and Flemish painting and graphics, sculpture and arts and crafts, architecture and new media all feature on the program. The emphasis is on current reports from the areas of research and practice. The Niederländisches Forum thus strengthens the ties between the university and museums. It brings together teaching staff, researchers and other interested parties, thereby improving the networks and exchange of information between these groups. Alongside recognized experts from both home and abroad, young researchers are offered the opportunity to present their work. Renaissance and Baroque art was the focus of the first lecture series, but all periods from the Middle Ages to the present will be represented. In the first series, which opened with a farewell lecture by Jan Kelch, the departing of the Gemäldegalerie Berlin, the speakers were Reindert Falkenburg (Leiden), Alexandra N. Bauer (Potsdam) and Holm Bevers (Berlin). The lecture by James H. Marrow (Princeton) took place at the Dutch embassy in Berlin. The building, designed by the Dutch architect Rem Koolhaas, is one of the most spectacular new structures in the capital, and it provided an excellent backdrop, bringing our project to the attention of a wide audience. The events were extremely successful and they also received a good response outside Berlin. This winter, the speakers include Volker Manuth (Nijmegen) and Katja Kleinert (Berlin). In December, Bernd Lindemann, the recently appointed director of the Gemäldegalerie Berlin will hold his first public lecture in his new post at the Niederländisches Forum. This event will again take place at the embassy. In addition, a multidisciplinary projectbased scheme is planned for 2005 in collaboration with Jan Konst from the Dutch Philology Department of the Freie Universität. To mark the Rembrandt exhibition at the Gemäldegalerie and the Kupferstichkabinett Berlin in 2006, the museums will work together with the Niederländisches Forum to stage an international symposium in Berlin. Berlin is a center with a rich tradition of research into the art history of the Low Countries. The Berlin museums have a wealth of outstanding examples of Dutch and Flemish art. The Gemäldegalerie and the Kupferstichkabinett, in spite of considerable wartime losses, still rank as collections of worldwide importance. The quality and size of the collections in Berlin permit an immediate, broad and in-depth study of the art of the Low Countries. Renowned scholars in this field have been active in universities and museums in Berlin. Furthermore, the city offers particularly good opportunities for research. The Staatsbibliothek and the Kunstbibliothek, art-history institutes and their libraries, equipment and projects, important archives, and numerous academic institutions and societies provide ideal conditions for research and academic exchange. It is clear that Berlin is unusually well equipped as a site for research into the art history of the Low Countries. So, the aim in the near future is for the Art History Institute of the Freie Universität Berlin to place an emphasis on the art history of the Low Countries. The Niederländisches Forum is an important first step towards this goal. Christian Tico Seifert Freie Universität, Berlin Idea and conception: Christian Tico Seifert Contact details: Christian Tico Seifert Freie Universität Berlin Kunsthistorisches Institut Niederländisches Forum Koserstraße 20 d Berlin [email protected] russia Moscow Pushkin Museum of Fine Arts Between 1998 and 2002, the Pushkin Museum of Fine Arts held a number of large exhibitions of 16th- and 17th-century paintings and drawings from the Netherlandish, Dutch and Flemish schools. Even so, the wealth of the collection is such that more works continue to be brought out of the reserves. During the first quarter of 2003, an exhibition of prints by Lucas van Leyden (curator and author of the catalogue Natalja Markova) the first exhibition of works by this excellent Dutch

5 5 codart Courant 9/December 2004 master in the history of the Pushkin Museum in essence introduced him to the Moscow public for the first time. From September to November 2003 the whole of the temporary exhibition space was devoted to an impressive display, The art of etching: 16th-20th centuries (curator Natalja Markova). Nearly 400 prints from the collection illustrated the birth and development of etching in all its different forms, including reproductive techniques of the 18th and 19th centuries, with examples by German, Italian, Dutch, French, Flemish, British, and Russian masters. The Dutch school, in which etching might almost be considered the national printing technique, occupied a central place, with some 50 prints by all the principle 17th-century printmakers, led by Rembrandt, occupying the full length of one of the long walls in the main exhibition room. The weighty catalogue, incorporating a survey of etching, detailed entries on each exhibit, and a brief biography of the engravers, represented the fruits of the labors of a group of scholars from the printroom. While we regret that it was only possible to produce this catalogue in Russian, we can console ourselves with the fact that it has already become a key reference work for Russian speakers, who suffer from a marked lack of publications on the subject in their native language. The main event of 2004 was the exhibition Visual images and hidden meanings: allegories and symbols in Dutch and Flemish paintings of the xvi and xviicenturies (February-April, curator and author of the catalogue Vadim Sadkov). Of the 83 paintings, a few were masterpieces taken from the permanent display, but the main body was made up of works from storage, throwing new light on many different aspects of the subject, from overt allegory to the profoundly hidden subtext of Dutch genre scenes. In order to fill the lacunae in the range of subjects, four paintings were borrowed from the museum in the town of Serpukhov, allowing specialists in Moscow to see interesting works by Isaack de Jouderville, Jan Victors and a joint work by Jan Boeckhorst (?) and Pieter Boel. For the first time, this exhibition demonstrated to Russian viewers that paintings by Dutch and Flemish artists of the Golden Age were not mere snapshots of everyday life but moralizing, didactic, religious and philosophical works reflecting the ideas of their time. Such was the success enjoyed by the show confirmed by the excellent attendance figures that the catalogue sold out long before it closed. Dutch painting and works on paper were collected in Russia from the time of Peter the Great. This was demonstrated in our recent exhibition The Golitsyn Museum on the Volkhonka, which reconstructed one of the largest private Russian aristocratic collections (curator Natalja Tretyakova, catalogue by leading specialists from the Pushkin Museum and the Hermitage in St Petersburg, with an overview and analysis of the collection of Flemish painting by Natalia Grizay). Assembled over the course of the 18th century, in the early 19th century this collection went on display in the Golitsyn Palace on the Volkhonka, next door to where the Pushkin Museum stands today. (Two buildings in the palace complex were restored several years ago by the Pushkin Museum and now house branches of the museum, the archive and the so-called Museum of Private Collections. ) Although Dutch and Flemish paintings were not central to the Golitsyn collection, it did include some 20 works, among them paintings by David Teniers ii, Dirk Maes, masters of cabinet painting such as Joos de Momper, Jan van Kessel i, and Peeter Neefs i; among the most celebrated works we should mention Girl in the window by Gabriel Metsu (Pushkin Museum of Fine Arts) and two paintings by Jan van Bloemen from the Hermitage, the only generally accepted works by this artist in the Petersburg museum. The last owner of the collection, Sergey Mikhaylovich Golitsyn, sold it to the Imperial Hermitage Museum in 1886 and many of its pieces found a home in the Winter Palace; during the Soviet years some works were transferred to Moscow and other towns and cities around the former Soviet Union, as a result of which tracing the objects was no simple task, involving intensive research. Works by Dutch artists are to be found in other Moscow museums as well. An unequalled collection of Dutch 17th-century silver forms part of the Armory Chamber in the Kremlin. Based on a full scholarly catalogue of this collection published modestly in black and white in 1990, a superbly illustrated album devoted to the collection has recently appeared, also available in English (Galina Markova, Dutch silver in the Armory Chamber, Moscow 2003). Natalja Markova Pushkin Museum of Fine Arts, Moscow (translated by Catherine Philips) Cover of the exhibition catalogue Lucas van Leyden: engravings in the State Pushkin Museum of Fine Arts, writtenby Natalja Markova, Moscow Cover of the exhibition catalogue Visual images and hidden meanings: allegories and symbols in Dutch and Flemish paintings of the xviand xviicenturies, written by Vadim Sadkov, Moscow sweden Stockholm Nationalmuseum From the very beginning of the 17th century relations between Sweden and Holland were close. The literary and scientific dialogue was as intensive as investments of Dutch capital in the iron industry. A large number of Swedes visited the universities of Leiden and Amsterdam. There were 150 Swedes, mostly young noblemen, studying in Leiden during the 1640s. They included heroes of the Thirty Years War such as Magnus Gabriel de la Gardie

6 codart Courant 9/December and Karl Gustav Wrangel, leading aristocrats, statesmen, and patrons of the arts in Sweden in the second half of the 17th century. The inventories of de la Gardie s estate list several Netherlandish pictures: history paintings, fruit pieces, still lifes, landscapes, and marine and genre paintings. Wrangel purchased Dutch art for his castle at Skokloster. In 1651 he commissioned a number of works from Dutch artists through the Swedish resident in The Hague, Harald Appelbom. These included a Winter landscape by Jan Steen. Sweden s first Rembrandt painting, The apostle Peter, was brought here by a Dutch inhabitant of Copenhagen, Carl von Cracow. The principal authors of Sweden s growing prosperity during the next 100 years included the Dutch industrialists who had already settled in the country in the early 17th century. Their motives were both religious and commercial. They were mainly of members of the De Geer, De Besche, Grill and Peill families, all of whom were to play a very important role, particularly after the end of the war in 1648, and who would also continue to thrive even after Sweden s period as a great power came to an end with the Battle of Poltava in Their most important achievement was the development of the iron industry in Sweden. For the whole of the 18th century iron was to remain the nation s most important export. The families not only maintained contacts with their home country but also brought with them their culture, their wealth and their art collections, which today form the cornerstone of the Nationalmuseum s considerable collection of Dutch paintings. It was a member of the Peill family who brought one of Rembrandt s greatest masterpieces, The conspiracy of the Batavians under Claudius Civilis, to Sweden. Louis de Geer, one of the biggest arms dealers in Europe, had already become a Swedish subject in The family tradition was kept up by his sons, who were iron manufacturers at Leufsta bruk, Uppland and elsewhere. Portraits of Louis de Geer the Younger and his wife Jeanne Parmentier are set into the walls of the main building at Leufsta. They were painted by Bartholomeus van der Helst, probably on the occasion of the couple s wedding in Utrecht on 13 September The Dutch industrialists also attracted painters like Allaert van Everdingen, Govert Camphuysen and Cornelis van der Meulen to Sweden. Although political links with Holland declined towards the close of the century, its cultural influence persisted well into the 18th century. In about 1700 there were just two truly Bartolomeus van der Helst, Louis de Geer The Younger, Leufsta bruk, Sweden. eminent art collections in Sweden, one of them belonging to Johan Gabriel Stenbock and the other to the painter Martin Meytens the Elder. Johan Gabriel Stenbock embarked on a brilliant career at the Swedish court and in the civil service, becoming a Privy Councilor in 1668, when he was only 28 years old. He accumulated a considerable fortune, which he invested with bankers in Holland Baron Suasso and Samuel Texeira. His art collection contained several works by Rembrandt and his school, including his Kitchen maid, and portraits of an old man and an old woman. Carl Gustaf Tessin, the only son of the palace architect Nicodemus Tessin, was the most brilliant cultural personality in 18th century Sweden. His art collection left an The dining room at Leufsta bruk, Sweden. Bartolomeus van der Helst, Jeanne Parmentier, Leufsta bruk, Sweden. important mark on the Nationalmuseum s collection of foreign works. His first purchases were made in Paris in 1728 and then again between 1739 and 1742, when he was ambassador there. He was mainly interested in French art, but he also had a liking for works by Dutch masters, such as Portrait of a lady in profile by Rembrandt and Cornelis Verhout s Sleeping student. Queen Lovisa Ulrika and her consort Adolf Fredrik engaged Tessin to purchase works of art for the royal collections. At an auction in Paris 1748, acting on their behalf, Tessin acquired ten Dutch works, among them Cornelis Bega s The music lesson. He also acquired paintings from Amsterdam: Isack Ostade s Self-portrait, Adriaen van Ostade s

7 7 codart Courant 9/December 2004 Lawyer sharpening his pen, and other paintings attributed to Rembrandt. Lovisa Ulrika s son Gustav iiipurchased 24 paintings from the Sack family at Bergshammar in That collection included several important Rembrandts, among them the aforementioned Kitchen maid, but also works by other Dutch painters such as Ferdinand Bol, Gabriel Metsu, Pieter de Hooch, Salomon de Keyser, Philip Konincks, and Jan Victors. Additions to the collection of Dutch paintings continued to be made during the 19th century. Acquisitions included, for example, Judith Leyster s Boy playing the flute. In 1881 the Nationalmuseum acquired The apostle Peter by Rembrandt. In 1949 it received Rembrandt s Simeon in the temple as a donation, and a small self-portrait (now stolen) was acquired in The collection also includes several important landscapes by Ruisdael, Van de Cappelle and Van Everdingen. The Dutch Caravaggisti are also represented, i.e. Terbruggen and Mattias Stomer, as well as classicists such as Caesar van Everdingen and genre painters from Haarlem. An exhibition project and a catalogue raisonné In 1967 the Nationalmuseum presented a larger selection of Dutch Old Masters from Swedish collections. The aim was to display the breadth of 17th century Dutch painting, its many genres and thematic contexts. Rembrandt was the obvious focus, and the show included six paintings and 22 drawings by the master. The 1992 exhibition, Rembrandt and his time, held to mark the museum s bicentenary dealt with Rembrandt and the reevaluation of his art in the past 20 years, but it also included a large circle of pupils active in Rembrandt s studio and a wider circle of artists active in the Netherlands in the artist s day. In the exhibition The Dutch Golden Age (September 2005-January 2006) our aim is to present the most important and influential masters and art centers of the Golden Age. We are fortunate to receive important loans of paintings from the Rijksmuseum and the Mauritshuis and from the Statens Museum for Kunst in Copenhagen. A special section of the exhibition will bring together the Dutch drawing collections from Stockholm and the Ashmolean Museum in Oxford. The last part of the exhibition will deal with the relationship between the Netherlands and Sweden during the Golden Age. The exhibition will coincide with the publication of a catalogue raisonné of the Nationalmuseum s entire holdings of Dutch paintings (ca. 500). An exhibition catalogue will also be published, with essays by Christopher Brown (Oxford), Börje Magnusson (Rome), Karin Sidén, Mårten Snickare and myself (Stockholm). It is a great pleasure for us that the codartstudy trip 2005 will focus on the exhibition and other collections of Dutch and Flemish art in and around Stockholm. Görel Cavalli-Björkman Nationalmuseum, Stockholm Introducing the Association of Art Museum s (aamc) Established in the spring of 2001, the Association of Art Museum s (aamc) is a North American professional organization for art museum curators. Its mission statement conveys its purpose: s have a primary responsibility for the acquisition, care, display, and interpretation of works of art; the Association of Art Museum s (aamc) has been founded to support their role in shaping the mission of art museums in North America. The aamcserves as a forum for the exchange of information and ideas, as an organization to promote professional development, and as a voice to museum directors on matters of mutual concern. Membership to the organization is open to any curator responsible for art, from assistant curator to chief curator, at any of the 186 museums that form the Association of Art Museum s (aamd), also a North American organization, and currently stands at approximately 550. To date three annual conventions have been held, the most recent being that convened on 10 May 2004 at The Asia Society and Museum in New York City (sessions: The curator and scholarship and The curator and the architect ). The aamchas a board of trustees, is incorporated, has established a foundation for the purposes of fund-raising, and has written by-laws. Committees have been formed in the following areas: executive and nominating, finance, membership, museum collections and exhibitions, professional development and conference, professional standards, and prize committees. To date all events have taken place in New York, but it is the aim of the organization to hold future gatherings in other parts of North America. To that end, the aamc s first continuing education seminar is to be held at The Art Institute of Chicago on Friday, 29 October 2004 (sessions: budgeting and planning methods for exhibitions, and the nuts and bolts of provenance research). For additional informations, please consult the aamc s website: Lawrence W. Nichols The Toledo Museum of Art Photo Rijksmuseum, Amsterdam Allaert van Everdingen, The artillery foundry of Hendrik Trip in Julita bruk, Södermanland, Amsterdam, Rijksmuseum.

8 codart Courant 9/December codart achtin Haarlem: Register now! On the 6, 7 and 8 March 2005, codartwill hold the codart achtcongress in Haarlem. Haarlem is known for its historic town center, which includes many former almshouses, as well as two important museums: the Frans Hals Museum and the Teyler Museum. Program The focus of this year s program is the wealth of Dutch and Flemish art in Swedish collections. The theme of the workshops will be permanent collections. Various aspects will be examined: (1) different ways of presenting these collections, (2) the changing role of curators, and (3) the question of how to strengthen and expand permanent collections. Inspired by the Pieter Claesz exhibition, on view at the Frans Hals Museum during the congress, a workshop will also be dedicated to monographic exhibitions (4). Participants can choose to join the excursions in Haarlem, which will include a viewing of the best prints and drawings in the Teyler Museum and the Haarlem city archives. An alternative excursion program offers visits to the collection of the West Fries Museum in Hoorn and the Stedelijk Museum in Alkmaar. We will also visit the Grote Sint Laurenskerk, where restoration of the Last Judgment by Cornelis Cornelisz. Buys I on the vaulted ceilings is now in progress. See also the preliminary program on p. 9. A complete and up-to-date program of the congress and more information about Haarlem, the workshops and the members meeting can be found at: Registration and fees The congress fee is 80 euros. This includes documentation, excursions, lunches, the congress dinner and various receptions. Information For more information about codart achtplease visit or contact us at: codart c/o Navany Almazan t e [email protected]

9 9 codart Courant 9/December 2004 codartactivities in 2005 codart achtcongress: Dutch and Flemish art in Sweden, Haarlem, 6-8 March The program is subject to change. If you are attending the congress, please keep an eye on the codartwebsite. Sunday, 6 March 13:30-17:00 Pre-congress walking tour of Haarlem, in three groups. [15:00-17:00 Meeting of codartboard and Program Committee.] 17:00-20:00 Registration and reception at: Hollandsche Maatschappij der Wetenschappen Spaarne 17 nl-2011 cdhaarlem t f e [email protected] w 18:00 Greeting by the director of codart, Gary Schwartz, and the Hollandsche Maatschappij. Monday, 7 March 8:30-9:00 Registration continues. 9:00-11:30 Opening session Dutch and Flemish art in Sweden. Teyler Museum Spaarne 16 Haarlem t f e [email protected] w 9:00-9:15 Greeting by Marjan Scharloo, director of the Teyler Museum, and introduction by the congress chair, Stephen Hartog. 9:15-9:35 Görel Cavalli-Björkman (Stockholm, Nationalmuseum) The Low Countries and Sweden: a history of artistic connections. 9:40-10:00 Karin Sidén (Stockholm, Nationalmuseum) Dutch and Flemish paintings in Swedish collections. 10:05-10:25 Börje Magnusson (Swedish Academy in Rome) Collections of Dutch and Flemish drawings in Sweden. 10:25-10:45 Discussion. 10:45-11:00 Walk to: Frans Hals Museum Groot Heiligland 62 nl-2011 eshaarlem t f e [email protected] w 11:00-11:30 Coffee. 11:30-11:35 Greeting by Karel Schampers, director of the Frans Hals Museum. 11:35-11:45 Introduction to the Pieter Claesz. exhibition by Pieter Biesboer. 11:45-13:30 Visit to the exhibition and museum; buffet lunch in the museum restaurant available throughout. 13:30-13:35 Introduction to workshop sessions by the congress chair. 13:35-13:55 Anna Somers Cocks (The Art Newspaper) Making the most of the permanent collection. 14:10-15:25 Workshops in the Frans Hals Museum. Information on subjects, chairs and speakers can be consulted on the website. 15:25-15:45 Tea break. 15:45-16:45 Presentation of results of the workshops and discussion. 16:45-18:45 Visit to the town hall of Haarlem, with an introduction by Pieter Biesboer, author of a book on the commissioning and purchase of art by the city for the town hall. Welcome and reception offered by the municipality: Stadhuis Grote Markt rdhaarlem t :00-23:00 Congress dinner at: Sociëteit Trou Moet Blijcken Grote Houtstraat sjhaarlem t Tuesday, 8 March 9:00-12:00 Members meeting at the Teyler Museum. Speakers to be announced on the website. 10:30-10:50 Coffee. 11:40-12:00 Discussion and closing of the congress. 12:00-13:30 Visit to the Teyler Museum, with buffet lunch available throughout in the museum s Tuinzaal for participants remaining in Haarlem for the afternoon. 13:00-18:00 Excursion for participants who have registered for the bus trip to Noord- Holland. Departure, with box lunch on bus, to Stedelijk Museum Alkmaar and Westfries Museum in Hoorn. 13:30-18:00 For participants remaining in Haarlem, visits to the print, drawing, map and book collections of the Teyler Museum, Rijksarchief Noord Holland, Archief Kennemerland and Stadsbibliotheek Haarlem, and to Haarlem booksellers and an auction house. More information can be consulted on the website. Photo Teyler Museum, Haarlem Photo Teyler Museum, Haarlem Photo Frans Hals Museum, Haarlem Teyler Museum, Haarlem: the oldest public museum in the Netherlands, opened in The Ovale Zaal of the Teyler Museum, Haarlem. Courtyard of the Frans Hals Museum, Haarlem.

10 codart Courant 9/December Study trip to Stockholm, Drottningholm, Skokloster, Uppsala, Västerås and Strängnäs, September The program is subject to change. If you are attending the congress, please keep an eye on the codartwebsite. When Hans Nieuwdorp held his historic exhibition of 15th- and 16th-century Antwerp composite altarpieces (retabels) in Antwerp Cathedral in 1993, he compiled a checklist of the examples he had located in the course of 25 years of research on the subject. Perhaps not so surprisingly, in view of the extent of iconoclasm in, the country of origin of the altarpieces came only third among countries preserving these astonishing objects. In first place was, but in second place, and this is something of a surprise, stood Sweden, with 26 examples. Before the (early) adoption of Protestantism, a constant stream of orders went from churches all over Sweden to the Antwerp dealers who coordinated the production of these highly complex creations of carpenters, sculptors, painters and gilders, each organized in a different guild. As purchasers on this scale, Swedish churches can be said to have been a major partner in the Antwerp art world in the decades around The survival of so many altarpieces in Sweden, as compared to, for example, the Netherlands, can be credited to the fact that Lutheranism became the state religion of Sweden in 1527, which it remained until the year Thanks to the relatively relaxed attitude of the Lutherans to art in churches, the country was spared the devastations of iconoclasm. Magnificent examples in a variety of modes will be seen on the study trip in the cathedrals of Strängnäs, Västerås and Uppsala, and in the Historiska Museet in Stockholm. As in other areas of Northern Europe, many of the architects and sculptors not to mention engineers and town planners who gave form to noble, governmental, ecclesiastical, educational and (primarily) military buildings and installations in Sweden in the early modern period came from the Netherlands. An entire colony of Dutch professionals, craftsmen, small businessmen and shopkeepers was brought to Göteborg, where they built two successive cities, the first of which was destroyed by the Danes in In the course of the 16th and 17th centuries colonies of this kind were established in various Swedish cities. The one in Stockholm was concentrated in Södermalm, the island south of Gamla Stan, the old town. Speaking Dutch and practicing Calvinism, they formed communities of their own. Some survived well into the 18th century, interacting on all levels, including the arts, with local society. The foremost artist in this wave of imported Netherlanders was the Flemish architect and sculptor Willem Boy (ca ), who in 1558 was brought from Mechelen to Sweden by King Gustav Vasa (King Gustav i, ; reigned ). Works by Boy to be seen on the trip include the churches of St. Jacob and St. Klara in Stockholm, the funeral monument of Gustav Vasa in Uppsala Cathedral, and the beautiful, moving tomb of the two-year-old Princess Isabella ( ) in Strängnäs Cathedral. The royal gardens of Sweden were designed and maintained in the 16th century by the Netherlandish garden architect Hans Friese. Kings Gustav Vasa and his sons Erik xiv( ; reigned ) and Johan iii( ; reigned ) had him in service for some 40 years, during which he laid out the gardens at the palaces of Gripsholm, Svartsjö, Linköping, Uppsala and the Kungsträdgården in Stockholm. This precedent was picked up in the following century when Hedvig Eleonora ( ), the widow of King Karl x Gustav ( ; reigned ), brought the Dutch gardener Christiaan Horleman to Sweden. After his death his function was inherited by his son Johan and grandson Carl, who, after Johan was knighted by King Karl xii,changed the family name to Hårleman. Thanks to the ties of these men with Dutch colleagues and plant nurseries, the actual flora used in Swedish royal gardens overlapped that of the Netherlands for a century and a half. Bridge to Gamla Stan, the old town of Stockholm. In the 17th century the main motor for Swedish-Netherlandish artistic relations was provided by the military-industrial complex of the time, epitomized by the Flemish-Dutch merchant Louis De Geer ( ). De Geer was born in the prince-bishopric of Luik (Liège) into a pious Protestant family that moved to Dordrecht, perhaps for religious reasons, in With his brother-in-law Elias Trip ( ), he built a financial empire in the Netherlands and Sweden, based on mining and weapons manufacture. In exchange for minerals, mines and valuable contracts and licenses, the two helped fund the wars of the Swedish king Gustav iiadolf ( ; reigned ), in the process acquiring houses and estates in and outside Stockholm. De Geer became Lord of Österby and Finspång, mining districts in Uppland, north of the city. At his houses he installed paintings by Dutch artists, family portraits and views of his Swedish holdings. Paintings of Sweden were hung in his Amsterdam home, the House with the Heads at Keizersgracht 123, and in that of the sons of Elias Trip, the Trippenhuis (see codart zes). Artists of the caliber of Bartholomeus van der Helst and Allaert van Everdingen were commissioned by the Trips and De Geers, reinforcing the already strong ties in painting between the Netherlands and Sweden. The close resemblance of De Geer s house in Södermalm, Stockholm, to the Mauritshuis in The Hague, although it may be fortuitous, invites one to speculate on the parallels between the expansive careers of Louis De Geer and Johan Maurits van Nassau. Both were immigrants to the Netherlands Photo Gary Schwartz

11 11 codart Courant 9/December 2004 who rose to leading positions in their respective worlds, especially outside the country and especially in military contexts. The import of architectural and artistic talent from the Netherlands became part of the regular trade activities of the De Geers and Trips, especially in the following generations. Conversely, the Swedish government maintained an agent in the Netherlands, Peter Trotzig, who joined cultural entrepreneurship to his more commercial duties. Via these channels, Justus Vingboons (1620/21-98), the younger brother of the famous Dutch architect Philips Vingboons, seems to have gotten Swedish commissions in Amsterdam and Dutch ones in Stockholm. In 1653 Trotzig brought Justus to Stockholm to complete the Riddarhuset (House of the Nobility), begun by Simon de la Vallée. Koen Ottenheym considers the drawings Justus made for the project to be derived from Philips s rejected proposal for the Amsterdam town hall. Following the completion of his three-year contract in Stockholm, Justus returned to Amsterdam to build the Trippenhuis for the sons of Elias Trip, Louys and Hendrik, who he is likely to have met in Sweden. The Riddarhuset was the most conspicuous project of its time and it served as a model for representative Swedish architecture for a century to come. In other respects as well, Dutch attainments in the arts, sciences and education served as a model for Sweden in the 17th century. A prominent manifestation of this phenomenon was reached under Queen Christina ( ; reigned ), when the Dutch scholars Isaac Vossius and Nicolaas Heinsius served as royal advisors. A lasting record of the architectural fruits of this long period of Dutch-Swedish cooperation is the album Suecia antiqua et hodierna ( Sweden then and now ; published in 1715), a proud compilation of 350 engravings of the main country houses, city palaces and towns of the kingdom. Not only were many of the houses in the book built by Netherlandish architects, the book itself was filled largely by Dutch draftsmen and engravers. As in the case of Poland (codart zeven) and Denmark (undoubtedly a codarttheme to be), the national image of Sweden was given form in the 17th century both on the ground and in iconographic representation by craftsmen, designers and artists from the Netherlands. That many of the same individuals also fulfilled similar functions in the Netherlands itself, in the service of town regents and the House of Orange, is characteristic for a period when the nationalities of Europe were still in statu nascendi. Swedish military expeditions of the 17th century, when successful, never failed to come home without some looted art. Undoubtedly the highpoint, one of the most successful art raids in history, was the seizure in 1648 in Prague of some 600 items collected by Emperor Rudolf ii. The raid was committed just a day or two before the signing in Osnabrück of the peace treaty that would have made the act illegal. Among the booty were major paintings by Netherlandish masters such as Jan van Hemessen, Joachim Beuckelaer and Jan Massys. Bronze sculptures by Adriaen de Vries were taken from the gardens of the Wallenstein Palace and were placed in Drottningholm at the end of the 17th century, where they still stand today. Although Queen Christina was the most dedicated art collector among the Swedish monarchs, few of her possessions have remained in the country, and few of those were from the Netherlands. Half the collection of 16th-century Netherlandish paintings in the Nationalmuseum, some 30 paintings, came to Christina s collection from Prague as booty. Included amongst them are all the important paintings by the aforementioned Beuckelaer, Hemessen and Jan Massys. Just two or three of the paintings have an older Swedish provenance, from the collection of Gustav Vasa. Participants in the codart acht congress will have an opportunity to admire a choice of masterpieces from Christina s drawing collection in the Teyler Museum. After her abdication and departure for Rome the collection was sold in parcels over the course of the centuries. In the late 18th century Pieter Teyler was able to buy part of the collection from the Odescalchi family. Several late 17th- and 18th-century monarchs of Sweden collected art for the nation in a less violent fashion. The provenance of some of the best Dutch and Flemish paintings in the Nationalmuseum are found on the inventories of King Fredrik i ( ; reigned ) in 1749, in 1760 of Queen Lovisa Ulrika ( ), in 1771 of her consort Adolf Fredrik ( ; reigned ), in 1792 of King Gustav iii( ; reigned ), and in 1804 and 1816 of the Kungliga Museum (Royal Museum). Of even greater importance in the 18th century than the rulers was the courtier who advised them in their purchases (or sold to them) and who built outstanding collections of his own, Count Carl Gustaf Tessin ( ). The only son of the palace architect Nicodemus Tessin the Younger, Carl Gustaf was the most brilliant Swedish cultural personality of the 18th century. He began buying art for the crown in Paris in 1728 and again in , when he was ambassador there. In 1747 he became prime minister. Ruined, however, by the costs of collecting and of maintaining the luxurious lifestyle of a great nobleman, he was forced to sell off much of his collection and many of his most important works were ceded to the Swedish royal family. After his death [the rest of his collection] was sold at two auctions. At the first auction Gustav iiibought many of the works and they became public property when the royal museum was created in This became the Nationalmuseum in (The dictionary of art) That museum, the country s main repository of Dutch and Flemish paintings and drawings, is the host museum for the codart achtstudy trip. The second most important museum collection in Sweden, Göteborg s Konstmuseum, with important paintings by Rubens, Jordaens, Snyders and Terbrugghen, among others, cannot be visited on account of the distance. Among the many other attractive destinations that we are obliged to omit for the same reason are the Cathedral of Linköping, with its world-famous triptych of the Crucifixion by Maerten van Heemskerck (afull-size reproduction can be seen in the Grote Sint Laurenskerk in Alkmaar by participants in the codart achtcongress excursion to Noord-Holland); and Leufsta bruk and Finspång, country houses built by the de Geers in the 17th century as headquarters for their mining and manufacturing operations south and north of Stockholm. Detail of façade of the Riddarhuset (House of the Nobility), Stockholm. Photo Hans Hammarskiöld

12 codart Courant 9/December Among the sources for the above is a book published in 2002 by the Royal Netherlands Embassy in Stockholm: Badeloch Noldus, Palats och herrgårdar: Nederländsk arkitektur i Sverige Stadspaleizen en buitenplaatsen: Nederlandse bouwkunst in Zweden. isbn Wednesday, 21 September Flight to Stockholm by own arrangement (codartwill announce possible group travel arrangements from Amsterdam in due time). Check in to hotel: Hotell Riddargatan Riddargatan 14 se Stockholm t f e [email protected] w This pleasant, recently renovated hotel is at the corner of Nybrogatan, one of the liveliest streets in the city, lined with chic cafés, restaurants, boutiques and specialty shops. Two blocks from the hotel is the world-famous Östermalms Saluhall, one of the most picturesque covered markets in Europe. On the adjoining square, Östermalmstorg, there are outdoor restaurants and wonderful views of the surrounding churches and façades. 16:00 (subject to revision) Nationalmuseum Södra Blasieholmshamnen Box se Stockholm t e [email protected] w Opening by King Carl xvigustaf of the exhibition The Dutch Golden Age, followed by areception and dinner, hosted by Solfrid Söderlind, director of the Nationalmuseum. 11:00-12:00 Visit to the permanent collection. The major Flemish paintings from the permanent collection will be on view in the Rembrandt gallery during the exhibition; these include works by Joachim Beuckelaer, Jan Brueghel, Lucas van Valckenborch, Joos de Momper, Peter Paul Rubens, Jacob Jordaens, Anthony van Dyck and Frans Snyders. The latest acquisition (2003), an Allegory of death and resurrection attributed to Frans Floris, will assuredly be among them. To ensure that you will not miss anything that is of special interest to you, consult the illustrated catalogue of European paintings in advance. Paintings not in the galleries may be seen in the reserves on Monday morning. 12:00-13:00 Rehn Room, discussion of exhibition, with curators, moderated by Gary Schwartz. Görel Cavalli-Björkman, director of research t f e [email protected] Karin Sidén, curator of paintings and sculpture t f e [email protected] Mårten Snickare, curator of prints and drawings t f e [email protected] 13:00-14:00 Rehn Room, lunch. 14:00-14:30 Rehn Room, introduction to architectural tour of Stockholm, Mårten Snickare. 14:30-15:30 Individual visits to the museum. 15:30-18:00 Architectural tour of Stockholm, with Mårten Snickare. Sites to be visited include: Jacobs Kyrka (Church of St. James) Jakobs Torg 5 t The church was built in to a design by Willem Boy. The south doorway, the most exuberant of its time, was sculpted in 1644 by Henrik Blume, a member of a German family of sculptors. Riddarhuset (House of the Nobility) Riddarhustorget 10 Gamla Stan (Old Town) e Considered by many to be the most beautiful building in Stockholm, and, in any case certainly the most prestigious building project of its time. The first plans were drawn up by the French architect Simon de la Vallée, and work was begun in the 1640s under the direction of a German master builder, Heinrich Wilhelm. After Wilhelm s death in 1652, the assignment passed to the Dutch architect Justus Vingboons. Vingboons shaped the façade, with its colossal Corinthian pilasters in sandstone against a red brick wall. The façade s colossal order and its color scheme were crucial for the development of architecture in Sweden during the second half of the 17th century. Klara Kyrka (Church of St. Claire) Klara Östra Kyrkogata t Commissioned by Johan iiiin 1572 and designed by Willem Boy. Van der Nootska palatset Thursday, 22 September Nationalmuseum 09:00-11:00 Visit to the exhibition, with an introduction by Görel Cavalli-Björkman, before the public is admitted to the museum. The Dutch Golden Age was organized to mark the publication of Görel Cavalli-Björkman s catalogue of the 500-odd Dutch paintings in the museum. The Stockholm holdings are augmented by loans from the Statens Museum in Copenhagen and elsewhere, including the Rijksmuseum. In preparation for the trip, by all means consult Nationalmuseum Stockholm, Illustrerad katalog över äldre utländskt måleri Illustrated catalogue - European paintings, Stockholm isbn Nationalmuseum, Stockholm, seen from the Royal Palace. Photo Gary Schwartz

13 13 codart Courant 9/December 2004 (Palace of Thomas van der Noot) St. Paulsgatan 21 se Stockholm t Van der Noot was a highly placed Dutch officer in the Swedish service, whose mother and wife were both Swedish. The façade, from the 1670s, is still in remarkably original state. The final stop of the tour will be: 18:00-22:00 Royal Netherlands Embassy (House of Louis De Geer) Götgatan 16 P.O. Box se Stockholm t f e [email protected] Built in for Louis De Geer. The colossal order of the façade has Dutch forerunners such as the Mauritshuis, but it is the first of its kind in Stockholm. The architect was probably the Swedish master bricklayer and contractor Jürgen Gesewitz, working from materials brought back from the Netherlands by the patron. The visit to the embassy will be followed by a reception and buffet dinner, hosted by Ambassador Toine van Dongen. Friday, 23 September 08:30 Bus departs from hotel. 09:30 Drottningholms Slott (Drottningholm Palace) se Drottningholm t f w Greeting by Magnus Olausson, director Royal Castle Collections and National Portrait Gallery Box se Stockholm t f e [email protected] and Eva-Lena Karlsson, curator e [email protected] Drottningholm was purchased by Queen Hedvig Eleonora in 1661 and was destroyed by fire the same year. Nicodemus Tessin the Elder began the reconstruction, which was completed by Nicodemus Tessin the Younger, who also designed the French-inspired Baroque garden, where the sculptures by Adriaen de Vries, now moved to an indoor gallery and replaced by copies, were installed. The architecture has a strong admixture of Dutch classicism, applied with irresistible graciousness. In 1744 the palace was given to Princess Lovisa Ulrika of Prussia by King Fredrik i upon her marriage to the Swedish heir apparent Adolf Fredrik. In 1777, having had the famous Slottsteater built in 1766, she sold it to the Swedish state. In the 1980s the palace was converted for use as the permanent residence of King Carl xvigustaf (1946- ), who has been the reigning monarch since A constitutional reform in 1974 drastically reduced the role of the monarch in Sweden. 09:45-11:00 Visit to the castle, guided by Mårten Snickare. 11:00-11:30 Coffee in the castle café. 11:30-12:30 Visit to the garden, with copies after sculptures by Adriaen de Vries, and to the one-room Adriaen de Vries Museum, with the originals, guided by Görel Cavalli- Björkman. 13:00-14:30 Lunch at: Drottningholms Wärdshus Malmbacken se Drottningholm t f e [email protected] w wardshus.se/engsidor/eng.html 14:30 Bus departs for Stockholm. 15:00-17:00 Hallwylska Museet (Hallwyl Museum) Hamngatan 4 se Stockholm t f e [email protected] Visit to collections with Ingalill Jansson, senior curator t e [email protected] and Heli Haapasalo, curator t e [email protected] The Hallwyl Museum was created between 1883 and 1924 by the Stockholm heiress Wilhelmina von Hallwyl and her husband Walther. Built in , the building was the private residence of the von Hallwyls and the seat of Walther s business, as well as the home of Wilhelmina s ever-growing collection of decorative and fine arts. In 1920 it was donated to the Swedish state. The enterprise has been compared to the contemporaneous city art palaces of Isabella Stewart Gardner in Boston, Sir Richard Wallace in London and Édouard André and Nélie Jacquemart in Paris. Of the foreign painting collection, the catalogue says, The Dutch and Flemish paintings are the absolute core of the collection, in terms of quantity and quality. There are about 160 of them, including portraits by Paulus Moreelse and Johannes Verspronck, landscapes by Pieter Molyn, Jan van Goyen and Aert van der Neer, history paintings by Bartholomeus Breenbergh and Salomon Koninck, church exteriors by Gillis Rombouts and Roelof de Vries, and an extraordinary genre-portrait by the immigrant Dutchman Adriaen Bloem, the only known work of the master, who worked at the court of Leopold i in Vienna from 1668 to The catalogues of the collection are scholarly and beautifully produced and are available at very reasonable prices. The catalogue of the 412 paintings, Hallwylska målerisamlingen The Hallwyl collection of House of the Dutch business magnate Louis de Geer, now the embassy of the Netherlands in Sweden. Photo Gary Schwartz

14 codart Courant 9/December paintings, Stockholm (Hallwylska Museet) 1997, fully illustrated almost entirely in color, is now on sale for a mere 150 Swedish kronor. isbn x Advance purchase directly from the museum is highly recommended to participants in the study trip. 17:00 City bus or metro to art collections of Stockholm University at: 17:15-19:00 Spökslottet (The Haunted Mansion) Stockholms Universitet Drottninggatan 116 se Stockholm t f e english/spokslottet The distinguished Stockholm University paintings collection is founded on a gift of 210 paintings donated to the university in 1884 by the widow of Captain Johan Adolf Berg ( ), a civil engineer and businessman. Berg built the collection from the 1850s onwards, with advice in the later years from the leading experts of the time, in particular Olof Granberg. Berg s bequest was part of a campaign on his part to influence Stockholm University to take the arts and humanities more seriously. In 1883 he provided funding for a chair in art history. The collection is housed in a sprawling villa across the street from the main university building. It was erected in the 1690s for the merchant Hans Petter Scheffler and has been called the Haunted Mansion since the early 19th century, for reasons that we trust do not concern our visit. In somewhat lesser measure than in the Hallwyl collection of the following decades, the largest single foreign school represented in the Berg collection is the Dutch and Flemish. The same applies to acquisitions made for the university collection since the Berg donation. The most rare and astonishing painting in the Spökslottet is The attack by Pieter Bruegel the Elder, whose provenance in itself merits a book: bought by Rudolf iiprobably shortly after the death of the artist, it was part of the booty taken by the Swedes from Prague in 1648, on behalf of Queen Christina. She took the painting with her when she left Sweden, but had it sold in Antwerp. In the mid-19th century it returned to Swedish hands, becoming successively the property of the Swedish ambassador in Paris, the artist Johan Fredrik Höckert and then Captain Berg. In alphabetical order, other 16th-century masters represented are Jan de Beer, Joos, Hendrik and Maerten van Cleve and Gillis van Coninxloo; history pieces by Denys Calvaert, Louis de Caullery; landscapes, still life and genre pieces: Cornelis Pietersz. Bega, Wilhelm van Bemmel, Nicolaes Berchem and Jan van der Heyden, Abraham van Beyeren, Andries and Jan Both, Joos van Craesbeek. See Sten Karling, The Stockholm University collection of paintings, Stockholm (University of Stockhom) isbn Illustrated are two of the irresistible conversation pieces that are bound to make the inspection of the collection with curator Nina Weibull an incomparable pleasure. e [email protected] 19:00-21:00 (Under consideration) Dinner in the dining hall of Spökslottet. Saturday, 24 September 08:30 Bus leaves for Skokloster. 09:30-12:00 Skoklosters slott (Skokloster Castle) se Skokloster t f e [email protected] w Visit to the castle, with Carin Bergström, director t e [email protected] and Bengt Kylsberg, curator t e [email protected] In 1611, the young Baltic cavalry officer Herman Wrangel acquired Sko estate as a reward from King Karl xifor his contribution as an officer in the Swedish army. Two years Royal Palace, Stockholm, seen from the east. later, he married a woman from an ancient Swedish noble family, Margareta Grip. Their first son, Carl Gustaf, was born at Skokloster in Carl Gustaf registered at the University of Leiden in 1630, but later pursued a military career, becoming the most renowned Swedish officer of the century. He spoke several languages and had a large number of informants and advisers in Europe, who also supplied him with the latest luxury goods. From 1654 until his death in 1676, Wrangel worked on the construction and furnishing of a new powerhouse at Sko, an unusually grandiose presentation of its owner and his family. In this it was not unique. What makes it different is that it has been preserved to this day. Skokloster and its collections, comprising about 50,000 objects, are an amazing source of knowledge of the Sweden and Europe of the 17th century. The above is taken from Bengt Kylsberg, Skokloster: reflections of a great era, Skokloster and Stockholm (Byggförlaget) isbn While the collection does not contain any major individual works of art from the Netherlands, Wrangel s ties to the Netherlands led to orders for large numbers of paintings, adornments, furnishings, books, globes and maps from the Low Countries. The mixture of paneling, fireplaces, metalwork, lamps and mirrors, carpets and wall hangings, porcelain and glass, arms and armor, as well as paintings and tapestries from many European centers is strikingly illustrative of the schoolblind taste of the time. Everything of quality and flair could find a place in the castle. What makes Skokloster indispensable for a codart study trip is that it places not only paintings, but also decorative arts of all kinds, as well as Photo Gary Schwartz

15 15 codart Courant 9/December 2004 weapons and even workman s tools from the Netherlands in a new context. was the largest single source of Skokloster s varied collections; many if not most of the items imported from the Netherlands were made there as well. Skokloster provides one of the most complete ensembles of a 17th-century environment in Europe, and it shows how central the Netherlands was in the totality of the taste of the time. 12:30 Boat departs for Uppsala. S/M Sjösala Håkan Larsson Rederi Stenkajen Brevduvevägen 6 se Uppsala t f e [email protected] w Lunch on board, during a voyage of an hour and a half said to be exceptionally scenic. 14:30-15:15 Uppsala University Art Collections in Uppsala Castle, with Johan Cederlund, curator Universitetshuset Box 256 se Uppsala t f e [email protected] w uppsala.university.id9c.html The entire holdings of the Uppsala University art collection number 4,000 items, of which about 3,400 are on display in various university buildings. We will of course visit the main painting galleries, which are presently housed, by special arrangement with the city, in Uppsala Castle. Although the agreement with the city expires at the end of 2004, the museum has good hope that a renewal will be possible. The Old Master paintings in the collection are hung in two large rooms of the castle, the rest of which is occupied mainly by the Uppsala modern art museum. Pieter Aertsen s Butcher shop is undoubtedly the most important painting in the collection. Most of the display provides a challenge to attributionists. Illustrated is a portrait of undoubted authorship, both whose painter, Martin Mijtens the Elder (The Hague Stockholm) and sitter, Olof Rudbeck the Elder ( ; see below), adumbrate important ties between Sweden and the Netherlands. See Uppsala University art collections: painting and sculpture, Uppsala (Uppsala University) isbn :30-16:15 Visit to the Gustavianum, with Augsburg Art Cabinet and anatomical theater. The Gustavianum was built in 1620 by an architect from the Netherlands, Casper Panten. The anatomical theater, with its high dome, was added in 1663 after a design by the scientist and architect Olof Rudbeck the Elder. It was inspired by the anatomical theater of Amsterdam, which Rudbeck saw on a visit to the Netherlands. It now holds one the most important curiosities to have survived from the 17th century: the Augsburg Art Cabinet. This highly wrought piece of art carpentry, made in the early 1630s for the collector and scholar Philip Hainhofer ( ), was bought from him by the city of Augsburg to give to King Gustav iiadolf in the spring of 1632, after the king had admired it for an hour. In the autumn, following the king s death, it was shipped to Sweden; in 1694 Karl xidonated it to Uppsala University. Containing over 1,000 objects, mainly in miniature, the Art Cabinet has rightly been called a museum in its own right. No lover of the past can fail to be deeply moved by this time capsule, the most complete object of its kind to have survived to our day. The dedication of the cabinet to Love itself, with Venus crowning the structure, adds to this effect. Uppsala University art collections: painting and sculpture, Uppsala (Uppsala University) :15-19:00 Walking tour of Uppsala, with stops at Uppsala Cathedral, across from the Gustavianum, Linnéträdgården (Linnaeus Garden), a reconstruction of the Uppsala University botanical garden the way it looked during the time of Carl Linné ( ), laid out by him on the basis of principles derived from the work of the Dutch scientists and horticulturalists he had met in Leiden. There will be pause for refreshment. 19:00 Bus returns to Stockholm. Evening free. Sunday, 25 September The day for medieval and 16th-century churches and works of art. 08:00 Bus departs for Västerås, accompanied by Carina Fryklund, research curator of Flemish paintings. Nationalmuseum e [email protected] and Peter van den Brink, curator Bonnefantenmuseum Maastricht t f e [email protected] 9:30-11:00 Västerås Cathedral. t

16 codart Courant 9/December :00-12:00 The hour for church services in both Västerås and Strängnäs will be spent in the bus between the two cities. The order of the visits might have to be reversed, depending on possible baptisms that day. During the journey, Carina Fryklund and Peter van den Brink will fill us in on the background of the two cities and their Netherlandish artworks. They take up this task in substitution, honor and commemoration of the beloved colleague who had originally agreed to accompany us on this day, Cecilia Engellau-Gullander, who died unexpectedly in September :00-13:00 Strängnäs Cathedral. 13:00-14:30 Lunch. 14:00-15:30 Bus to Stockholm. 15:30-17:00 Visit to the Historiska Museet (Historical Museum) Narvavägen Stockholm t w english.html 17:00-18:00 Kungliga Slottet (Royal Palace) Slottsbacken Gamla Stan se Stockholm t f e [email protected] w Tour of the palace. On the premises is Gustav iii s museum of antiquities, one of the oldest museums in Europe. It was established in June 1792, in memory of Gustav three months after his assassination. 18:00 Livrustkammaren (Royal Armory) Slottsbacken 3 se Stockholm t f e [email protected] w Thehela.htm Visit to this award-winning museum situated in an atmospheric cellar vault beneath the Royal Palace. Dinner will be served there. Monday, 26 September Morning Nationalmuseum. Visit to the painting reserves, with Görel Cavalli-Björkmann and Karin Sidén and visit to the conservation studio, with Rickard Becklén, conservator of paintings t e [email protected] or Konstakademien (Academy of Art) Fredsgatan 12 Box se Stockholm t t W Here the group will see a small and relatively unknown collection of Dutch and Flemish drawings. An introduction to the academy and collection will be given by Eva-Lena Bengtsson, chief curator t e [email protected] The library is closed on Monday, and we will be received in the reading room, where the Old Master drawings can be viewed. The collection is limited to about 80 sheets by identified Netherlandish, French, German and Swedish masters, and about 50 anonymous ones. Some of the most interesting items were donated to the Academy by Gustaf Ribbing in A further attraction is the monumental painting by Elias Martin ( ) of the visit of King Gustav iiito the Academy in The painting shows Rembrandt s Claudius Civilis, which belongs to the Academy but has been on loan to the Nationalmuseum since its founding, as it hung in the 18th century. Midday Lunch. Afternoon Transfer to airport. Afternoon return flight. N.B. Please note that the art museums we are going to visit - the Nationalmuseum, the Hallwyl Museum, the university museums of Stockholm and Uppsala - have all published complete catalogues of their painting collections. Please take advantage of this unusual opportunity to prepare your visit by consulting the catalogues and letting the curators know in advance if there are any paintings in which you are particularly interested. With thanks to Louise Hadorph Holmberg of the Nationalmuseum for her indispensable help. Nationalmuseum Stockholm, Illustrerad katalog över äldre utländskt måleri Illustrated catalogue - European paintings, Stockholm Görel Cavalli-Björkman, Dutch and Flemish paintings i: c c. 1600, Stockholm (Nationalmuseum) Sten Karling, The Stockholm University collection of paintings, Stockholm (University of Stockhom) 1978.

17 17 codart Courant 9/December 2004 The codartcurator s bookshelf This bibliography of the most essential reference literature for curators of Dutch and Flemish art is compiled for codartby the librarian of the Faculty of Arts Library of Utrecht University, Roman Koot. It is not intended as an exhaustive bibliography, but as a select one, an aid to curators and librarians, especially at smaller institutions, in acquiring the books that will be most useful to them. It was first printed in Courant 6, June Since then it has been updated and enlarged, with sections on glass painting, applied arts, interior design and furniture, ceramics, glass, precious metals, and costume. The bibliography is also maintained on the codartwebsite, where it will be kept up to date and where suggestions for additions and corrections should be sent. In due time, all titles will be accompanied by commentary. The large section on the collection catalogues of public institutions will become part of a new subdivision of the codartwebsite, presently under construction: an overview of the permanent collections of Dutch and Flemish art in all the museums in our directory. Bibliographies Becker, Jochen, Boekenwijsheid: inleiding in de kunsthistorische bibliografie, 2nd, revised and expanded edition, Leiden First edition Bibliography of the Netherlands Institute for Art History (Rijksbureau voor kunsthistorische documentatie), The Hague vols. Covers publications published from 1943 until Comblen-Sonkes, Micheline, Guide bibliographique de la peinture flamande du xve siècle, Brussels Hall, H. van, Repertorium voor de geschiedenis der Nederlandsche schilder- en graveerkunst sedert het begin der 12de eeuw, The Hague Vol. [i]. Tot het eind van 1932, Vol. ii , Lane, Barbara G., Flemish painting outside Bruges, : an annotated bibliography, Boston Langmead, Donald, The artists of De Stijl: a guide to the literature, Westport, Connecticut [etc.] Mund, Hélène and Cyriel Stroo, Early Netherlandish painting : a bibliography ( ), Brussels Mundy, E. James, Painting in Bruges, : an annotated bibliography, Boston Yearly bibliographies, published by the Vereniging van Nederlandse Kunsthistorici Kapelle, Jeroen (compilation), Chris Stolwijk (commentary), Selectieve bibliografie Nederlands onderzoek naar negentiende-eeuwse kunst en kunstnijverheid 1990-medio 1996, Utrecht Zee, Jelga van der (compilation), Robert W. Scheller (commentary), Bibliografie van Nederlands onderzoek naar middeleeuwse beeldende kunst en kunstnijverheid , Utrecht Bavinck, Anna (compilation), Eric Jan Sluijter (commentary), Bibliografie van Nederlands onderzoek naar beeldende kunst en kunstnijverheid , Utrecht Jonkman, Mayken (compilation), Jan de Vries (commentary), Bibliografie van Nederlands onderzoek in de periode naar beeldende kunst van de twintigste eeuw, [Utrecht] Koot, Roman (compilation), Charles Dumas and Saskia de Bodt (introduction), Bibliografie van Nederlands onderzoek naar beeldende kunst en kunstnijverheid door Nederlandse en in Nederland werkzame auteurs, gepubliceerd in de periode 1991 t/m 2000 (18de eeuw) en 1996 t/m 2000 (19de eeuw), Utrecht Ilsink, Matthijs (compilation), Victor M. Schmidt (introduction), Bibliografie van Nederlands onderzoek naar middeleeuwse beeldende kunst en kunstnijverheid van 1997 tot en met 2001, Utrecht Priem, Ruud (compilation), Peter Hecht (introduction), Bibliografie beeldende kunst uit de periode : publicaties uit , provisional edition (2004) on the website of the vnk: > (choose Bibliografie in menu). Encyclopaedias and lexicons Bernt, Walther, Die niederländischen Maler des 17. Jahrhunderts, 3rd fully revised edition, Munich vols. Original edition: vols. English translation of the 3rd edition: The Netherlandish painters of the 17th century, London vols. De Maere, Jan and Marie Wabbes, Illustrated dictionary of 17th-century Flemish painters, Brussels vols. Dechaux, Carine [et al.] (coordination), Le dictionnaire des peintres Belges du xive siècle à nos jours, Brussels vols. Friedländer, Max Jacob, Die altniederländische Malerei, Berlin and Leiden vols. English edition, edited by Henri Pauwels [et al.]: Early Netherlandish painting, Leiden and Brussels vols. Hall, H. van, Portretten van Nederlandse beeldende kunstenaars, Amsterdam Hofstede de Groot, Cornelis, Beschreibendes und kritisches Verzeichnis der Werke der hervorrägendsten holländischen Maler des xvii. Jahrhunderts, Esslingen and Paris vols. English edition: A catalogue raisonné of the works of the most eminent Dutch painters of the seventeenth century, Teaneck, New Jersey and Cambridge vols. Reprinted This reduced facsimile reprint reproduces the 8-volume English translation in 2 volumes and vols. 9 & 10 of the original German edition in 1 volume. The English translation was originally published in 8 volumes by Macmillan, London Jacobs, P.M.J.E., Beeldend Benelux: biografisch handboek, Tilburg vols. Expanded edition of: idem, Beeldend Nederland: biografisch handboek, Tilburg vols. Lewis, Frank, A dictionary of Dutch and Flemish flower, fruit, and still life painters, 15th to 19th century, Leigh-on-Sea Muller, Sheila D., Dutch art: an encyclopedia, New York [etc.] Nicolson, Benedict, Caravaggism in Europe, revised edition by Luisa Vertova, Turin vols. Original edition: The international Caravaggesque movement: list of pictures of Caravaggio and his followers throughout Europe from 1590 to 1650, Oxford Piron, Paul, De Belgische beeldende kunstenaars uit de 19de en 20ste eeuw, Brussels vols. Scheen, Pieter A., Lexicon Nederlandse beeldende kunstenaars , The Hague vols. Scheen, Pieter A., Lexicon Nederlandse beeldende kunstenaars , The Hague Swillens, P.T.A., Prisma schilderslexicon, 4th edition, supplemented by Casper de Jong, Utrecht vols. Original edition: Sumowski, Werner, Drawings of the Rembrandt School, New York vols published (2002).

18 codart Courant 9/December Sumowski, Werner, Gemälde der Rembrandt- Schüler, Landau 1983-[1994]. 6 vols. Turner, Jane (editor), From Rembrandt to Vermeer: 17th-century Dutch artists, New York 2000 (The Grove dictionary of art). Waller, F.G., Biographisch woordenboek van Noord Nederlandsche graveurs, The Hague Reprint Amsterdam Willigen, Adriaan van der and Fred G. Meijer, A dictionary of Dutch and Flemish still-life painters working in oils, , Leiden Wurzbach, Alfred von, Niederländisches Künstler-Lexikon, Vienna and Leipzig vols. Historical reference works Bredius, Abraham, Künstler-Inventare: Urkunden zur Geschichte der holländischen Kunst des xviten, xviiten und xviiiten Jahrhunderts, The Hague vols. Descamps, Jean-Baptiste, La vie des peintres flamands, allemands et hollandais, avec des portraits gravés en taille-douce, une indication de leurs principaux ouvrages, et des réflexions sur leur différentes manières, Paris vols. Digital facsimile edition (2004) > Eynden, Roeland van and Adriaan van der Willigen, Geschiedenis der vaderlandsche schilderkunst, sedert de helft der 18e eeuw, Amsterdam vols. Gool, Johan van, De Nieuwe Schouburg der Nederlantsche kunstschilders en schilderessen, The Hague vols. Reprint Soest Houbraken, Arnold, De groote schouburgh der Nederlantsche konstschilders en schilderessen, Amsterdam vols. Immerzeel, Johannes, De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters van het begin der vijftiende eeuw tot heden, Amsterdam vols. Reprint Amsterdam Kramm, Christiaan, De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters van den vroegsten tot op onzen tijd, Amsterdam vols. Lairesse, Gerard de, Groot schilderboek, waar in de schilderkonst in al haar deelen grondig werd onderweezen, ook door redeneeringen en printverbeeldingen verklaard: met voorbeelden uyt de beste konst-stukken der oude en nieuwe puykschilderen, bevestigd: en derzelver wel- en misstand aangeweezen, Amsterdam Reprint of the 2nd ed. (1740): Doornspijk Mander, Carel van, Het schilder-boeck waer in voor eerst de leerlustighe iueght den grondt der edel vry schilderconst in verscheyden deelen wort voorghedraghen: daer nae in dry deelen t leven der vermaerde doorluchtighe schilders des ouden en de nieuwen tyds: eyntlyck d uutlegghinghe op den Metamorphoseon Pub. Ovidii Nasonis: oock daerbeneffens uutbeeldinghe der figueren: alles dienstich en nut den schilders, constbeminders en dichters, oock allen staten van menschen, Haarlem Mander, Carel van, The lives of the illustrious Netherlandish and German painters, edited by Hessel Miedema, Doornspijk vols. Moes, Ernst Wilhelm, Iconographia Batava: beredeneerde lijst van de geschilderde en gebeeldhouwde portretten van Noord- Nederlanders in vorige eeuwen, Amsterdam vols. Obreen, F.D.O., Archief voor Nederlandsche kunstgeschiedenis: verzameling van meerendeels onuitgegeven berichten en mededeelingen betreffende Nederlandsche schilders, plaatsnijders, boekbinders, enz., Rotterdam vols. Smith, John, A catalogue raisonné of the works of the most eminent Dutch, Flemish and French painters; in which is included a short biographical notice of the artists, with a copious description of their principal pictures: a statement of the prices at which such pictures have been sold at public sales on the continent and in : a reference to the galleries and private collections, in which a large portion are at present: and the names of the artists by whom they have been engraved: to which is added a brief notice of the scholars and imitators of the great masters of the above schools, London vols. Reprint London Surveys and studies Alpers, Svetlana, The art of describing: Dutch art in the seventeenth century, Chicago Bionda, Richard and Carel Blotkamp (editors), De schilders van Tachtig: Nederlandse schilderkunst , exhib.cat. Amsterdam (Rijksmuseum Vincent van Gogh) and Glasgow (The Burrell Collection) , Zwolle Briels, Jan, Vlaamse schilders en de dageraad van Hollands Gouden Eeuw, , Antwerp Includes: Biografieën van Vlaamse schilders in Holland, pp Brown, Christopher, Images of a golden past: Dutch genre painting of the seventeenth century, New York Gruyter, W.Jos. de, De Haagse School, Rotterdam vols. Haak, Bob, The Golden Age: Dutch painters of the seventeenth Century, New York Original edition: Hollandse schilders in de Gouden Eeuw, Amsterdam Havard, Henry, L art et les artistes hollandais, Paris vols. Hecht, Peter, De Hollandse fijnschilders van Gerard Dou tot Adriaen van der Werff, exhib.cat. Amsterdam (Rijksmuseum) , Maarssen Heck, Christian (supervisor), L art flamand et hollandais: le siècle des Primitifs, , Paris Hoogewerff, G.J., De Noord-Nederlandsche schilderkunst, The Hague vols. Kaufmann, Thomas DaCosta (supervisor), L art flamand et hollandais: Belgique et Pays-Bas , Paris Kloek, Wouter T. [et al.], Kunst voor de beeldenstorm: Noordnederlandse kunst , exhib.cat. Amsterdam (Rijksmuseum), The Hague Vol. i. Kloek, Wouter T., Willy Halsema- Kubes and Reinier Jan Baarsen, Inleiding. English edition: Art before the Iconoclasm. Northern Netherlandish art Vol. ii. Filedt Kok, Jan Piet, Willy Halsema- Kubes and Wouter T. Kloek, Tentoonstellingscatalogus. Knipping, J.B., Iconography of the Counter Reformation in the Netherlands: heaven on earth, Nieuwkoop and Leiden vols. Original edition: De iconografie van de Contra-Reformatie in de Nederlanden, Hilversum vols. Luijten, Ger [et al.] (editors), Dawn of the Golden Age: Northern Netherlandish art , exhib.cat. Amsterdam (Rijksmuseum), Zwolle Montias, John Michael, Artists and artisans in Delft: a socio-economic study of the seventeenth century, Princeton, New Jersey Müllenmeister, Kurt J., Meer und Land im Licht des 17. Jahrhunderts, Bremen vols: I. Seestücke und Flusslandschaften niederländischer Maler des 17. Jahrhunderts in privaten Sammlungen. ii. Tierdarstellungen in Werken niederländischer Künstler, a-m. iii. Tierdarstellungen in Werken niederländscher Künstler, n-z, und Nachtrag Bd. 2, a-m. Nieuwdorp, Hans, Antwerpse retabels 15de-16de eeuw, exhib.cat. Antwerp (Onze-Lieve- Vrouwekathedraal), Antwerp vols. Panofsky, Erwin, Early Netherlandish painting: its origin and character, Cambridge, Massachusetts vols.

19 19 codart Courant 9/December 2004 Rosenberg, Jakob, Seymour Slive and E.H. ter Kuile, Dutch art and architecture , 3rd edition, Harmondsworth Original edition: Schama, Simon, The embarrassment of riches: an interpretation of Dutch culture in the Golden Age, London [etc.] Slive, Seymour, Dutch painting , New Haven [etc.] 1995 (The Pelican history of art). Sluijter, Eric Jan, De heydensche fabulen in de schilderkunst van de Gouden Eeuw: schilderijen met verhalende onderwerpen uit de klassieke mythologie in de Noordelijke Nederlanden, circa , Leiden Revised edition of dissertation Van Schoute, Roger and Brigitte de Patoul (editors), Les primitifs flamands et leur temps, Brussels Dutch translation: De Vlaamse primitieven, Leuven Vlieghe, Hans, Flemish art and architecture, , New Haven [etc.] 1998 (The Pelican history of art). Journals ArtMatters: Netherlands technical studies in art, Zwolle Bulletin van het Rijksmuseum, Amsterdam Historians of Netherlandish Art Newsletter, Highland Park Online edition since 2002: hnanewsletter > Jong Holland: tijdschrift voor kunst en vormgeving na 1850, The Hague Nederlands Kunsthistorisch Jaarboek, The Hague Oud-Holland, Amsterdam/The Hague Simiolus, Bussum Prints and drawings Bernt, Walther, Die niederländischen Zeichner des 17. Jahrhunderts, Munich vols. Hollstein, F.W.H., Dutch and Flemish etchings, engravings and woodcuts, , Amsterdam [etc.] vols. Hollstein, F.W.H., The New Hollstein Dutch and Flemish etchings, engravings and woodcuts, , Roosendaal Meder, Joseph, Die Handzeichnung: ihre Technik und Entwicklung, Vienna Orenstein, Nadine M., Hendrick Hondius and the business of prints in seventeenth-century Holland, Rotterdam 1996 (Studiesinprints and printmaking, 1). Sumowski, Werner, Drawings of the Rembrandt School, New York vols. published (2002). Waller, F.G., Biographisch woordenboek van Noord Nederlandsche graveurs, The Hague Reprint Amsterdam Local schools Antwerp Mai, Ekkehard and Hans Vlieghe (concept), Van Bruegel tot Rubens: de Antwerpse schilderschool , exhib.cat. Antwerp (Koninklijk Museum voor Schone Kunsten) etc Van der Stock, Jan, Antwerpen, verhaal van een metropool, 16de-17de eeuw, [Gent] Delft Liedtke, Walter, with Michiel C. Plomp and Axel Rüger, Vermeer and the Delft School, exhib.cat. New York (Metropolitan Museum of Art) and London (National Gallery) Dordrecht Marijnissen, Peter, W. de Paus, Peter Schoon and George J. Schweitzer (editors), De zichtbaere werelt: schilderkunst uit de Gouden Eeuw in Hollands oudste stad, exhib.cat. Dordrecht (Dordrechts Museum), Zwolle Haarlem Biesboer, Pieter and Martina Sitt (eds.), Satire en vermaak: schilderkunst in de 17e eeuw: het genrestuk van Frans Hals en zijn tijdgenoten , exhib.cat. Haarlem (Frans Halsmuseum) and Hamburg (Hamburger Kunsthalle) The Hague Buijsen, Edwin, Haagse schilders in de Gouden Eeuw: het Hoogsteder Lexicon van alle schilders werkzaam in Den Haag , The Hague and Zwolle Includes: Löffler, Erik (compiler), Charles Dumas, Fred F. Meijer and Carola Vermeeren (editors), Illustrated index of painters active in The Hague between , pp Leiden Sluijter, Eric Jan, Marlies Enklaar en Paul Nieuwenhuizen, Leidse fijnschilders van Gerrit Dou tot Frans van Mieris de Jonge, , exhib.cat. Leiden (Stedelijk Museum De Lakenhal) Rotterdam Schadee, Nora (editor), Rotterdamse meesters uit de Gouden Eeuw, exhib.cat. Rotterdam (Historisch Museum Het Schielandhuis) Utrecht Blankert, Albert and Leonard J. Slatkes, Nieuw licht op de Gouden Eeuw: Hendrick ter Brugghen en tijdgenoten, exhib.cat. Utrecht (Centraal Museum) and Braunschweig (Herzog Anton Ulrich-Museum) Spicer, Joaneath A. and Lynn Federle Orr, Masters of light: Dutch painters in Utrecht during the Golden Age, exhib.cat. San Francisco (Fine Arts Museums of San Francisco), Baltimore (Walters Art Gallery) and London (The National Gallery) Essays by Marten Jan Bok, Jan de Vries, Wayne Franits, Benjamin Kaplan, Ben Olde Meierink and Angelique Bakker. Biographies by Marten Jan Bok. Genres Architectural painting Giltaij, Jeroen and Guido Jansen, Perspectiven: Saenredam en de architectuurschilders van de 17e eeuw, exhib.cat. Rotterdam (Museum Boymans-van Beuningen) Liedtke, Walter A., Architectural painting in Delft, Doornspijk Genre Franits, Wayne, Dutch seventeenth-century genre painting: its thematic and stylistic evolution, New Haven Jongh, Eddy de, Tot lering en vermaak: betekenissen van Hollandse genrevoorstellingen uit de zeventiende eeuw, exhib.cat. Amsterdam (Rijksmuseum) History painting Schoon, Peter and Sander Paarlberg (editors), Griekse goden en helden in de tijd van Rubens en Rembrandt, exhib.cat. Athena (Nationale Pinakotheek and The Dutch Institute) and Dordrecht (Dordrechts Museum) Tümpel, Christian, Het Oude Testament in de schilderkunst van de Gouden Eeuw, exhib.cat. Amsterdam (Joods Historisch Museum) 1991 etc., Zwolle Italianate painters Blankert, Albert, Nederlandse 17e eeuwse Italianiserende landschapschilders, revised edition, Soest First edition: Utrecht Devisscher, Hans (editor), Fiamminghi a Roma, : kunstenaars uit de Nederlanden en het Prinsdom Luik te Rome tijdens de Renaissance, exhib.cat. Brussels (Paleis voor Schone Kunsten) and Rome (Palazzo delle Esposizioni) 1995.

20 codart Courant 9/December Harwood, Laurie B., Inspired by Italy: Dutch landscape painting , exhib.cat. London (Dulwich Picture Gallery) Landscape Bol, L.J., Holländische Maler des 17. Jahrhunderts, nahe den grossen Meistern: Landschaften und Stilleben, Braunschweig Stechow, Wolfgang, Dutch landscape painting of the seventeenth century, London and New York Sutton, Peter C., Masters of 17th-century Dutch landscape painting, exhib.cat. Amsterdam (Rijksmuseum), Boston (Museum of Fine Arts) and Philadelphia (Philadelphia Museum of Fine Arts) , London Zwollo, An, Hollandse en Vlaamse veduteschilders te Rome, , Assen Pastoral Brink, Peter van den and Jos de Meyere (editors), Het gedroomde land: pastorale schilderkunst in de Gouden Eeuw, exhib.cat. Utrecht (Centraal Museum), Frankfurt am Main (Schirn Kunsthalle) and Luxembourg (Musée National d Histoire et d Art) Kettering, Alison McNeil, The Dutch Arcadia: pastoral art and its audience in the golden age, Montclair, New Jersey Portraits and group portraits Carasso-Kok, Marijke and Koos Levy-van Halm (editors), Schutters in Holland: kracht en zenuwen van de stad, exhib.cat. Haarlem (Frans Halsmuseum), Zwolle Jongh, Eddy de, Portretten van echt en trouw: huwelijk en gezin in de Nederlandse kunst van de zeventiende eeuw, exhib.cat. Haarlem (Frans Halsmuseum), Zwolle and Haarlem Middelkoop, Norbert (editor), Kopstukken: Amsterdammers geportretteerd , exhib.cat. Amsterdam (Amsterdams Historisch Museum), Bussum Includes: Judith van Gent and Andrea Müller-Schirmer, Lijst van Amsterdamse portretschilders , pp Seascape Bol, L.J., Die holländische Marinemalerei des 17. Jahrhunderts, Braunschweig Giltaij, Jeroen and Jan Kelch, Praise of ships and the sea: the Dutch marine painters of the 17th century, exhib.cat. Rotterdam (Museum Boijmans Van Beuningen) Dutch edition: Lof der zeevaart: de Hollandse zeeschilders van de 17e eeuw. Rotterdam and Berlin German edition also published. Still life Gemar-Koeltzsch, Erika, Holländische Stillebenmaler im 17. Jahrhundert, Lingen vols. Greindl, Edith, Les peintres flamands de nature morte au xviie siècle, Sterrebeek Grimm, Claus, Stilleben: die niederländischen und deutschen Meister, 3rd edition, Stuttgart and Zurich First edition: Hairs, Marie-Louise, Les peintres flamands de fleurs au xviie siècle, Brussels vols. Lewis, Frank, A dictionary of Dutch and Flemish flower, fruit, and still life painters, 15th to 19th century, Leigh-on-Sea Segal, Sam, A prosperous past: the sumptuous still life in the Netherlands, , exhib.cat. Delft (Stedelijk Museum Het Prinsenhof), Cambridge, Massachusetts (Fogg Art Museum) and Fort Worth (Kimbell Art Museum), The Hague Vroom, N.R.A., De schilders van het monochrome banketje, Amsterdam Expanded, 2nd edition: A modest message, as intimated by the painters of the monochrome banketje, Schiedam and Cheb vols. Willigen, Adriaan van der and Fred G. Meijer, A dictionary of Dutch and Flemish still-life painters working in oils, , Leiden Manuscript illumination Byvanck, A.W. and G.J. Hoogewerff, Noord- Nederlandsche miniaturen in handschriften der 14e, 15e en 16e eeuwen, The Hague vols. Delaissé, L.M.J., A century of Dutch manuscript illumination, Berkeley and Los Angeles Dogaer, Georges, Flemish miniature painting in the 15th and 16th centuries, Amsterdam Kren, Thomas and Scot McKendrick, Illuminating the Renaissance: the triumph of Flemish manuscript painting in Europe, exhib.cat. Los Angeles (J. Paul Getty Museum) and London (Royal Academy of Arts) Smeyers, Maurits, Flemish miniatures from the 8th to the mid-16th century: the medieval world on parchment, Turnhout Dutch edition: Vlaamse miniaturen van de 8ste tot het midden van de 16de eeuw: de middeleeuwse wereld op perkament, Leuven French and German editions also published. Winkler, Friedrich, Die Flämische Buchmalerei des xv. und xvi. Jahrhunderts: Künstler und Werke, Leipzig Reprint, with addenda by Georges Dogaer, Amsterdam Glass painting Cole, William, A catalogue of Netherlandish and North European roundels in Britain, Oxford etc (Corpus vitrearum medii aevi; Great Britain, summary catalogue, 1). Eck, Xander van, Christiane E. Coebergh-Surie and Andrea C. Gasten, The stained-glass windows in the Sint Janskerk at Gouda: the works of Dirck and Wouter Crabeth, Amsterdam 2002 (Corpus vitrearum; Netherlands, 2). Harten-Boers, Henny van and Zsuzsanna van Ruyven-Zeman, with the collaboration of Christiane E. Coebergh-Surie and Herman Janse, The stained-glass windows in the Sint Janskerk at Gouda: the glazing of the clerestory of the choir and of the former monastic church of the Regulars, Amsterdam 1997 (Corpus vitrearum; Netherlands, 1). Helbig, Jean, Les vitraux médiévaux conservés en Belgique, , Brussels 1961 (Corpus vitrearum medii aevi; Belgique, 1). Helbig, Jean, Les vitraux de la première moitié du xvie siècle conservés en Belgique: province d Anvers et Flandres, Brussels 1968 (Corpus vitrearum medii aevi; Belgique, 2). Hoogveld, Carine (editor), Glas in lood in Nederland, , The Hague Husband, Timothy B., with an introductory essay by Ilja M. Veldman and contributions by Ellen Konowitz and Zsuzsanna van Ruyven-Zeman, The luminous image: painted glass roundels in the Lowlands, , exhib.cat. New York (Metropolitan Museum of Art) Ruyven-Zeman, Zsuzsanna van, The stainedglass windows in the Sint Janskerk at Gouda: , Amsterdam 2000 (Corpus vitrearum; Netherlands, 3). Applied arts Bergvelt, Ellinoor [et al.], Industrie en vormgeving in Nederland , exhib.cat. Amsterdam (Stedelijk Museum) Eliëns, Titus M., Marjan Groot and Frans Leidelmeijer (editors), Kunstnijverheid in Nederland , Bussum Gans, Louis, Nieuwe Kunst: de Nederlandse bijdrage tot de Art Nouveau: dekoratieve kunst, kunstnijverheid en architektuur omstreeks 1900, Utrecht Originally thesis Utrecht University 1960.

21 21 codart Courant 9/December 2004 Staal, Gert and Hester Wolters (editors), Holland in vorm: vormgeving in Nederland , The Hague Interior and furniture Baarsen, Reinier, Rococo in Nederland, exhib.cat. Amsterdam (Rijksmuseum) , Zwolle Baarsen, Reinier, Jan Daniël van Dam, Ebeltje Hartkamp-Jonxis, Jan Rudolph de Lorm, Wouter Ritsema van Eck and Frits Scholten, De lelijke tijd : pronkstukken van Nederlandse interieurkunst , exhib.cat. Amsterdam (Rijksmuseum) Bergvelt, Ellinoor, Frans van Burkom and Karin Gaillard (editors), Van Neorenaissance tot Postmodernisme: honderdvijfentwintig jaar Nederlandse interieurs, = From Neorenaissance to Postmodernism: a hundred and twenty-five years of Dutch interiors, , Rotterdam Heesters, J.H.P., Vier eeuwen behang: de geschiedenis van de wandbespanning in Nederland, Delft Jonge, C.H. de, with an introduction by W. Vogelsang, Holländische Möbel und Raumkunst von , The Hague Koldeweij, E.F., M.J.F. Knuijt and E.G.M. Adriaansz, Achter het behang: vierhonderd jaar wanddecoratie in het Nederlandse binnenhuis, Amsterdam Pijzel-Dommisse, Jet, Het Hollandse pronkpoppenhuis: interieur en huishouden in de 17de en 18de eeuw, Zwolle and Amsterdam Pluym, Willem van der, Vijf eeuwen binnenhuis en meubels in Nederland , Amsterdam Singleton, Esther, Dutch and Flemish furniture, London Sluyterman, K., Huisraad en binnenhuis in Nederland in vroegere eeuwen, 2nd, expanded edition, The Hague Reprinted 1947, 1975 and First edition: The Hague Voorst tot Voorst, J.M.W. van, Tussen Biedermeier en Berlage: meubel en interieur in Nederland , Amsterdam vols. Westermann, Mariët, with essays by C. Willemijn Fock, Eric Jan Sluijter and H. Perry Chapman, Art & Home: Dutch interiors in the age of Rembrandt, Denver, Newark and Zwolle Ceramics Aken-Fehmers, Marion S. van, Loet A. Schledorn, Anne-Geerke Hesselink and Titus M. Eliëns, Delfts aardewerk: geschiedenis van een nationaal product, Zwolle and The Hague vols. Eliëns, Titus M., Marjoleine Groen, Sebastiaan Ostkamp and Loet A. Schledorn, Delfts aardewerk: geschiedenis van een nationaal product: volume iii: De Porceleyne Fles, Zwolle and Delft Hudig, Ferrand W., Delfter Fayence: ein Handbuch für Sammler und Liebhaber, Berlin Jonge, C.H. de, Oud-Nederlandsche majolica en Delftsch aardewerk: een ontwikkelingsgeschiedenis van omstreeks , Amsterdam Jonge, C.H. de, Nederlandse tegels, Amsterdam Pluis, Jan, with the assistance of Daniël Hanekuijk, Piet Bolwerk and Jan van Loo, De Nederlandse tegel: decors en benamingen = The Dutch tile: designs and names: , Leiden Singelenberg-van der Meer, Miep, Nederlandse keramiek- en glasmerken , 6th, completely revised edition, Lochem First edition: Spruit-Ledeboer, Mieke, Nederlandse keramiek , Assen and Amsterdam Glass Eliëns, Titus M. and Miep Singelenberg-van der Meer, Lexicon Nederlandse glaskunst van de twintigste eeuw, revised edition, Lochem First edition: Lexicon moderne Nederlandse glaskunst , Lochem Kley-Blekxtoon, Annette van der, Leerdam glas , Lochem Ritsema van Eck, Pieter C. and Henrica M. Zijlstra-Zweens, Glass in the Rijksmuseum, volume i, Zwolle 1993 (Catalogues of the applied arts in the Rijksmuseum Amsterdam, vol. 2-i). Covering mainly Venetian and Northern European glass. Ritsema van Eck, Pieter C., Glass in the Rijksmuseum, volume ii, Zwolle 1995 (Catalogues of the applied arts in the Rijksmuseum Amsterdam, vol. 2-ii). Emphasis on Dutch and German glass. Singelenberg-van der Meer, Miep, Nederlandse keramiek- en glasmerken , 6th, completely revised edition, Lochem First edition: Precious metals Blaauwen, A.L. den, Nederlands zilver = Dutch silver: , exhib.cat. Amsterdam (Rijksmuseum), Toledo, Ohio (Toledo Museum of Art) and Boston (Museum of Fine Arts) Citroen, Karel, Valse zilvermerken in Nederland, 2nd, augmented edition, Lochem and Gand Citroen, Karel, Dutch goldsmiths and silversmiths marks and names prior to 1812: a descriptive and critical repertory, Leiden Includes bibliography of published sources and works of reference by name of town. Frederiks, J.W., Dutch silver, The Hague vols. Gans, M.H. and Th.M. Duyvené de Wit- Klinkhamer, Dutch silver, London Original Dutch edition: Geschiedenis van het Nederlandse zilver, Amsterdam Koonings, W. (compiler), Meestertekens van Nederlandse goud- en zilversmeden = Maker s marks of Dutch gold- and silversmiths, The Hague vols. First edition: Voet, Elias, Nederlandse goud en zilvermerken, 10th, corrected edition, edited by P.W. Voet, Leiden First edition: Nederlandsche goud- en zilvermerken, , The Hague Wttewaall, B.W.G., Nederlands klein zilver en schepwerk, , revised and expanded edition, Abcoude Reprint First edition: Nederlands klein zilver, , Amsterdam Tapestries Campbell, Thomas P., Tapestry in the Renaissance: art and magnificence, exhib.cat. New York (Metropolitan Museum of Art) Delmarcel, Guy, Flemish tapestry, , London Dutch edition: Het Vlaamse wandtapijt van de 15de tot de 18de eeuw, Tielt Göbel, Heinrich, Wandteppiche i. Die Niederlände, Leipzig vols. Abridged English edition: Tapestries of the Lowlands, New York 1924, reprint Hulst, Roger A. d, Vlaamse wandtapijten van de xivde tot de xviiide eeuw, Brussels Costume Boehn, Max von, Die Mode, 3rd revised edition, edited by Ingrid Loschek, Munich vols. First edition, in 8 vols.: Munich

22 codart Courant 9/December Boucher, François, Histoire du costume en occident de l antiquité à nos jours, Paris Reprinted, with additions: English edition: years of fashion: the history of costume and personal adornment, New York Breukink-Peeze, H.M.A. [et al.](editor), Kostuum: verzamelingen in beweging: twaalf studies over kostuumverzamelingen in Nederland & inventarisatie van het kostuumbezit in Nederlandse openbare collecties, Zwolle Jonge, C.H. de, Bijdrage tot de kennis van de Noord-Nederlandsche costuum-geschiedenis in de eerste helft van de xvie eeuw, deel 1: het mannencostuum, Utrecht Jonge, C.H. de, Een eeuw Nederlandsche mode, Amsterdam Kinderen-Besier, J.H. der, De kleeding onzer voorouders, : de kostuumafdeeling in het Nederlandsch Museum voor Geschiedenis en Kunst te Amsterdam, Amsterdam Thienen, Frithjof van, Das Kostüm der Blütezeit Hollands, , Berlin Provenance Art sales catalogues: based on Frits Lugt s Répertoire des catalogues de ventes publiques intéressant l art ou la curiosité, Leiden vols. microfiches published (i , ii , iii , iv ). Duverger, Erik, Antwerpse kunstinventarissen uit de zeventiende eeuw, Brussels vols. Fredericksen, Burton B., Corpus of paintings sold in the Netherlands during the nineteenth century, Los Angeles Vol 1: , Fredericksen, Burton B., The Getty provenance index: cumulative edition on cd-rom, Santa Monica cd-rom. See for the more extensive and continuously updated internet edition: The provenance index databases, Los Angeles 2001 > conducting research/provenance index/< Gerson, Horst, Ausbreitung und Nachwirkung der holländischen Malerei des 17. Jahrhunderts, Haarlem Reprint, with an introduction by Bert W. Meijer, Amsterdam Hoet, Gerard, Catalogus of naamlyst van schilderyen met derzelver pryzen zedert een langen reeks van jaaren zoo in Holland als op andere plaatzen in het openbaar verkogt: benevens een verzameling van lysten van verscheyden nog in wezen zynde cabinetten, The Hague vols. Reprint Soest Lugt, Frits, Les marques de collections de dessins et d estampes: marques estampillées et écrites de collections particulières et publiques: marques de marchands, de monteurs, et d'imprimeurs: cachets de vente d artistes décédés: marques de graveurs apposées après le tirage des planches: timbres d'éditions etc.: avec des notices historiques sur les collectionneurs, les collections, les ventes, les marchand et séditeurs, etc., Amsterdam Supplement : Lugt, F., Répertoire des catalogues de ventes publiques intéressant l art ou la curiosité, The Hague vols. Online edition by subscription: < lugt>. For the complete records of the auction catalogues, see: Art sales catalogues. Terwesten, Pieter, Catalogus of naamlyst van schilderyen met derzelver prysen, zedert den 22. Augusti 1752, tot den 21. Nov verkogt: vervolg of derde deel op Gerard Hoet: zynde hier agter gevoegt: catalogus van een gedeelte van t kabinet schilderyen van den Heere Prince van Orange en Nassau, Erfstadhouder, The Hague Reprint Soest National and regional holdings Bauman, Guy C. and Walter A. Liedtke, De Vlaamse schilderkunst in Noordamerikaanse musea, Antwerp Broos, Ben, Great Dutch paintings from America, exhib.cat. The Hague (Mauritshuis) and San Francisco (The Fine Arts Museums of San Francisco) , Zwolle Dutch edition: Hollandse meesters uit Amerika. Bruyn, Jean-Pierre de [et al.], Le siècle de Rubens dans les collections publiques françaises, exhib.cat. Paris (Galeries Nationales du Grand Palais) Bürger, W. (pseudonym for Théophile Étienne Joseph Thoré), Musées de la Hollande, Brussels vols. Digital facsimile edition (2004) > Carman, Jillian, Seventeenth century Dutch and Flemish paintings in South Africa: a checklist of paintings in public collections, Johannesburg Foucart, Jacques [et al.], Le siècle de Rembrandt: tableaux hollandais des collections publiques françaises, exhib.cat. Paris (Musée du Petit Palais) Geffroy, Gustave, Les musées d Europe: la Hollande: Amsterdam, Alkmaar, Haarlem, Leyde, La Haye, Rotterdam, Dordrecht, Utrecht, Paris Grössinger, Christa, North-European panel paintings: a catalogue of Netherlandish and German paintings before 1600 in English churches and colleges, London Haverkamp-Begemann, Egbert (consulting curator), Ann Jensen Adams (catalogue), Dutch and Flemish paintings from New York private collections, exhib.cat. New York (National Academy of Design) Lloyd Williams, Julia, Dutch art and Scotland: a reflection of taste, exhib.cat. Edinburgh (National Gallery of Scotland) Meijer, Bert W., Fiamminghi e Olandesi: dipinti dalle collezioni lombarde, Milan Meijer, Bert W., Repertory of Dutch and Flemish paintings in Italian public collections, Florence Published: 1. Maria Fontana Amoretti and Michiel Plomp, Liguria, Guido Jansen, Bert W. Meijer and Paola Squellati Brizio, Lombardy, vols. Schweers, Hans F., Gemälde in deutschen Museen: Katalog der ausgestellten und depotgelagerten Werke, 3rd revised and expanded edition, Munich vols. First edition: Sutton, Peter C., A guide to Dutch art in America, Grand Rapids and Kampen Valdivieso, Enrique, Pintura holandesa del siglo xviien España, Valladolid Wright, Christopher, Paintings in Dutch museums: an index of oil paintings in public collections in the Netherlands by artists born before 1870, Amsterdam Collection catalogues public collections Alkmaar, Stedelijk Museum Vries, Sandra de (editor), De zestiende- en zeventiende-eeuwse schilderijen van het Stedelijk Museum Alkmaar, Alkmaar and Zwolle Amsterdam, Amsterdams Historisch Museum Schapelhouman, Marijn, Tekeningen van Noord- en Zuidnederlandse kunstenaars geboren voor 1600, Amsterdam 1979 (Oude tekeningen in het bezit van de Gemeentemusea van Amsterdam waaronder de collectie Fodor, 2). Broos, Ben, Rembrandt en tekenaars uit zijn omgeving, Amsterdam 1981 (Oude tekeningen in het bezit van de Gemeentemusea van Amsterdam waaronder de collectie Fodor, 3). Broos, Ben and Marijn Schapelhouman, Nederlandse tekenaars geboren tussen 1600 en 1660, Amsterdam and Zwolle 1993 (Oude tekeningen in het bezit van het Amsterdams Historisch Museum, waaronder de collectie Fodor, 4).

23 23 codart Courant 9/December 2004 Jonker, Michiel [et al.], In beeld gebracht: beeldhouwkunst uit de collectie van het Amsterdams Historisch Museum, Zwolle and Amsterdam Oud, Ingrid and Leonoor van Oosterzee, Nederlandse tekenaars geboren tussen 1660 en 1745, Zwolle and Amsterdam 1999 (Oude tekeningen in het bezit van het Amsterdams Historisch Museum, waaronder de collectie Fodor, 5) Vreeken, Hubert and Annemarie den Dekker, Goud en zilver met Amsterdamse keuren: de verzameling van het Amsterdams Historisch Museum, Amsterdam and Zwolle Amsterdam, Instituut Collectie Nederland (icn= Netherlands Institute for Cultural Heritage; successor to Rijksdienst voor Beeldende Kunst, rbk) Kuile, Onno ter, Seventeenth-century North Netherlandish still lifes, The Hague and Amsterdam 1985 (Rijksdienst Beeldende Kunst = The Netherlandish Office for Fine Arts: catalogue of paintings by artists born before 1870, 6). All published. Heer, Ed de [et al.], Rijksdienst Beeldende Kunst = The Netherlandish Office for Fine Arts The Hague: old master paintings: an illustrated summary catalogue, Zwolle and The Hague Amsterdam, Rijksmuseum Lunsingh Scheurleer, Th.H., Catalogus van meubelen en betimmeringen, 3rd, completely revised and expanded edition, Amsterdam Leeuwenberg, Jaap, with cooperation by Willy Halsema-Kubes, Beeldhouwkunst in het Rijksmuseum, The Hague Thiel, Pieter J.J. van [et al.], All the paintings of the Rijksmuseum in Amsterdam: a completely illustrated catalogue, Amsterdam First supplement: , Amsterdam and The Hague Boon, Karel G., Netherlandish drawings of the fifteenth and sixteenth centuries, The Hague vols. Kuile, Onno ter, Koper & brons, The Hague 1986 (Catalogi van de verzameling kunstnijverheid van het Rijksmuseum te Amsterdam, 1). Schapelhouman, Marijn, Nederlandse tekeningen omstreeks 1600, The Hague Jong, Marijnke de and Irene de Groot, Ornamentprenten in het Rijksprentenkabinet i: 15de & 16de eeuw, Amsterdam and The Hague Ritsema van Eck, Pieter C. and Henrica M. Zijlstra-Zweens, Glass in the Rijksmuseum, volume i, Zwolle 1993 (Catalogues of the applied arts in the Rijksmuseum Amsterdam, vol. 2-i). Covering mainly Venetian and Northern European glass. Ritsema van Eck, Pieter C., Glass in the Rijksmuseum, volume ii, Zwolle 1995 (Catalogues of the applied arts in the Rijksmuseum Amsterdam, vol. 2-ii). Emphasis on Dutch and German glass. Schapelhouman, Marijn and Peter Schatborn, Dutch drawings of the seventeenth century in the Rijksmuseum, Amsterdam: artists born between 1580 and 1600, Amsterdam vols. Heteren, Marjan van, Guido Jansen and Ronald de Leeuw, The poetry of reality: Dutch painters of the nineteenth century, Zwolle and Amsterdam Os, Henk van [et al.], Nederlandse kunst in het Rijksmuseum , Zwolle and Amsterdam Pijzel-Dommisse, Jet, Het Hollandse pronkpoppenhuis: interieur en huishouden in de 17de en 18de eeuw, Zwolle and Amsterdam Filedt Kok, Jan Piet [et al.], Nederlandse kunst in het Rijksmuseum , Zwolle and Amsterdam Hartkamp-Jonxis, Ebeltje, European tapestries in the Rijksmuseum, Zwolle and Amsterdam Antwerpen, Koninklijk Museum voor Schone Kunsten Vandenbroeck, Paul, Catalogus schilderkunst 14e en 15e eeuw, Antwerp Vandamme, Erik (editor), Catalogus schilderkunst oude meesters, Antwerp Antwerp, Museum Mayer van den Bergh Mund, Hélène, Cyriel Stroo and Nicole Goetghebeur, with the collaboration of Hans Nieuwdorp, The Mayer van den Bergh Museum, Antwerp, Brussels 2003 (Corpus of fifteenth-century painting in the Southern Netherlands and the Principality of Liège, 20). Bakewell, Chatsworth House Jaffé, Michael, The Devonshire collection of northern European drawings, Turin Vol. 1. Van Dyck Rubens Vol. 2. Flemish artists Vol. 3. Dutch artists Berlin, Gemäldegalerie Bock, Henning [et al.] (editors), Gemäldegalerie Berlin: Gesamtverzeichnis der Gemälde, Berlin Berlin, Kupferstichkabinett Buck, Stephanie, Die niederländischen Zeichnungen des 15. Jahrhunderts im Berliner Kupferstichkabinett: kritischer Katalog, Turnhout Boston, Museum of Fine Arts Murphy, Alexander R., European paintings in the Museum of Fine Arts, Boston: an illustrated summary catalogue, Boston Braunschweig, Herzog Anton Ulrich-Museum Klessmann, Rüdiger, Herzog Anton Ulrich- Museum Braunschweig: die holländischen Gemälde: kritisches Verzeichnis, Braunschweig Klessmann, Rüdiger, Die flämischen Gemälde des 17. und 18. Jahrhunderts, Braunschweig and Munich Brugge, Stedelijke Musea Janssens de Bisthoven, Aquilin, Stedelijk Museum voor Schone Kunsten (Groeningemuseum) Brugge, edited and supplemented after the 1st Dutch and 2nd French edition, Brussels 1981 (De Vlaamse Primitieven i. Corpus van de vijftiende-eeuwse schilderkunst in de Zuidelijke Nederlanden, 1). 2 vols. First Dutch edition: Van de Velde, Carl, Stedelijke Musea Brugge: Steinmetzkabinet: catalogus van de tekeningen, Brugge vols. Vlieghe, Hans, Catalogus schilderijen 17de en 18de eeuw: Stedelijke Musea Brugge, Brugge Brussel, Koninklijke Musea voor Schone Kunsten Lennep, Jacques van, Catalogus van de beeldhouwkunst: kunstenaars geboren tussen 1750 en 1882, Brussels Stroo, Cyriel [et al.], The Flemish Primitives: catalogue of early Netherlandish painting in the Royal Museums of Fine Arts of, Brussels Vol. i. Stroo, Cyriel and Pascale Syferd Olne, The master of Flémalle and Rogier van der Weyden groups, Vol. ii. Stroo, Cyriel [et al.], The Dirk Bouts, Petrus Christus, Hans Memling and Hugo van der Goes groups, Vol. iii. Stroo, Cyriel [et al.], The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden groups, 2001.

24 codart Courant 9/December Budapest, Szépmüvészeti Muzeum (Museum of Fine Arts) Gerszi, Teréz, Netherlandish drawings in the Budapest Museum: sixteenth-century drawings: an illustrated catalogue, Amsterdam and New York vols. Ember, Ildikó and Zsuzsa Urbach (editors), Old masters gallery: summary catalogue, volume 2: early Netherlandish, Dutch and Flemish paintings, Budapest Buenos Aires, Museo Nacional de Bellas Artes (National Museum of Fine Arts) Navarro, Angel M., Flemish and Dutch masters (from the xvith to the xviiith century) at the National Museum of Fine Arts, Buenos Aires Cambridge, Fitzwilliam Museum Gerson, Horst and J.W. Goodison, Fitzwilliam Museum Cambridge: catalogue of paintings: volume 1: Dutch and Flemish, Cambridge Cape Town, Michaelis Collection Fransen, Hans, Michaelis Collection, The Old Town House, Cape Town: catalogue of the collection of paintings and drawings, Zwolle Chantilly, Musée Condé Mandrella, David, Dessins allemands et flamands du Musée Condé à Chantilly: de Dürer à Rubens, Paris Copenhagen, Statens Museum for Kunst Koester, Olaf, Flemish paintings , Copenhagen Cracow, Princes Czartoryski Museum Popielska, Joanna (editor), Treasures of the Netherlands: drawings and selected prints by Dutch and Flemish artists of the 16th - 17th centuries from the collections of the Princes Czartoryski Museum, exhib.cat. Cracow (Princes Czartoryski Museum) Darmstadt, Hessisches Landesmuseum Bergsträsser, Gisela (editor), Niederländische Zeichnungen 16. Jahrhundert im Hessischen Landesmuseum Darmstadt, Darmstadt 1979 (Kataloge des Hessischen Landesmuseums Darmstadt, 10). Dessau, Anhaltische Gemäldegalerie Werche, Bettina (editor), Die altniederländischen und flämischen Gemälde des 16. bis 18. Jahrhunderts, Weimar 2001 (Anhaltische Gemäldegalerie Dessau: kritischer Bestandskatalog, 2). Detroit, Detroit Institute of Arts Logan, Anne-Marie, Dutch and Flemish drawings and watercolors, New York 1988 (The collections of the Detroit Institute of Arts, 2). Dijon, Musée des Beaux-Arts Comblen-Sonkes, Micheline and Nicole Veronee-Verhaegen, Le Musée des Beaux-Arts de Dijon, Brussels 1986 (Les primitifs flamands 1. Corpus de la peinture des anciens Pays-Bas Meridionaux au quinzième siècle, 14). 2 vols. Dordrecht, Dordrechts Museum Schweitzer, George J., Dordrechts Museum: catalogus schilderijen ii: , Dordrecht All published. Dresden, Gemäldegalerie Alte Meister Walther, Angelo (general editor), Gemäldegalerie Dresden: alte Meister: Katalog der ausgestellten Werke, Dresden and Leipzig Editors of the sections on Dutch paintings and tapestries: Annaliese Mayer- Meintschel and Angelika Lasius. Laabs, Annegret, Von der lustvollen Betrachtung der Bilder: Leidener Feinmaler in der Dresdener Gemäldegalerie, Leipzig Expanded Dutch edition: De Leidse fijnschilders uit Dresden, Zwolle [etc.] Dublin, National Gallery of Ireland Potterton, Homan, Dutch seventeenth and eighteenth century paintings in The National Gallery of Ireland: a complete catalogue, Dublin Vogelaar, Christiaan, Netherlandish fifteenth and sixteenth century paintings in The National Gallery of Ireland: a complete catalogue, Dublin Oldfield, David, Later Flemish paintings in The National Gallery of Ireland: the seventeenth to nineteenth centuries, Dublin Edinburgh, National Gallery of Scotland Andrews, Keith, Catalogue of Netherlandish drawings in the National Gallery of Scotland, Edinburgh vols. Florence Chiarini, Marco, I dipinti olandesi del Seicento e del Settecento, Rome 1989 (Cataloghi dei musei e gallerie d Italia). Inventory of the collections of the State museums and galleries in Florence. Florence, Galleria degli Uffizi Langedijk, Karla, Die Selbstbildnisse der holländischen und flämischen Künstler in de Galleria degli Autoritratti der Uffizien in Florenz, Florence Frankfurt am Main, Städelsches Kunstinstitut Sander, Jochen, Niederländische Gemälde im Städel, , Mainz Sander, Jochen and Bodo Brinkmann, Niederländische Gemälde vor 1800 im Städel, Frankfurt am Main Grenoble, Musée de Grenoble Destot, Marcel, in cooperation with Jacques Foucart, Peintures des écoles du Nord: la collection du musée de Grenoble, Paris Groningen, Groninger Museum Bolten, Jaap, Dutch drawings from the collection of Dr. C. Hofstede de Groot, Utrecht Bartelink, Nicolette (editor), De Ploeg, Groningen 1993 (Verzameld in het Groninger Museum, 1). Haarlem, Teylers Museum Plomp, Michiel C., The Dutch drawings in the Teyler Museum ii: artists born between 1575 and 1630, Gent and Doornspijk Vol. 1 not yet published. The Hague, Gemeentemuseum Sillevis, John, Roland Dorn and Hans Kraan (editors), De Haagse School: de collectie van het Haags Gemeentemuseum, The Hague The Hague, Haags Historisch Museum Dumas, Charles, in cooperation with Jim van der Meer Mohr, Haagse stadsgezichten : topografische schilderijen van het Haags Historisch Museum, Zwolle The Hague, Mauritshuis Duparc, F.J. [et al.], Mauritshuis: Hollandse schilderkunst: landschappen 17de eeuw, The Hague Hoetink, Hans R. (editor), The Royal picture gallery Mauritshuis, Amsterdam and New York 1985.

25 25 codart Courant 9/December 2004 Broos, Ben, Intimacies and intrigues: history painting in the Mauritshuis, Gent Original Dutch edition: Liefde, list & lijden: historiestukken in het Mauritshuis, Gent Sluijter-Seijffert, Nicolette, with the assistance of Rieke van Leeuwen, Jim van der Meer Mohr and Michiel Plomp; appendix by Marjolein de Boer and Ben Broos, Mauritshuis: illustrated general catalogue, Amsterdam and The Hague The Hague, Museum Bredius Blankert, Albert, Museum Bredius: catalogus van de schilderijen en tekeningen, new, revised and expanded edition, Zwolle and The Hague st edition: The Hague, Museum Mesdag Leeman, Fred and Hanna Pennock, Museum Mesdag: catalogue of paintings and drawings, Amsterdam and Zwolle Hamburg, Hamburger Kunsthalle Ketelsen, Thomas, with the assistance of Claudia Brink and Gerrit Walczak, Die niederländischen Gemälde , Hamburg 2001 (Die Sammlungen der Hamburger Kunsthalle, 2). Hannover, Niedersächsisches Landesmuseum Wegener, Ulrike (ed.), Die holländischen und flämischen Gemälde des 17. Jahrhunderts: kritischer Katalog mit Abbildungen aller Werke, Hannover Hartford, Wadsworth Atheneum Haverkamp-Begemann, Egbert (editor), Wadsworth Atheneum paintings, catalogue i: the Netherlands and the German-speaking countries: fifteenth-nineteenth centuries, Hartford Helsinki, Sinebrychoff Art Museum Waller, Malgorzata (ed.), Netherlandish painting of the 17th century, from the collections of the Sinebrychoff Art Museum in Helsinki, exhib.cat. Poznán (Muzeum Narodowe) Johannesburg, Johannesburg Art Gallery Carman, Jillian, Dutch painting of the 17th century: Johannesburg Art Gallery = Nederlandse skilderkuns van die 17de eeu: Johannesburgse Kunsmuseum, Johannesburg Kassel, Staatliche Kunstsammlungen Oehler, Lisa, Niederländische Zeichnungen des Jahrhunderts: Staatliche Kunstsammlungen, Kassel, Fridingen Schnackenburg, Bernhard, Gemäldegalerie Alte Meister: Gesamtkatalog, Mainz vols. Köln, Wallraf-Richartz-Museum Vey, Horst and Annamaria Kesting, Katalog der Niederländischen Gemälde von 1550 bis 1800 im Wallraf-Richartz-Museum und im öffentlichen Besitz der Stadt Köln, mit Ausnahme des Kölnischen Stadtmuseums, Köln Hiller, Irmgard and Horst Vey, prepared by Tilman Falk, Katalog der Deutschen und Niederländischen Gemälde bis 1550 (mit Ausnahme der Kölner Malerei) im Wallraf- Richartz-Museum und im Kunstgewerbemuseum der Stadt Köln, Köln Robels, Hella, Niederländische Zeichnungen vom 15. bis 19. Jahrhundert im Wallraf-Richartz- Museum Köln, Köln Leiden, Prentenkabinet Universiteit Leiden Bolten, Jaap (editor), Oude tekeningen van het Prentenkabinet der Rijksuniversiteit te Leiden = Dessins anciens du Cabinet des Dessins et des Estampes de l Université de Leyde, The Hague and Amsterdam Leiden, Stedelijk Museum De Lakenhal Wurfbain, Maarten L., J.P. Sizoo and Doris Wintgens, Catalogus van de schilderijen en tekeningen: Stedelijk Museum De Lakenhal, Leiden Leipzig, Museum der Bildenden Künste Sander, Dietulf, Museum der Bildenden Künste Leipzig: Katalog der Gemälde, Leipzig Liberec, Oblastní Galerie (Regional Art Gallery) Seifertová, Hana and Lubomír Slavíçek, Dutch painting of 16th-18th centuries from the collection of the Regional Art Gallery in Liberec, Liberec Lille, Musée des Beaux-Arts Brejon de Lavergnée, Arnauld and Annie Scottez-De Wambrechies, Catalogue sommaire illustré des peintures i: Écoles étrangères: Pays-Bas du Nord et du Sud, Allemagne, Angleterre, Espagne, Italie et autres, Paris Lisbon, Museu Nacional de Arte Antigua Lievens-De Waegh, Marie-Léopoldine, Le Musée National d Art Ancien et le Musée National des Carreaux de Faïence de Lisbonne, Brussels 1991 (Les Primitifs Flamands i. Corpus de la peinture des anciens Pays-Bas Méridionaux au quinziëme siècle, 16). Liverpool, Walker Art Gallery [Morris, Edward and Martin Hopkinson], Walker Art Gallery, Liverpool: foreign catalogue: paintings, drawings, watercolours, tapestry, sculpture, silver, ceramics, prints, photographs, Liverpool vols. Supplement: Liverpool London, British Museum Hind, Arthur M., Catalogue of drawings by Dutch and Flemish artists, preserved in the Department of Prints and Drawings in the British Museum, London vols. Vol. 5 Dutch and Flemish drawings of the xvand xvicenturies, compiled by A.E. Popham. London, Dulwich Picture Gallery Beresford, Richard, Dulwich Picture Gallery: complete illustrated catalogue, London London, Harold Samuel Collection, Mansion House Sutton, Peter C., Dutch and Flemish seventeenthcentury paintings: the Harold Samuel Collection, Cambridge London, National Gallery MacLaren, Neil, The Dutch school, London 1960 (National Gallery catalogues). Martin, Gregory, The Flemish school, circa circa 1900, London 1970 (National Gallery catalogues). Brown, Christopher, The Dutch school , London 1991 (National Gallery catalogues). 2 vols. Campbell, Lorne, The fifteenth century Netherlandish schools, London 1998 (National Gallery catalogues). London, Victoria & Albert Museum Williamson, Paul, Netherlandish sculpture , London London, Wallace Collection Ingamells, John, The Wallace Collection catalogue of pictures iv: Dutch and Flemish, London 1992.

26 codart Courant 9/December Los Angeles, J. Paul Getty Museum Goldner, George R., with the assistance of Lee Hendrix and Gloria Williams, European drawings 1: catalogue of the collections, Malibu Goldner, George R. and Lee Hendrix, with the assistance of Kelly Pask, European drawings 2: catalogue of the collections, Malibu Turner, Nicholas, Lee Hendrix and Carol Plazzotta, European drawings 3: catalogue of the collections, Los Angeles Jaffé, David, Summary catalogue of European paintings in the J. Paul Getty Museum, Los Angeles Turner, Nicholas, European drawings 4: catalogue of the collections, Los Angeles Lyon, Musée des Beaux-Arts Buijs, Hans and Mària van Berge-Gerbaud, Tableaux flamands et hollandais du Musée des Beaux-Arts de Lyon, Paris and Lyon Madrid, Museo del Prado Padrón, Matías Díaz, Museo del Prado: catálogo de pinturas I: escuela flamenca siglo xvii Madrid vols. Balis, Arnout, Matías Díaz Padrón, Carl Van de Velde and Hans Vlieghe (editors), De Vlaamse schilderkunst in het Prado, Antwerp 1989 (Flandia extra muros). Includes: Selectieve catalogus van de Vlaamse schilderkunst in het Prado, pp Padrón, Matías Díaz, El siglo de Rubens en el Museo del Prado: catálogo razonado de pintura flamenca del siglo xvii, Barcelona vols. Bettagno, Alessandro, Christopher Brown, Francisco Calvo Serraller, Francis Haskell, Alfonso E. Pérez Sánches, Het Prado, [Antwerpen and Madrid] Original edition published in Spanish, Chapter on Dutch and Flemish painting written by Christopher Brown. Mainz, Landesmuseum Stukenbrock, Christiane, Niederländische Gemälde des 16. und 17. Jahrhunderts, Mainz Milan, Pinacoteca del Castello Sforzesca Jansen, Guido and Bert W. Meijer, Dipinti fiamminghi e olandesi del Seicento: la raccolta del Conte Lodovico Belgiojoso d Este, Milan Montpellier, Musée Fabre Buvelot, Quentin, Michel Hilaire and Olivier Zeder, Tableaux flamands et hollandais du Musée Fabre de Montpellier, Paris and Montpellier Moscow, State Pushkin Museum of Fine Arts Danilova, Irina Evgen evna, Gosudarstvennyj Muzej izobrazitel nych iskusstv imeni A.C. Puskina: katalog zivopisi = State Pushkin Museum of Fine Arts: catalogue of painting, Moscow Egorova, Xenia, Niderlandy xv-xviveka, Flandrija xvii-xviiiveka, Bel gija xix-xx veka: sobranie Ωivopisi = xvxvicenturies, Flanders xvii-xviiicenturies, xix-xxcenturies: collection of paintings, Moscow Munich, Alte Pinakothek Brochhagen, Ernst and Brigitte Knüttel, Alte Pinakothek München: Katalog iii: Holländische Malerei des 17. Jahrhunderts, Munich Renger, Konrad, and Claudia Denk, Flämische Malerei des Barock in der Alten Pinakothek, Munich and Cologne Munich, Staatliche Graphische Sammlung Wegner, Wolfgang (editor), Die niederländischen Handzeichnungen des Jahrhunderts, Berlin 1973 (Kataloge der Staatlichen Graphischen Sammlung München, 1). 2 vols. Thea Vignau-Wilberg, Rembrandt auf Papier: Werk und Wirkung. Rembrandt and his followers: drawings from Munich, exhib.cat. Munich (Staatliche Graphische Sammlung München) and Amsterdam (Museum Het Rembrandthuis) New Haven, Yale University Art Gallery Haverkamp-Begemann, Egbert and Anne- Marie S. Logan, European drawings and watercolors in the Yale University Art Gallery , New Haven and London vols. New York, The Frick Collection Biebel, Franklin M. [et al.], The Frick Collection: an illustrated catalogue: volume i: paintings: American, British, Dutch, Flemish and German, New York New York, Metropolitan Museum of Art Baetjer, Katharine, European paintings in the Metropolitan Museum of Art, by artists born in or before 1865, New York vols. Liedtke, Walter A., Flemish paintings in the Metropolitan Museum of Art, New York vols. Haverkamp-Begemann, Egbert (coordinator), The Robert Lehman Collection iv: illuminations, New York and Princeton Includes: Sandra Hindman, Northern Europe, pp Ainsworth, Maryan W. and Keith Christiansen (editors), From Van Eyck to Bruegel: early Netherlandish painting in The Metropolitan Museum of Art, exhib.cat. New York (The Metropolitan Museum of Art) Haverkamp-Begemann, Egbert (coordinator), The Robert Lehman Collection ii: fifteenth- to eighteenth-century European paintings: France, Central Europe,, Spain, and Great Britain, New York and Princeton Includes: Martha Wolf, The Southern Netherlands, fifteenth and sixteenth centuries, pp , and: Egbert Haverkamp-Begemann,, seventeenth century, pp Haverkamp-Begemann, Egbert (coordinator), The Robert Lehman Collection vii: fifteenth- to eighteenth-century European drawings: Central Europe,, France,, New York and Princeton Includes: Egbert Haverkamp-Begemann,, fifteenth and sixteenth centuries, pp , Egbert Haverkamp- Begemann, The Southern Netherlands, seventeenth and eighteenth centuries, pp , and: Egbert Haverkamp- Begemann, The Northern Netherlands, seventeenth and eighteenth centuries, pp New York, Pierpont Morgan Library Stampfle, Felice, with the assistance of Ruth S. Kraemer and Jane Shoaf Turner, Netherlandish drawings of the fifteenth and sixteenth centuries and Flemish drawings of the seventeenth and eighteenth centuries in the Pierpont Morgan Library, New York and Princeton Orléans, Musée des Beaux-Arts Moinet, Éric, with the assistance of Mehdi Korchane, Mémoire du nord: peintures flamandes et hollandaises des musées d Orléans, Orléans 1996.

27 27 codart Courant 9/December 2004 Ottawa, National Gallery of Canada Spicer, Joaneath, with catalogue entries by Odilia Bonebakker, Joaneath Spicer and David Franklin, Dutch and Flemish drawings from the National Gallery of Canada, exhib.cat. Ottawa (National Gallery of Canada) and other venues Oxford, Ashmolean Museum White, Christopher, Dutch, Flemish, and German paintings before 1900 (excluding the Daisy Linda Ward Collection), Oxford 1999 (Ashmolean Museum Oxford: catalogue of the collection of paintings). Meijer, Fred G., The collection of Dutch and Flemish still-life paintings bequeathed by Daisy Linda Ward: catalogue of the collection of paintings, Zwolle Paris, Bibliothèque National Lugt, Frits, with the assistance of Jean Vallery- Radot, Inventaire général des dessins des Écoles du Nord, Paris Hébert, Michèle, Inventaire des gravures des Écoles du Nord, , Paris vols. Paris, Institut Néerlandais/Fondation Custodia Boon, K.G., The Netherlandish and German drawings of the xvth and xvith centuries of the Frits Lugt Collection, Paris vols. Paris, Musée du Louvre Lugt, Frits, École hollandaise, Paris (Musée du Louvre: inventaire général des dessins des écoles du Nord). 3 vols. Lugt, Frits, École flamande, Paris 1949 (Musée du Louvre: inventaire général des dessins des écoles du Nord). 2 vols. Lugt, Frits, École hollandaise, Paris 1950 (Musée du Louvre: inventaire général des dessins des écoles du Nord). Michel, Edouard, Peintures flamandes du xve et du xvie siècle, Paris 1953 (Catalogue raisonné des peintures du Moyen-Age, de la Renaissance et des temps modernes). Lugt, Frits, Maîtres des anciens Pays-Bas, nés avant 1550, Paris 1968 (Musée du Louvre: inventaire général des dessins des écoles du Nord). Brejon de Lavergnée, Arnauld, Jacques Foucart and Nicole Reynaud, Écoles flamande et hollandaise, Paris 1979 (Catalogue sommaire illustré des peintures du Musée du Louvre, 1). Starcky, Emmanuel, Écoles allemande, des anciens Pays-Bas, flamande, hollandaise et suisse xve-xviiie siècles : supplement aux inventaires publiés par Frits Lugt et Louis Demonts, Paris 1988 (Musée du Louvre: inventaire général des dessins des écoles du Nord). Comblen-Sonkes, Micheline and Philippe Lorentz, Musée du Louvre, Paris ii, Brussels 1995 (Corpus de la peinture des anciens Pays-Bas méridionaux et de la Principauté de Liège au quinzième siècle, 17). Lorentz, Philippe and Micheline Comblen- Sonkes, Musée du Louvre, Paris iii, Brussels 2001 (Corpus de la peinture des anciens Pays-Bas méridionaux et de la Principauté de Liège au quinzième siècle, 19). Paris, Musée du Petit Palais Lugt, Frits, Les dessins des Écoles du Nord de la collection Dutuit au Musée des Beaux-Arts de la ville de Paris (Petit-Palais), Paris 1927 (Inventaire général des dessins dans les collections publiques de France). Philadelphia, Philadelphia Museum of Art Sutton, Peter C., Northern European paintings in the Philadelphia Museum of Art: from the sixteenth through the nineteenth century, Philadelphia, Maarssen and The Hague Scott, Curtis R., Owen Hess Dugan and John Paschetto (editors), Paintings from Europe and the Americas in the Philadelphia Museum of Art: a concise catalogue, Philadelphia Rome, Galleria Doria Pamphilj Boccardo, Piero and Clario Di Fabio (editors), Dipinti Fiamminghi e Olandesi della Galleria Doria Pamphilj, exh.cat. Genua (Palazzo Ducale) Rotterdam, Museum Boijmans Van Beuningen Ruempol, A.P.E. and A.G.A. van Dongen, Pre-industriële gebruiksvoorwerpen = Pre-industrial utensils , Amsterdam Binnebeke, Emile van, Bronssculptuur: beeldhouwkunst in de collectie van het Museum Boymans-van Beuningen = Bronze sculpture: sculpture from in the collection of the Boymans-van Beuningen Museum, Rotterdam Bodt, Saskia de and Manfred Sellink (editors), Nederlandse tekeningen uit de negentiende eeuw 1: : keuze uit de verzameling van het prentenkabinet = Nineteenth-century Dutch drawings 1: : drawings from the collection of the printroom, Rotterdam Dael, Peter van, Emile van Binnebeke [et al.], Hout- en steensculptuur: beeldhouwkunst in de collectie van het Museum Boymansvan Beuningen, Rotterdam Lammertse, Friso, Van Eyck to Bruegel, : Dutch and Flemish painting in the collection of the Museum Boymans-van Beuningen, Rotterdam Molen, J.R. ter, Zilver: catalogus van de voorwerpen van edelmetaal in de collectie van het Museum Boymans-van Beuningen, Rotterdam Vreeken, H., Kunstnijverheid Middeleeuwen en Renaissance = Decorative arts Middle Ages and Renaissance, Amsterdam Bodt, Saskia de and Manfred Sellink (editors), Nederlandse tekeningen uit de negentiende eeuw 2: : keuze uit de verzameling van het prentenkabinet = Nineteenth-century Dutch drawings 2: : drawings from the collection of the printroom, Rotterdam Ekkart, Rudi E.O., with contributions by J.J.M. van Gent, Nederlandse portretten uit de 17e eeuw: eigen collectie = Dutch portraits from the seventeenth century: own collection, Rotterdam Duits, T.G. te, Kunstnijverheid en industriële vormgeving 1800-heden = Applied arts and industrial design 1800-the present, Amsterdam Mees, D.C., Kunstnijverheid en tegels = Applied arts and tiles , Amsterdam Lammertse, Friso, with contributions by Jeroen Giltaij and Anouk Janssen, Nederlandse genreschilderijen uit de zeventiende eeuw: eigen collectie Museum Boijmans Van Beuningen, Rotterdam Giltaij, Jeroen, Honderdvijftig jaar er bij en er af: de collectie oude schilderkunst van het Museum Boijmans Van Beuningen Rotterdam, , Rotterdam and Zutphen Langendijk, Eugène; Mienke Simon Thomas (editor), Nederlandse Art Nouveau en Art Deco keramiek : collectie Museum Boijmans Van Beuningen, Rotterdam Meij, A.W.F.M., with Maartje de Haan, Rubens, Jordaens, Van Dyck and their circle: Flemish master drawings from the Museum Boijmans Van Beuningen, Rotterdam Sarasota, The John and Mable Ringling Museum of Art Robinson, Franklin W. and William H. Wilson, with contributions by Larry Silver, Catalogue of the Flemish and Dutch paintings , Sarasota, Florida 1980.

28 codart Courant 9/December Schwerin, Staatliches Museum Berswordt-Wallrabe, Kornelia von, Lisa Jürß and Kristina Hegner (editors), Niederländische Stilleben: aus der Sammlung Staatliches Museum Schwerin, Munich Berswordt-Wallrabe, Kornelia von (editor), Stilleben des Goldenen Zeitalters: die Schweriner Sammlung, Schwerin Seelig, Gero, Jan Brueghels Antwerpen: die flämischen Gemälde in Schwerin, Schwerin Springfield, Massachusetts, Museum of Fine Arts Davies, Alice I., 16th- and 17th-century Dutch and Flemish paintings in the Springfield Museum of Fine Arts, Springfield, Massachusetts St. Petersburg, The State Hermitage Museum Nikulin, Nikolai N., Netherlandish painting, fifteenth and sixteenth centuries, Moscow and Florence 1989 (The Hermitage: catalogue of western European painting, 5). Stockholm, Nationalmuseum Cavalli-Björkman, Görel, Dutch and Flemish paintings i: c c. 1600, Stockholm All published. Cavalli-Björkman, Görel [et al.], Nationalmuseum Stockholm: illustrerad katalog över äldre utländskt måleri = illustrated catalogue European paintings, Stockholm Stuttgart, Staatsgalerie Klapproth, Rüdiger (editor), Alte Meister, Stuttgart Entries on Dutch paintings by Rüdiger Klapproth. Utrecht, Centraal Museum Adriaans, Hanneke and Saskia Kuus, De verzamelingen van het Centraal Museum Utrecht 2: mode en kostuums, Utrecht Bergh-Hoogterp, Louise van den and B. Dubbe, De verzamelingen van het Centraal Museum Utrecht 4: edele en onedele metalen, Utrecht Klinckaert, Jan, De verzamelingen van het Centraal Museum Utrecht 3: beeldhouwkunst tot 1850, Utrecht Helmus, Liesbeth, De verzamelingen van het Centraal Museum Utrecht 5: schilderkunst tot 1850, Utrecht Utrecht, Museum Catharijneconvent Dijkstra, Jeltje, Paul P.W.M. Dirkse and Anneloes E.A.M. Smits, De schilderijen van Museum Catharijneconvent, Utrecht and Zwolle Vlierden, M. van, with assistance of H.L.M. Defoer and H.M.E. Höppener-Bouvy, Hout- en steensculptuur van Museum Catharijneconvent, ca , Zwolle and Utrecht Vercelli, Museo Borgogna Meijer, Bert W. (editor), Museo Borgogna: dipinti fiamminghi e olandesi, Cologno Milanese Vienna, Albertina Benesch, Otto, Die Zeichnungen der niederländischen Schulen des xv. und xvi. Jahrhunderts, Vienna 1928 (Beschreibender Katalog der Handzeichnungen in der Graphischen Sammlung Albertina, 2). Vienna, Gemäldegalerie der Akademie der bildenden Künste Trnek, Renate, Die holländischen Gemälde des 17. Jahrhunderts in der Gemäldegalerie der Akademie der bildenden Künste in Wien, Vienna [etc.] Vienna, Kunsthistorisches Museum Haja, Martina (editor), Die Gemäldegalerie des Kunsthistorischen Museums in Wien: Verzeichnis der Gemälde, Vienna Warsaw, Muzeum Narodowe (National Museum) Chudzikowski, Andrzej (editor), Catalogue of paintings foreign schools, Warsaw vols. Bialostocki, Jan and Maria Skubiszewska (editors), Malarstwo francuskie niderlandzkie wloskie do 1600, Warsaw Washington, National Gallery of Art Hand, John Oliver and Martha Wolff, Early Netherlandish painting, Washington and Cambridge, Massachusetts 1986 (The collections of the National Gallery of Art: systematic catalogue). Wheelock, Arthur K., Dutch paintings of the seventeenth century, Washington 1995 (The collections of the National Gallery of Art: systematic catalogue). Worcester, Worcester Art Museum Dresser, Louisa, European paintings in the collection of the Worcester Art Museum, Worcester, Massachusetts vols. Includes: Seymour Slive, Dutch school, pp , , and: Egbert Haverkamp-Begemann, Flemish school, pp , Worms, Stiftung Kunsthaus Heylshof Schenkluhn, Wolfgang (editor), Stiftung Kunsthaus Heylshof: kritischer Katalog der Gemäldesammlung, Worms Includes: Stefan Achternkamp, Pamela Scorzin, Hubert Locher, Gabriele Heidenreich (entries), Flämische Malerei 16. und 17. Jahrhunderts, pp , and: Anna Gianella, Hubert Locher, Pamela Scorzin, Sabine Gruber, Gabriele Heidenreich, Stefan Achternkamp, Judith Bürgel (entries), Holländische Malerei 17. Jahrhundert, pp Collection catalogues private collections Abrams, Maida and George Robinson, William W., Bruegel to Rembrandt: Dutch and Flemish drawings from the Maida and George Abrams collection, Cambridge [etc.] Binder, Moritz Julius Becker, Jochen, Die niederländischen Gemälde der Sammlung Moritz Julius Binder im Museum Kunst Palast Düsseldorf, Hamburg Dedem, Willem Baron van Sutton, Peter C., Dutch and Flemish paintings: the collection of Willem Baron van Dedem, London Escher, W.C. Ekkart, Rudi, Hidden: Dutch and Flemish paintings of the 16th and 17th centuries from the collection W.C. Escher = Verborgen: Nederlandse en Vlaamse schilderijen uit de 16de en 17de eeuw uit de collectie W.C. Escher, exhib.cat. Utrecht (Centraal Museum) Her Majesty the Queen of White, Christopher, The Dutch pictures in the collection of Her Majesty The Queen, Cambridge [etc.] Campbell, Lorne, The early Flemish pictures in the collection of Her Majesty The Queen, Cambridge [etc.] White, Christopher and Charlotte Crawley, The Dutch and Flemish drawings of the fifteenth to the early nineteenth centuries in the collection of Her Majesty The Queen at Windsor Castle, Cambridge [etc.] Johnson, John G. (Philadelphia Museum of Art) [Sweeney, Barbara (editor)], John G. Johnson Collection: catalogue of Flemish and Dutch paintings, Philadelphia 1972.

29 29 codart Courant 9/December 2004 Kress, Samuel H. Eisler, Colin, Paintings from the Samuel H. Kress Collection: European schools excluding Italian, Oxford Lugt, Frits (Institut Néerlandais/ Fondation Custodia, Paris) Hasselt, Carlos van (foreword), Rembrandt et ses contemporains: dessins hollandais du dixseptième siècle: Collection Frits Lugt, Institut Néerlandais Paris, exhib.cat. New York (The Pierpont Morgan Library) and Paris (Institut Néerlandais) Boon, Karel G., The Netherlandish and German drawings of the xvth and xvith centuries of the Frits Lugt Collection, Paris vols. Buvelot, Quentin and Hans Buijs, with an introductory essay by Ella Reitsma, A choice collection: seventeenth-century Dutch paintings from the Frits Lugt collection, The Hague and Zwolle Oranje-Nassau Drossaers, S.W.A. and T.H. Lunsingh Scheurleer, Inventarissen van de inboedels in de verblijven van de Oranjes en daarmede gelijk te stellen stukken, , The Hague vols. Seilern, Antoine S[eilern], A[ntoine], Flemish paintings and drawings at 56 Princess Gate London sw7, London vols. In 1969 a volume Addenda was published. Speck von Sternburg, Maximilian Guratzsch, Herwig (editor), Maximilian Speck von Sternburg: ein Europäer der Goethezeit als Kunstsammler, exhib.cat. Leipzig (Museum der bildenden Künste) and Munich (Haus der Kunst) Speelman, Edward and Sally Wheelock, Arthur K., with an introduction by Christopher Brown, The Golden Age of Dutch and Flemish painting: the Edward and Sally Speelman Collection, Houston and The Hague Swiss and Liechtenstein private collections Doesschate-Chu, Petra ten, Im Lichte Hollands: holländische Malerei des 17. Jahrhunderts aus den Sammlungen des Fürsten von Liechtenstein und aus Schweizer Besitz, exhib.cat. Basel (Kunstmuseum Basel) Thyssen-Bornemisza Eisler, Colin Tobias, Early Netherlandish painting, London Gaskell, Ivan, Seventeenth-century Dutch and Flemish painting, London Van Herck, Alfons (Stedelijk Prentenkabinet, Koninklijk Museum voor Schone Kunsten, Antwerpen) Baudouin, Frans [et al.] (editors), Tekeningen uit de 17de en 18de eeuw: de verzameling Van Herck, [Antwerpen] Museology and conservation Asperen de Boer, J.R.J. van, Jeltje Dijkstra and Roger Van Schoute, Underdrawing in paintings of the Rogier van der Weyden and Master of Flémalle groups, Zwolle 1992 (Nederlands Kunsthistorisch Jaarboek 41 (1990)). Dorge, Valerie and Sharon L. Jones (compilation), Building an emergency plan: a guide for museums and other cultural institutions, Los Angeles Faries, Molly and Ron Spronk (editors), Recent developments in the technical examination of early Netherlandish painting: methodology, limitations and perspectives, Cambridge, ma and Turnhout Contains glossary and extensive bibliography. James, Carlo [et al.], Old master prints and drawings: a guide to preservation and conservation, edited by Marjorie B. Cohn, Amsterdam Kirsh, Andrea and Rustin S. Levinson, Seeing through paintings: physical examination in art historical studies, New Haven and London Kühn, Hermann, Erhaltung und Pflege von Kunstwerken: Material und Technik, Konservierung und Restaurierung: Band 1, 3rd, revised and updated edition, Munich Volumes 2 and 3 to be published. First edition: Nicolaus, Knut, DuMont s Handbuch der Gemäldekunde: Material, Technik, Pflege, Cologne Several revised editions. Dutch edition: Het schilderij: materiaal, techniek, behoud, de Bilt 1980, 2nd edition Price, Nicholas Stanley, Mansfield Kirby Talley and Alessandra Melucco Vaccaro (editors), Historical and philosophical issues in the conservation of cultural heritage, Los Angeles 1996 (Readings in conservation). Richard, Mervin, Marion F. Mecklenburg and Ross M. Merrill (editors), Art in transit: handbook for packing and transporting paintings, 2nd edition, Washington st edition: Thiel, Pieter J.J. van and C. J. de Bruyn Kops, Framing in the golden age: picture and frame in 17th-century Holland, Zwolle and Amsterdam Original edition: Prijst de lijst: de Hollandse schilderlijst in de zeventiende eeuw, exhib.cat. Amsterdam (Rijksmuseum) Verougstraete-Marcq, Hélène and Roger Van Schoute, Cadres et supports dans la peinture flamande aux 15e et 16e siècles, Heure-le- Romain Wehlte, Kurt, The materials and techniques of painting, New York [1975]. Reprint [ca. 2001]. Original edition: Werkstoffe und Techniken der Malerei, Ravensburg Several revised editions.

30 codart Courant 9/December Appointments Please keep codartposted on appointments in your museum. us at belgium Antwerp Véronique van de Kerckhof, former assistant curator of the Rubenshuis, has been appointed curator of the collection of ancient prints and drawings in the Prentenkabinet at the Museum Plantin-Moretus as of October Brussels Helena Bussers retired as head of department of Old Masters at the Koninklijke Musea voor Schone Kunsten van België as of September france Paris Carel van Tuyll van Serooskerken, chief curator at the Teyler Museum has been appointed conservateur en chef of the Cabinet des Dessins of the Louvre as of January He is the first non-french head of a department of the museum. germany Gotha Katharina Bechler, former curator at the Kulturstiftung Dessau Wörlitz, has been appointed director of the Stiftung Schloss Friedenstein Gotha. Richmond Mitchell Merling, former curator at the John and Mable Ringling Museum of Art, Sarasota, has been appointed Paul Mellon curator and head of the department of European art of the Virginia Museum of Fine Arts. Wellesley Elizabeth Wyckoff, former curator of prints and drawings at the New York Public Library, has been appointed associate curator of prints and drawings at the Davis Museum and Cultural Center at Wellesley College, Wellesley, Massachusetts. codart membership news As of November 2004, codarthas 352 members and 46 associate members from 246 institutions in 36 countries. All contact information is available on the codart website and is kept up to date there. New codartmembers since June 2003 (as of November): Lynne Ambrosini, chief curator, Taft Museum of Art, Cincinnati Bettina Baumgärtel, head of the department of painting, Stiftung museum kunst palast, Düsseldorf Véronique Bücken, curator, Koninklijke Musea voor Schone Kunsten van België, Brussel Johan Cederlund, curator, Uppsala University Art Collections (Gustavianum), Uppsala Laura Coyle, curator of European art, Corcoran Gallery of Art, Washington Marjoleine Groen, project associate Delftware and curator of applied arts, Gemeente Musea Delft, Delft Heli Haapasalo, curator, Hallwyl Museum (Hallwylska Museet), Stockholm Nico van den Hout, curator, Koninklijk Museum voor Schone Kunsten, Antwerpen Wim Hüsken, curator, Stedelijke Musea Mechelen, Mechelen Ingalill Jansson, head curator, Hallwyl Museum (Hallwylska Museet), Stockholm Bengt Kylsberg, curator, Skokloster Slott (Skokloster Castle), Skokloster Loet Schledorn, curator, Gemeente Musea Delft (Stedelijk Museum Het Prinsenhof), Delft William Schupbach, curator, Iconographic collections, Wellcome Library, London Sabine van Sprang, curator, Koninklijke Musea voor Schone Kunsten van België, Brussel Bart Stroobants, curator, Stedelijke Musea Mechelen, Mechelen Carol Togneri, senior curator, Norton Simon Museum, Pasadena Adriaan E. Waiboer, curator of Northern European Art, The National Gallery of Ireland, Dublin Gregor J.M. Weber, chief curator, Staatliche Museen Kassel (Gemäldegalerie Alte Meister), Kassel Anne Woollett, assistant curator of paintings, The J. Paul Getty Museum, Los Angeles

31 31 codart Courant 9/December 2004 Membership directory BaBaBe Be Mr. George S. Abrams Winer and Abrams counsellors at law 60 State Street. Suite 2329 Boston ma02109 t f Mr. David Acton of prints, drawings and photography Worcester Art Museum 55 Salisbury Street Worcester ma t f davidacton@ worcesterart.org Dr. Maryan W. Ainsworth of early Netherlandish art The Metropolitan Museum of Art 1000 Fifth Avenue New York ny t f maryan.ainsworth@ metmuseum.org Dott. Givigliamo Alloisi Galleria Corsini Via della Lungara 10 Roma Italy t f Mr. Stijn Alsteens Assistant curator Fondation Custodia 121 rue de Lille f Paris France t f alsteens@ fondationcustodia.fr Mr. Marvin Altner Assistant curator Hamburger Kunsthalle Glockengiesserwall d Hamburg t Ms. Lynne Ambrosini Chief curator Taft Museum of Art 316 Pike Street Cincinnati oh45202 t f lambrosini@ taftmuseum.org Prof. Dr. Gert Ammann and chief curator Tiroler Landesmuseum Ferdinandeum Museumstrasse 15 a-6020 Innsbruck Austria t f [email protected] Ms. Rocio Arnaez Museo Nacional del Prado Calle Ruiz de Alarcón 23 e Madrid Spain t f museo.nacional@ prado.mcu.es Dr. Boris Asvariszh of 19th-century Northern school paintings The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t f Dr. Joost Vander Auwera Attaché Koninklijke Musea voor Schone Kunsten van België Museumstraat 9 b-1000 Brussel t f vanderauwera@ fine-arts-museum.be Dr. Reinier Baarsen Head of department of sculpture and decorative arts Rijksmuseum Postbus nl-1070 dnamsterdam t f [email protected] Dr. Natalia Babina of Flemish painting of the 17th century The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t f Dr. Ronni Baer of European painting Museum of Fine Arts 465 Huntington Avenue Boston ma02115 t f [email protected] Mr. Diederik Bakhuÿs Head of the department of drawings Musée des Beaux-Arts 1 Place Restout f Rouen France t f Dr. Arnout Balis Centrum voor de Vlaamse Kunst van de 16de en de 17de Eeuw Kolveniersstraat 20 b-2000 Antwerp t f [email protected] Dr. Gerd Bartoschek Stiftung Preussische Schlösser und Gärten Berlin- Brandenburg Allee nach Sanssouci 5 d Potsdam t f Ms. Hela Baudis Head of the printroom Staatliches Museum Schwerin Alter Garten 3 d Schwerin t f [email protected] Dr. Frans Baudouin Chairman Centrum voor de Vlaamse Kunst van de 16de en de 17de Eeuw Kolveniersstraat 20 b-2000 Antwerp t f Dr. Bettina Baumgärtel Head of the department of painting Museum kunst palast Ehrenhof 5 d Düsseldorf t f bettina.baumgaertel@ stadt.duesseldorf.de Dr. Katharina Bechler Stiftung Schloss Friedenstein Gotha Schloss Friendenstein d Gotha t f vorstand@stiftung friedenstein.de Ms. Liesbeth De Belie Attaché of department of Old Masters Koninklijke Musea voor Schone Kunsten van België Museumstraat 9 b-1000 Brussel t f [email protected] Dr. Kristin Belkin Officer Historians of Netherlandish Art 23 South Adelaide Avenue Highland Park nj08904 t f [email protected] Ms. Hanna Benesz Keeper of early Netherlandish paintings Muzeum Narodowe w Warszawie (National Museum in Warsaw) Aleje Jerozolimskie 3 pl Warsaw Poland t f [email protected] Ms. Dana Bercea of prints and drawings National Museum of Art of Romania Calea Victoriei ro Bucharest Romania t f [email protected] Drs. Mària van Berge- Gerbaud Fondation Custodia 121 rue de Lille f Paris France t f coll.lug@fondation custodia.fr Dr. Kornelia von Berswordt-Wallrabe Staatliches Museum Schwerin Alter Garten 3 d Schwerin t f [email protected] Dr. Holm Bevers Kupferstichkabinett Matthäikirchplatz 4 d Berlin t f [email protected] Dr. Gottfried Biedermann of the Alte Galerie Steiermärkisches Landesmuseum Joanneum Raubergasse 10 a-8010 Graz Austria t f [email protected] Drs. Dirk Jan Biemond of gold and silver Rijksmuseum Postbus nl-1070 dnamsterdam t f d.biemond@ rijksmuseum.nl Dr. Pieter Biesboer Frans Halsmuseum Postbus 3365 nl-2001 djhaarlem t f [email protected] Dr. Marian Bisanz-Prakken Albertina Augustinerstrasse 1 a-1010 Wien Austria t /0 f [email protected] Mr. Peter Black of Dutch and Flemish paintings and prints Hunterian Museum and Art Gallery, University of Glasgow 82 Hillhead Street Glasgow g12 8qq Scotland t f [email protected]

32 codart Courant 9/December Bl Bo Br Bu CaCl Dr. Albert Blankert Independent curator Koningsplein 25 nl-2518 jethe Hague t f Albert.Blankert@ inter.nl.net Dr. Marten Jan Bok Member of Program Committee Historians of Netherlandish Art Mauritsstraat 17 (h) nl-3583 hgutrecht t f [email protected] Ms. Jetteke Bolten-Rempt Stedelijk Museum De Lakenhal Postbus 2044 nl-2301 caleiden t f P.O.Box@lakenhal. demon.nl Dr. Bob van den Boogert Museum Het Rembrandthuis Postbus nl-1001 rkamsterdam t f museum@ rembrandthuis.nl Drs. Janrense Boonstra Bijbels Museum Postbus 3606 nl-1001 akamsterdam t f jrboonstra@ bijbelsmuseum.nl Mr. Till-Holger Borchert Chief curator of Groeningemuseum and Arentshuis Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t f Till-Holger.Borchert@ brugge.be Ms. Larisa Bordovskaya Chief curator The State Museum Tsarskoje Selo 7 Sadovaja St. Tsarskoje Selo Russia t f Dr. Stephen D. Borys of Western art Allen Memorial Art Museum Oberlin College 87 North Main Street Oberlin oh44074 t f [email protected] Ms. Tatjana Bosnjak National Museum Trg Republike 1a Belgrade Serbia t [email protected] Drs. Peter van den Brink Chief curator Bonnefantenmuseum Postbus 1735 nl-6201 bsmaastricht t f vandenbrink@ bonnefanten.nl Dr. Christopher Brown Ashmolean Museum Beaumont Street Oxford ox1 2pyh t f christopher.brown@ ashmus.ox.ac.uk Mr. Julius Bryant of museums and collections English Heritage 23 Savile Row London w1s 2et t f [email protected] Ms. Véronique Bücken Koninklijke Musea voor Schone Kunsten van België Museumstraat 9 b-1000 Brussels t f Drs. Hans Buijs Fondation Custodia 121 rue de Lille f Paris France t f coll.lugt@fondation custodia.fr Ms. Alisa Bunbury of prints and drawings National Gallery of Victoria P.O. Box 7259 Melbourne 8004 Australia t f alisa.bunbury@ ngv.vic.gov.au Mr. Willy Van den Bussche Chief curator pmmk- Museum voor Moderne Kunst Romestraat 11 b-8400 Oostende t f Ms. Sophie Renouard de Bussière Chief curator Musée du Petit Palais 1 Avenue Dutuit f Paris France t f Dr. Quentin Buvelot Mauritshuis Postbus 536 nl-2501 cmthe Hague t f [email protected] Ms. Teresa Calero Museo Franz Mayer Av. Hidalgo 45 Plaza de la Santa Veracruz mx Mexico D.F. Mexico t al 71 f [email protected] Ms. Véronique van Caloen Kasteel van Loppem Square Larousse 29 b-1190 Brussels t f Dr. Lorne Campbell Research curator The National Gallery Trafalgar Square London wc2n 5dn t f lorne.campbell@ ng-london.org.uk Mr. Thomas P. Campbell of European sculpture and decorative art The Metropolitan Museum of Art 1000 Fifth Avenue New York ny t Tom.Campbell@ metmuseum.org Mr. Lothar Casteleyn Adjunct curator of Gruuthuse Museum Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t f Lothar.Casteleyn@ brugge.be Dr. Görel Cavalli-Björkman Chief curator and director of research Nationalmuseum Box se Stockholm Sweden t f [email protected] Mr. Johan Cederlund Uppsala University Art Collections (Gustavianum) Akademigatan 3 se Uppsala Sweden t f Johan.Cederlund@ gustavianum.uu.se Ms. Blandine Chavanne Musée des Beaux-Arts de Nancy 3 place Stanislas f Nancy France t f Dr. Alan Chong Isabella Stewart Gardner Museum 2 Palace Road Boston ma02115 t f [email protected] Dr. Ingrid Ciulisová Slovak Academy of Sciences: Institute of Art History Dubravska cesta 9 sk Bratislava Slovak Republic t f [email protected] Ms. Ruth Cloudman Chief curator and Mary and Barry Bingham senior curator of European and American art Speed Art Museum 2035 South Third Street Louisville ky t f rcloudman@ speedmuseum.org Dr. Peter van der Coelen of prints and drawings Museum Boijmans Van Beuningen Postbus 2277 nl-3000 cgrotterdam t f coelen@boijmans. rotterdam.nl Dott.ssa Raffaella Colace Art historian Via Donatello 3 i Milano Italy t f [email protected] Ms. Laura Coyle of European art Corcoran Gallery of Art th Street nw Washington dc20006 t f [email protected] Ms. Ewa Czepielowa Head of the printroom Muzeum Czartoryskich ul. Sw. Jana 19 pl Kraków Poland t f

33 33 codart Courant 9/December 2004 DaDe Do Ei Em Fi Mr. Remmelt Daalder Nederlands Scheepvaartmuseum Kattenburgerplein 1 nl-1018 kkamsterdam t f rdaalder@ scheepvaartmuseum.nl Drs. Jan Daan van Dam of applied arts Rijksmuseum Postbus nl-1070 dnamsterdam t f [email protected] Mr. Osvaldas Daugelis Mikalojus Konstantinas Ciurlionis National Art Museum Vlado Putvinskio 55 lt Kaunas Lithuania t f [email protected] Ms. Dorota Dec of foreign painting Muzeum Czartoryskich and National Museum in Kraków ul. Sw. Jana 19 pl Kraków Poland t f [email protected] Drs. Henri Defoer emeritus of Museum Catharijneconvent Rumkelaan 90 nl-3571 xzutrecht t [email protected] Mr. Ian Dejardin Dulwich Picture Gallery Gallery Road, Dulwich Village London se21 7ad t f i.dejardin@dulwich picturegallery.org.uk Dr. Marcus Dekiert of Dutch painting and German Baroque paintings Alte Pinakothek Barer Strasse 29 d München t f [email protected] Mr. Carl Depauw Rubenshuis Wapper 9-11 b-2000 Antwerp t f carl.depauw@ cs.antwerpen.be Mr. Taco Dibbits of Dutch 17thcentury paintings Rijksmuseum Postbus nl-1070 dnamsterdam t f [email protected] Dr. Eric Domela Nieuwenhuis Instituut Collectie Nederland Postbus 1098 nl-2280 cbrijswijk t f [email protected] Mr. Alexis Donetzkoff Palais des Beaux-Arts 18 bis rue de Valmy f Lille France t f [email protected] Dr. Thomas Döring Herzog Anton Ulrich-Museum Museumstrasse 1 d Braunschweig t f [email protected] Ms. Mariana Dragu of foreign paintings National Museum of Art of Romania Calea Victoriei ro Bucharest Romania t f [email protected] Drs. Charles Dumas Chief curator Rijksbureau voor Kunsthistorische Documentatie Postbus nl-2509 lkthe Hague t f [email protected] Drs. F.J. Duparc Mauritshuis Postbus 536 nl-2501 cmthe Hague t f communicatie@ mauritshuis.nl Ms. Linda Eischen Research curator Villa Vauban Musée d Art de la Ville de Luxembourg 18, av. Emile Reuter l-2090 Luxembourg Luxembourg t f [email protected] Prof. Dr. Rudi Ekkart Rijksbureau voor Kunsthistorische Documentatie Postbus nl-2509 lkthe Hague t f [email protected] Dr. Albert J. Elen Senior curator of prints and drawings Museum Boijmans Van Beuningen Postbus 2277 nl-3000 cgrotterdam t f elen@boijmans. rotterdam.nl Dr. Titus M. Eliëns Chief curator of applied arts Gemeentemuseum Den Haag Postbus 72 nl-2501 cbthe Hague t f [email protected] Drs. Elco Elzenga Adjunct director and chief curator Paleis Het Loo Nationaal Museum Koninklijk Park 1 nl-7315 jaapeldoorn t f [email protected] Dr. Ildikó Ember Head of department of painting Szépmüvészeti Múzeum (Museum of Fine Arts) Dózsa György út 41 h-1146 Budapest xiv Hungary t f [email protected] Mr. Scott Erbes of decorative arts Speed Art Museum 2035 South Third Street Louisville ky t f [email protected] Dr. Mark Evans of paintings Victoria and Albert Museum Cromwell Road. South Kensington London sw7 2rl t f [email protected] Mr. Clario Di Fabio Galeria di Palazzo Bianco Via Garibaldi 11 i Genova Italy t f museopalazzobianco@ comune.genova.it Drs. Emmy Ferbeek Chief curator Gemeentearchief Amsterdam Postbus nl-1007 ecamsterdam t f [email protected] Ms. Maria Rosa Figueiredo Chief curator Museu Calouste Gulbenkian Av. de Berna 45-a pt Lisboa Codex Portugal t f mfigueiredo@ gulbenkian.pt Dr. Jan Piet Filedt Kok Head of department of painting Rijksmuseum Postbus nl-1070 dnamsterdam t f j.filedt-kok@ rijksmuseum.nl Ms. Birgitta Flensburg Göteborgs Konstmuseum (Göteborg Museum of Art) Göteplatsen se41256 Göteborg Sweden t f birgitta.flensburg@konst museum.goteborg.se Ms. Sn Foister Head of curatorial department and curator of early Netherlandish, German and British paintings The National Gallery Trafalgar Square London wc2n 5dn t f [email protected] Ms. Thera Folmer-von Oven Private collection Spiegelenburghlaan 17 nl-2111 bkaerdenhout t [email protected] Dr. Carina Fryklund Nationalmuseum Box se Stockholm Sweden t f [email protected]

34 codart Courant 9/December Fu Gi Go Gr HaHa Dr. Eli ska Fuc iková National Heritage Department Office of the President cz Prague 1-Hrad Czech Republic t f [email protected] Dr. Jan Garff Assistant keeper of prints and drawings Statens Museum for Kunst Sølvgade dk-1307 Copenhagen Denmark t f [email protected] Ms. Nicole Garnier Chief curator Musée Condé Château de Chantilly f Chantilly France t f ngarnier@chateau dechantilly.com Dr. Ivan Gaskell Fogg Art Museum 32 Quincy Street Cambridge ma02138 t f [email protected] Dr. Terèz Gerszi Chief advisor Szépmüvészeti Múzeum (Museum of Fine Arts) Dózsa György út 41 h-1146 Budapest xiv Hungary t f [email protected] Dr. Jeroen Giltay Chief curator of Old Master paintings Museum Boijmans Van Beuningen Postbus 2277 nl-3000 cgrotterdam t f info@boijmans. rotterdam.nl Mr. Stephen Goddard of prints and drawings Spencer Museum of Art The University of Kansas 1301 Mississippi St. Lawrence ks t f [email protected] Ms. Sybilla Goegebuer Assistant curator Stedelijk Museum voor Volkskunde Rolweg 40 b-8000 Bruges t f Sibylla.Goegebuer@ brugge.be Dr. Hilliard T. Goldfarb Associate chief curator The Montreal Museum of Fine Arts P.O. Box 3000 h Montreal, Quebec Canada H3G 2T9 t f [email protected] Drs. Eymert-Jan Goossens Koninklijk Paleis Postbus 3708 nl-1001 amamsterdam t f goossens@kon-paleis amsterdam.nl Ms. Emilie Gordenker Senior curator Dutch and Flemish art National Gallery of Scotland The Mound Edinburgh eh2 2el Scotland t f egordenker@nationalgaller ies.org Ms. Lia Gorter Foundation for Cultural Inventory Sarphatistraat 84hs nl-1018 gsamsterdam t f [email protected] Ms. Annamáriá Gosztola of Flemish painting Szépmüvészeti Múzeum (Museum of Fine Arts) Dózsa György út 41 h-1146 Budapest xiv Hungary t f gosztola@ szepmuveszeti.hu Dr. Gerhard Graulich Chief curator of painting Staatliches Museum Schwerin Alter Garten 3 d Schwerin t f graulich@ museum-schwerin.de Dr. Roman Grigoryev Head of department of prints The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t f [email protected] Ms. Ruth Grim Bass Museum of Art 2121 Park Avenue Miami Beach fl t f [email protected] Dr. Natalia Grizay Head of department of Old Master paintings and curator of Flemish paintings The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t f Drs. Marjoleine Groen of applied arts Gemeente Musea Delft St. Agathaplein 1 nl-2611 hrdelft t f [email protected] Drs. Jup de Groot Former director of Dordrechts Museum Postbus 1170 nl-3300 bddordrecht t f Dr. Rainald Grosshans Gemäldegalerie Stauffenbergstrasse 40 d Berlin t f [email protected] Ms. Krystyna Gutowska- Dudek of painting Wilanow Palace Museum ul. Stanislawa Kostki Potockiego 10/16 pl Warsaw Poland t f [email protected] Ms. Heli Haapasalo Hallwylska Museet (Hallwyl Museum) Hamngatan 4 s Stockholm Sweden t f [email protected] Drs. Saskia van Haaren Chief curator Museum Catharijneconvent Postbus 8518 nl-3503 rmutrecht t f se.vanhaaren@ catharijneconvent.nl Mr. John Oliver Hand National Gallery of Art 2000B South Club Drive Landover md20785 t f [email protected] Ms. Sophie Harent Assistant curator Musée des Beaux-Arts de Nancy 3 place Stanislas f Nancy France t f Dr. Jaap Harskamp British Library 96 Easton Road London nw1 2db t f [email protected] Dr. Ursula Härting Exhibition curator (vereidigte Sachverständige für Niederländische Malerei) Gustav-Lübcke-Museum Markgrafenufer 3a d Hamm t f [email protected] Mr. Drs. Stephen Hartog Senior curator Instituut Collectie Nederland Postbus 1098 nl-2280 cbrijswijk t f [email protected] Prof. Egbert Haverkamp- Begemann Institute of Fine Arts 1 East 78th Street New York ny t f Ms. Karen Hearn of 16th- and 17th-century arts Tate Britain Millbank London sw1p 4rg t f [email protected] Ms. Jo Hedley of pictures pre The Wallace Collection Hertford House Manchester Square London w1m 3bn t f Drs. Ed de Heer Museum Het Rembrandthuis Jodenbreestraat 4-6 nl-1011 nkamsterdam t f Dr. Jan Jaap Heij Drents Museum Postbus 134 nl-9400 acassen t f [email protected]

35 35 codart Courant 9/December 2004 He Ho Hu JaJaKa Drs. Freek Heijbroek Rijksmuseum printroom Postbus nl-1070 dnamsterdam t f Drs. Liesbeth Helmus of Old Master paintings and drawings Centraal Museum Postbus 2106 nl-3500 gcutrecht t f l.helmus@centraal museum.nl Dr. Lee Hendrix of drawings The J. Paul Getty Museum 1200 Getty Center Drive Suite 1000 Los Angeles ca t f [email protected] Dr. Concha Herrero of tapestries Patrimonio Nacional Bailen s/n e Madrid Spain t concha.herrero@ patrimonionacional.es Mr. Daniel Hess of paintings and glass before 1800 Germanisches Nationalmuseum Postfach d Nürnberg t f [email protected] Ms. Emerentia van Heuven Paleis Het Loo Nationaal Museum Koninklijk Park 1 nl-7315 jaapeldoorn t f [email protected] Drs. Anita Hopmans Chief curator of modern art Rijksbureau voor Kunsthistorische Documentatie Postbus nl-2509 lkthe Hague t f [email protected] Drs. Koert van der Horst of manuscripts Universiteitsbibliotheek Utrecht Postbus nl-3500 dautrecht t f k.vanderhorst@ library.uu.nl Drs. Guus van den Hout Museum Catharijneconvent Postbus 8518 nl-3503 rmutrecht t f ahpj.vandenhout@ catharijneconvent.nl Nico van Hout Koninklijk Museum voor Schone Kunsten Plaatsnijdersstraat 2 b-2000 Antwerp t f [email protected] Mr. J.C. Houwert Member of the board of codart Kemperbergerweg 15 nl-6816 rmarnhem t f [email protected] Mr. Wouter Hugenholtz Executive director Netherlands Institute for Advanced Study Meijboomlaan 1 nl-2242 prwassenaar t f Hugenholtz@ NIAS.KNAW.nl Ms. Roselyne Huret Musée Carnavalet, musée de l histoire de Paris 29 rue de Sévigné f Paris France t f webmaster@ mairie-paris.fr Dr. Timothy Husband of The Cloisters Metropolitan Museum of Art Fort Tryon Park New York ny10040 t f tim.husband@ metmuseum.org Dr. Wim Hüsken Stedelijke Musea Mechelen Minderbroedersgang 5 b-2800 Mechelen t f [email protected] Dr. Paul Huvenne Koninklijk Museum voor Schone Kunsten Plaatsnijdersstraat 2 b-2000 Antwerp t f [email protected] Dr. Paul Huys Janssen Noordbrabants Museum Postbus 1004 nl-5200 baden Bosch t f PHuysJanssen@noordbrab antsmuseum.nl Dr. Chiyo Ishikawa Chief curator of collections and curator of European painting and collections Seattle Art Museum P.O. Box Seattle wa t f chiyo@seattle artmuseum.org Mr. Wim Jacobs Secretary-treasurer of the board of codart Postbus nl-1070 kaamsterdam t f [email protected] Mr. David Jaffe of Flemish paintings The National Gallery Trafalgar Square London wc2n 5dn t f information@ ng-london.org.uk Drs. Guido Jansen Head of collections Museum Boijmans Van Beuningen Postbus 2277 nl-3000 cgrotterdam t f jansen@boijmans. rotterdam.nl Ms. Sandra Janssens Research curator Koninklijk Museum voor Schone Kunsten Plaatsnijdersstraat 2 b-2000 Antwerp t f [email protected] Ms. Ingalill Jansson Head curator Hallwylska Museet (Hallwyl Museum) Hamngatan 4 S Stockholm Sweden t f [email protected] Dr. Catherine Johnston of European art National Gallery of Canada P.O. Box 427 Station a Ottawa, Ontario Canada k1n9n4 t f [email protected] Ms. Dorota Juszczak Zamek Królewski w Warszawie (Royal Castle in Warsaw) ul. Pl. Zamkowy 4 pl Warsaw Poland t f [email protected] Ms. Ronda Kasl Associate curator of painting and sculpture before 1800 Indianapolis Museum of Art 1200 West 38th Street Indianapolis in t f [email protected] Prof. Thomas DaCosta Kaufmann Professor Department of Art and Archaeology Princeton University McCormick Hall Princeton nj t f [email protected] PD. Dr. Hans-Martin Kaulbach of German and Netherlandish prints and drawings Staatsgalerie Stuttgart Postfach d Stuttgart t f m.kaulbach@ staatsgalerie.de Dr. Jan Kelch Gemäldegalerie Stauffenbergstrasse 40 d Berlin t f [email protected] Ms. Minerva Keltanen Chief curator Sinebrychoff Art Museum Bulevardi 40 fin Helsinki Finland t f [email protected] Ms. Véronique Van de Kerckhof of the collection of ancient prints and drawings in the Antwerp printroom Museum Plantin-Moretus / Prentenkabinet Vrijdagmarkt 22 b-2000 Antwerp t f veronique.vandekerckhof@ cs.antwerpen.be

36 codart Courant 9/December Ke Kl Ko Ko Ko La Ms. Laurence van Kerkhoven of Groeningemuseum and Arentshuis Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t f Laurence.Van.Kerkhoven@ brugge.be Drs. Michiel Kersten Head of collection management and communication Frans Hals Museum Postbus 3365 nl-2001 djhaarlem t f [email protected] Dr. Thomas Ketelsen Staatliche Kunstsammlungen Dresden Taschenberg 2 d Dresden t f Thomas.Ketelsen@ skd.smwk.sachsen.de Dr. George S. Keyes Elizabeth & Allan Shelden curator of European paintings The Detroit Institute of Arts 5200 Woodward Avenue Detroit mi48202 t f [email protected] Drs. Renée Kistemaker Advisor Amsterdams Historisch Museum Postbus 3302 nl-1001 acamsterdam t f [email protected] Ms. Maris Klaas Art Museum of Estonia Weitzenbergi 22 Ee-0001 Tallinn Estonia t Dr. Christian Klemm Deputy director and curator Kunsthaus Zürich Postfach ch-8024 Zürich Switzerland t f [email protected] Dr. Rüdiger Klessmann emeritus of Herzog Anton Ulrich-Museum Völkstrasse 25 d Augsburg t Drs. Wouter Kloek of special projects Rijksmuseum Postbus nl-1070 dnamsterdam t f [email protected] Drs. Maria Kluk of Dutch paintings Muzeum Narodowe w Warszawie (National Museum in Warsaw) Aleje Jerozolimskie 3 pl Warsaw Poland t (x 312) f [email protected] Drs. Paul Knolle of Old Master paintings Rijksmuseum Twenthe Lasondersingel nl-7514 bpenschede t f [email protected] Ms. Yoriko Kobayashi-Sato Mejiro University 1-1, f312 Ogura Saiwai, Kawasaki, Kanagawa Japan t f [email protected] Dr. Olaf Koester Senior curator emeritus of Statens Museum for Kunst Mosebakken 3 dk-2830 Virum Denmark Mr. Akira Kofuku Chief curator The National Museum of Western Art 7-7 Ueno-koen Taito-ku Tokyo Japan t f [email protected] Dr. Ype Koopmans Museum voor Moderne Kunst Arnhem Postbus nl-6800 jparnhem t f [email protected] Mr. Adam Koperkiewicz Gdan sk Historical Museum ul. Dluga 47 pl Gdan sk Poland t f [email protected] Ms. Greta Koppel Niguliste Museum of the Art Museum of Estonia Niguliste 3 ee Tallinn Estonia t f [email protected] Dr. Fritz Koreny Senior researcher Institut für Kunstgeschichte der Universität Wien Spitalgasse 2 Hof 9 a-1090 Vienna Austria t f [email protected] Dr. Anne S. Korteweg Keeper of manuscripts Koninklijke Bibliotheek Postbus nl-2509 lkthe Hague t f [email protected] Ms. Marianne Koskimies- Envall Pohjanmaan Museo (Ostrobothnian Museum) P.O.Box Vaasa Finland t f [email protected] Drs. J. Kosten of Dutch and Flemish historical paintings and Flemish portraits Rijksbureau voor Kunsthistorische Documentatie Postbus nl-2509 lkthe Hague t f [email protected] Dr. Olga Kotková Národní Galerie v Praze (National Gallery in Prague) P.O. Box 4 cz Prague Czech Republic t f [email protected] Ms. Dragana Kovac i c Senior curator National Museum Trg Republike 1a Belgrade Serbia t [email protected] Dr. Zoltán Kovács Deputy head of department for registration Szépmüvészeti Múzeum (Museum of Fine Arts) Dózsa György út 41 h-1146 Budapest xiv Hungary t f zkovacs@ szepmuveszeti.hu Ms. Rebeca Kraselsky of paintings Museo Franz Mayer Av. Hidalgo 45. Plaza de la Santa Veracruz mx06050 Mexico D.F. Mexico t x255 rkraselsky@ franzmayer.org.mx Mr. Krzystof Krużel of the print collection Library of the Polish Academy of Arts and Sciences ul. Slawkowska 17 pl Kraków Poland t [email protected] Ms. Tatyana Kuyukina Tver Art Museum 3 Sovetskaya Street Tver Russia t f Mr. Bengt Kylsberg Skokloster Slott (Skokloster Castle) se Skokloster Sweden t f [email protected] Ms. Suzanne Laemers Rijksbureau voor Kunsthistorische Documentatie Postbus nl-2509 lkthe Hague t f [email protected] Mr. Alastair Laing Adviser on pictures and sculpture The National Trust 36 Queen Anne s Gate London sw1h 9as t f (home) Dr. Friso Lammertse Museum Boijmans Van Beuningen Postbus 2277 nl-3000 cgrotterdam t f lammerts@boijmans. rotterdam.nl Dr. Alexei Larionov of Dutch and Flemish drawings The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t f Ms. Cathy Leahy Senior curator of prints and drawings National Gallery of Victoria P.O. Box 7259 Melbourne 8004 Australia t f cathy.leahy@ ngv.vic.gov.au

37 37 codart Courant 9/December 2004 Le Li Lo Lu MaMa Mr. Huigen Leeflang of prints Rijksmuseum printroom Postbus nl-1070 dnamsterdam t f h.leeflang@ rijksmuseum.nl Prof. Ronald de Leeuw Rijksmuseum Postbus nl-1070 dnamsterdam t f r.de.leeuw@ rijksmuseum.nl Dr. Simon H. Levie emeritus of the Rijksmuseum Minervalaan 70/ii nl-1077 pgamsterdam t f Dr. Mary L. Levkoff of European painting and sculpture Los Angeles County Museum of Art 5905 Wilshire Boulevard Los Angeles ca90036 t f [email protected] Dr. Walter A. Liedtke of European paintings The Metropolitan Museum of Art 1000 Fifth Avenue New York ny10028 t f walter.liedtke@ metmuseum.org Prof. Dr. Bernd Wolfgang Lindemann Gemäldegalerie Stauffenbergstraße 40 d Berlin - Tiergarten t f b.lindemann@ smb.spk-berlin.de Ms. Henriëtte van der Linden Instituut Collectie Nederland Postbus nl-1070 kaamsterdam t f henriëtte.van.der.linden@ icn.nl Dr. Irina Linnik of Dutch paintings The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t f Mr. Christopher Lloyd Surveyor of the Queen s pictures Royal Collection Stable Yard House, St. James s Palace London sw1a 1jr t f Ms. Julia Lloyd Williams Former curator of the National Gallery of Scotland Flat 1, 9 Lindfield Gardens London nw3 6px julialloydwilliams@ hotmail.com Dr. Anne-Marie Logan Research curator The Metropolitan Museum of Art 25 Reilly Road Easton ct06612 t f [email protected] Drs. Daniëlle H.A.C. Lokin and chairman Nederlandse Museumvereniging Stedelijk Museum Het Prinsenhof St. Agathaplein 1 nl-2611 hrdelft t f [email protected] Dr. Angelika Lorenz Attaché for 16th- and 17th-century art Westfälisches Landesmuseum für Kunst und Kulturgeschichte Domplatz 10 d Münster t f [email protected] Drs. Jan Rudolph de Lorm Head of exhibitions Rijksmuseum Postbus nl-1070 dnamsterdam t f [email protected] Mr. Willy Le Loup of Groeningemuseum and Arentshuis Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t f [email protected] Ms. Katherine Crawford Luber Assistant curator of the Johnson Collection Philadelphia Museum of Art P.O. Box 7646 Philadelphia pa t f [email protected] Dr. Jochen Luckhardt Herzog Anton Ulrich-Museum Museumstrasse 1 d Braunschweig t f [email protected] Dr. Dietmar Lüdke Staatliche Kunsthalle Postfach d Karlsruhe t f [email protected] Drs. Ger Luijten Head of department of prints and drawings Rijksmuseum printroom Postbus nl-1070 dnamsterdam t f [email protected] Dr. Christiane Lukatis Staatliche Museen Kassel - Graphische Sammlung Postfach d Kassel t f Dr. Alexander C. Lungu Muzeul National Brukenthal (The Brukenthal Museum) Piat,a Mare nr. 3-5 ro-2400 Sibiu Romania t f a.lungu@brukenthal museum.ro Dr. Doron Lurie of 16th- to 19thcentury art Tel Aviv Museum of Art P.O. Box Tel Aviv Israel t f [email protected] Drs. Michel P. van Maarseveen Drents Museum Postbus 134 nl-9400 acassen t f [email protected] Ms. Catharine MacLeod of 16th- and 17th-century portraits National Portrait Gallery St. Martin s Place London wc2h 0he t f [email protected] Ms. Catalina Macovei Head of department of prints and drawings Library of the Romanian Academy Calea Victoriei 125 ro Bucharest Romania t f catalina-macovei@ yahoo.com Dr. Michael Maek-Gérard of Baroque painting Städelsches Kunstinstitut and Städtische Galerie Dürerstrasse 2 d Frankfurt am Main t f maek-gerard@ staedelmuseum.de Mr. Jan De Maere Documentatiecentrum voor het Vlaamse Kunstpatrimonium 9 rue des Minimes b-1000 Brussels t f [email protected] Prof. Dr. Ekkehard Mai Wallraf-Richartz-Museum - Fondation Corboud Martinstrasse 39 d Köln t f [email protected] Mr. Jean-Patrice Marandel Chief curator Los Angeles County Museum of Art 5905 Wilshire Boulevard Los Angeles ca90036 t f [email protected] Dr. Natalja Markova Head of department of prints and drawings Pushkin State Museum of Fine Arts 12 Volkhonka Street Moscow Russia t f [email protected] Ms. Sanda Marta Muzeul National Brukenthal (The Brukenthal Museum) Piat,a Mare nr. 3-5 ro-2400 Sibiu Romania t f [email protected] Dr. Michael Matile Graphische Sammlung der ethzürich Raemistrasse 101 ch-8092 Zürich Switzerland t f [email protected]

38 codart Courant 9/December Me Mi Mo Ni No Or Dr. Annaliese Mayer- Meintschel emeritus of the Gemäldegalerie Alte Meister Robert-Diez-Strasse 7 d Dresden- Oberloschwitz t f Prof. Dr. Bert W. Meijer Istituto Universitario Olandese di Storia dell Arte (Dutch University Institute for Art History) Viale Torricelli 5 i Firenze Italy t f [email protected] Mr. Fred G. Meijer Rijksbureau voor Kunsthistorische Documentatie Postbus nl-2509 lkthe Hague t f [email protected] Dr. Mitchell Merling Paul Mellon curator and head of the department of European art Virginia Museum of Fine Arts 200 N. Boulevard Richmond va t f mmerling@ vmfa.state.va.us Drs. Norbert E. Middelkoop of paintings, prints and drawings Amsterdams Historisch Museum Postbus 3302 nl-1001 acamsterdam t f norbertmiddelkoop@ahm. amsterdam.nl Drs. Ewoud M. Mijnlieff Museum het Catherina Gasthuis en Museum De Mondriaan Stedelijke Musea Gouda Achter de kerk 14 nl-2801 jxgouda t f [email protected] Sir Oliver Millar Surveyor emeritus of the queen s pictures The Cottage Rays Lane Penn Buckinghamshire hp10 8lh t f Mr. Eric Moinet Chief curator and museum counsellor Direction régionale des affaires culturelles Rhône-Alpes 6, quai Saint Vincent f Lyon Cedex 01 France t f eric.moinet@ culture.gouv.fr Mr. Maciej Monkiewicz Muzeum Narodowe w Warszawie (National Museum in Warsaw) Aleje Jerozolimskie 3 pl Warsaw Poland t f mmonkiewicz@ mnw.art.pl Mr. Andrew Moore Norwich Castle Museum & Art Gallery Norwich Norfolk nr1 3ju t (x) f (x) [email protected] Drs. Bianca du Mortier of costumes Rijksmuseum Postbus nl-1070 dnamsterdam t f b.de.mortier@ rijksmuseum.nl Dr. Angel M. Navarro Professor of art history University of Buenos Aires Avenida Quintana 16-6to. m 1014 Buenos Aires Argentina t f (c/o Ms. Casal) [email protected] Ms. Francine de Nave Museum Plantin Moretus Vrijdagmarkt 22 b-2000 Antwerp t f Dr. Uta Neidhardt of Dutch and Flemish paintings Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister Zwinger Theaterplatz 1 d Dresden t f Uta.neidhardt@ skd.smwk.sachsen.de Mr. István Németh Szépmüvészeti Múzeum (Museum of Fine Arts) Dózsa György út 41 h-1146 Budapest xiv Hungary t f inemeth@ szepmuveszeti.hu Dr. Lawrence W. Nichols of European paintings and sculpture before 1900 The Toledo Museum of Art P.O. Box 1013 Toledo oh43697 t f lnichols@ toledomuseum.org Dr. Jan Nicolaisen Museum der bildenden Künste Grimmaische Strasse 1-7 d Leipzig t f [email protected] Mr. Hans Nieuwdorp Chief curator Museum Mayer van den Bergh & Museum Smidt van Gelder Lange Gasthuisstraat 19 b-2000 Antwerp t f hans.nieuwdorp@ cs.antwerpen.be Ms. Jeltje van Nieuwenhoven Member of the board of codart Postbus nl-2509 lpthe Hague t j.van.nieuwenhoven@ pzh.nl Drs. Carl Nix Atlas Van Stolk Korte Hoogstraat 31 nl-3011 gkrotterdam t f [email protected] Mr. John Nolan Bob Jones University Museum & Gallery 1700 Wade Hampton Boulevard Greenville sc29614 t x1050 f [email protected] Ms. Tatyana Petrovna Ogorodnikova Head of department of Western European painting Irkutsk Art Museum Ul. Lenina Irkutsk Russia t f [email protected] Dr. Nils Ohrt Nivagaards Malerisamling Gl. Strandvej 2 dk-2990 Nivå Denmark t f [email protected] Dr. Maria Ordeanu of prints and drawings Muzeul National Brukenthal (The Brukenthal Museum) Piata Mare 4-5 ro-2400 Sibiu Romania t f maria.ordeanu@ brukenthalmuseum.ro Dr. Nadine Orenstein Associate curator of drawings and prints The Metropolitan Museum of Art 1000 Fifth Avenue New York ny t f Nadine.orenstein@ metmuseum.org Dr. Lynn Federle Orr California Palace of the Legion of Honor th Street Lincoln Park San Francisco ca94121 t f [email protected] Prof. Dr. Henk W. van Os emeritus of the Rijksmuseum Koninginneweg 37 nl-1075 lgamsterdam Prof. Dr. Jan Ostrowski Zamek Królewski na Wawelu (Royal Castle on Wawel Hill) Wawel 5 pl Kraków Poland t f [email protected] Mr. Piotr Oszczanowski Instytut Historii Sztuki Uniwersytet Wroclaw (Institute for Art History of Wroclaw) Szewska 49 pl Wroclaw Poland t f [email protected] Drs. Sander Paarlberg of Old Master paintings Dordrechts Museum Postbus 1170 nl-3300 bddordrecht t f ms.paarlberg@ dordrecht.nl Ms. Mieke Parez of Memlingmuseum Sint- Janshospitaal and Museum Onze-Lieve-Vrouw ter Potterie Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t f [email protected]

39 39 codart Courant 9/December 2004 PaPi Po Qu Re Ro Mr. Peter Parshall and head of department of Old Master prints National Gallery of Art 2000B South Club Drive Landover md20785 t f [email protected] Dr. Zuzana Paternostro of foreign paintings Museu Nacional de Belas Artes Av. Rio Branco 199 Rio de Janeiro Brazil t f [email protected] Ms. Eva de la Fuente Pedersen Senior research curator Statens Museum for Kunst Sølvgade dk-1307 Copenhagen Denmark t f [email protected] Ms. Magali Philippe Musée de Brou 63 boulevard de Brou f Bourg-en-Bresse France t f [email protected] Dr. Jet Pijzel-Dommisse of decorative arts Gemeentemuseum The Hague Postbus 72 nl-2501 cbthe Hague t f [email protected] Dr. Mikhail Piotrovsky The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t f Ms. Maritta Pitkänen The Gösta Serlachius Museum of Fine Arts Joenniemi Manor fin Mänttä Finland t f maritta.pitkanen@ serlachirtmuseum.fi Drs. Peter van der Ploeg Mauritshuis Postbus 536 nl-2501 cmthe Hague t f communicatie@ mauritshuis.nl Drs. Michiel Plomp Associate curator of drawings and prints The Metropolitan Museum of Art 1000 Fifth Avenue New York ny t f michiel.plomp@ metmuseum.org Dr. Katarzyna Plonka-Balus of illuminated manuscripts Muzeum Czartoryskich ul. Sw. Jana 19 pl Kraków Poland t f [email protected] Drs. Peter te Poel Bonnefantenmuseum Postbus 1735 nl-6201 bsmaastricht t f [email protected] Ms. Kadi Polli and curator of paintings Kadriorg Palace - The Kadriorg Art Museum 37 Weizenbergi Street ee Tallinn Estonia t f kadi.polli@ kadriorg.ekm.ee Ms. Nora De Poorter Associate Rubenianum en Centrum voor de Vlaamse Kunst van de 16de en de 17de Eeuw Kolveniersstraat 20 b-2000 Antwerp t f nora.depoorter@ cs.antwerpen.be Ms. Teresa Posada Kubissa Flemish painting and Northern schools (to 1700) Museo Nacional del Prado Calle Ruiz de Alarcón 23 e Madrid Spain t f Tposada.kubissa@ prado.mcu.es Mr. Hayden Russell Proud Iziko Museums of Cape Town - Michaelis Collection P.O. Box 61 Cape Town 8000 South Africa t f [email protected] Dr. Beata Purc-Stêpniak of European paintings Muzeum Narodowe w Gdan sku (National Museum in Gdan sk) ul. Torúnska 1 pl Gdan sk Poland t f info@muzeum. narodowe.gda.pl Mr. Roger Quarm of pictures National Maritime Museum Park Row Greenwich London se10 9nf t f [email protected] Drs. Emke Raassen- Kruimel Chief curator Singer Museum Postbus 497 nl-1250 allaren t f [email protected] Ms. Anna Radziun of Ruysch collections Museum of Anthropology and Ethnography of the Russian Academy of Sciences - Kunstkamera Universitetskaya Nab St. Petersburg Russia t f [email protected] Mr. Rodolphe Rapetti Conservateur en chef du patrimoine Direction des musées de France 6, rue des Pyramides f Paris France t Mr. Tom Rassieur Assistant curator of prints and drawings Museum of Fine Arts 465 Huntington Avenue Boston ma t f [email protected] Dr. Konrad Renger Chief curator Alte Pinakothek Barer Strasse 29 d München t f [email protected] Drs. Robert-Jan te Rijdt of drawings Rijksmuseum Postbus nl-1070 dnamsterdam t f [email protected] Ms. Maria del Carmen Rippe Moro Museo Nacional Trocadero e/sulueta y Monserrate Habana Vieja Cuba t f [email protected] Ms. Helena Risthein Research curator Art Museum of Estonia Kiriku plats 1 ee Tallinn Estonia t f [email protected] Ms. Lene Bøgh Rønberg Research curator Statens Museum for Kunst Sølvgade dk-1307 Copenhagen Denmark t f [email protected] Dr. William W. Robinson Maida and George Abrams curator of drawings Fogg Art Museum 32 Quincy Street Cambridge ma02138 t f [email protected] Dr. Franklin W. Robinson The Richard J. Schwartz director Herbert F. Johnson Museum of Art Cornell University Ithaca ny t f director-museum@ cornell.edu Drs. Evert Rodrigo Head of department of collections Instituut Collectie Nederland Postbus 1098 nl-2280 cbrijswijk t f [email protected] Drs. Pieter Roelofs Museum Het Valkhof Postbus 1474 nl-6501 blnijmegen t f p.roelofs@ museumhetvalkhof.nl Dr. Anna Rollová of collection of prints and drawings Národní Galerie v Praze (National Gallery in Prague) Starometské nám. 12 cz Prague 1 Czech Republic t f [email protected] Dott.ssa Francesca Rossi Museo di Castelvecchio Corso Castelvecchio 2 i Verona Italy t f [email protected]

40 codart Courant 9/December Ro SaSaSc Sc Sc Mr. Martin Royalton-Kisch Assistant keeper British Museum - Department of prints and drawings Great Russell Street London wc1b 3dg t f Mroyaltonkisch@British- Museum.ac.uk Dr. Louisa Wood Ruby Photoarchivist The Frick Collection 1 East 70th Street New York ny10021 t f [email protected] Ms. Wanda M. Rudzińska Senior curator and head of printroom Biblioteka Uniwersytecka w Warszawie (Warsaw University Library) ul. Dobra 56/66 pl Warsaw Poland t f [email protected] Mr. Axel C. Rüger of Dutch and Flemish paintings The National Gallery Trafalgar Square London wc2n 5dn t f [email protected] Dr. Ivan Rusina Slovenská národná galéria (Slovak National Gallery) Riec na 1 sk Bratislava Slovak Republic t f [email protected] Prof. Dr. Vadim A. Sadkov Head of department of European and American art Pushkin State Museum of Fine Arts 12 Volkhonka Street Moscow Russia t f [email protected] Ms. Maria Saffiotti Dale of paintings, sculpture and decorative arts Elvehjem Museum of Art, University of Wisconsin- Madison 800 University Avenue Madison wi t f msaffiottidale@ lvm.wisc.edu Ms. Béatrice Salmon (Associate) Former director of Musée des Beaux-Arts 3 place Stanislas f Nancy France t f Dr. Jochen Sander Head of department of paintings Städelsches Kunstinstitut und Städtische Galerie Dürerstrasse 2 d Frankfurt am Main t f [email protected] Ms. Ana García Sanz of the Descalzas Reales Patrimonio Nacional Palacio Real - Bailén s/n e Madrid Spain t f Dr. Wolfgang Savelsberg Head of museums and collections Kulturstiftung Dessau Wörlitz Schloss Grosskühnau d Dessau t f [email protected] Ms. Cécile Scailliérez Musée du Louvre Porte des Lions f Paris Cedex 01 France t f [email protected] Mr. Scott Schaefer Head of department of paintings The J. Paul Getty Museum 1200 Getty Center Drive Suite 300 Los Angeles ca t f [email protected] Drs. Jef Schaeps Prentenkabinet Universiteit Leiden Postbus 9501 nl-2300 raleiden t schaeps@library. leidenuniv.nl Drs. Karen Schaffers- Bodenhausen Chief curator Rijksbureau voor Kunsthistorische Documentatie Postbus nl-2509 lkthe Hague t f [email protected] Drs. Marijn Schapelhouman of drawings Rijksmuseum Postbus nl-1070 dnamsterdam t f [email protected] Ms. Tamara Schestakowa Tambov Fine Arts Museum 97 Sovetskaya Street Tambov Russia t Drs. Robert Schillemans Museum Amstelkring Ons Lieve Heer op Solder Oude Zijds Voorburgwal 40 nl-1012 geamsterdam t f r.schillemans@museum amstelkring.nl Mr. Loet Schledorn Gemeente Musea Delft - Stedelijk Museum Het Prinsenhof Sint Agathaplein 1 nl-2611 hrdelft t f [email protected] Dr. Bernhard Schnackenburg emeritus of the Staatliche Museen Kassel (Gemäldegalerie Alte Meister) Havelweg 10 d Kassel Schnackenburg-Kassel@ t-online.de Drs. Frits Scholten of sculpture Rijksmuseum Postbus nl-1070 dnamsterdam t f f.scholten@ rijksmuseum.nl Drs. Peter Schoon Dordrechts Museum Postbus 1170 nl-3300 bddordrecht t f [email protected] Dr. William Schupbach, Iconographic collections Wellcome Library 210 Euston Road London nw1 2be t f w.schupbach@ wellcome.ac.uk Dr. Karl Schütz of department of paintings Kunsthistorisches Museum Burgring 5 a-1010 Wien Austria t f [email protected] Ms. Loekie Schwartz Postbus 162 nl-3600 admaarssen t f [email protected] Mr. Gary Schwartz codart Postbus 162 nl-3600 admaarssen t f [email protected] Dr. Dieter Schwarz Kunstmuseum Winterthur Postfach 378 ch-8402 Winterthur Switzerland t f [email protected] Prof. Gianni Carlo Sciolla Professor of art history Università degli Studi di Torino Via Tenivelli 11 i Torino Italy t f [email protected] Mr. David Scrase Keeper and assistant director (collections) Fitzwilliam Museum Trumpington Street Cambridge cb2 1rb t f [email protected] Dr. Gero Seelig of Netherlandish paintings Staatliches Museum Schwerin Alter Garten 3 d Schwerin t f [email protected] Dr. Hana Seifertová Národní Galerie v Praze (National Gallery in Prague) V Luhu 616 cz Revnice Czech Republic t f [email protected] Dr. Manfred Sellink Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t f manfred.sellink@ brugge.be

41 41 codart Courant 9/December 2004 Se Si Si Sp St To Dr. Marina Senenko of European and American art Pushkin State Museum of Fine Arts 12 Volkhonka Street Moscow Russia t f [email protected] Dr. Anja K. S evcík Old Masters collection Národní Galerie v Praze (National Gallery in Prague) Charlese de Gaulla 3 cz Prague vi Czech Republic t f [email protected] Dr. Desmond Shawe-Taylor Dulwich Picture Gallery Gallery Road, Dulwich Village London se21 7ad t f d.shawe-taylor@dulwich picturegallery.org.uk Dr. Karin Sidén Senior curator of paintings and sculpture / Old Masters Nationalmuseum Box se Stockholm Sweden t f [email protected] Drs. John Sillevis Chief curator Gemeentemuseum Den Haag Postbus 72 nl-2501 cbthe Hague t f jsillevis@gemeente museum.nl Dr. Pilar Silva Head of department of medieval and early- Renaissance Spanish and Flemish paintings Museo Nacional del Prado Calle Ruiz de Alarcón 23 e Madrid Spain t f [email protected] Dr. Martina Sitt Head of department of paintings Hamburger Kunsthalle Glockengiesserwall d Hamburg t f [email protected] Prof. Seymour Slive Professor emeritus of Harvard University 32 Quincy Street Cambridge ma02138 t f Dr. Nicolette Sluijter- Seijffert Former director of the Museum Het Catharina Gasthuis De Ryterstraat 60 nl-2518 atthe Hague [email protected] Drs. Marie Christine van der Sman Nederlandse Museumvereniging Postbus 2975 nl-1000 czamsterdam t f info@museum vereniging.nl Mr. Mårten Snickare of 17th-century master drawings and architectural drawings Nationalmuseum Box se Stockholm Sweden t f [email protected] Dr. Irina Sokolova Head of department of Dutch paintings The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t / f / Prof. Ojars Sparitis Latvian Academy of Arts Kalpaka Boulevard 13 lv-1867 Riga Latvia t f [email protected] Dr. Joaneath Spicer The James A. Murnaghan curator of Renaissance and Baroque art Walters Art Museum 600 N. Charles Street Baltimore md21201 t f [email protected] Drs. Marieke Spliethoff of paintings Paleis Het Loo Nationaal Museum Koninklijk Park 1 nl-7315 jaapeldoorn t f [email protected] Ms. Sabine van Sprang Koninklijke Musea voor Schone Kunsten van België Museumstraat 9 b-1000 Brussels T F sabinesprang@ fine-arts-museum.be Mr. Ron Spronk Associate curator for research at Straus Center for Conservation and Technical Studies Harvard University Art Museums 32 Quincy Street Cambridge ma02138 t f [email protected] Ms. Nina Stadnitchuk of paintings Museum Pavlovsk Ulitsa Revolutsi Pavlovsk Russia t f Mr. Emmanuel Starcky Deputy director Direction des Musées de France 6 rue des Pyramides f Paris Cedex 01 France t f emmanuel.starcky@ culture.gouv.fr Dr. Annemarie Stefes Project researcher Hamburger Kunsthalle Luitpoldstrasse 42 d Berlin t f [email protected] Ms. Shlomit Steinberg Hans Dichand curator of European art Israel Museum pob71117 Jerlem Israel t f [email protected] Mr. Sergei Stroganov of Dutch paintings (Rembrandt excluded) The State Hermitage Museum Dvortsovaja nab St. Petersburg Russia t f Mr. Bart Stroobants Stedelijke Musea Mechelen Minderbroedersgang 5 b-2800 Mechelen t f bart.stroobants@ mechelen.be Drs. Ariane van Suchtelen of exhibitions Mauritshuis Postbus 536 nl-2501 cmthe Hague t f communicatie@ mauritshuis.nl Ms. Eva Tahon Chief curator of Memlingmuseum Sint- Janshospitaal and Museum Onze-Lieve-Vrouw ter Potterie Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t f [email protected] Ms. Júlia Tátrai Szépmüvészeti Múzeum (Museum of Fine Arts) Dózsa György út 41 h-1146 Budapest xiv Hungary t f [email protected] Dr. Herfried Thaler Nordico - Museum der Stadt Linz Dametzstrasse 23 a-4020 Linz Austria t f [email protected] Ms. Joanna A. Tomicka of European prints Muzeum Narodowe w Warszawie (National Museum in Warsaw) Aleje Jerozolimskie 3 pl Warsaw Poland t f [email protected] Mr. Todor Todorov Princeton University Department of Art and Archaeology Princeton nj08544 t f [email protected] Ms. Carol Togneri Senior curator Norton Simon Museum 411 West Colorado Boulevard Pasadena ca t f [email protected] Dr. Renate Trnek Gemäldegalerie der Akademie der bildenden Künste 1 Schillerplatz 3 a-1010 Wien Austria t f [email protected] Dr. Meinolf Trudzinski Senior curator Niedersächsisches Landesmuseum Hannover Willy-Brandt-Allee 5 d Hannover t f [email protected]

42 codart Courant 9/December Tu VaVe Vl WaWe Drs. Carel van Tuyll van Serooskerken Chief curator Teylers Museum Spaarne 16 nl-2011 chhaarlem t f [email protected] As of January 2005 appointed chief curator of prints and drawings of the Musée du Louvre Dr. Jacek Tylicki Assistant professor of museology Uniwersytet Mikolaya Kopernika (Nicolaus Copernicus University) Sienkiecza 30/32 pl Torún Poland t f [email protected] Dr. Daiga Upeniece Ārzemju M ākslas Muzejs (The Museum of Foreign Art) Pils Laukums 3 Riga lv-1050 Latvia t f [email protected] Dr. Sn Urbach Head of department of art history Péter Pázmány Catholic University Faculty of Humanities Törökvész út 128 h-1025 Budapest ii Hungary t f Ms. Veronique Vandekerchove Stedelijk Museum Vander Kelen-Mertens Savoyestraat 6 b-3000 Leuven t f veronique.vandekerchove@ leuven.be Mr. Stéphane Vandenberghe of Groeningemuseum and Arentshuis Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t Stephane.Vandenberghe@ brugge.be Dr. Paul Vandenbroeck Research curator Koninklijk Museum voor Schone Kunsten Plaatsnijdersstraat 2 b-2000 Antwerp t f [email protected] Mr. Marc Vandenven Associate Rubenianum en Centrum voor de Vlaamse Kunst van de 16de en de 17de Eeuw Kolveniersstraat 20 b-2000 Antwerp t f marc.vandenven@ cs.antwerpen.be Mr. Ernst W. Veen National Foundation De Nieuwe Kerk Postbus 3438 nl-1001 aeamsterdam t f [email protected] Dr. Ernst Vegelin van Claerbergen Senior curator Courtauld Institute of Art Gallery Somerset House Strand London wc2r0rn t f ernst.vegelin@ courtauld.ac.uk Dr. Carl Van de Velde Associate Centrum voor de Vlaamse Kunst van de 16de en de 17de Eeuw Kolveniersstraat 20 b-2000 Antwerp t f [email protected] Dr. Alexander Vergara Senior curator of Flemish and Northern European paintings Museo Nacional del Prado Calle Ruiz de Alarcón 23 e Madrid Spain t f alejandro.vergara@ prado.mcu.es Drs. Bernard Vermet Associate Foundation for Cultural Inventory Sarphatistraat 84hs nl-1018 gsamsterdam t f [email protected] Dr. Thea Vignau-Wilberg Staatliche Graphische Sammlung München Meiserstrasse 10 d München t f [email protected] Ms. Mercedes Royo Villanova Payá Trustee and research curator Museo Lázaro Galdiano c/ Serrano 122 es Madrid Spain t f [email protected] Dr. Hans Vlieghe Centrum voor de Vlaamse Kunst van de 16de en de 17de Eeuw Kolveniersstraat 20 b-2000 Antwerp t f [email protected] Drs. Christiaan Vogelaar Stedelijk Museum De Lakenhal Postbus 2044 nl-2301 caleiden t f [email protected] Drs. Edward van Voolen Chief curator Joods Historisch Museum Postbus nl-1001 reamsterdam t f [email protected] Ms. Sandra de Vries Stedelijk Museum Alkmaar Canadaplein 1 nl-1811 kealkmaar t f [email protected] Ms. Danièle Wagener Villa Vauban Musée d Art de la Ville de Luxembourg 18, av. Emile Reuter L-2090 Luxembourg Luxembourg t f [email protected] Mr. Adriaan E. Waiboer of Northern European art The National Gallery of Ireland Merrion Square West Dublin 2 Ireland t f [email protected] Mr. Henk van der Walle Chairman of the board of codart Bisschopsstraat 16 nl-7513 akenschede t f [email protected] Dr. Arie Wallert of technical painting research Rijksmuseum Postbus nl-1070 dnamsterdam t f [email protected] Dr. John J. Walsh emeritus The J. Paul Getty Museum 1200 Getty Center Drive Suite 300 Los Angeles ca t f [email protected] [email protected] Dr. Gregor J.M. Weber Chief curator Staatliche Museen Kassel (Gemäldegalerie Alte Meister) Postfach d Kassel t f [email protected] Dr. Peter Wegmann Museum Oskar Reinhart am Stadtgarten Stadthausstrasse 6 ch-8400 Winterthur Switzerland t f museum.oskarreinhart@ win.ch Ms. Nina Weibull Stockholm University Collection Universitetsv 10 d, Frescati s Stockholm Sweden t f [email protected] Dr. Dennis Weller of Northern European art North Carolina Museum of Art 4630 Mail Service Center Raleigh nc t X2128 f [email protected]. state.nc.us Dr. James A. Welu Worcester Art Museum 55 Salisbury Street Worcester ma t x3023 f [email protected] Dr. Matthias Weniger Bayerisches Nationalmuseum Prinzregentenstrasse 3 d München t f matthias.weniger@ bnm.mwn.de Mr. Robert M.G. Wenley of European art, Glasgow Museums The Burell Collection 2060 Pollokshaws Road Glasgow g43 1at Scotland t f robert.wenley@ cls.glasgow.gov.uk

43 43 codart Courant 9/December 2004 We Wh Wi Wl Wy Zi Drs. Guido de Werd of Museum Kurhaus Kleve and Städtisches Museum Haus Koekkoek Museum Kurhaus Kleve Tiergartenstrasse 41 d Kleve t f [email protected] Dr. Hiltrud Westermann- Angerhausen Museum Schnütgen Cäcilienstrasse 29 d Köln t f [email protected] Dr. Kurt Wettengl Chief curator of paintings, prints and drawings and deputy director Historisches Museum Staalgasse 19 d Frankfurt am Main t f [email protected] Dr. Arthur K. Wheelock Jr of Northern Baroque painting National Gallery of Art Constitution Avenue N.W. Washington dc20565 t f [email protected] Ms. Lucy Whitaker Assistant to the surveyor of the Queen s pictures Royal Collection Stable Yard House, St. James s Palace London sw1a 1jr t x4699 f Lwhitaker@Royal Collection.org.uk Prof. Christopher White emeritus of the Ashmolean Museum 34 Kelly Street London nw1 8ph t f christopherwhite@shingle. freeserver.co.uk Dr. Christiane Wiebel of the printroom Kunstsammlungen der Veste Coburg Veste Coburg d Coburg t f secretariat@kunst sammlungen-coburg.de Dr. Alexander Wied Kunsthistorisches Museum Burgring 5a a-1010 Wien Austria t f [email protected] Dr. Elsbeth Wiemann for early German and Netherlandish painting Staatsgalerie Stuttgart Postfach d Stuttgart t f e.wiemann@ staatsgalerie.de Ms. Marjorie E. Wieseman of European painting and sculpture Cincinnati Art Museum 953 Eden Park Drive Cincinnati oh45202 t f [email protected] Ms. Gloria Williams Norton Simon Museum 411 West Colorado Boulevard Pasadena ca t f gwilliams@ nortonsimon.org Dr. Paul Williamson fsa Keeper of sculpture, metalwork, ceramics and glass The Victoria and Albert Museum Cromwell Road London sw7 2rl t f [email protected] Ms. Joanna Winiewicz of paintings Zamek Królewski na Wawelu (Royal Castle on Wawel Hill) Wawel 5 pl Kraków Poland t f [email protected] Dr. David de Witt Bader curator of European art Agnes Etherington Art Centre University Avenue at Bader Lane Queen s University, Kingston Ontario, Canada k7l 3n6 t x75100 f [email protected] Mr. Hubert De Witte of Groep Historische Musea Stedelijke Musea Brugge Dijver 12 b-8000 Bruges t f Hubert.De.Witte@ brugge.be Ms. Barbara Wlodarska Head of silver and metal department Muzeum Narodowe w Gdan sku (National Museum in Gdan sk) ul. Torúnska 1 pl Gdan sk Poland t f info@muzeum. narodowe.gda.pl Ms. Martha A. Wolff of European painting before 1750 Art Institute of Chicago 111 South Michigan Avenue Chicago il t f Ms. Zora Wörgötter of Baroque art Moravská Galerie (Moravian Gallery) Husova 18 cz Brno Czech Republic t f [email protected] Ms. Anne Woollett Assistant curator of the department of paintings The J. Paul Getty Museum 1200 Getty Center Drive Suite 1000 Los Angeles ca90049 t f [email protected] Ms. Helen Wüstefeld Museum Catharijneconvent Postbus 8518 nl-3503 rmutrecht t f wcm.wustefeld@ catherijneconvent.nl Ms. Elisabeth Wyckoff Associate curator of prints and drawings Davis Museum and Cultural Center Wellesley college, 106 Central Street Wellesley ma t f [email protected] Ms. Maria Zagala Assistant curator of prints and drawings National Gallery of Victoria P.O. Box 7259 Melbourne 8004 Australia t f maria.zagala@ ngv.vic.gov.au Mr. Olivier Zeder Musée Fabre de Montpellier 39 boulevard Bonne Nouvelle f Montpellier France t f musee.fabre@ ville-montpellier.fr Mrs. Olena Victorivna Zhivkova Head of department of European art Bogdan and Varvara Khanenko Museum of Art Tereshchenkivska St Kiev Ukraine t f [email protected] Dr. Antoni Ziemba Chief curator of the foreign painting gallery Muzeum Narodowe w Warszawie (National Museum in Warsaw) Aleje Jerozolimskie 3 pl Warsaw Poland t ext. 278 f [email protected] Ms. Grazyna Zinówko of Old Master drawings Muzeum Narodowe w Gdan sku (National Museum in Gdan sk) ul. Torúnska 1 pl Gdan sk Poland t f info@muzeum. narodowe.gda.pl

44 codart Courant 9/December codart dates 2005 [3 March Opening tefaf, Maastricht]. 6-8 March codart achtcongress, Dutch and Flemish art in Sweden September codart achtstudy trip to Stockholm, Drottningholm, Skokloster, Uppsala, Västerås and Strängnäs [9 March Opening tefaf, Maastricht] March codart negencongress, Collections in the Netherlands [8 March Opening tefaf, Maastricht] March codart tiencongress, Dutch and Flemish art in France. Preview of upcoming exhibitions and other events January-June 2005 The calendar of exhibitions and other major museum events on the codartwebsite contains dossiers on all past, current and upcoming exhibitions, congresses and symposia concerning Dutch and Flemish art all over the world, extending as far into the future as we have information. As you can see in the list here below, 17 exhibitions on Dutch and Flemish art at 16 different venues have been announced by museums to open between now and the beginning of June 2005 the planned date of publication of the next codartcourant. More information on these exhibitions is available on the codart website, where you can also sign up for the free notification service announcing opening and closing dates of exhibitions ten days in advance. Please keep codartposted on upcoming exhibitions and other events in your museum. us at: January-3 April Peter Paul Rubens ( ): the drawings, Metropolitan Museum of Art, New York. 28 January-16 May Carel Fabritius ( ): das Werk, Staatliches Museum Schwerin, Schwerin. 30 January-1 May Rembrandt s late religious portraits, National Gallery of Art, Washington D.C. 4 February-14 May Cornelius Gysbrechts: a royal painter of illusions, Mauritshuis, The Hague. 5 February-8 May Master of the Embroidered Foliage, Minneapolis Institute of Arts, Minneapolis, Minnesota. 19 February-29 May Vincent van Gogh in Den Haag (Vincent van Gogh in The Hague), Gemeentemuseum, The Hague. 28 February-22 May Gerard ter Borch, Detroit Institute of Art, Detroit, Michigan. 1 March-1 May Rubens, Jordaens en Van Dyck: Flemish masterpieces, Arentshuis, Bruges. 11 March-19 June Piet Mondriaan, Albertina, Vienna. 12 March-19 June Het Interbellum in de beeldende kunst, vormgeving en mode (Art,design and fashion in the inter-war years), Gemeentemuseum, The Hague. 13 March-3 May Rubens i Rembrandt, ich poprzednicy i nastepcy: rysunki flamandzkie i holenderskie xvi-xviiiw. ze zbiorów polskich (Rembrandt and Rubens, their predecessors and successors: Dutch and Flemish drawings of the 15th- 18th centuries from Polish collections), Muzeum Narodowe w Warszawie (National Museum in Warsaw), Warsaw. 15 March-15 May Drawn by the brush: oil sketches by Peter Paul Rubens, Berkeley Art Museum, Berkeley, California. 18 March-31 July Romantiek in België (Romantic art in ), Koninklijke Musea voor Schone Kunsten van België, Brussels. 25 March-26 March Conference Going Dutch: Holland in America, , University of Denver, Department of History, Denver, Colorado. 18 April-19 June Time and transformation in 17th-century Dutch art, Frances Lehman Loeb Art Center (Vassar College), Poughkeepsie, New York. 21 April-18 August Pieter Claesz: Still lifes, Kunsthaus Zürich, Zürich. 30 April-10 July alc.ixh.xan: das Geheimnis des Jan van Eyck: die Niederländische Kunst des 15. Jahrhunderts in Dresden (alc.ixh.xan: the secret of Jan van Eyck: Dutch 15th-century art in Dresden), Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister, Dresden.