BAYER, Adelheid. Die Photographie in Wien von 1844 bis 1914 im Spiegelbild der alten Adressbücher.Universität Wien, Wien, 1965, pp. unknown.

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1 New! Mag. Peter Prokop, a member of our Executive Committee, has assembled a list of international theses and doctorial dissertations which the founding members of our Society started to collect from 1978 up. They are available for download from our website. Most of the dissertations are from American universities. Unfortunately full biographic references were not always available. However, some of them can be ordered through University Microfilm International (P.O.Box 91, London WC1R 4EG, United Kingdom). ALBRACHT, Karl. Die Geschichte der Emil Busch A.G., Optische Industrie, Rathenow, vom wirtschaftswissenschaftlichen Standpunkt. Ein Beitrag zur Erkenntnis der Struktur des Wirtschaftslebens. Richter,Erfurt, 1925, pp Previously published as dissertation. ALINDER, J. Beginnings in Photography. University of New Mexico, Albuquerque, N.M., 1968, pp. unknown. ANDRES, llse. Der Prospektor Berthold Benecke. Ein Beitrag zur Entwicklung der Mikrophotographie.Universität Leipzig, Leipzig, 1945, pp. 26.(Berthold Benecke : A contribution to the evolution of photomicrography). ARCIERO, Gianfranco. La photographie en France entre histoire et litterature. Des origines aux avant-gardes litteraires. Universita degli Studi, Roma, ASCHE, K. Das europäische Postwertzeichen als Kunstwerk.Universität Karlsruhe, Karlsruhe, 1977, pp. 270.(The European stamp as a work of art). BALLHAUS, Edmund. Echt-Dorfentwicklung im Spiegel der Fotografie und im Bewusstsein der Bewohner. Universität Göttingen, Göttingen, BALTERMANTS, I.D. Spetsifika soderzhamania i formy fotozhurnalistiki. Moskva, M.G.Y., Characteristical aspects of content and form of photojournalism. BƒREND, Hans. Neue Probleme der Bild-Publizistik in. Presse und Wissenschaft. Universität München, München, 1951, pp BARGER, M. Susan. The Daguerreotype : Image Structure, Optical Properties, and a Scientific Interpretation of Daguerreotypy. The Pennsylvania State University, University Park, Penns., 1982, pp BARNES, Susan Elizabeth. Giacomo Balla : His Life and Work 1871 to The University of Michigan, Ann Arbor, Mich., 1977, pp BARRETT, Nancy. Calotypes of John Shaw Smith : A Catalogue Raisonne. University of New Mexico, Albuquerque, N.M., BAUERLE, Ernst. Absatzorganisation eines Unternehmens der photochemischen Industrie. Universität München, München, 1938, pp. 302.

2 BAYER, Adelheid. Die Photographie in Wien von 1844 bis 1914 im Spiegelbild der alten Adressbücher.Universität Wien, Wien, 1965, pp. unknown. (The photography in Vienna from 1844 to 1914 as presented in old directories) BERNSTEIN, Herbert M. The Significance of the Postwar Growth of the Japanese Photographic Industry. Western Reserve University, Cleveland, Ohio, BERTRAND-TURELLIER, Florence. L'Influence de la peinture sur la photoflraphie ( ). Universite de Paris, Paris. BETHUEN, Beverly Moore. The New York City League : A Political History. University of Minnesota, Minneapolis, Minn., 1979, pp BLACKMAN, Margaret. The Northern and Kaigani Haida: A Study in photographic ethnohistory. Ohio State University, Columbus, Ohio, 1973, pp BLOOM, J. Cliche - Verre: A Scratch in the Surface.University of New Mexico, Albuquerque, N.M., 1978, pp. unknown. BOBBIO, Claudia. Fotografia e publicita. Dal disegno alla fotografia nella publicita in Italia dal 1880 al Universita degli Studi, Bologna, BODDY,Julie M. The Farm Security Administration Photographs of Marion Post Wolcott : A Cultural History. State University of New York, Buffalo, N.Y., 1982, pp BOERDAM, J. and Warna OOSTERBAAN MARTINUS. Het fotogenieke van de samenleving. Een sociologische beschouwin~ over familiefotografie. Universitelt van Amsterdam, Amsterdam~ 1977, pp. unknown. (Sociological aspects of family photographs). BOGARDUS, Ralph. Pictures and Text: The Collaboration Between Henry James and Alvin Langdon Coburn. University of New Mexico, Albuquerque, N/M., 1974, pp BOSSEN, Howard Samuel. Dialogue of Differences : Henry Holmes Smith, Photographer, Critic, and Educator. The Ohio State University, Columbus, Ohio, 1979, pp BOULLE, Claude. Typographies et photomontages constructivistes (URSS, ). Contribution a l'etude du constructivisme. Universite de Paris I, Paris, 1976 (1980). BRANDWEINER, A. Die photographische Industrie Deutschlands unter Einbeziehung der von Deutsch-Oesterreich, technisch wirtschaftlich betrachtet nach Struktur und Organisation, bei besonderer Berücksichtigung der Rationalisierungsmassnahmen. Universität Innsbruck, Innsbruck, BROCK, James William. Market Control in the Amateur Conventional Photographic Industry. Michigan State University, East Lansing, Mich., 1981, pp BROWN, Shirley Ann. The Bayeux Tapestry : Its Purpose and Dating. Cornell University, Ithaka, N.Y., 1977, pp BRYAN, E.R. An Administrative History of the U.S. Naval Photographic Center with Recommendations for Reorganization. Harvard Universlty, Cambridge, Mass., 1953, pp. 251.

3 BRYAN, Sonia. The Spirit of Woman in the Twentieth Century : Northern California Photographs by Women. University of California, Davis, Calif., 1979, pp CARLETON, D.L. Victorian Landscape Photography and the Nineteenth-Century EnglishLandscape Aesthetic. The University of Texas, Austin, Texas, 1975, pp. unknown. CARLSON, Kathryn Edith. The Photographer as Educator : A Study of the work of Alfred Stieglitz and Jacob A. Riis.University of Massachusetts, Amherst, 1981, pp CARPENTIER, Jean-Baptiste. L'image politique. Elements d'une rhetorique de l'affiche electorale. Universite de Paris IV, Paris, CARTER, Nancy Corson. The Inner Circle : Portraits in Alfred Stieglitz.s ""Camera Work"". The University of lowa, lowa City, lewa, 1972, pp. 273." CARTIER-BRESSON, A. Etude sur la restauration des procedes photographiques anciens. Universite de Paris I, Paris, CATON, J.H. The Utopian Vision of Moholy-Nagy : Technology, Society, and the Avant - Garde. Princeton University, Princeton, N.J., 1980, pp CATON, Joseph Harris. The Utopian Vision of Moholy-Nagy : Technology, Society, and the Avant-Garde. An Analysis of the Writings of Moholy-Nagy on the Visual Arts. Princeton University, Princeton, N.J., 1980, pp CHAMBERS, Karen S. Jane Reece : A Photographer's View of the Artist. University of Cincinnati, Cincinnati, Ohio, 1978, pp. unknown. COCK, Elizabeth M. The Influence of Photography on American Landscape Painting. New York University, New York, N.Y., 1967, pp COOK, Mary Katherine. W.D. Smithers : Photographer-Journalist. The University of Texas, Austin, Texas, 1975, pp. unknown. COOPERRIDER, Susan Franz. Images and Illusions: The History of the Prephotographic Magic Lantern Slide in England. University of California, Davis, Calif., 1973, pp. 94. CRAFTON, Donald Clayton. Emile Cohl and the Origins of the Animated Film. The University of North Carolina at Chapel Hill, N.C., 1977, pp. 660, 2 vols. DALMACIO, Edward Anthony. History of Fashion Photography. California State University, Long Beach, Calif., 1980, pp "DANNER, G. Die Anfänge der Arbeiterfotografenbewegung in Deutschland und ihre Bedeutung für die ""Arbeiter- IIlustrierte-Zeitung"". Universität Leipzig, Leipzig, 1966, pp. unknown. (The beginnings of the worker's photography and its importance for the ""Arbeiter-Illustrierte-Zeitung"")." DAVIS, D.H. The Geography of the Jackson Purchase : Illustrated by 100 Photographs, Maps and Diagrams.. The University of Michigan, Ann Arbor, Michigan, 1923, pp DAVIS, K.F. Desire Charnay : Photographer. University of New Mexico, Albuquerque, N.M., 1979, pp. unknown.

4 DE HAAS, W.G.L. De fotografie in sociologisch perspectief. Bijdrage tot een sociologie van de techniek. Rijksuniversiteit Leiden, Leiden, n.d. (ca. 1975), pp (Photography in its sociological aspects :Contribution to the sociology of the technical sciences). DEBIZE, Christian. La photographie a Nancy au XIXe Siecle. I. Une jeunesse provinciale, L'Univers des photographes professionnels, Universite de Paris- Sorbonne. U.E.R. d'art et d'archeologie, Par i s, DIDI, Georges. Portraits d'hysteriques. L'iconographie photographique de la Salpetriere. Universite de Paris X, Paris, DIEHL, H.O. Die historische Entwicklung der photographischen Objektive und ihr Zusammenhang mit der axialen Modulationsübertragungsfunktion. Universität München, München, 1968, pp (The evolution of the photographic objectives in its relation to the modular transfer function). DILLEY, Clyde Horson. The Photography and Philosophy of Wynn Bullock. The University of New Mexico, Albuquerque, N.M., 1980, pp DILLS, Keith Warren. The Image of the Artist: Aspects of Selfportraiture in German Art, University of California, Berkeley, Calif., 1981, pp. 313." DVORAK, Anna Mytyskowa. Alphonse Mucha : Book Illustrations and Mural Paintings. The University of North Carolina at Chapel Hill, Chapel Hill, N.C., 1978, pp EDGERTON, Gary Richard. American Film Exhibition and an Analysis of the Motion Picture Industry's Market Structure,, University of Massachusetts, Amherst, ENGLISH, Donald Edward. Photos and Captions : The Political Uses of Photography in the Third French Republic, University of Washington, Seattle, Wash., 1981, pp ERLICH, George. Technology and the Artist: A Study of the Interaction of Technological Growth and 19th-Century American Pictorial Art. University of Illinois, Urbana - Champaign, 111., 1960, pp FABER, Monika. Beiträge zu einer Stilgeschichte der Porträtphotographie Universität Wien, Wien, 1980, pp FLINT, Richard Charles. "Fin de Siecle" : The Concept of Decadence in French and English Art During the Late Nineteenth Century. Indiana University, Bloomington, Ind., 1980, pp. 200." FLOWER, P : Photography in Britain. University of New Mexico, Albuquerque, N.M., 1976, pp. unknown. FLUECHAUS, Günther. Aufbau, Zusammenschlusssbewegungen und Leistung der deutschen feinmechanisch-optischen und photografischen Industrie. Universität Köln, Homburg, no publisher, 1954, pp FLUKINGER, R.L. Photographs in the Great Exhibition of The University of Texas, Austin, Texas, 1977, pp. unknown.

5 FREUND, Gisele. La photographie en France au XIXe siecle, un essai sociologique et esthetique. Universite de Paris, 1935, pp. unknown. (Later published as ""La photographie en France au dix-neuvieme siecle. Essai de sociologie et d'esthetique"""". Paris, 1936, pp. 154." FRIEDEL, Robert Douglas. Men, Materials and Ideas : A History of Celluloid. The Johns Hopkins University, Baltimore, Maryland, 1977, pp FULLER, J.C. The Photographic Image in England from : An Interrelated Study of Photography and Painting Showing the Emergence of a New Medium Amid Academic and Pre-Raphaelite Art. Ohio University, Athens, Ohio, 1968, pp GIDAL. Nahum Tim. Deutschland. Beginn des modernen Photojourna lismus. Luzern und Frankfurt, A revision of the author's thesis, München, GIDALEWITSCH, Nahum (Tim GIDAL). Picture Reporting and the Press: A Contribution to the History of Illustrated Newspapers. University of Basle, CH-Basle, GLASSMAN, Elizabeth. The Cliche - Verre in the Nineteenth Century. University of New Mexico, Albuquerque, N.M., 1977, pp. unknown. GOSSER, H.M. Selected Attempts at Stereoscopic Moving Pictures and their Relation to the Development of Motion Picture Technology' Temple University, Philadelphia, Penns., 1977, pp. unknown. (Reprint New York, N.Y., 1977). GRADONE, Richard A. Enoch Light ( ) : His Contribution to the Music Recording Industry. New York University, 1980, pp GRCEVIC, Mladen. Razvoj umjetnicke fotografije u Hrvatskoj. (Development of artistic photography in Croatia). University of Zagreb, GRCEVIC, Nada. Fotografija XIX. stoljeca u Hrvatskoj. (Photography in the 19th century in Croatia). University of Zagreb, GREENOUGH, Sarah. The Published Writings of Alfred Stieglitz. University of New Mexico, Albuquerque, N.M., 1976, pp. unknown. GRENBEAUX, Mary Pauline. The Early Yosemite Photographs of Carleton E. Watson. University of California, Davis, Calif., 1976, pp GUGGENHEIM-WILKINSON, Eileen. Photo-Realist Painting. Princeton University, Princeton, N.J., 1982, pp HAINES, R.E. Image and Idea : The Literary Relationship of Alfred Stieglitz. Stanford University, Stanford, Calif., 1968, pp HAJICEK, J. The Photography of Charles Fletcher Lummis, 1872 to University of New Mexico. Albuquerque, N.M., 1978, pp. unknown. HAMBOURG, Maria Morris. Eugene Atget, : The Structure of the Work. Columbia University, New York, N.Y., 1980.

6 HARGRAEVE, David. Thomas Young's Theory of Color Vision: Its Roots, Development, and Acceptance by the British Scientific Community. The University of Wisconsin, Madison, Wisc., 1973, pp HEIRMAN, M. Picturale fotografie in de 19e eeuw. Aspekten van beinvloeding doorde esthetiek van de schilderkunst. Katolieke Universiteit Leuven, Leuven, 1978, pp (Pictorialphotography in the 19th century as influenced by the aesthetics of painting). HEMPSTEAD, C.A. Semiconductors : An Historical Study of Selenium and Some Related Material. University of Durham, Durham, 1977, pp. unknown. ' HERTLING, Viktoria Literarische Reportagen über die Sowjetunion in der Zeit der Weimarer Republik. The University of Wisconsin, Madison, Wisc., 1980, pp HERZ, Waggi. Fotografie und Faschismus. Am Beispiel Heinrich Hoffmann. Universität Oldenburg, Oldenburg. HERZ, Walter. Die photo- und kinematographische Industrie Deutschlands in ihrer volkswirtschaftlichen Stellung. Universität Köln, Lechte, Emsdetten, 1936, pp HORRELL, C.W. Analysis of the Recommendations for the Education of Newspaper Photojournalism Students, as Made by Editors, Chief Photographers, Photojournalists, and Photojournalism Instructors. Indiana University, Bloomington, Ind., 1955, pp HORVITZ, Suzanne Joan. Photocopy Art. Columbia University, New York, N.Y., 1977, pp HOURS, Francoise. Iconographie de l'empire russe a travers les photographies anciennes conservees a la Bibliotheque Nationale, Ecole nationale superieure des bibliotheques, Villeurbanne, HOWE, Jeffrey Wayne. Iconographical Studies in the Symbolist Art of Fernand Khnopff. North Western University, Evanston and Chicago, 111., 1979, pp HULL, R.P. Camera Work : An American Quarterly. Northwestern University, Evanston and Chicago, Ill. 1970, pp HURLEY, F.J. To Document a Decade : Roy Stryker and the Development of Documentary Photography by the Farm Security Administration. Tulane University, New Orleans, Louisiana, 1971, pp JACOBS, D.L. The Rhetorics of Photography. The University of Texas, Austin, Texas, 1978, pp JAY, B.Francis Bedford, : English Landscape Photographer of the Wet-Plate Period. University of New Mexico, Albuquerque, N.M., year of publication and pp. unknown. JENKINS, R.V. Some Interrelations of Science, Technology, and the Photographie Industry in the Nineteenth Century. The University of Wisconsin, Madison, Wisc., 1966, pp (Later published as ""Images and Enterprise :Technology and the American Photographie Industry, 1839 to 1925"". Baltimore & London, 1975, pp. 371)."

7 JÖCHLINGER, Regina. Die Geschichte der Sportfotografie in Österreich. Von den Anfängen bis zur Gegenwart. Universität Wien, Diplomarbeit. JOHNSON, E. The Landscape Photographs of Darius Kinsey, Ansel Adams, Alvin Langdon Coburn and Harry Callahan. University of New Mexico, Albuquerque, N.M., 1978, pp. unknown. JUNAS, Lillian M. Use of Photographs in Ameriean Daily Newspapers : An Analysis. The Ohio State University, Columbus, Ohio, 1972, pp JUSSIM, Estelle. Photographie Technology and Visual Communication in the Nineteenth - Century American Book. Columbia University, New York, N.Y., 1970, pp (Later published as : Visual Communication and the Graphic Arts : Photographie Technology in the Nineteenth Century. New York, N.Y.,1974, pp KABONGO ILUNGA, Claude. L'image de l'indigene congolais a travers la photographie ethnographique et coloniale. Universite de Paris 11, Paris, KAHAN, Robert. The Antecedents of American Photo-Journalism. University of Wisconsin, Madison, Wisc., 1969, pp KAMPFEN-KLAPPROTH, Brigit. Das Bourbaki-Panorama von Edouard Castres. Kornrnissionsverlag Keller, Luzern, 1980, pp A revision of the author's thesis, Universität Basel. KENT, Jr. R.J. Alfred Stieglitz and the Maturation of American Culture. The John Hopkins University, Baltimore, Maryland, 1974, pp KIM, Yong-Kwon. Alfred Stieglitz and his Time: An Intellectual Portrait. University of Minnesota, Minneapolis, Minn., 1970, pp KNIGHT, Cynthia. Photographie Resources in the Gernsheim Collection for Six Nineteenth Century Wars. The University of Texas, Austin, Texas, 1971, pp. unknown. KOHN, Willy. Die photographische Industrie Deutschlands wirtschaftswissenschaftlich gesehen in ihrer Entwicklung und ihrem Aufbau. Universität Freiburg/Br., Schweidnitz, Köln, 1928, pp KOTYNEK, R.A. 291: Alfred Stieglitz and the Introduetion of Modern Art in America. Northwestern University, Evanston and Chicago, 111., 1970, pp. unknown. KRAFT, James N. An Historical and Practical Investigation of Photogravure. University of New Mexico, Albuquerque, N.M., KRƒUSSL, Lothar. Die Gesellschaft Deutscher Lichtbildner (GDLje.V.) (Arbeitstitel). Universität Osnabrück, Osnabrück. KRECH, Hartmut. Ein Bild der Welt. Die Voraussetzungen der anthropologischen Photographie. Universität Köln, Köln, KSANDR, J. Sto let fotografii Prahy o knih o Praze. Film & TV Faculty, Praha, 1978, pp. unknown. (One hundred years of photographs and books about prague)

8 KULESSA, Detlef. Vision und Dokumentation sozial-dokumentarischer Fotografien. Ikonologische Betrachtungen zur Fotografie der Farm Security Administration (Arbeitstitel). Frankfurt a.m., LALUMIA, Mattew Paul. Realism and Anti-Aristocratic Sentiment in Victorian Depictions of the Crimean War. Yale University, New Haven, Conn., 1981, pp LANE, J.B. Bridge to the Other Half: The Life and Urban Reform Work of Jacob A. Riis. University of Maryland, Maryland, 1970, pp LEVIN, Jo Ann Early. The Golden Age of Illustration: Popular Art in American Magazines, University of Pennsylvania, Philadelphia, Penns., 1980, pp LINDEKENS, Rene. Elements pour une semiotique de la photographie. Bruxelles, Paris, 1971, pp A revision of the author's thesis, Paris. LINNAP, Peeter. (Contents of the "Eesti Foto Almanak" ( ) and "Fotokunst" ( )). Tallin Pedagogical Insittute, Tallin, 1983, pp. 118 (In Estonian). " LOKUTA, D.P. Instruction in the History of Photography in Higher Education : The State of the Art. The Ohio State University, Columbus, Ohio, 1975, pp MACKICHAN, Margaret. Marion Post Wolcott : Farm Security Administration Photographer in Eastern Kentucky. University of New Mexico, Albuquerque, N.M., 1978, pp. unknown. MALLEY, Marjorie Caroline. From Hyperphosphorescence to Nuclear Decay : A History of the Early Years of Radioactivity, University of California, Berkeley, Calif., 1976, pp MANSBACH, Steven Allan. Visions of Totality : Laszlo Moholy-Nagy, Theo Van Doesburg, and El Lissitzky. Cornell University, Ithaca, N.Y., 1978, pp MARCKWARDT. Wilhelm. Die Illustrierten der Weimarer Zeit. Publizistische Funktion, ökonomische Entwicklung und inhaltliche Tendenzen (unter Einschluss einer Bibliographie dieses Pressetypus ). Minerva Publikation Saur, München, 1982, pp A revision of the author's thesis. MARTENS, C.H. A College Major in Photography in the Fine Arts. New York University, New York, N.Y., 1966, pp MASTELLER, R.N. Romanticism in a Modern Mode: The Photography of Alfred Stieglitz and Edward Weston.University of Minnesota, Minneapolis, Minn., 1978, pp MC ELROY, D.K. The History of Photography in Peru in the Nineteenth Century, The University of New Mexico, Albuquerque, N.M., 1977, pp McCAULEY, Elizabeth Ann. A.A. Disderi and the Carte-deVisite Portrait Photograph. Yale University, New Haven, Conn., 1980, pp MCGINNIS, Karin Hertel. Moving Right Along : Nineteenth Century Panorama Painting in the United States. University of Minnesota, Minneapolis, Minn., 1983, pp MERTENS, Herbert. Kostenrechnung eines Unternehmens der photochemischen Industrie. Universität München, München, 1937.

9 MEULEMAN, K. Een historiek van de fotografie als artistieke uiting. Universiteit van Leuven, Leuven, 1974, pp. 87. (The history of photography as artistic expression). MEYFROOT, Veronique. Fotografen en de kolonisatie van Congo Katholieke Universiteit Leuven, Deel I pp Deel 11 n.p. MOORE, Charles. Two Partners in Boston: The Careers and Daguerreian Artistry of Albert Southworth and Josia Hawes. 2 vols. University of Michigan, Ann Arbor, Michigan, 1975, pp MORGAN, D.N. Photography and Philosophy : An Essay on the Aesthetics of a New Art Medium. University of Michigan, Ann Arbor, Michigan, 1948, pp MOUSSEIGNE, A. Situation de la photographie dans les revues des mouvements d'avant garde-artistique en France entre 1918 et Universite de Toulouse, Toulouse, 1975, pp (The situation of photography in avant-garde periodicals in France between 1918 and 1939). MOUSSEIGNE, Alain. Situation de la photographie dans les revues des mouvements d'avant-garde artistique en France entre 1918 et Universite de Toulouse, Toulouse, MOYES, N.B. Major Photographers and the Development of Still Photography in Major American Wars. Syracuse University, Syracuse, N.Y., 1966, pp MOYNIHAN, Susan Gene. The Influence of the Bauhaus on Art and Art Education in the Uni ted States. Northwestern University, Evanston and Chicago, Illinois, 1980, pp MUSGRAVE, Shirley Dale Hudson. The Significance and Implementation of the Descriptive Stage of Photographic Art Criticism : An Experimental Study. The Florida State University, Tallahassee, Florida, Calif., 1971, pp NEAL, D. The Sequential Photographs of Eugene Atget, Photographer of Paris. University of New Mexico, Albuquerque, N.M., 1978, pp. unknown. NEAL, J.F. The Controversy in Early English Photographic Literature Concerning the Separation of Camera Stations for Taking Stereoscopic Pictures. The University of Texas, Austin, Texas, 1972, pp. unknown. OHRN, Karin Becker. A Nobler Thing: Dorothea Lange's Life in Photography. Indiana University, Bloomington, Indiana, 1977, pp OMAN, Ulla. Porträttfotografen. En etnologisk Studie ar en fotograf, hans atelje och bilder. Almqvist & Wiksell International, Stockholm, 1983, pp. 148, Series : Acta Universitatis Upsaliensis. Studia Ethnologica Upsaliensia, 9. Dissertation University of Uppsala, PARTENHEIMER, Jürgen. Die Skulptur Brancusis in der Deutung seiner Photographie. Universität München, 1977, pp. 164 (Brancusi's sculpure in the interpretation of his photography). PAUWELS, Luc. De fotografie, sociologisch belieht. Universitaire Instellingen Antwerpen, Antwerpen, 1979, pp. 142.

10 PEETERS, Ursula. Form und Gehalt des fotografischen Bildes in Deutschland Universität Köln, Köln, 1977, pp. unknown., (Later 'published as "Stilgeschichte der Photographie in Deutschland , Köln, 1979, pp. 424)." PERLEIN, Gilbert. Les articulations entre la peinture et la photographie. Problemes historiques et esthetiques. Universite de LilIe 111, LilIe, no date given. PIHLAK, Ester. Estonian Phqtographic Literature in the Soviet Per iod ( ). Tallin Pedagogical Institute, Tallin, 1981, pp ' POBBORAVSKY, Irving. Study of Iodized Daguerreotype Plates. Report No Information Service - Graphie Arts Research Center / Rochester Institute of Technology, Rochester, 1971, pp. 60. POLLOCK, Elizabeth. Heinrich Kühn ( ). University of Delaware, Newark, Delaware, PRESCOTT, Gertrude Mae. The Ambrotype : A Reevaluation of the Positive Collodion Process. The University of Texas, Austin, Texas, pp. unknown. PUYPLAT, Francois. Les relations du Bauhaus a la photographie. V.E.R. Arts Plastiques, Paris, RAMSTEDT, Jr. N.W. The Photographs of Gustave Le Gray. University of California, Santa Barbara, Calif., 1977, pp RAMSTEDT, Nils Walter Jr. The Photographs of Gustave Le Gray. University of California, Santa Barbara, Calif., 1977, pp RIGGINS, Marie. Modern Pictorial Photography and the Measure of its Art. Case Western Reserve University, Cleveland, Ohio, 1944, pp ROSENBLUM, Barbara. Photographers and their Photographs :An Empirical Study in the Sociology of Aesthetics.Northwestern University, Evanston and Chicago, Ill., 1973, pp ROSENBLUM, Naomi. Paul Strand: The Early Years, City University of New York, New York, N.Y., 1978, pp ROUILLE, Andre. La photographie en France, Universite de Paris I, Paris, ROUILLE, Andre. La revolution photographique : une lecture des publications photographiques de 1845 a Universite de Besancon, Besancon, ROUILLET, A. La revolution photographique. Une lecture des publications photographiques de 1845 a Universite de Besancon, Besancon, 1980, pp.unknown. (The photographic revolution as reflected in photographic publications between 1845 and 1865). RUDISILL, Richard. Mirror Image: The Influences of the Daguerreotype on American Society. University of Minnesota, Minneapolis, Minn., 1967, pp RUPP, Friedrich. Das Panorama in der spätbarocken Kunst Süddeutschlands. Universität Erlangen, Erlangen, 1940.

11 SACHSSE, Rolf. Photographie als Medium der Architekturinterpretation. Studien zur deutschen Architekturphotographie im 20. Jahrhundert. Friedrich-Wilhelms-Universität, Bonn, SAGHE, J. Le portrait au premier temps de la photographie. Universite de Paris, Paris 1974, pp. unknown. (The portrait in early photography) SCHAAF, L.J. Nineteenth Century Photographic Processes : Common Working Practice for Hand-crafted Processes as Given in Original Manuals, with an Appendix Designed to Facilitate Interpretation of these Manuals and Duplication of the Processes. The University of Texas, Austin, Texas, 1973, pp. unknown. SCHAFFER, Nikolaus. Architektur als Bild. Das Atelier Elvira von August EndelI. Universität Salzburg, Salzburg, 1981, pp SCHLINCKMANN, Adalbert. "Einheit" und "Entwicklung". Die Bildwelt des literarischen Jugendstils und die Kunsttheorien der Jahrhundertwende. Universität Freiburg im Breisgau, Bamberg, 1974, pp. 606." SCHMIDT, Maruta. Der Streit um den Kunstwert der Photographie im Spiegel deutscher Fachliteratur um die Mitte des 19. Jh. Technische Universität Berlin, Berlin, SCHUNEMAN, R.S. The Photograph in Print : An Examination of New York Newspapers, University of Minnesota, Minneapolis, Minn., 1966, pp SCHWARZ, Joan M. Images of Early British Columbia : Landscape Photography, ; University of British Columbia, Vancouver, 1977, pp. unknown." SEXTON, Nanette Margaret. Carleton E. Watkins, Pioneer California Photographer ( ) : A Study in the Evolution of Photographic Style during the First Decade of Wet Plate Photography. Harvard University, Cambridge, Mass., 1982, pp SILLASTE, Aarne. (Photography in the Earliest Estonian Journalism). Tartu State University, 1979, pp. 73. In Estonian). SOUTHALL, T. The Kilburn -Brothers Stereoscopic View Company. University of New Mexico, Albuquerque, N.M., 1977, pp. unknown. SPELLENBERG, James Edward. Technology and the Film Industry. The University of Iowa, Iowa City, Iowa, SPENCER, Otha. Twenty Years of "Time" : A Study of Time, Inc. 's Picture Magazine and its Contribution to PhotoJournalism. University of Missouri,Columbia, Miss., 1958, pp SPENCER, Stephanie Laine. O.G. Reylander, Art Photographer. The University of Michigan, Ann Arbor, Mich., 1981, pp STANGE, Maren Elzabeth. American Documentary Photography : The Mode and its Style, Boston University, Boston, Mass. 1981, pp STECKEL-WEITEMEYER, Hannah. Laszlo Moholy-Nagy, Entwurf einer Wahrnehmungslehre. Freie Universität Berlin, Berlin, 1974.

12 STEWART, Patrick Leonard Jr. Charles Sheeler, William Carlos Williams and the Development of the Presecessionist Aesthetic, University of Delaware, Newark, DeI., 1918, pp STIEWE, Willy. Das Pressefoto als publizistisches Mittel. Leipzig, 1936, pp Book accepted as dissertation, Universität Leipzig, STOKES, Philip. The Structure and Meaning of the Photographic Image; with Special Reference to Certain American Photographers. University of Exeter, Devon, 1978." STROTHER, James. Alfred Stieglitz: The Photographic Antecedents of Modernism. State University of New York, Stony Book, N.Y., 1980, pp TAYLOR, L.H. Alfred Stieglitz and the Search for American Equivalents. University of Illinois, Urbana - Champaign, Ill., 1973, pp TERRY, James. Alfred Stieglitz: The Photographic Antecedents of Modernism. State University of New York. Stony Brook, N.Y., 1980, PP THEYE, Thomas.. Vorn Kaufmann als Künstler. Mediengeschichtliche Aspekte der Photographien von Wilhelm Wilshusen aus China Universität Bremen, Bremen, THOMAS, F.R. The Literary Admirers of A1fred Stieglitz, Photographer. Indiana University, Terre Haute, Ind., 1970, pp "TOOD, Jenifer. Symbol, Sight and Society : A Study of the Social Conditioning of Art. Boston University, Boston, Mass., 1977, pp. unknown. (Partly published as ""The Rigors of Business:Mathew Brady's Photography in Political Perspective"" in Afterimage, 1979, 7(4), 8-12)." TROYER, Nancy Jane Gray. The Macchiaioli : Effects of Modern Color Theory, Photograph, and Japanese Prints on a Group of Italian Painters, Northwestern University, Evanston and Chicago, Ill., 1978, pp TYL, Pierre. Adolphe Braun, photographe mulhousien Universite de Strasbourg, Strasbourg, UNDERWOOD, Sandra Lee. Charles H. Caffin : A Voice for Modernism Indiana University, Bloomington, Ind., 1981, pp VAN CRAENENBROECK, Dirk. An Early History of Photography in Belgium. Hoger Rijksinstituut voor Vertalers en Tolken, Brussel, 1980, pp VAN CRAENENBROECK, O. An Early History of Photography Belgium. Hoger Rijksinstituut voor Vertalers en Tolken, Brussel, 1980, pp VAN DAELE, Wouter. Foto's in de Belgische weekbladpers Faculteit Letteren en Wijsbegeerte, Rijksuniversiteit, Gent, VASA, J. Fotograficka tvorba Adolfa Schneebergera. Film and TV Faculty, Akademie muzickych umeni, Praha, 1978, pp. unknown. (The photographic oeuvre of A. Schneeberger).

13 VITALI, Lorenzo. Fotografia turistica sulla riviera adriatica. Universita degli Studi, Bologna, WAGNER, Werner. Die photographische Industrie Deutschlands und ihre volkswirtschaftliche Bedeutung. Universität Leipzig, 1921, pp WATKINS, Charles Alan. The Blurred Image: Documentary Photography and the depression South. University of Delaware, Newark, DeI., 1982, pp WERNERBURG, Brigitte. Die Fotoreportage. Zur Struktur und Geschichte des modernen Fotojournalismus, am Beispiel der "Münchner Illustrierten Presse", München, WHITE, E.K. The History of Photography with Artificial Light. University of New Mexico, Albuquerque, N.M., 1978, pp. unknown. WHITE, Jr. M.P. Clarence H. White : A Personal Portrait. University of Delaware, Newark, Delaware, 1975, pp (Cfr. Symbolism of Light: The Photographs of Clarence H. White. Delaware-Art Museum, Wilmington, Delaware 1977, pp. 80. Exhibition catalogue) WILSON, Richard. American Vision and Landscape : The Western Images of Clarence King and Timothy O'Sullivan. University of New Mexico, Albuquerque N.M., 1979, pp WINKLER, Richard G. Werner Graeff und der Konstruktivismus in Deutschland Technische Hochschule Aachen, Aachen, 1981, pp YATES, S. Kaleidoscopic Imagery : Key Artists Who Used the Photomontage Aesthetics in the Twentieth Century.' University of New Mexico, Albuquerque, N.M., 1978, pp. unknown. ZILCZER, Judith Katy. The Aesthetic Struggle in America : Abstract Art an Theory in the Stieglitz Circle. University of Delaware, Newark, Delaware, 1975, pp ZIMMERMANN, Francis. Les films radiographiques. Etude physico-chimique de l'enregistrement du rayonnement. Universite Louis Pasteur, Strasbourg, 1982, ca. pp Contient une longue introduction concernant la decouverte du rayonnement X. ZUKER, J.S. Ralph Steiner: Film Maker and Still Photographer. New York University, New York, N.Y., 1976, pp. 457.

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