PROPOSALS CONCERTS FOR ORGAN

Transcription

1 PROPOSALS CONCERTS FOR ORGAN 1 ORGANIST RENATO NEGRI I. FAMOUS COMPOSITIONS FOR ORGAN

2 Music by: M. A. Charpentier, T. Albinoni, W. A. Mozart, J. Pachelbel, H. Purcell, G. P. Telemann, R. Wagner, J. S. Bach, G. F. Haendel, 2 Marc-Antoine Charpentier (Paris,? 1634 Paris, 24 February 1704) Prelude to Te Deum Tommaso Albinoni (Venice, 14 June 1671 Venice, 17 January 1751) Adagio Wolfgang Amadeus Mozart (Salzburg, 27 January 1756 Wien, 5 December 1791) from Requiem K 616 Kyrie, transcription for organ by Muzio Clementi (Rome, 24 January 1752 Evesham, Worcestershire, 10 March 1832) Lacrimosa Johann Pachelbel (Nuremberg, 1 September 1653 Nuremberg, 3 March 1706) Canone in D Major Henry Purcell (London,? 1659 London,? 1695) Trumpet Tune Georg Philipp Telemann (Magdeburg, 14 March Hamburg, 25 June 1767 ) Adagio from Concerto in Re Maggiore for trumpet and winds Richard Wagner (Leipzig, 22 May 1813 Venice, 13 February 1883) Coro dei Pellegrini from Tannhäuser, transcription for organ by Franz Liszt (Doborján, 22 October 1811 Bayreuth, 31 July 1886) Johann Sebastian Bach (Eisenach, 21 March 1685 Leipzig, 28 July 1750) Toccata e Fuga in D minor BWV 565 Nun komm, der Heiden Heiland, BWV 659 Wachet auf, ruft uns die Stimme BWV 645 Jesus Bleibet Meine Freude dalla Cantata BWV 147 In dir ist Freude, BWV 615 Aria from Suite in Re Maggiore for orchestra BWV 1068 Georg Friedrich Haendel (Halle, 23 February 1685 London, 14 April 1759) Alleluia dal Messia

3 II. A TRIBUTE TO JOHANN SEBASTIAN BACH Music by: J. S. Bach 3 The great compositions of J. S. Bach (Eisenach, 21 March 1685 Leipzig, 28 July 1750) as Passacaglia in C minor, BWV 582; Preludio e Fuga in E flat Major, BWV 552; Toccata e Fuga in F Major, BWV 540; Toccata Adagio e Fuga in C Major, BWV 564; Toccata e Fuga in D minor BWV 565. The great choral preludes as Komm, Heiliger Geist, BWV 651; Nun komm, der Heiden Heiland, BWV 659; Nun komm, der Heiden Heiland, BWV 660; O Lamm Gottes unschuldig, BWV 656; Christ lag in Todesbanden", BWV 695; Nun danket alle Gott, BWV 657; Wachet auf, ruft uns die Stimme, BWV 645; In dir ist Freude, BWV 615; Vater unser im Himmelreich, BWV 682; Canonical Variations on Christmas Chorals Vom Himmel hoch, da komm ich her, BWV 769. III. BEFORE J. S. BACH Music by: D. Buxtehude, J. G. Walther, G. Böhm, N. Bruhns Dietrich Buxtehude (Bad Oldesloe or Helsingborg, 1637 Lubecca, 9 May 1707) Praeludium in G minor BuxWV, 149 Passacaglia in D minor, BuxWV 161 Praeludium in C major, BuxWV 137 Johann Gottfried Walther (Erfurt, 18 September 1684 Weimar, 23 March 1748) Walter wie soll ich dich empfangen Meinen Jesum lass ich nicht Georg Böhm (Hohenkirchen, 2 September 1661 Lüneburg, 18 May 1733) Praeludium in C major Vater unser in Himmelreich Nikolaus Bruhns (Schwabstedt, 1665 Husum, 29 March 1697) Praeludium in E minor (great) Praeludium in G major (with double pedal)

4 IV. THE SUN KING S ORGANISTS 4 Music by: L. Marchand, N. De Grigny, F. Couperin, J. A. Guilain, A. Raison Louis Marchand (Lion, 2 February 1669 Paris, 17 February 1732) Plein Jeu Nicolas de Grigny (Reims, 8 September 1672 Reims, 30 November 1703) Récit de tierce en taille (Paris, 10 November 1668 Paris, 11 September 1733) Messe à l usage des Paroisses, pour le Festes Solemnelles : Dialogue sur les Grands Jeux (3 couplet de l Agnus) Louis Marchand (Lion, 2 February 1669 Paris, 17 February 1732) Grand Dialogue Nicolas de Grigny Ave Maris Stella Plein jeu Fugue a 4 Duo Dialogue sur les grands jeux Messe à l usage des Paroisses, pour le Festes Solemnelles: Offertoire sur les grands jeux Jean-Adam Guilain (1680 after 1739) Magnificat (Suite du deuxième ton) Prélude Tierce en taille - Duo Basse de trompette Trio de flûtes Dialogue Petit plein jeu Messe propre pour les Convents de Religieux, et Religieuses: Offertoire sur les grands jeux André Raison (Unknown place, before Paris, 1719) Offerte du Cinquième Ton Le Vive le Roy des Parisiens à Son Entrée à l'hostel de Ville le Trentiéme de Januier 1687

5 V. THE GREAT ITALIAN TRADITION FOR ORGAN 5 Claudio Merulo (Correggio, 8 April 1533 Parma, 4 May 1604) Toccata Quarta del Duodecimo Tono detto Sesto (from Secondo Libro by Toccate) Cipriano de Rore (Ronse, 1515 or 1516 Parma, September 1565) Anchor che col partire, madrigal for 4 voices broached by Andrea Gabrieli (Venice, 1533 Venice, 30 August 1585) Tarquinio Merula (Busseto, 1595 Cremona, 19 December 1665) Capriccio Toccata del Secondo Tono Intonazione Cromatica del Quarto Tono Andrea Gabrieli (Venice, 1533 Venice, 30 August 1585) Ricercare from XII tono Giovanni Gabrieli (Venice, 1557 Venice, 12 August 1612) Ricercare in twelfth tone Ricercare of VII and VIII manner Girolamo Frescobaldi (Ferrara, 9 September 1583 Rome, 1 March 1643) Toccata V above pedals for organ, and without Toccata avanti il Ricercare. Ricercare con obbligo di cantar la quinta parte senza toccarla Capriccio VIII Cromatico con Ligature al Contrario Italian Anonymous (XVIII Century) Pastorale Domenico Scarlatti (Naples, 26 October 1685 Madrid, 23 July 1757) Sonata in B Minor K 87 Sonata in D major K. 288