1 Curriculum Vitae Larson Powell Education Ph.D., German Literature, Columbia University, May o Dissertation: The Nature of History: Society and Subject in Modern German Literature of Nature; Chair: Andreas Huyssen. M. Phil., German Literature, Columbia University, May M.A., German Literature, Columbia University, January B.A., magna cum laude, East Asian Languages and Civilizations, Harvard College, May o Thesis on 18 th -century Chinese literature; 5 years Chinese language, 3 Japanese. Employment Assistant Professor in German Studies, University of Missouri at Kansas City, August Assistant Professor in German Studies, Texas A&M University, Sept August o Member, Graduate Faculty, Texas A&M University. o Affiliated Faculty, Comparative Literature Program, Film Studies Program, and Women s Studies Program, Texas A&M University. Visiting Assistant Professor in German Studies, Texas A&M University, September May Visiting Lecturer in German, University of Massachusetts Amherst, September-December Visiting Assistant Professor in German Studies, Mount Holyoke College, September May Visiting Assistant Professor in German, Fordham University, January 1998-May Publications Books The Technological Unconscious (Rochester: Camden House, May 2008). The Differentiation of Culture (In progress). Articles in Journals Painting into Film: Konrad Wolf s Goya. Studies in European Cinema 5:2 (2008): One Must Have Tradition in Oneself to Hate It Elfriede Jelinek s Music. (With Brenda Bethman.) Journal of Modern Literature, 32:1 (Fall 2009), Nachruf auf Karlheinz Stockhausen. Musik und Ästhetik 46, April 2008, 5-9. Itinerant Atonality: Stefan Wolpe s Middle Period Work. Contemporary Music Review (special issue on Stefan Wolpe, ed. Austin Clarkson). Vol. 27, Nos. 2/3, April/June 2008, Sound as Form: Martinů s Symphonies. Music and Society in Eastern Europe no. 2 (Dec. 2007): Vom Staunen eines Amerikaners in Deutschland. Invited submission for Neue Zeitschrift für Musik, Heft 5, Sept./Okt. 2007, 63-64
2 Powell CV 2 Die Zukunft in Ruinen. Versuch über Ives. Musik und Ästhetik, 11:41 (Jan.2007): 5-26 Die Zukunft in Ruinen (part II). Musik und Ästhetik 11:42 (April 2007), [referred to in Ph.D. musicology thesis on Ives by Dorothea Gail, Albert-Ludwigs- Universität, Freiburg-im-Breisgau, Germany] The War with Other Media: Ingeborg Bachmann s Der gute Gott von Manhattan. Colloquia Germanica. 38:3 (2005), Sozialer Hohlraum. Moderne und Modernisierung in Prokofjews Symphonien. Musik und Ästhetik 4.14 (April 2000): [Reviewed by Michael Gassmann in Frankfurter Allgemeine Zeitung, Wednesday, 23 August 2000 (No. 195), p. 5: Prokofieff gegen Adorno: Exterritorial ] Articles Accepted The Resistance of Emotion: Wolf s Mama ich lebe. Edinburgh German Yearbook (special GDR issue, vol. 3/2009, ed. Matthew Philpotts/Sabine Rolle). Chapters in Edited Volumes Kirsten Winter: FromAvant-Garde To Second Modernity. After the Avant-Garde. Ed. Randall Halle and Reinhild Steingrover. Rochester: Camden House, 2009, Der Witz und seine Beziehung zur Filmmusik. Filmmusik: Beträge zur Theorie und Vermittlung. Ed. Knut Holtsträter and Victoria Piel. Hildesheim: Olms, 2008, Allegories of Management. Norbert Schulze s Soundtrack for Das Mädchen Rosemarie. Framing the Fifties: Cinema in a Divided Germany. Ed. Sabine Hake and John Davidson. Berghahn 2007, L esthétique de l Anasémie: Poésie, Musique et Psychanalyse. Psychanalyse, histoire, rêve et poésie. Ed. Claude Nachin. Paris: Harmattan, 2006, (Conference Volume: Colloque International Nicolas Abraham et Maria Torok. Paris, France, October 9-10, 2004). Die Zerstörung der Symphonie: Adorno and the Theory of Radio. Apparitions: Essays on Adorno and Twentieth-Century Music. Ed. Berthold Hoeckner. New York: Routledge, 2005, Kritik des Technokratisch-Erhabenen: Prolegomena zu Adornos Naturbegriff. Adorno im Widerstreit: Zur Präsenz seines Denkens. Ed. Wolfram Ette, Günter Figal, Richard Klein, and Günter Peters. Freiburg i. Br.; Munich: Verlag Karl Alber, 2004, The Technological Subject: Music, Media, and Memory in Stockhausen s Hymnen. Sound Matters: Essays on the Acoustics of Modern German Culture. Ed. Nora M. Alter and Lutz Koepnick. New York; Oxford: Berghahn, 2004, [Reviewed by David Tompkins, Humanities & Soc. Sciences Online, April 2006; by Hans- Christian von Herrmann in Monatshefte, 98: 2 (Summer 2006).] The Character of Polyphony: Carter s Concerto for Orchestra. Polyphony and Complexity. Ed. Claus-Steffen Mahnkopf, Frank Cox, and Wolfram Schurig. Hofheim: Wolke-Verlag, 2002, [Reviewed by Peter Niklas Wilson: Musik Texte No. 99, Winter 2003, p ] Der andere Hörplatz: Die Zeitlichkeit zwischen Subjekt und Ich. Adorno und Strawinsky. Musik in der Zeit/Zeit in der Musik. Ed. Richard Klein, Eckehard Kiem, and Wolfram Ette. Weilerswist: Velbrück, 2000,
3 Powell CV 3 Zufall und Subjekt. Erwägungen zu John Cage. Mythos Cage. Ed. Claus-Steffen Mahnkopf. Hofheim: Wolke-Verlag, 1999, [Reviewed by Clemens Gresser, Frankfurter Zeitschrift für Musikwissenschaft, Jg. 5 (2002) p ; by Reiner Kobe in Neue Musikzeitung, Jg. 49, June 2002, p. 22; by Joachim Brügge in Österreichische Musikzeitschrift 3, 2000, p. 91.] Das Triebleben der Klänge : Musik und Psychoanalyse am Beispiel der Philosophie der neuen Musik.. Mit den Ohren denken: Adornos Philosophie der Musik. Ed. Richard Klein and Claus-Steffen Mahnkopf. Frankfurt a. M.: Suhrkamp, 1998, [Reviewed by Gunnar Hindrichs in Philosophische Rundschau 46 (1999), p ; in Das Orchester 02/1999, p. 70; by Gustav Falke in Frankfurter Allgemeine Zeitung, Tuesday, Dec , No. 279, p. 47: Verklärte Macht. ] Accepted Chapters in Edited Volumes Media-Meta-Music: Karlheinz Stockhausen s Mikrophonie II. Accepted for publication in German Soundscapes, ed. Florence Feiereisen and Alexandra Hill. Gattung, Geschichte, Nation: Konrad Wolfs Ich war neunzehn. Konrad Wolf: Deutschland und Europa Symposium. (Forthcoming from VISTAS-Verlag Berlin.) February 1, 1968: Konrad Wolf s Ich war 19 premieres in East Berlin. Contribution to A New Encyclopedia of German Cinema, ed. Jennifer Kapczynski and Michael Richardson Adorno-Rezeption in Amerika, chapter solicited for forthcoming Adorno-Handbuch, ed. Johannes Kreuzer, R. Klein and Stefan Müller-Doohm. (to be published 2009 by Klett) Adornos Radiotheorie, chapter solicited for Adorno-Handbuch (see prev. entry) Chapters in Edited Volumes Accepted, Publication Delayed Versammelt zu den Vätern. Loerkes späte Lyrik. Conference Volume: 3 rd Loerke Conference. Deutsches Literaturarchiv, Marbach a. N., Germany. April 2, Ed. R. Tgahrt. (Accepted; publication by Hase und Koehler, Mainz delayed due to editor s illness). Translations Albert Breier, The Creature s Sign and Musical Note, Search: Journal for New Music and Culture (searchnewmusic.org), no. 3, Fall 2008 (no page numbers) Thomas Phleps, Schöne Geschichten and Zeus und Elida: Wolpe s Chamber Operas, translated with Austin Clarkson, Contemporary Music Review, Vol. 27, Nos. 2/3, April/June 2008, pp Barbara Naumann, Styles of Change: Ernst Cassirer s Philosophical Writing, Symbolic Forms and Cultural Studies: Ernst Cassirer's Theory of Culture, ed. Cyrus Hamlin and John Michael Krois, New Haven: Yale University Press, 2004, Hans-Dieter Schäfer. The Young Generation s Non-National Socialist Literature during the Third Reich. Flight of Fantasy: New Perspectives on Inner Emigration in German Literature. Ed. Neil H. Donahue and Doris Kirchner. New York; Oxford: Berghahn, 2003, Elfriede Jelinek. Malina: a Filmscript Based on the Novel by Ingeborg Bachmann, Scenes , (Original Publication: Frankfurt a. M.: Suhrkamp, 1991). With Brenda Bethman. Women in German Yearbook 16 (2000): Harro Müller. Luhmann s System Theory as a Theory of Modernity. New German Critique 61 (Winter 1994):
4 Powell CV 4 Reviews and Review Articles Theodor W. Adorno, Current of Music. Elements of a Radio Theory (forthcoming in Radio Journal, ed. by Tim Wall, Birmingham University, U.K.) Review of Boris Asaf ev, Symphonic Etudes (forthcoming in Music and Society in Eastern Europe) Cyril Buffet, Défunte DEFA (Éditions du Cerf, 2007), Cinémapolis (Paris, France : posted 26 January 2009). Friedrich Kittler, Musik und Mathematik I (Munich: Fink, 2006). Musik und Ästhetik, 48 (October 2008): Geoffrey Winthrop-Young, Friedrich Kittler zur Einführung. Hamburg: Junius, SubStance 111 (December 2006): Harry Lehmann, Die flüchtige Wahrheit der Kunst. Munich: Fink, Germanic Review 83:4 (2008): Dieter Thomä, Totalität und Mitleid: Richard Wagner, Sergej Eisenstein, und unsere ethisch-politische Moderne, Suhrkamp 2006; Tobias Janz, Klangdramaturgie: Studien zu Wagners Ring, Königshausen & Neumann (Double review in Opera Quarterly) Dirk Baecker, Form und Formen der Kommunikation. Frankfurt: Suhrkamp 2005 KulturPoetik, University of Saarland, Germany, 8:1 (2008).(Online.) Jan Vicar, Imprints: Essays on Czech Music and Aesthetics. Prague: Togga, Music and Society in Eastern Europe 2 (2007): Kurt Maetzig, Dir. Schlösser und Katen (Castles and Cottages). . DVD released by the DEFA Film Library, University of Massachusetts Amherst, German Studies Review October 2007: 713. Günter Burkart, Gunter Runkel, Ed. Niklas Luhmann und die Kulturtheorie. Frankfurt a.m.: Suhrkamp IASLonline February 23, Available online: (Published by comparative literature department of University of Munich) Richard Klein, Ed. Narben des Gesamtkunstwerks. Wagners Ring des Nibelungen. Munich: Wilhelm Fink Verlag, Cambridge Opera Journal 17.3 (2005): Atonales Musikantentum? Stefan Wolpes Moderne. Musik & Ästhetik 9.35 (July 2005): (Review of two volumes on composer Stefan Wolpe and one CD). Joshua Feinstein. The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, Chapel Hill: U of North Carolina P., South Central Review 21.2 (Summer 2004): Neil Donahue. Karl Krolow and the Poetics of Amnesia in Postwar Germany. Rochester: Camden House, Germanic Review 77:1 (2004): David Schiff. The Music of Elliott Carter. Ithaca: Cornell UP, Musik und Ästhetik 6.22 (April 2002): Encyclopedia Articles and Other Publications Accompanying educational film ( The Case of Jadup und Boel ) on DVD release of Rainer Simon, Jadup und Boel, DEFA Film Library, 2008 Liner notes for Bridge Records CD, The Songs of Stefan Wolpe (with Austin Clarkson): on songs to texts by Rilke, Hölderlin, Sachs, Kokoschka et al. (2007)
5 Powell CV 5 Entry on The Aesthetics of Pierre Boulez. Oxford Encyclopedia of Aesthetics. Ed. Michael Kelly. Oxford: Oxford UP, 1998, vol. 1. Invited Lectures/Presentations Der Unsinn des Endes : Alexander Kluges Opern-Problem. Invited lecture for Alexander Kluge conference (Film/Musik bei Alexander Kluge), Hannover, Germany, Oct Breaking the Frame of Painting: Wolf s Goya. Invited lecture for German Dept., University of Missouri Columbia, April 19, Schoenberg on Film: Von Heute auf Morgen, Arnold Schoenberg Conference, UMKC, March 20, 2007 Gattung, Geschichte, Nation. DEFA-Kino-Geschichten Conference. Graduiertenkolleg Mediale Historiographie. Bauhaus-Universität Weimar, Germany, December 9, 2005 (Lecture delivered in absentia due to ice storm in TX). Gattung, Geschichte, Nation: Konrad Wolfs Ich war neunzehn. Konrad Wolf: Deutschland und Europa Symposium. Hochschule für Film und Fernsehen. Potsdam, Germany. October 5, Klangbilder. Der Witz und seine Beziehung zur Filmmusik. Filmmusik Theoriebildung und Vermittlung Conference. Hochschule für Musik Franz Lizst. Weimar, Germany, July 3, Natur und Geschichte in Adornos Begriff des Lyrischen. theorie kunst wissenschaft. Theodor W. Adorno zum 100. Geburtstag. Chemnitz, Germany, November 8, Nature as Paradox: Brecht s Exile Lyric. Rice University History Department. Houston, TX, October 24, Roundtable Participant: Adorno Today: The Culture Industry and The Dialectic of Enlightenment. Theodor W. Adorno, zum 100. Geburtstag. A Symposium. University of Texas. Austin, TX, April 3-5, Gestural Space in Wolpe s Oboe Quartet. Stefan Wolpe in New York: A Centennial Symposium and Concerts. CUNY Graduate Center Music Programs. New York, NY, March 15, Conference Papers Andrzej Wajda s Historical Films of the 1970s. We are The Dead: Spring 2009 Conference on The Experience of the Great War at National World War One Museum, Kansas City, MO, April 16, Film as Culture? The Case of East German Film, proposal submitted for 2009 SCMS Conference, Tokyo, Japan (part of panel organized by LP on German film with papers by John Davidson, Ohio State University and Robert Shandley, Texas A&M University) Memory and Intermediality in Konrad Wolf s Mama, ich lebe. German Studies Association, Minneapolis, November Musical Materialism: Straub/Huillet, Brecht and Schoenberg. Panel on the Legacy of Brecht, Modern Languages Association conference, Chicago, December 27, Women and Modernity in Indian Film: Satyajit Ray s Charulata. ITROW conference, New Delhi, India, January 9, 2008 (organized by Dr. Karen Dugger, Towson University)
6 Powell CV 6 Meta-Media-Music: Stockhausen s Mikrophonie II, Midwestern Popular Culture Association Conference, Kansas City, MO, October 13, Painting into Film: Wolf s Goya, Literature and Film Conference, University of Kansas, Lawrence KS, October 13, Konrad Wolf s Goya, Film Aesthetics and European Cinema Conference, Ohio State University, April 27, Bordwell and Habermas: Theory in the Public Sphere? Society for Cinema and Media Studies Conference, March , Chicago Painting into Film: Wolf s Goya and Tarkovsky s Andrei Rublev. 2 nd Annual Texas Film Conference, March 30-31, 2007 Medial Eigenvalues (Mediale Eigenwerte): Cognitivism and Experimental Film Form. Narration and Spectatorship in Moving Images Conference. Hochschule für Film und Fernsehen, Potsdam, Germany, July 23, The Desire to Be Desired: Solo Sunny as Socialist Women s Film. Spaces for das Glück Panel. South Central Modern Language Association Conference. Houston, TX, October 28, Kirsten Winter s Film Experiments: History, Media-Theory, and the Avant-garde. After the Avant-garde: New Perspectives on Experimental Film from the GDR, the FRG, and Austria Panel. German Studies Association Conference. Milwaukee, WI, October 1, Gender as Noise? Bachmann s Guter Gott as Critique of Modernity. Austrian Feminist Writers Panel (sponsored by Coalition of Women in German). Modern Language Association Conference. Philadelphia, PA, December 28, The Differentiation of Culture. Culture Bound: Internal Fellows Symposium. Glasscock Center for the Humanities. Texas A&M University. College Station, TX, October 9, Heimat DDR: Konrad Wolf s Ich war 19 as Displaced Foundation Narrative. Soviet and Post-Soviet Displacements Panel. Memory and History: Cultural Representations of Displacement and Genocide: 37 th Annual Comparative Literature Symposium at Texas Tech University. Lubbock, TX, March 27, Uneasy Rider. Konrad Wolf s Ich war Neunzehn. Revisions of Socialist Cinematic Modernity: East German Film in the 1960s Panel. German Studies Association Annual Conference. San Diego, CA, October 5, The Trouble with Empire. Crossing Borders: German Studies in the Global Context Panel. 55 th Annual Kentucky Foreign Language Conference. Lexington, KY, April 19, Adorno and the American Radio. The Frankfurt School in America Panel. Modern Language Association Conference. New Orleans, LA, December 28, Jokes and their Relation to Art. Midwestern Modern Language Association Annual Conference. Kansas City, MO, November 4, Verlust der Natursprache: Rilke s Worpswede. Northeastern Modern Language Association Annual Conference. Buffalo, NY, April 8, Ein lebendiger Sprung auf das Blatt, ein tödlicher Sprung ins Leben: Ingeborg Bachmann and Music. Literature, Film & the Culture Industry in Post-WWII Austria: Fifth Annual East Coast Conference on Contemporary Austrian Culture. Lafayette College. Easton, PA, September 24, 1999.
7 Powell CV 7 Das technoromantische Abenteuer : Karl Kraus Against the War Machine. Graduate Student Conference, Department of Germanic Languages and Literatures, Columbia University. New York, NY, March 13, The Tower of Babel. Peter Weiss and the Hörspiel. International Peter Weiss Conference. Duke University. Durham, NC, November 20, The Aesthetic of Jokes: Heine and Freud. American Conference on Romanticism. University of California. Santa Barbara, CA, October 17, Der andere Hörplatz. Adornos Strawinskybild noch einmal. Musik in der Zeit. Freiburg i. Br., Germany, October 11, Alfred Döblin s Berge Meere und Giganten,. International Narrative Conference. Northwestern University. Evanston, IL, April 2, Versammelt zu den Vätern. Loerkes späte Lyrik. 3 rd Loerke Conference. Deutsches Literaturarchiv. Marbach a. N., Germany, April 2, Lacanian Models of History. 2 nd Conference on Psychoanalysis and Social Change. Washington, DC, November 17, Ab Urbe Condita. Oskar Loerke s Fictions of the City. Mythology in Modern German Literature. Columbia University. New York, NY. April 30, Other Conference Activities Invited Participant, Midwest Symposium in German Studies, University of Missouri- Columbia, March 6-7, 2009 (hosted by MU German Dept., with other guests from University of Indiana, University of Illinois/Champaign-Urbana, and Washington University, St. Louis). (Topic to be determined.) Panel Organizer, New Perspectives on Konrad Wolf, German Studies Association Conference, November 2008, Minneapolis, MN (moderator: Sabine Hake, University of Texas; respondent: Barton Byg, U Mass Amherst) Seminar Organizer (with Dr. Barton Byg, Five College 40 th Anniversary Professor of German, University of Massachusetts Amherst), DEFA Film, Amherst, MA, July (Week-long international seminar on film studies, funded by the DEFA-Foundation, Berlin.) Panel Chair, South Central Modern Language Association, German III Division (German Literature and Culture After 1890), Memphis, TN, October 2007 Panel Moderator, German Studies Workshop, History Lessons: German Films about the Third Reich and the Holocaust. University of Texas at Austin. Austin, TX, March 31- April 1, 2006 Invited Participant, New Languages for Criticism: (Inter)Discipline. Center for Research in the Arts, Social Sciences and Humanities (CRASSH). Cambridge, England, Sept Session Organizer, Revisions of Socialist Cinematic Modernity: East German Film in the 1960s. German Studies Association Annual Conference. San Diego, CA, October 5, Session Moderator, Panel on German and Soviet Film (Eisenstein/Riefenstahl/Harlan). Mid- Atlantic Slavic Conference. New York University. March 20, Other Reply to Charles Rosen, Should We Adore Adorno? New York Review of Books, vol. 50 no. 2, February 13, 2003.
8 Powell CV 8 Awards, Honors, Grants New Faculty Teaching Scholars program, UMKC, Friends of the Library Grant, UMKC ($3000 to acquire German films), European Union Center research grant, Texas A&M University, summer 2007 South Central Modern Languages Association research grant, spring 2007 Cross-Disciplinary Travel Grant, Glasscock Center for Humanities Research, Texas A&M (to attend Canadian Society for History and Philosophy of Mathematics conference, Toronto, May ) Departmental Nominee, Department of European & Classical Languages and Cultures, Montague Center for Teaching Excellence Scholars Program, Center for Teaching Excellence, Texas A&M University July Curriculum Development Grant, Women s Studies Program, Texas A&M University, June-July 2005; for travel to Vienna to research post-war Austrian women writers. Glasscock Center for Humanities Research Stipendiary Faculty Fellowship, Texas A&M, Academic Year Project Title: Technological Intuition: Electronic Media and Subjectivity, Germany/Japan. Departmental Nominee, Department of Modern and Classical Languages, Montague Center for Teaching Excellence Scholars Program, Center for Teaching Excellence, Texas A&M University July Glasscock Center for Humanities Research Internal Faculty Release Fellowship, Texas A&M, Spring Project Title: The Differentiation of Culture. Glasscock Center for Humanities Research Stipendiary Faculty Fellowship, Texas A&M, Academic Year Project Title: The Screen of the Ear: Music and Sound in German Postwar Film. International Studies Society Award for Teaching Distinction, Texas A&M, Spring 2002 (awarded by students). Guest Scholar, Einstein Forum, Potsdam/Berlin. Summer Project Title: The Critical Writings of Moritz Heimann. Deutscher Akademischer Austausch Dienst (DAAD) German Studies Research Grant, awarded for dissertation research in Berlin, May-December Graduiertenstipendium, Deutsches Literaturarchiv, Marbach a. N., President s Fellowship, Columbia University, Bayerschmidt Grant, Department of Germanic Languages and Literatures, Columbia University, Summer Courses Taught: Undergraduate Beginning German I & II Contemporary German Culture (Study Abroad Preparatory course) Conversation/Composition Directed Studies: 20 th -Century German History Directed Studies: German Teaching Methods Directed Studies: Post-War German Literature and History Franz Kafka Seminar German Drama Seminar East German Film German Film German for Reading Knowledge Ingeborg Bachmann Seminar Intermediate German I & II
9 Powell CV 9 Introduction to German Literature Kulturpolitik der Medientechnologie Landeskunde Literature/Humanities(Core Curriculum Survey) Modern German Culture I/II Music in German Culture Postwar German Literature Literature of the Wende Introduction to Literary Expression Graduate Directed Studies: Film Theory Directed Studies: Modern German Feminisms Directed Studies: Post-War German Literature and History Freud and Literature (Comparative Literature) Media Theories and Literature (Comparative Literature) Study Abroad Coordination of Summer Study Abroad Programs, Department of European & Classical Languages and Cultures, Texas A&M University. o Intermediate German Language, Bonn, Germany (2005, 2004, 2003). Graduate Student Advising (Texas A&M) Ph.D. Thesis Committee, Muhammad Haris, Philosophy, Spring 2007 (defense via conference call, July 2007) M. A. Thesis Committee (Chair), Anja Schwalen, Comparative Literature, Spring 2007 M. A. Exam Committee, Lisa Tauferner, History, Spring 2007 M. A. Exam Committee, Diane Rolnick, Hispanic Studies, Spring 2007 M. A. Exam Committee, Constance Hauf, Comparative Literature, Spring M. A. Thesis Committee: Gareth Harrier, A Model and Justification for an International Exchange Program in the Agricultural and Life Sciences Involving German and American Universities, Department of Forest Science, Texas A&M, January-December M. A. Thesis Committee: Ana Martinez, English Department, Texas A&M, Fall Summer M. A. Thesis Committee: Katherine Willyard, Heidegger, Art, and Politics, Philosophy Department, Texas A&M University, Fall 2002-Spring Other Study East German Summer Film Institute: DEFA and Eastern European Cinemas, Directors: Barton Byg, Eric Rentschler, and Katie Trumpener. DEFA Film Library, University of Massachusetts Amherst, July Focus on methodologies of teaching and researching East German film. German Film Institute, Directors: Eric Rentschler and Anton Kaes. Dartmouth College, Hanover, NH, August 1998, 2000 & Focus on methodologies of teaching and researching German film. East German Summer Film Institute: Interdisciplinary Approaches to the DEFA Film, Director: Barton Byg. DEFA Film Library, University of Massachusetts Amherst, June Focus on methodologies of teaching and researching East German film.
10 Powell CV 10 Professional Service Departmental IPhD Committee, Dept. of Foreign Languages and Literatures (UMKC), Spring European Programs Committee, Department of European and Classical Languages and Cultures, Texas A&M University, October 2004-May Adviser, German Club, Department of European and Classical Languages and Cultures, Texas A&M University, Fall 2001-May Ad Hoc Committee for International Studies, Department of European and Classical Languages and Cultures, Texas A&M University, February-October Representative, German Section, Department of Modern and Classical Languages, Texas A&M University, October 2003-August Executive Advisory Committee, Department of Modern and Classical Languages, Texas A&M University, October 2003-August University Steering Committee, UMKC Faculty Senate, College of Arts and Sciences, fall Bernard Haskell Lecture for First UMKC German Studies Invited Lecture, Prof. Vejas Liulevicius, U Tennessee Knoxville, March 12, 2008 (sponsored proposal co-written with Dr. Andrew Bergerson, History) Bernard Haskell Lecture to invite German film director Rainer Simon to UMKC, fall 2008 (submitted with Dr. Tom Poe, Chair, Communications) Women s Studies Program Review Committee, Texas A&M University, September 2004-May Film Studies Program Review Committee, Texas A&M University, September 2002-May Profession Article Reviewer, Germanic Review (March 2008-) Article Reviewer, Modern Austrian Literature (Summer 2008-) Article Reviewer, SEARCH: Journal for New Music and Culture (Spring 2008-) Book Manuscript Reviewer, Camden House (May 2008-) Chair, German III Division, Literature and Culture from 1980 to Present, South Central Modern Language Association, October Secretary, German III Division: Literature and Culture from 1890 to Present, South Central Modern Language Association, October Reviewer, Kaleidoskop, 7 th edition (Houghton Mifflin) Community Introductions to Heißer Sommer and Solo Sunny, Kemper Museum, Kansas City MO, November/December 2007 (in conjunction with new Leipzig artists exhibit). Judge, Red Wasp Film Festival, Bryan TX, September Professional Memberships German Studies Association Modern Language Association Society for Cinema and Media Studies South Central MLA, Women in German
11 11 Languages German (near-native) French (fluent, written and reading) Russian (working) (Chinese/Japanese) References Dr. Eric Rentschler, German, Harvard University (office: ) Dr. Andreas Huyssen, German, Columbia University (office: ) Dr. Robert Shandley, EURO, Texas A&M University (office: ) Dr. Sabine Hake, German, University of Texas/Austin (office: ) Dr. Martin Puchner, English, Columbia University (office: ) Dr. Barton Byg, German, University of Massachusetts ) Dr. Sara Lennox, German, University of Massachusetts ) Additional reference for teaching: Dr. Richard Curry, HISP (Hispanic Studies), Texas A&M