MACKIE HOOK-UP GUIDE VLZ-PRO SERIES OUR [IN]FAMOUS PRODUCT HOOKUPS IN BYTE-SIZED MORSELS. Copyright 2002 Mackie Designs Inc. All Rights Reserved.

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1 MACKIE HOOK-UP GUIDE VLZ-PRO SERIES OUR [IN]FAMOUS PRODUCT HOOKUPS IN BYTE-SIZED MORSELS Copyright 2002 Mackie Designs Inc. All Rights Reserved.

2 PRINTING NOTE: These pages were built 21cm wide (8.26in) by 27.94cm (11in) tall to accommodate the printers of both our North American users and our users around the globe. This PDF will print at 100% on both Letter sized and A4 sized paper (with room in the left margin for hole punching). Hello and welcome to one of many downloadable web editions of Mackie s Product Hook-Up Guide. Since 1992, we ve been including these helpful connection maps in our In Your Face product guides, and we ve been urged to continue doing so because they re so gosh-darned helpful. Now, we ve split our hook-ups into product famlies, and made them available to you over this new-fangled Internet thingy that everyone is talking about these days. There will be documents that cover hooking up our compact VLZ PRO Series, Analog 8 Bus Series consoles, CFX Series effects mixers, DFX Series compact effects mixers, the D8B digital console, the HDR24/96 hard disk recorder, PPM Series powered mixers, the FR Series amplifiers, SR Series front-of-house mixers, and our Active loudspeakers. Inside you ll find lots of useful information most likely your questions will be answered here. We realize that there s no possible way to cover every single question or application in so few pages because new ways to use Mackie products are invented every day. You may come up with some ideas on how to do what you want by looking at the various diagrams we ve included here. Keep in mind that a good half of the battle in hooking up our products is having the proper connections. Check the cables n plugs that you already have with the diagrams on the next page. We know it may look boring, but one of these drawings could save your life. Well, maybe not your life, but probably a lot of weeping and sorrow. And don t forget to check out the tech tips/faqs document also available for download on the web at If you don t find the answers you re after, then why not give our mighty Tech Support gang a call? These folks have tons of experience in the real world, and they ve got lots of equipment and mixers at their beck and call. They re aching to share their knowledge with you. (And calling them would be a very humanitarian thing to do they re located in the dank sub-basement of our building and they rarely get visitors. Your call just may be the one that keeps their spirits alive.) Call Mackie Tech Support toll-free (in the U.S.) at (Monday through Friday, 7 AM to 5 PM Pacific Time) with any Mackie productquestion you can conjure. Put them through the wringer! We encourage it. Incidentally, the Mackie Product Hook-Up Guide (Web Editions) were put together from within the confines of the Mackie Digital Mosh Pit located on the second floor near the Area Of Refuge by the well-meaning, super-preening Mackie Macintosh Department. We used Adobe InDesign, Illustrator, Photoshop, and Acrobat on a number of suped-up big daddy Macs. Oh yeah: Copyright 2002 Mackie Designs Inc. All Rights Reserved. The following are trademarks or registered trademarks of Mackie Designs Inc.: MACKIE., the Running Man figure, VLZ, XDR, D8B, HUI, CFX Series, FR Series, and HR Series.

3 A VISUAL GUIDE COMMON PRO AUDIO PLUGS AND CONNECTORS KNOW YOUR PLUGS TS Plug (mono) Balanced XLR Standard mono/unbalanced phone plug used for most mixer connections. TRS Plug (stereo) Standard stereo/balanced phone plug used for balanced connections on Mackie mixers. Standard XLR microphone connector to be used with mic-level. RCA/Phono Plug Tape deck connections on most Mackie mixers. Insert Y Cable The Y Cable is used for connecting serial effects devices, such as graphic equalizers or compressors, to a Mackie mixer s Channel or Bus insert jacks. On one end is a standard Tip-Ring-Sleeve stereo plug. Its tip and ring are wired to separate mono Tip-Sleeve plugs. Note that the RING of the TRS plug (A) is actually wired to the TIP of one of the mono TS plugs (B). If you insert a TS (mono) 1/4" plug only partially (to the first click) into an insert jack, the plug will not activate the jack switch and will not break the insert connection in the circuit (thereby allowing the channel signal to continue on its merry way through the mixer). See (C) in Insert Points below. Partial insertion allows you to tap out of the channel or bus circuit at that point in the circuit without interrupting normal operation. If you push the 1/4" TS plug in to the second click, you will open the jack switch and create a direct out, which does interrupt the signal in that channel or bus circuit. See (D) in Insert Points above. Note: Do not overload or short-circuit the signal you are tapping from the mixer. That will affect the internal signal of the mixer. Insert Points TS Plug (mono) A Attention! Direct out with no signal interruption to master. Insert only to first click. TS Plug (mono) Direct out with signal interruption to master. Insert all the way in to the second click. TRS Plug (stereo) For use as an effects loop. (TIP = SEND to effects RING = RETURN from effects) You may notice these effects unit hookups (Figure A) throughout this applications guide. These hookups utilize the Insert "Y" Cable (explained on the facing page). B MIXER INSERT COMPRESSOR Figure B is a closeup of Figure A. The two colors represent the input and output traveling the length of the "Y" cable. The dotted line represents the two signals travelling alongside one another. IN

4 1202/ TRACK TRACKING Guitar Mic 4 Track Recorder Keyboard Channel Inputs as Tape Returns Monitoring AFTER your recorder, not at your inputs Stereo Tape Deck CHANNEL INPUTS IN-- CNTRL ROOM PUTS AUX SEND ALT 3/4 Direct Output to Recorder Insert to first click! HR824 or other Powered Studio Monitors

5 1202/1402 VIDEO SET UP Mic 1 and 2 Keyboard Compressor Multi-Deck Video Switcher with time code interface Video Decks Cassette Recorder CHANNEL INPUTS IN-- CNTRL ROOM PUTS AUX ALT 3/4 NOTE: AUX Return 2 (L and R) can be used as an extra stereo input Master Video Deck HR824 or other Powered Studio Monitors

6 COMPUTER 1202/1402 SET UP Mic 1 and 2 Keyboard Compressor Sound Module LINE LINE IN MIC IN Sound Card CHANNEL INPUTS IN-- AUX SEND ALT 3/4 CNTRL ROOM PUTS HR824 or other Powered Studio Monitors

7 1202/1402 DJ SET UP Mic 1 and 2 Turntables RIAA Preamp Compressor CD Players Stereo Tape Deck CHANNEL INPUTS IN-- CNTRL ROOM PUTS AUX ALT 3/4 Triggered Lights Delay/Reverb Active PA Speaker/ Subwoofer combination (Pole-mounted SRM450s and SRS1500 active Subwoofers pictured)

8 1202/1402 CONFERENCE PA SET UP Podium Mic Guest panel Mics Audience Mic Stereo Tape Deck VCR Audio out CD Player (intermission music) Stereo Tape Deck recording conference audio To Video Camera line level inputs to tape conference CHANNEL INPUTS IN-- CNTRL ROOM PUTS AUX ALT 3/4 2nd Stereo Tape Deck recording conference audio Graphic EQs SRM450s or other Active PA Speakers

9 1604 VIDEO SET UP Mic 1-2 Keyboard Compressors HR824 or other Powered Studio Monitors Video Decks CD Player Sampler Output Video Deck Multi-Deck Video Switcher with time code interface STEREO MONO SUB S C/R IN INSERT CHANNEL INPUTS DIRECT AUX SENDS Digital Video Workstation Delay Reverb

10 TRACK TRACKING Mic 1-2 Guitar Bass Processors Compressors HR824s or other Powered Studio Monitors Keyboard Drum Machine Stereo Compressor and Stereo EQ Stereo Tape Deck STEREO MONO SUB S C/R IN INSERT CHANNEL INPUTS DIRECT AUX SENDS Multi-track Digital Recorder Cue Mix ( and headphone amps) Delay Reverb

11 1604 STEREO PA SET UP Mic 1-4 Compressors Guitar SRM450s or other Active PA Speakers Stereo Compressor and Stereo EQ Stereo Processor Drum Machine Keyboards Cassette Recorder or DAT 4-Track Recorder STEREO MONO SUB S C/R IN INSERT CHANNEL INPUTS DIRECT AUX SENDS Mono EQs, M 1400i Amps, and Passive Stage Monitors (C300s) Delay Reverb

12 1642 TRACKING AND MIXING SET UP From Mics, Keys, Drum Machines, Guitars, etc. CHANNEL INPUTS Stereo Processor 8 Track Recorder DAT Recorder (mastering) Stereo Processor MONO L R L R INSERT IN AUX SENDS DIRECT C/R Stereo Tape Deck HR824 or other Powered Studio Monitors SUB S From Sub Outs Bal/Unbal 1 2

13 1642 VIDEO SET UP Mic 1-2 Keyboard Video Decks CHANNEL INPUTS Compressors CD Player Output Video Deck Multi-Deck Video Switcher with time code interface MONO L R L R AUX SENDS DIRECT INSERT IN C/R Digital Video Workstation Delay Reverb HR824 or other Powered Studio Monitors SUB S

14 1642 CHURCH SET UP Mic 1-5 Guitar Keyboards SRM450s or other active monitors Direct Box Drum Machine CD Player VCR Stereo Processor CHANNEL INPUTS MONO L R L R INSERT IN AUX SENDS DIRECT 70 Volt Line Amp Mono EQs, M 1400i Amps, and (C300) Passive Stage Monitors HR824s or other powered monitors Cassette Recorder C/R Assistive Listening Transmitter Multitrack Recorder SUB S 70V xformer tapped loudspeakers on distributed system throughout building

15 1642 STEREO PA SET UP Mic 1-4 Compressors Guitar Bass Guitar Mono Effects Additional stereo source CHANNEL INPUTS Keyboard Turntable Drum Machine Stereo Effects DIRECT Mono EQs, M 1400i Amps, and (C300) Passive Stage Monitors RIAA Preamp MONO L R L R AUX SENDS Stereo Processor INSERT IN CD Player Active PA Speaker/Subwoofer combination (Pole-mounted SRM450s and SRS1501 active Subwoofers pictured) C/R SUB S Digital Multitrack Recorder

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